Author: James N. Frey
Publisher: St. Martin's Press
ISBN: 1429913630
Category : Language Arts & Disciplines
Languages : en
Pages : 301
Book Description
A quick look at any fiction bestseller list reveals that thrillers make up most of the titles at the top. HOW TO WRITE A DAMN GOOD THRILLER will help the aspiring novelist or screenwriter to design, draft, write, and polish a thriller that is sure to grab readers. Frey uses examples from both books and movies and addresses the following hot topics: *Germinal ideas *Breathing life into great thriller characters *Crafting a gripping opening *Maintaining tension *Creating obstacles and conflicts *Writing a mean, lean thriller scene *Adding surprise twists *Building a smashing climax and many more. In his trademark approachable and humorous style, Frey illuminates the building blocks of great thrillers and gives the reader the tools to write his or her own.
How to Write a Damn Good Thriller
Author: James N. Frey
Publisher: St. Martin's Press
ISBN: 1429913630
Category : Language Arts & Disciplines
Languages : en
Pages : 301
Book Description
A quick look at any fiction bestseller list reveals that thrillers make up most of the titles at the top. HOW TO WRITE A DAMN GOOD THRILLER will help the aspiring novelist or screenwriter to design, draft, write, and polish a thriller that is sure to grab readers. Frey uses examples from both books and movies and addresses the following hot topics: *Germinal ideas *Breathing life into great thriller characters *Crafting a gripping opening *Maintaining tension *Creating obstacles and conflicts *Writing a mean, lean thriller scene *Adding surprise twists *Building a smashing climax and many more. In his trademark approachable and humorous style, Frey illuminates the building blocks of great thrillers and gives the reader the tools to write his or her own.
Publisher: St. Martin's Press
ISBN: 1429913630
Category : Language Arts & Disciplines
Languages : en
Pages : 301
Book Description
A quick look at any fiction bestseller list reveals that thrillers make up most of the titles at the top. HOW TO WRITE A DAMN GOOD THRILLER will help the aspiring novelist or screenwriter to design, draft, write, and polish a thriller that is sure to grab readers. Frey uses examples from both books and movies and addresses the following hot topics: *Germinal ideas *Breathing life into great thriller characters *Crafting a gripping opening *Maintaining tension *Creating obstacles and conflicts *Writing a mean, lean thriller scene *Adding surprise twists *Building a smashing climax and many more. In his trademark approachable and humorous style, Frey illuminates the building blocks of great thrillers and gives the reader the tools to write his or her own.
How to Write a Damn Good Novel
Author: James N. Frey
Publisher: Macmillan
ISBN: 9780312010447
Category : Language Arts & Disciplines
Languages : en
Pages : 204
Book Description
Covers characterization, plot, theme, conflicts, climax and resolution, point of view, dialogue, revision, and manuscript submission.
Publisher: Macmillan
ISBN: 9780312010447
Category : Language Arts & Disciplines
Languages : en
Pages : 204
Book Description
Covers characterization, plot, theme, conflicts, climax and resolution, point of view, dialogue, revision, and manuscript submission.
How to Write a Damn Good Mystery
Author: James N. Frey
Publisher: St. Martin's Press
ISBN: 1429974133
Category : Language Arts & Disciplines
Languages : en
Pages : 286
Book Description
Edgar award nominee James N. Frey, author of the internationally best-selling books on the craft of writing, How to Write a Damn Good Novel, How to Write a Damn Good Novel II: Advanced Techniques, and The Key: How to Write Damn Good Fiction Using the Power of Myth, has now written what is certain to become the standard "how to" book for mystery writing, How to Write a Damn Good Mystery. Frey urges writers to aim high-not to try to write a good-enough-to-get-published mystery, but a damn good mystery. A damn good mystery is first a dramatic novel, Frey insists-a dramatic novel with living, breathing characters-and he shows his readers how to create a living, breathing, believable character who will be clever and resourceful, willful and resolute, and will be what Frey calls "the author of the plot behind the plot." Frey then shows, in his well-known, entertaining, and accessible (and often humorous) style , how the characters-the entire ensemble, including the murderer, the detective, the authorities, the victims, the suspects, the witnesses and the bystanders-create a complete and coherent world. Exploring both the on-stage action and the behind-the-scenes intrigue, Frey shows prospective writers how to build a fleshed-out, believable, and logical world. He shows them exactly which parts of that world show up in the pages of a damn good mystery-and which parts are held back just long enough to keep the reader guessing. This is an indispensable step-by-step guide for anyone who's ever dreamed of writing a damn good mystery.
