Author: William Henry James Weale
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 550
Book Description
Hubert and John Van Eyck, Their Life and Work
Author: William Henry James Weale
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 550
Book Description
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 550
Book Description
Hubert & John Van Eyck
Author: Frances C. Weale
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 92
Book Description
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 92
Book Description
Stealing the Mystic Lamb
Author: Noah Charney
Publisher: PublicAffairs
ISBN: 1586489240
Category : Art
Languages : en
Pages : 338
Book Description
Jan van Eyck's Ghent Altarpiece is on any art historian's list of the ten most important paintings ever made. Often referred to by the subject of its central panel, The Adoration of the Mystic Lamb, it represents the fulcrum between the Middle Ages and the Renaissance. It is also the most frequently stolen artwork of all time. Since its completion in 1432, this twelve-panel oil painting has been looted in three different wars, burned, dismembered, forged, smuggled, illegally sold, censored, hidden, attacked by iconoclasts, hunted by the Nazis and Napoleon, used as a diplomatic tool, ransomed, rescued by Austrian double-agents, and stolen a total of thirteen times. In this fast-paced, real-life thriller, art historian Noah Charney unravels the stories of each of these thefts. In the process, he illuminates the whole fascinating history of art crime, and the psychological, ideological, religious, political, and social motivations that have led many men to covet this one masterpiece above all others.
Publisher: PublicAffairs
ISBN: 1586489240
Category : Art
Languages : en
Pages : 338
Book Description
Jan van Eyck's Ghent Altarpiece is on any art historian's list of the ten most important paintings ever made. Often referred to by the subject of its central panel, The Adoration of the Mystic Lamb, it represents the fulcrum between the Middle Ages and the Renaissance. It is also the most frequently stolen artwork of all time. Since its completion in 1432, this twelve-panel oil painting has been looted in three different wars, burned, dismembered, forged, smuggled, illegally sold, censored, hidden, attacked by iconoclasts, hunted by the Nazis and Napoleon, used as a diplomatic tool, ransomed, rescued by Austrian double-agents, and stolen a total of thirteen times. In this fast-paced, real-life thriller, art historian Noah Charney unravels the stories of each of these thefts. In the process, he illuminates the whole fascinating history of art crime, and the psychological, ideological, religious, political, and social motivations that have led many men to covet this one masterpiece above all others.
The Ghent Altarpiece
Author: Bart Fransen
Publisher: Brepols Publishers
ISBN: 9782930054384
Category : Art
Languages : en
Pages : 430
Book Description
The outer panels of the Ghent Altarpiece had been overpainted to a considerable extent. The virtuosity of the Eyckian technique and aesthetics remained hardly visible. And yet, this had never been observed before the start of the conservation treatment. By removing the overpaint, the tonal richness and the coherent rendering of light and space once again came to the fore. Especially the suggestion of volumes and the spaciousness of the ensemble gained strength because of the virtuoso play of deep shadows and bright light accents, and not in the least because of the surprising trompe-l'oeil effect of the frames conceived as a stone framework. Or to put it in the words of the comments of one of the experts, dr. Maryan Ainsworth: The paintings live and breathe again in the time of the Van Eyck brothers. The sharp observation skills, the quick, accurate execution, the knowledge, curiosity and ingenuity about all the things that are depicted, are now unveiled after centuries. The profit for the knowledge of and further research into the essence of Eyckian aesthetics is considerable. And finally there is the discovery that the much-discussed quatrain was applied simultaneously with the polychromy of the frames: a real 'coup de foudre' in the discourse of the current art-historical research! The subtleties of the Eyckian technique could also be mapped out in more detail. How the Van Eycks managed to keep the final result and the desired effect in mind during every phase of the execution, from imprimatura to finishing touch. The artists made a statement about the art of painting, giving 'technique' as such a new prominence. The Ghent Altarpiece may be understood at some point as a major showpiece for a highly sophisticated pictorial technique.
