Author: Koleka Putuma
Publisher: Koleka Putuma
ISBN:
Category : Poetry
Languages : en
Pages : 126
Book Description
The title of the book is inspired by a South African phrase made famous by the legendary musician Brenda Fassie in her 1992 song, Istraight lendaba. Like the legend who inspired the book title and the song from which the name of this poetry collection was selected, Putuma wanted to build on the themes she explored in her first book, Collective Amnesia, and go straight to the heart of tackling the legacies of black femme erasure from society as well as in the arts. The success of Collective Amnesia, a bestseller that has sold over 6000 copies and been translated into eight languages around the world, saw Putuma perform for audiences across the continent as well as in Europe. “In writing Hullo, Bu-bye, Koko, Come in, I wanted to reflect on my personal experiences of travelling and performing outside of South Africa and more specifically, Europe. I wanted to understand different aesthetics and forms of memory, documentation, performance, hyper-visibility and erasure. I wanted to look at how those things frame our understanding of women in the archive, legacies of archiving, celebration, fame, culture and black women on and off the stage,” Putuma says. The book is divided into four chapters dealing with subjects related to history, the erasure of black women from the archive and more personal poems where Putuma resuscitates the stories of women in her lineage who have had an influence on her life. “I wanted these excerpts to serve as a conversation between the poems and an archive of sorts - an archive of black women (living and dead) who are looked at, celebrated, uncited, erased and exploited. I wanted to make visible the words of black women who have had to navigate the complexities of a constant gaze that often renders the “looked at” invisible. In my quest, I wanted to further understand and challenge my own methods of citation, documentation and seeing – and in doing that – invite others to do the same,” she says.
Collective Amnesia
Author: Koleka Putuma
Publisher: Koleka Putuma
ISBN:
Category : Poetry
Languages : en
Pages : 114
Book Description
Since its publication in April 2017, Collective Amnesia has taken the South African literary scene by storm. The book is in its twelfth print run and is prescribed for study at tertiary level in South African Universities and abroad. The collection is the recipient of the 2018 Glenna Luschei Prize for African Poetry, named 2017 book of the year by the City Press and one of the best books of 2017 by The Sunday Times and Quartz Africa. It is translated into Spanish (Flores Rara, 2019), German (Wunderhorn Publishing House, 2019), Danish (Rebel with a Cause, 2019), Dutch (Poeziecentrum, 2020), Swedish (Rámus förlag). Forthcoming translations: Portuguese (Editora Trinta Zero Nove), Italian (Arcipelago itaca) and French (éditions Lanskine). Collective Amnesia examines the intersection of politics, race, religion, relationships, sexuality, feminism, memory and more. The poems provoke institutions and systems of learning and interrogates what must be unlearned in society, academia, relationships, religion, and spaces of memory and forgetting.
Publisher: Koleka Putuma
ISBN:
Category : Poetry
Languages : en
Pages : 114
Book Description
Since its publication in April 2017, Collective Amnesia has taken the South African literary scene by storm. The book is in its twelfth print run and is prescribed for study at tertiary level in South African Universities and abroad. The collection is the recipient of the 2018 Glenna Luschei Prize for African Poetry, named 2017 book of the year by the City Press and one of the best books of 2017 by The Sunday Times and Quartz Africa. It is translated into Spanish (Flores Rara, 2019), German (Wunderhorn Publishing House, 2019), Danish (Rebel with a Cause, 2019), Dutch (Poeziecentrum, 2020), Swedish (Rámus förlag). Forthcoming translations: Portuguese (Editora Trinta Zero Nove), Italian (Arcipelago itaca) and French (éditions Lanskine). Collective Amnesia examines the intersection of politics, race, religion, relationships, sexuality, feminism, memory and more. The poems provoke institutions and systems of learning and interrogates what must be unlearned in society, academia, relationships, religion, and spaces of memory and forgetting.