Publisher: St. Martin's Press
ISBN: 1429974133
Category : Language Arts & Disciplines
Languages : en
Pages : 286
Book Description
Edgar award nominee James N. Frey, author of the internationally best-selling books on the craft of writing, How to Write a Damn Good Novel, How to Write a Damn Good Novel II: Advanced Techniques, and The Key: How to Write Damn Good Fiction Using the Power of Myth, has now written what is certain to become the standard "how to" book for mystery writing, How to Write a Damn Good Mystery. Frey urges writers to aim high-not to try to write a good-enough-to-get-published mystery, but a damn good mystery. A damn good mystery is first a dramatic novel, Frey insists-a dramatic novel with living, breathing characters-and he shows his readers how to create a living, breathing, believable character who will be clever and resourceful, willful and resolute, and will be what Frey calls "the author of the plot behind the plot." Frey then shows, in his well-known, entertaining, and accessible (and often humorous) style , how the characters-the entire ensemble, including the murderer, the detective, the authorities, the victims, the suspects, the witnesses and the bystanders-create a complete and coherent world. Exploring both the on-stage action and the behind-the-scenes intrigue, Frey shows prospective writers how to build a fleshed-out, believable, and logical world. He shows them exactly which parts of that world show up in the pages of a damn good mystery-and which parts are held back just long enough to keep the reader guessing. This is an indispensable step-by-step guide for anyone who's ever dreamed of writing a damn good mystery.
How to Write a Damn Good Novel, II
Author: James N. Frey
Publisher: Macmillan + ORM
ISBN: 1429997826
Category : Language Arts & Disciplines
Languages : en
Pages : 182
Book Description
"Damn good" fiction is dramatic fiction, Frey insists, whether it is by Hemingway or Grisham, Le Carre or Ludlum, Austen or Dickens. Despite their differences, these authors' works share common elements: strong narrative lines, fascinating characters, steadily building conflicts, and satisfying conclusions. Frey's How to Write a Damn Good Novel is one of the most widely used guides ever published for aspiring authors. Here, in How to Write a Damn Good Novel, II, Frey offers powerful advanced techniques to build suspense, create fresher, more interesting characters, and achieve greater reader sympathy, empathy, and identification. How to Write a Damn Good Novel, II also warns against the pseudo-rules often inflicted upon writers, rules such as "The author must always be invisible" and "You must stick to a single viewpoint in a scene," which cramp the imagination and deaden the narrative. Frey focuses instead on promises that the author makes to the reader—promises about character, narrative voice, story type, and so on, which must be kept if the reader is to be satisfied. This book is rich, instructive, honest, and often tellingly funny about the way writers sometimes fail their readers and themselves.
Publisher: Macmillan + ORM
ISBN: 1429997826
Category : Language Arts & Disciplines
Languages : en
Pages : 182
Book Description
"Damn good" fiction is dramatic fiction, Frey insists, whether it is by Hemingway or Grisham, Le Carre or Ludlum, Austen or Dickens. Despite their differences, these authors' works share common elements: strong narrative lines, fascinating characters, steadily building conflicts, and satisfying conclusions. Frey's How to Write a Damn Good Novel is one of the most widely used guides ever published for aspiring authors. Here, in How to Write a Damn Good Novel, II, Frey offers powerful advanced techniques to build suspense, create fresher, more interesting characters, and achieve greater reader sympathy, empathy, and identification. How to Write a Damn Good Novel, II also warns against the pseudo-rules often inflicted upon writers, rules such as "The author must always be invisible" and "You must stick to a single viewpoint in a scene," which cramp the imagination and deaden the narrative. Frey focuses instead on promises that the author makes to the reader—promises about character, narrative voice, story type, and so on, which must be kept if the reader is to be satisfied. This book is rich, instructive, honest, and often tellingly funny about the way writers sometimes fail their readers and themselves.