Publisher: Brepols Publishers
ISBN: 9782930054384
Category : Art
Languages : en
Pages : 430
Book Description
The outer panels of the Ghent Altarpiece had been overpainted to a considerable extent. The virtuosity of the Eyckian technique and aesthetics remained hardly visible. And yet, this had never been observed before the start of the conservation treatment. By removing the overpaint, the tonal richness and the coherent rendering of light and space once again came to the fore. Especially the suggestion of volumes and the spaciousness of the ensemble gained strength because of the virtuoso play of deep shadows and bright light accents, and not in the least because of the surprising trompe-l'oeil effect of the frames conceived as a stone framework. Or to put it in the words of the comments of one of the experts, dr. Maryan Ainsworth: The paintings live and breathe again in the time of the Van Eyck brothers. The sharp observation skills, the quick, accurate execution, the knowledge, curiosity and ingenuity about all the things that are depicted, are now unveiled after centuries. The profit for the knowledge of and further research into the essence of Eyckian aesthetics is considerable. And finally there is the discovery that the much-discussed quatrain was applied simultaneously with the polychromy of the frames: a real 'coup de foudre' in the discourse of the current art-historical research! The subtleties of the Eyckian technique could also be mapped out in more detail. How the Van Eycks managed to keep the final result and the desired effect in mind during every phase of the execution, from imprimatura to finishing touch. The artists made a statement about the art of painting, giving 'technique' as such a new prominence. The Ghent Altarpiece may be understood at some point as a major showpiece for a highly sophisticated pictorial technique.
Hubert and Jan Van Eyck
Author: Leo van Puyvelde
Publisher:
ISBN:
Category : Art, Flemish
Languages : en
Pages : 42
Book Description
Publisher:
ISBN:
Category : Art, Flemish
Languages : en
Pages : 42
Book Description
Van Eyck
Author: Till-Holger Borchert
Publisher: National Geographic Books
ISBN: 050002345X
Category : Art
Languages : en
Pages : 0
Book Description
This stunning compilation of the work of Jan van Eyck, the master Flemish painter, is being published to coincide with a once-in-a-lifetime exhibition in Ghent. Flemish painter Jan van Eyck (1390–1441) towered above his contemporaries. With his unprecedented technique, scientific knowledge, and unparalleled powers of observation, Van Eyck lifted oil painting to previously unknown heights and helped determine the course of Western art. In 2020, the Museum of Fine Arts in Ghent will host the largest ever exhibition of Van Eyck’s work. Van Eyck: An Optical Revolution includes artwork by Van Eyck, several pieces from his studio, and international masterpieces from the late Middle Ages while making the world of Van Eyck more tangible than ever. This tie-in exhibition catalog unravels some of the myths that surround Van Eyck and his techniques, while showing his complete oeuvre and influence in a new perspective. Including essays by leading experts from around the world, Van Eyck will prove to be an indispensable resource for Van Eyck fans and scholars alike.
Publisher: National Geographic Books
ISBN: 050002345X
Category : Art
Languages : en
Pages : 0
Book Description
This stunning compilation of the work of Jan van Eyck, the master Flemish painter, is being published to coincide with a once-in-a-lifetime exhibition in Ghent. Flemish painter Jan van Eyck (1390–1441) towered above his contemporaries. With his unprecedented technique, scientific knowledge, and unparalleled powers of observation, Van Eyck lifted oil painting to previously unknown heights and helped determine the course of Western art. In 2020, the Museum of Fine Arts in Ghent will host the largest ever exhibition of Van Eyck’s work. Van Eyck: An Optical Revolution includes artwork by Van Eyck, several pieces from his studio, and international masterpieces from the late Middle Ages while making the world of Van Eyck more tangible than ever. This tie-in exhibition catalog unravels some of the myths that surround Van Eyck and his techniques, while showing his complete oeuvre and influence in a new perspective. Including essays by leading experts from around the world, Van Eyck will prove to be an indispensable resource for Van Eyck fans and scholars alike.
Van Eyck: the Ghent Altarpiece
Author: Elisabeth Dhanens
Publisher: Viking Adult
ISBN:
Category : Art
Languages : en
Pages : 166
Book Description
Publisher: Viking Adult
ISBN:
Category : Art
Languages : en
Pages : 166
Book Description
The Changing Status of the Artist
Author: Senior Lecturer in Art History Emma Barker
Publisher: Yale University Press
ISBN: 9780300077421
Category : Art
Languages : en
Pages : 268
Book Description
"This is the second of six books in the series Art and its histories, which form the main texts of an Open University second-level course of the same name"--Preface.