Hullo, Bu-Bye, Koko, Come In
Author: Koleka Putuma
Publisher: Koleka Putuma
ISBN:
Category : Poetry
Languages : en
Pages : 126
Book Description
The title of the book is inspired by a South African phrase made famous by the legendary musician Brenda Fassie in her 1992 song, Istraight lendaba. Like the legend who inspired the book title and the song from which the name of this poetry collection was selected, Putuma wanted to build on the themes she explored in her first book, Collective Amnesia, and go straight to the heart of tackling the legacies of black femme erasure from society as well as in the arts. The success of Collective Amnesia, a bestseller that has sold over 6000 copies and been translated into eight languages around the world, saw Putuma perform for audiences across the continent as well as in Europe. “In writing Hullo, Bu-bye, Koko, Come in, I wanted to reflect on my personal experiences of travelling and performing outside of South Africa and more specifically, Europe. I wanted to understand different aesthetics and forms of memory, documentation, performance, hyper-visibility and erasure. I wanted to look at how those things frame our understanding of women in the archive, legacies of archiving, celebration, fame, culture and black women on and off the stage,” Putuma says. The book is divided into four chapters dealing with subjects related to history, the erasure of black women from the archive and more personal poems where Putuma resuscitates the stories of women in her lineage who have had an influence on her life. “I wanted these excerpts to serve as a conversation between the poems and an archive of sorts - an archive of black women (living and dead) who are looked at, celebrated, uncited, erased and exploited. I wanted to make visible the words of black women who have had to navigate the complexities of a constant gaze that often renders the “looked at” invisible. In my quest, I wanted to further understand and challenge my own methods of citation, documentation and seeing – and in doing that – invite others to do the same,” she says.
Publisher: Koleka Putuma
ISBN:
Category : Poetry
Languages : en
Pages : 126
Book Description
The title of the book is inspired by a South African phrase made famous by the legendary musician Brenda Fassie in her 1992 song, Istraight lendaba. Like the legend who inspired the book title and the song from which the name of this poetry collection was selected, Putuma wanted to build on the themes she explored in her first book, Collective Amnesia, and go straight to the heart of tackling the legacies of black femme erasure from society as well as in the arts. The success of Collective Amnesia, a bestseller that has sold over 6000 copies and been translated into eight languages around the world, saw Putuma perform for audiences across the continent as well as in Europe. “In writing Hullo, Bu-bye, Koko, Come in, I wanted to reflect on my personal experiences of travelling and performing outside of South Africa and more specifically, Europe. I wanted to understand different aesthetics and forms of memory, documentation, performance, hyper-visibility and erasure. I wanted to look at how those things frame our understanding of women in the archive, legacies of archiving, celebration, fame, culture and black women on and off the stage,” Putuma says. The book is divided into four chapters dealing with subjects related to history, the erasure of black women from the archive and more personal poems where Putuma resuscitates the stories of women in her lineage who have had an influence on her life. “I wanted these excerpts to serve as a conversation between the poems and an archive of sorts - an archive of black women (living and dead) who are looked at, celebrated, uncited, erased and exploited. I wanted to make visible the words of black women who have had to navigate the complexities of a constant gaze that often renders the “looked at” invisible. In my quest, I wanted to further understand and challenge my own methods of citation, documentation and seeing – and in doing that – invite others to do the same,” she says.
A Handbook of the Swahili Language
Author: Edward Steere
Publisher:
ISBN:
Category : Swahili language
Languages : en
Pages : 492
Book Description
Publisher:
ISBN:
Category : Swahili language
Languages : en
Pages : 492
Book Description
Questions for Ada
Author: Ijeoma Umebinyuo
Publisher: Createspace Independent Publishing Platform
ISBN: 9781505984347
Category : Nigeria
Languages : en
Pages : 0
Book Description
The poet uses the artistry of words to embody the pain, the passion, and the power of love rising from the depths of our souls.
Publisher: Createspace Independent Publishing Platform
ISBN: 9781505984347
Category : Nigeria
Languages : en
Pages : 0
Book Description
The poet uses the artistry of words to embody the pain, the passion, and the power of love rising from the depths of our souls.