The Key
Author: James N. Frey
Publisher: Macmillan
ISBN: 9780312300524
Category : Language Arts & Disciplines
Languages : en
Pages : 352
Book Description
Offers aspiring authors of novels and screenplays advice on using the classic themes of universal folklore and mythology to structure their works, and provides examples from well-known fiction and films.
Publisher: Macmillan
ISBN: 9780312300524
Category : Language Arts & Disciplines
Languages : en
Pages : 352
Book Description
Offers aspiring authors of novels and screenplays advice on using the classic themes of universal folklore and mythology to structure their works, and provides examples from well-known fiction and films.
How to Write a Mystery
Author: Larry Beinhart
Publisher: Ballantine Books
ISBN: 0307776050
Category : Language Arts & Disciplines
Languages : en
Pages : 241
Book Description
WHODUNIT? YOUDUNIT! So you want to write a mystery. There's more to it than just a detective, a dead body, and Colonel Mustard in the drawing room with the candlestick. Fortunately, Larry Beinhart--Edgar Award-winning author of You Get What You Pay For, Foreign Exchange, and American Hero--has taken a break from writing smart, suspenseful thrillers to act as your guide through all the twists and turns of creating the twists and turns of a good mystery. Drawing on advice and examples from a host of the best names in mystery writing--from Raymond Chandler and Mickey Spillane to Scott Turow and Thomas Harris--plus some of his own prime plots, Larry Beinhart introduces you to your most indispensable partners in crime: *Character, plot, and procedure * The secrets to creating heroes, heroines, and villains ("All writers draw upon themselves and their experience. While the whole of yourself might not be capable of being either a serial killer or an FBI agent, there are parts in each of us that are capable of almost anything.") * The fine art of scripting the sex scene *The low-down on violence ("A crime novel without violence is like smoking pot without inhaling, sex without orgasm, or a hug without a squeeze." ) *And much more! From the opening hook to the final denouement, Larry Beinhart takes the mystery out of being a mystery writer.
Publisher: Ballantine Books
ISBN: 0307776050
Category : Language Arts & Disciplines
Languages : en
Pages : 241
Book Description
WHODUNIT? YOUDUNIT! So you want to write a mystery. There's more to it than just a detective, a dead body, and Colonel Mustard in the drawing room with the candlestick. Fortunately, Larry Beinhart--Edgar Award-winning author of You Get What You Pay For, Foreign Exchange, and American Hero--has taken a break from writing smart, suspenseful thrillers to act as your guide through all the twists and turns of creating the twists and turns of a good mystery. Drawing on advice and examples from a host of the best names in mystery writing--from Raymond Chandler and Mickey Spillane to Scott Turow and Thomas Harris--plus some of his own prime plots, Larry Beinhart introduces you to your most indispensable partners in crime: *Character, plot, and procedure * The secrets to creating heroes, heroines, and villains ("All writers draw upon themselves and their experience. While the whole of yourself might not be capable of being either a serial killer or an FBI agent, there are parts in each of us that are capable of almost anything.") * The fine art of scripting the sex scene *The low-down on violence ("A crime novel without violence is like smoking pot without inhaling, sex without orgasm, or a hug without a squeeze." ) *And much more! From the opening hook to the final denouement, Larry Beinhart takes the mystery out of being a mystery writer.