Publisher: Yale University Press
ISBN: 9780300077421
Category : Art
Languages : en
Pages : 268
Book Description
"This is the second of six books in the series Art and its histories, which form the main texts of an Open University second-level course of the same name"--Preface.
Van Eyck Studies
Author: Christina Currie
Publisher:
ISBN: 9789042934153
Category : Dessin sous-jacent
Languages : en
Pages : 0
Book Description
Since Paul Coreman's ground-breaking 'L'Agneau mystique au laboratoire' in 1953, the 'Ghent Altarpiece', masterwork of the Van Eyck brothers, has been a major focus of research at the Royal Institute for Cultural Heritage (KIK-IRPA, Brussels). Some sixty years later, in the wake of a new conservation campaign in which KIK-IRPA is again playing the leading role, the art of Hubert and Jan van Eyck took centre stage at the Symposium XVIII for the Study of Underdrawing and Technology in Painting (Brussels, 19-21 September 2012). The event was organised by the KIK-IRPA and the Centre for the Study of the Flemish Primitives in collaboration with the Laboratoire d'étude des œuvres d'art par des méthodes scientifiques (Université catholique de Louvain-la-Neuve), and Illuminare - Centre for the Study of Medieval Art (Katholieke Universiteit Leuven). This book captures the variety of thirty-seven papers presented at the symposium and provides state-of-the-art knowledge on one of the most significant painters of all time. It should be read in conjunction with the widely acclaimed website "Closer to Van Eyck", which offers the scientific imagery of the 'Ghent Altarpiece' in glorious high resolution.
Publisher:
ISBN: 9789042934153
Category : Dessin sous-jacent
Languages : en
Pages : 0
Book Description
Since Paul Coreman's ground-breaking 'L'Agneau mystique au laboratoire' in 1953, the 'Ghent Altarpiece', masterwork of the Van Eyck brothers, has been a major focus of research at the Royal Institute for Cultural Heritage (KIK-IRPA, Brussels). Some sixty years later, in the wake of a new conservation campaign in which KIK-IRPA is again playing the leading role, the art of Hubert and Jan van Eyck took centre stage at the Symposium XVIII for the Study of Underdrawing and Technology in Painting (Brussels, 19-21 September 2012). The event was organised by the KIK-IRPA and the Centre for the Study of the Flemish Primitives in collaboration with the Laboratoire d'étude des œuvres d'art par des méthodes scientifiques (Université catholique de Louvain-la-Neuve), and Illuminare - Centre for the Study of Medieval Art (Katholieke Universiteit Leuven). This book captures the variety of thirty-seven papers presented at the symposium and provides state-of-the-art knowledge on one of the most significant painters of all time. It should be read in conjunction with the widely acclaimed website "Closer to Van Eyck", which offers the scientific imagery of the 'Ghent Altarpiece' in glorious high resolution.
The Early Flemish Painters
Author: J. A. Crowe
Publisher: Forgotten Books
ISBN: 9781396658204
Category : Art
Languages : en
Pages : 460
Book Description
Excerpt from The Early Flemish Painters: Notices of Their Tibes and Works Descamps, in 1753, wrote afresh the lives of these painters. He did not, however, add much that was new. On the contrary, he confused a history which was already sufficiently obscure. He failed to discover the error of Van Mander, who made two painters out of the old Roger Van der Weyden and he changed the name of Memling to Hemmelinck, thereby laying the foundation of much subsequent controversy. Having visited Bruges and seen the pictures of the hospital, he sought to repair the neglect of history by writing a legend. Thus altered and falsified, the history of early Flemish art remained for some time, not forgotten, it is true, but still obscure. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Publisher: Forgotten Books
ISBN: 9781396658204
Category : Art
Languages : en
Pages : 460
Book Description
Excerpt from The Early Flemish Painters: Notices of Their Tibes and Works Descamps, in 1753, wrote afresh the lives of these painters. He did not, however, add much that was new. On the contrary, he confused a history which was already sufficiently obscure. He failed to discover the error of Van Mander, who made two painters out of the old Roger Van der Weyden and he changed the name of Memling to Hemmelinck, thereby laying the foundation of much subsequent controversy. Having visited Bruges and seen the pictures of the hospital, he sought to repair the neglect of history by writing a legend. Thus altered and falsified, the history of early Flemish art remained for some time, not forgotten, it is true, but still obscure. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.