Contemporary Plays by African Women
Author: Sophia Kwachuh Mempuh
Publisher: Bloomsbury Publishing
ISBN: 1350034533
Category : Performing Arts
Languages : en
Pages : 345
Book Description
This volume uniquely draws together seven contemporary plays by a selection of the finest African women writers and practitioners from across the continent, offering a rich and diverse portrait of identity, politics, culture, gender issues and society in contemporary Africa. Niqabi Ninja by Sara Shaarawi (Egypt) is set in Cairo during the chaotic time of the Egyptian uprising. Not That Woman by Tosin Jobi-Tume (Nigeria) addresses issues of violence against women in Nigeria and its attendant conspiracy of silence. The play advocates zero-tolerance for violence against women and urges women to bury shame and speak out rather than suffer in silence. I Want To Fly by Thembelihle Moyo (Zimbabwe) tells the story of an African girl who wants to be a pilot. It looks at how patriarchal society shapes the thinking of men regarding lobola (bride price), how women endure abusive men and the role society at large plays in these issues. Silent Voices by Adong Judith (Uganda) is a one-act play based on interviews with people involved in the LRA and the effects of the civil war in Uganda. It critiques this, and by implication, other truth commissions. Unsettled by JC Niala (Kenya) deals with gender violence, land issues and relations of both black and white Kenyans living in, and returning to, the country. Mbuzeni by Koleka Putuma (South Africa) is a story of four female orphans, aged eight to twelve, their sisterhood and their fixation with death and burials. It explores the unseen force that governs and dictates the laws that the villagers live by. Bonganyi by Sophia Kwachuh Mempuh (Cameroon) depicts the effects of colonialism as told through the story of a slave girl: a singer and dancer, who wants to win a competition to free her family. Each play also includes a biography of the playwright, the writer's own artistic statement, a production history of the play and a critical contextualisation of the theatrical landscape from which each woman is writing.
Publisher: Bloomsbury Publishing
ISBN: 1350034533
Category : Performing Arts
Languages : en
Pages : 345
Book Description
This volume uniquely draws together seven contemporary plays by a selection of the finest African women writers and practitioners from across the continent, offering a rich and diverse portrait of identity, politics, culture, gender issues and society in contemporary Africa. Niqabi Ninja by Sara Shaarawi (Egypt) is set in Cairo during the chaotic time of the Egyptian uprising. Not That Woman by Tosin Jobi-Tume (Nigeria) addresses issues of violence against women in Nigeria and its attendant conspiracy of silence. The play advocates zero-tolerance for violence against women and urges women to bury shame and speak out rather than suffer in silence. I Want To Fly by Thembelihle Moyo (Zimbabwe) tells the story of an African girl who wants to be a pilot. It looks at how patriarchal society shapes the thinking of men regarding lobola (bride price), how women endure abusive men and the role society at large plays in these issues. Silent Voices by Adong Judith (Uganda) is a one-act play based on interviews with people involved in the LRA and the effects of the civil war in Uganda. It critiques this, and by implication, other truth commissions. Unsettled by JC Niala (Kenya) deals with gender violence, land issues and relations of both black and white Kenyans living in, and returning to, the country. Mbuzeni by Koleka Putuma (South Africa) is a story of four female orphans, aged eight to twelve, their sisterhood and their fixation with death and burials. It explores the unseen force that governs and dictates the laws that the villagers live by. Bonganyi by Sophia Kwachuh Mempuh (Cameroon) depicts the effects of colonialism as told through the story of a slave girl: a singer and dancer, who wants to win a competition to free her family. Each play also includes a biography of the playwright, the writer's own artistic statement, a production history of the play and a critical contextualisation of the theatrical landscape from which each woman is writing.