Write a Bestselling Thriller
Author: Matthew Branton
Publisher: Teach Yourself
ISBN: 9781444168686
Category : Language Arts & Disciplines
Languages : en
Pages : 0
Book Description
LEARN HOW TO WRITE A BESTSELLING BOOK THAT STANDS OUT - AND GET IT PUBLISHED. Write a Bestselling Thriller is a step by step guide to putting together an unputdownable narrative. It takes you on a journey through each component of the thriller, breaking the process down into key factors such as the Hero, the Trigger, the Story, Scenes and Style, showing you how to write a thriller from start to finish. The whole of the second part is devoted to the publishing process, while the book features hundreds of pratical exercises. There are diagnostic tests, case studies, practical exercises and Aide Memoire boxes. Each chapter concludes with a reminder of the key points of the chapter (Focus Points) and a round-up of what to expect in the next (Next Step) will whet your appetite for what's coming and how it relates to what you've just read. ABOUT THE SERIES The Teach Yourself Creative Writing series helps aspiring authors tell their story. Covering a range of genres from science fiction and romantic novels, to illustrated children's books and comedy, this series is packed with advice, exercises and tips for unlocking creativity and improving your writing. And because we know how daunting the blank page can be, we set up the Just Write online community at tyjustwrite, for budding authors and successful writers to connect and share.
Publisher: Teach Yourself
ISBN: 9781444168686
Category : Language Arts & Disciplines
Languages : en
Pages : 0
Book Description
LEARN HOW TO WRITE A BESTSELLING BOOK THAT STANDS OUT - AND GET IT PUBLISHED. Write a Bestselling Thriller is a step by step guide to putting together an unputdownable narrative. It takes you on a journey through each component of the thriller, breaking the process down into key factors such as the Hero, the Trigger, the Story, Scenes and Style, showing you how to write a thriller from start to finish. The whole of the second part is devoted to the publishing process, while the book features hundreds of pratical exercises. There are diagnostic tests, case studies, practical exercises and Aide Memoire boxes. Each chapter concludes with a reminder of the key points of the chapter (Focus Points) and a round-up of what to expect in the next (Next Step) will whet your appetite for what's coming and how it relates to what you've just read. ABOUT THE SERIES The Teach Yourself Creative Writing series helps aspiring authors tell their story. Covering a range of genres from science fiction and romantic novels, to illustrated children's books and comedy, this series is packed with advice, exercises and tips for unlocking creativity and improving your writing. And because we know how daunting the blank page can be, we set up the Just Write online community at tyjustwrite, for budding authors and successful writers to connect and share.
How to Write Damn Good Fiction
Author: James N. Frey
Publisher: Pan Macmillan
ISBN: 9780333907597
Category : Language Arts & Disciplines
Languages : en
Pages : 161
Book Description
The one book that should be on every fiction writer's shelf...From the author of How to Write a Damn Good Novel, this book offers powerful advanced techniques in fiction writing - how to build suspense, create fresher, more interesting characters, and achieve greater reader sympathy, empathy and identification. Quoting a range of writers from Stephen King and Kafka to Peter Benchley and Stephen Crane, this is a practical, readable, down to earth and concise book which analyses what makes good (and commercial) fiction work and shows how to apply this understanding in an author's own writing. It is a must for any serious writer.
Publisher: Pan Macmillan
ISBN: 9780333907597
Category : Language Arts & Disciplines
Languages : en
Pages : 161
Book Description
The one book that should be on every fiction writer's shelf...From the author of How to Write a Damn Good Novel, this book offers powerful advanced techniques in fiction writing - how to build suspense, create fresher, more interesting characters, and achieve greater reader sympathy, empathy and identification. Quoting a range of writers from Stephen King and Kafka to Peter Benchley and Stephen Crane, this is a practical, readable, down to earth and concise book which analyses what makes good (and commercial) fiction work and shows how to apply this understanding in an author's own writing. It is a must for any serious writer.
