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Author: Anne D'Alleva
Publisher: Laurence King Publishing
ISBN: 9781856694179
Category : Art
Languages : en
Pages : 198
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Book Description
This is an analysis of complex forms of art history. It covers a broad range of approaches, presenting individual arguments, controversies and divergent perspectives. The book begins by introducing the concept of theory and explains why it is important to the practice of art history.
Author: Anne D'Alleva
Publisher: Laurence King Publishing
ISBN: 9781856694179
Category : Art
Languages : en
Pages : 198
Get Book Here
Book Description
This is an analysis of complex forms of art history. It covers a broad range of approaches, presenting individual arguments, controversies and divergent perspectives. The book begins by introducing the concept of theory and explains why it is important to the practice of art history.
Author: Catherine Grant
Publisher: John Wiley & Sons
ISBN: 1444350390
Category : Art
Languages : en
Pages : 209
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Book Description
Creative Writing and Art History considers the ways in which the writing of art history intersects with creative writing. Essays range from the analysis of historical examples of art historical writing that have a creative element to examinations of contemporary modes of creative writing about art. Considers the ways in which the writing of art history intersects with creative writing Covers a diverse subject matter, from late Neolithic stone circles to the writing of a sentence by Flaubert The collection both contains essays that survey the topic as well as more specialist articles Brings together specialist contributors from both sides of the Atlantic
Author: Christina Maranci
Publisher: Prentice Hall
ISBN: 9780131401976
Category : Art
Languages : en
Pages : 0
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Book Description
A Survival Guide for Art History Students is designed to help students succeed in art history courses. The art history classroom is a unique learning environment that most students first experience in college. Survival Guide is sympathetic to this, offering practical instruction and guidance for every moment in students' coursework, from the initial disorientation of their first art history class ("art in the dark") to the challenge of the slide exam. Survival Guide gives practical guidance on how to take notes, write paper assignments, as well as how to study for and take exams. It deals with the kinds of questions that students commonly ask but professors seem hesitant to write about: "Isrit art history a gut course?", "What in the world do you do with a degree in art history?", "Is 500 BC later or earlier than 190 AD?", and "How can I take notes and look up at slides at the same time?" Designed for student readers, Survival Guide is written in a familiar and engaging tone. The images discussed and illustrated are primarily those of western art from the ancient to modern eras. By focusing on images that are taught in standard art history survey courses, Survival Guide reinforces and builds upon course materials.
Author: Anne D'Alleva
Publisher: Laurence King Publishing
ISBN: 9781856694889
Category : Art
Languages : en
Pages : 182
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Book Description
An invaluable handbook, How to Write Art History enables students to get the most from their art history course. In a clear and engaging style, Anne D'Alleva empowers readers to approach their coursework with confidence and energy. The book introduces two basic art historical methods - formal analysis and contextual analysis - revealing how to use these methods in writing papers and in class discussion. The common strengths and weaknesses of an art history essay are highlighted by using real examples of written work, and at each stage of the writing process D'Alleva offers valuable advice on developing an argument convincingly. In addition, she explains the most effective methods of note-taking and outlines strategies for reviewing images - essential tools when preparing for an exam. Providing a fascinating view of the study of art history within its historical context, this book will be particularly helpful for those considering a career in this rewarding discipline.
Author: Anne D'Alleva
Publisher: Prentice Hall
ISBN: 9780205768714
Category : Art
Languages : en
Pages : 184
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Book Description
For one or two semester Introductory Art History Survey courses. This handbook is designed to accompany the major textbooks used in the art history survey, presenting various methods for analysis of art as well as extensive tips on writing about art. Professor Anne D'Alleva created this handbook to accompany the major textbooks used in art history survey courses. Because the main survey texts focus on the artworks themselves, she saw the need for a complementary handbook that introduces students to the methodologies of art history in an open, accessible way. Look! discusses basic art historical practices, such as visual and contextual analysis, and provides guidelines for writing papers and taking examinations in art history. It provides a short history of the discipline and provides links to related academic disciplines to provide students with a sense of intellectual context for their work.
Author: Christopher S. Wood
Publisher: Princeton University Press
ISBN: 0691204764
Category : Art
Languages : en
Pages : 472
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Book Description
"In this authoritative book, the first of its kind in English, Christopher Wood tracks the evolution of the historical study of art from the late middle ages through the rise of the modern scholarly discipline of art history. Synthesizing and assessing a vast array of writings, episodes, and personalities, this original and accessible account of the development of art-historical thinking will appeal to readers both inside and outside the discipline. The book shows that the pioneering chroniclers of the Italian Renaissance--Lorenzo Ghiberti and Giorgio Vasari--measured every epoch against fixed standards of quality. Only in the Romantic era did art historians discover the virtues of medieval art, anticipating the relativism of the later nineteenth century, when art history learned to admire the art of all societies and to value every work as an index of its times. The major art historians of the modern era, however--Jacob Burckhardt, Aby Warburg, Heinrich Wölfflin, Erwin Panofsky, Meyer Schapiro, and Ernst Gombrich--struggled to adapt their work to the rupture of artistic modernism, leading to the current predicaments of the discipline. Combining erudition with clarity, this book makes a landmark contribution to the understanding of art history."--from book jacket
Author: Vernon Hyde Minor
Publisher:
ISBN: 9780131946064
Category : Art
Languages : en
Pages : 211
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Book Description
This undergraduate text covers the standard (old and new) methodological approaches to art history, in a clear, direct and understandable way.
Author: Alan Fisk
Publisher: Twenty First Century Publishers Ltd
ISBN: 1904433081
Category : Art
Languages : en
Pages : 218
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Book Description
Author: David Carrier
Publisher: Penn State Press
ISBN: 0271036060
Category : Art
Languages : en
Pages : 200
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Book Description
Is writing a world art history possible? Does the history of art as such even exist outside the Western tradition? Is it possible to consider the history of art in a way that is not fundamentally Eurocentric? In this highly readable and provocative book, David Carrier, a philosopher and art historian, does not attempt to write a world art history himself. Rather, he asks the question of how an art history of all cultures could be written—or whether it is even possible to do so. He also engages the political and moral issues raised by the idea of a multicultural art history. Focusing on a consideration of intersecting artistic traditions, Carrier negotiates the way meaning and understanding shift or are altered when a visual object from one culture, for example, is inserted into the visual tradition of another culture. A World Art History and Its Objects proposes the use of temporal narrative as a way to begin to understand a multicultural art history.
Author: James Elkins
Publisher:
ISBN: 9781387154784
Category : Art
Languages : en
Pages : 164
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Book Description
This is a book about how art history is written. It includes detailed analyses of a dozen important texts, and theories about what counts as "interesting" or "experimental" writing on art. There are chapters on texts by Rosalind Krauss, T.J. Clark, Alexander Nemerov, Gilles Deleuze, Helene Cixous, Leo Steinberg, Jean-Louis Schefer, and others; a chapter on institutions that teach experimental writing on art; analyses of rival concepts of the essay; and chapters on the absence of literary criticism in the disciplines of art history, visual studies, art theory, and art criticism.