Myths and Legends of Torres Strait
Author: Margaret Elizabeth Lawrie
Publisher: New York : Taplinger Publishing Company
ISBN:
Category : Social Science
Languages : en
Pages : 404
Book Description
Publisher: New York : Taplinger Publishing Company
ISBN:
Category : Social Science
Languages : en
Pages : 404
Book Description
Thinking of Brenda
Author: Njabulo Simakahle Ndebele
Publisher:
ISBN: 9780981427232
Category : Women singers
Languages : en
Pages : 32
Book Description
Publisher:
ISBN: 9780981427232
Category : Women singers
Languages : en
Pages : 32
Book Description
Swahili Tales
Author: Steere Edward 1828-1882
Publisher: Franklin Classics
ISBN: 9780343065508
Category :
Languages : en
Pages : 522
Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Publisher: Franklin Classics
ISBN: 9780343065508
Category :
Languages : en
Pages : 522
Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Before the Next Song and Other Poems
Author: Mapfumo Clement Chihota
Publisher:
ISBN: 9781838048082
Category :
Languages : en
Pages : 66
Book Description
Mapfumo Clement Chihota is a Zimbabwean poet and short-story writer. His creative works have been published Zimbabwe, South Africa, the USA and the United Kingdom in anthologies or journals such as No More Plastic Balls and other Stories (co-edited with Robert Muponde); Writing Still; Writing Now; New Coin Poetry; Tripwire Journal of Poetics; The Warwick Reviewand Where to Now? Short Stories from Zimbabwe. Mapfumo currently teaches into Community and Human Services programs at Federation University in Melbourne, Australia. The collection Before the Next Song and other Poems was initially published by Mambo Press Publishers in 1999. It has been used as an 'A level' literature set book in Zimbabwean secondary schools.
Publisher:
ISBN: 9781838048082
Category :
Languages : en
Pages : 66
Book Description
Mapfumo Clement Chihota is a Zimbabwean poet and short-story writer. His creative works have been published Zimbabwe, South Africa, the USA and the United Kingdom in anthologies or journals such as No More Plastic Balls and other Stories (co-edited with Robert Muponde); Writing Still; Writing Now; New Coin Poetry; Tripwire Journal of Poetics; The Warwick Reviewand Where to Now? Short Stories from Zimbabwe. Mapfumo currently teaches into Community and Human Services programs at Federation University in Melbourne, Australia. The collection Before the Next Song and other Poems was initially published by Mambo Press Publishers in 1999. It has been used as an 'A level' literature set book in Zimbabwean secondary schools.
Transcontinental Delay
Author: Simon van Schalkwyk
Publisher: Dryad Press Living Poets
ISBN: 9781990992285
Category : Poetry
Languages : en
Pages : 92
Book Description
In Transcontinental Delay, Simon Van Schalkwyk tracks experiences of imminent arrival and departure, periods of waiting and suspension between destinations, points where the demands of place dissolve into the more anticipatory potentialities of space. Drawing on geographical lexicons familiar to South African localities such as Cape Town and Johannesburg, the collection also captures fleeting encounters with global spaces as far afield as the United Kingdom, Argentina and Sweden. Considering the world from a position of "transcendental homelessness" rather than more conventional expressions of estrangement, alienation, or exile, the poems collected in Transcontinental Delay are attentive to a fundamental sense of unbelonging, registering the moods, tones and attitudes of the visitor and stranger: figures of restlessness and, at times, obscurity, at odds with both the settlements of "home" and the transitory compulsions of travel.
Publisher: Dryad Press Living Poets
ISBN: 9781990992285
Category : Poetry
Languages : en
Pages : 92
Book Description
In Transcontinental Delay, Simon Van Schalkwyk tracks experiences of imminent arrival and departure, periods of waiting and suspension between destinations, points where the demands of place dissolve into the more anticipatory potentialities of space. Drawing on geographical lexicons familiar to South African localities such as Cape Town and Johannesburg, the collection also captures fleeting encounters with global spaces as far afield as the United Kingdom, Argentina and Sweden. Considering the world from a position of "transcendental homelessness" rather than more conventional expressions of estrangement, alienation, or exile, the poems collected in Transcontinental Delay are attentive to a fundamental sense of unbelonging, registering the moods, tones and attitudes of the visitor and stranger: figures of restlessness and, at times, obscurity, at odds with both the settlements of "home" and the transitory compulsions of travel.