Theory of Prose
Author: Виктор Шкловский
Publisher: Dalkey Archive Press
ISBN: 9780916583644
Category : Language Arts & Disciplines
Languages : en
Pages : 244
Book Description
"Viktor Shklovsky's 1925 book Theory of Prose might have become the most important work of literary criticism in the twentieth century had not two obstacles barred its way: the crackdown by the Soviet dictatorship on Shklovsky and other Russian Formalists in the 1930s, and the unavailability of an English translation. Now translated in its entirety for the first time, Theory of Prose not only anticipates structuralism and post-structuralism, but poses questions about the nature of fiction that are as provocative today as they were in the 1920s. Arguing that writers structure their material according to artistic principles rather than from attempts to imitate "reality," Shklovsky uses Cervantes, Tolstoi, Sterne, Dickens, Bely, and Rozanov to give us a new way of thinking about fiction and, in his most impassioned moments, about the world. Benjamin Sher's lucid translation will allow Shklovsky's Theory of Prose to fulfill its destiny as a major theoretical work of the twentieth century." from back cover.
Publisher: Dalkey Archive Press
ISBN: 9780916583644
Category : Language Arts & Disciplines
Languages : en
Pages : 244
Book Description
"Viktor Shklovsky's 1925 book Theory of Prose might have become the most important work of literary criticism in the twentieth century had not two obstacles barred its way: the crackdown by the Soviet dictatorship on Shklovsky and other Russian Formalists in the 1930s, and the unavailability of an English translation. Now translated in its entirety for the first time, Theory of Prose not only anticipates structuralism and post-structuralism, but poses questions about the nature of fiction that are as provocative today as they were in the 1920s. Arguing that writers structure their material according to artistic principles rather than from attempts to imitate "reality," Shklovsky uses Cervantes, Tolstoi, Sterne, Dickens, Bely, and Rozanov to give us a new way of thinking about fiction and, in his most impassioned moments, about the world. Benjamin Sher's lucid translation will allow Shklovsky's Theory of Prose to fulfill its destiny as a major theoretical work of the twentieth century." from back cover.
The Ivies
Author: Alexa Donne
Publisher: Crown Books for Young Readers
ISBN: 0593303709
Category : Young Adult Fiction
Languages : en
Pages : 322
Book Description
Enroll in this boarding school thriller about a group of prep school elites who would kill to get into the college of their dreams...literally. "The Plastics meet the Heathers in this murder mystery about ruthless Ivy League ambition." -Kirkus Reviews "Twisty and thrilling...boarding school murder has never been so much fun!" –Kara Thomas, author of That Weekend Everyone knows the Ivies: the most coveted universities in the United States. Far more important are the Ivies. The Ivies at Claflin Academy, that is. Five girls with the same mission: to get into the Ivy League by any means necessary. I would know. I'm one of them. We disrupt class ranks, club leaderships, and academic competitions...among other things. We improve our own odds by decreasing the fortunes of others. Because hyper-elite competitive college admissions is serious business. And in some cases, it's deadly. Alexa Donne delivers a nail-biting and timely thriller about teens who will stop at nothing to get into the college of their dreams. Too bad no one told them murder isn't an extracurricular.
Publisher: Crown Books for Young Readers
ISBN: 0593303709
Category : Young Adult Fiction
Languages : en
Pages : 322
Book Description
Enroll in this boarding school thriller about a group of prep school elites who would kill to get into the college of their dreams...literally. "The Plastics meet the Heathers in this murder mystery about ruthless Ivy League ambition." -Kirkus Reviews "Twisty and thrilling...boarding school murder has never been so much fun!" –Kara Thomas, author of That Weekend Everyone knows the Ivies: the most coveted universities in the United States. Far more important are the Ivies. The Ivies at Claflin Academy, that is. Five girls with the same mission: to get into the Ivy League by any means necessary. I would know. I'm one of them. We disrupt class ranks, club leaderships, and academic competitions...among other things. We improve our own odds by decreasing the fortunes of others. Because hyper-elite competitive college admissions is serious business. And in some cases, it's deadly. Alexa Donne delivers a nail-biting and timely thriller about teens who will stop at nothing to get into the college of their dreams. Too bad no one told them murder isn't an extracurricular.