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Author: Jahan Ramazani
Publisher: W W Norton & Company Incorporated
ISBN: 9780393324297
Category : Poetry
Languages : en
Pages : 1136
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Book Description
A new revision of the classic anthology presents 195 poets and 1,596 poems representing the range of English language modern and contemporary poetry.
Author: Jahan Ramazani
Publisher: W W Norton & Company Incorporated
ISBN: 9780393324297
Category : Poetry
Languages : en
Pages : 1136
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Book Description
A new revision of the classic anthology presents 195 poets and 1,596 poems representing the range of English language modern and contemporary poetry.
Author: John C. Weston
Publisher:
ISBN:
Category :
Languages : en
Pages : 122
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Book Description
Author: Hugh MacDiarmid
Publisher: Univ of California Press
ISBN: 9780520016187
Category : Reference
Languages : en
Pages : 260
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Book Description
Author: Hugh MacDiarmid
Publisher: Univ of California Press
ISBN: 0520335740
Category : Literary Criticism
Languages : en
Pages : 252
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Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1969.
Author: Hugh MacDiarmid
Publisher: Carcanet Press
ISBN:
Category : Poetry
Languages : en
Pages : 120
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Book Description
A selection from 300 recently discovered poems by Hugh MacDiarmid, who 25 years after his death is still a dissenting voice, are presented in this collection. The power of derisive laughter and the poetic imagination to combat ignorance, prejudice, and stupidity are celebrated by MacDiarmid in these provocative poems on sexuality and marriage. Many of the poems satirize the hypocrisy of the church and bourgeois complacency and powerfully indict the brutality of imperialism and its consequences for war. Discovered by John Manson in the archives of the National Library of Scotland, this is the first time many of these poems have appeared in print.
Author: Hugh MacDiarmid
Publisher: New Directions Publishing
ISBN: 9780811212489
Category : Poetry
Languages : en
Pages : 330
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Book Description
Hugh MacDiarmid's Selected Poetry is an invaluable introduction to the work of a major poet who, despite the enthusiasm of T.S. Eliot and Ezra Pound, remains little known in the United States. MacDiarmid (1892-1978), universally recognized as the greatest Scottish poet since Robert Burns and the man responsible for reviving Scots as a literary language, was also the author of an enormous body of poems in English. As the noted critic and translator Eliot Weinberger writes of MacDiarmid's work in his introduction: "There is nothing like it in modern literature, nothing even close. It is an attempt to return poetry to its original role as repository for all that a culture knows about itself." Edited by Alan Riach and the poet's son Michael Grieve, the Selected Poetry draws generously from fifty years of work, and includes the complete text of MacDiarmid's 1926 masterpiece, "A Drunk Man Looks at the Thistle."
Author: Matthew Hart
Publisher: OUP USA
ISBN: 0195390334
Category : Literary Collections
Languages : en
Pages : 255
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Book Description
Vernacular discourse from major to minor -- The impossibility of synthetic Scots; or, Hugh MacDiarmid's nationalist internationalism -- A dialect written in the spelling of the capital: Basil Bunting goes home -- Tradition and the postcolonial talent: T.S. Eliot versus E.K. Brathwaite -- Transnational anthems and the ship of state: Harryette Mullen, Melvin B. Tolson and the politics of afro-modernism -- Epilogue denationalizing Mina Loy.
Author: Ines Ramm
Publisher: GRIN Verlag
ISBN: 3638581543
Category : Literary Criticism
Languages : en
Pages : 81
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Book Description
Examination Thesis from the year 2006 in the subject English Language and Literature Studies - Literature, grade: 1,0, Carl von Ossietzky University of Oldenburg, language: English, abstract: The Scottish Renaissance Movement has found its way into numberless anthologies of Modern literature and poetry across the world and has been used as initial point for various studies of the awakening Scottish national identity in the early twentieth century. Unfortunately, the Scottish Renaissance has seldom been subject to literary studies resulting in a sensible lack of monographs on the movement.1The name of Hugh MacDiarmid, however, is inevitably to appear in any context of the Renaissance Movement. His articles in periodicals such asThe Scottish Chapbookshaped the cultural conception of the movement, while his poetical output gave voice to the simmering national awareness and search for identity at the beginning of the century. Questions of the national character and the political role of Scotland pervaded Scottish writing of this time. The idea of Scotland as a small nation where political selfdetermination might develop in co-ordination with cultural self-expression characterizes MacDiarmid’s confidence with regard to the Renaissance movement.2Furthermore, the poet aimed to reinstall the Scots language as a literary means in the arena of academic and scientific writing extending its vocabulary corpus through the work with language dictionaries and ancient terminology. Approaching Scots in this manner has rendered him a number of opponents criticizing the artificiality of his poetry. On the whole, MacDiarmid has been an ambiguous figure provoking reactions with all of his actions and attitudes. He was the personified extreme, combining nationalist views with socialist dreams, spiritual sensitivity with objective reason. The paper at hand examines the literary effects of Hugh MacDiarmid’s writing on contemporary Scottish poetry on the positive as well as on the negative side. One of the major questions in this work focuses on the relation between literature and national identity in the Scottish Renaissance and afterwards. In how far are the demands of distinctive Scottishness realised in recent Scottish poetry? And is MacDiarmid’s conception of national identity still applicable to the modern Republic after the re-establishment of its Parliament in 1999? Furthermore, MacDiarmid claimed that Scottish identity could only be fully expressed through the Scots language. Thus, the second major subject within this examination will be the use of the Vernacular subsequent to the Scottish Renaissance and its function as a medium for national identity.
Author: Kirsten Stirling
Publisher: Rodopi
ISBN: 9042025107
Category : Literary Criticism
Languages : en
Pages : 136
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Book Description
Bella Caledonia: Woman, Nation, Text looks at the widespread tradition of using a female figure to represent the nation, focusing on twentieth-century Scottish literature. The woman-as-nation figure emerged in Scotland in the twentieth century, but as a literary figure rather than an institutional icon like Britannia or France's Marianne. Scottish writers make use of familiar aspects of the trope such as the protective mother nation and the woman as fertile land, which are obviously problematic from a feminist perspective. But darker implications, buried in the long history of the figure, rise to the surface in Scotland, such as woman/nation as victim, and woman/nation as deformed or monstrous. As a result of Scotland's unusual status as a nation within the larger entity of Great Britain, the literary figures under consideration here are never simply incarnations of a confident and complete nation nurturing her warrior sons. Rather, they reflect a more modern anxiety about the concept of the nation, and embody a troubled and divided national identity. Kirsten Stirling traces the development of the twentieth-century Scotland-as-woman figure through readings of poetry and fiction by male and female writers including Hugh MacDiarmid, Naomi Mitchison, Neil Gunn, Lewis Grassic Gibbon, Willa Muir, Alasdair Gray, A.L. Kennedy, Ellen Galford and Janice Galloway.
Author: Scott Lyall
Publisher: Edinburgh University Press
ISBN: 0748630058
Category : Literary Criticism
Languages : en
Pages : 216
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Book Description
By examining at length for the first time those places in Scotland that inspired MacDiarmid to produce his best poetry, Scott Lyall shows how the poet's politics evolved from his interaction with the nation, exploring how MacDiarmid discovered a hidden tradition of radical Scottish Republicanism through which he sought to imagine a new Scottish future. Adapting postcolonial theory, this book allows readers a fuller understanding not only of MacDiarmid's poetry and politics, but also of international modernism, and the social history of Scottish modernism.
