How the Beatles Rocked the Kremlin PDF Download
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Author: Leslie Woodhead
Publisher: A&C Black
ISBN: 1408840421
Category : Biography & Autobiography
Languages : en
Pages : 304
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Book Description
A fascinating examination of the enduring popularity of the Beatles in the former Soviet Union by a writer who was there from the beginning, including never-seen-before photographs
Author: Leslie Woodhead
Publisher: A&C Black
ISBN: 1408840421
Category : Biography & Autobiography
Languages : en
Pages : 304
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Book Description
A fascinating examination of the enduring popularity of the Beatles in the former Soviet Union by a writer who was there from the beginning, including never-seen-before photographs
Author: Stephen Coates
Publisher: X-Ray Audio
ISBN: 9781907222382
Category : Cold War
Languages : en
Pages : 0
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Book Description
Many older people in Russia remember seeing and hearing mysterious vinyl flexi-discs when they were young. They had partial images of skeletons on them, could be played like gramophone records and were called 'bones' or 'ribs'. They contained forbidden music. X-Ray Audio tells the secret history of these ghostly records and of the people who made, bought and sold them. Lavishly illustrated in full colour with images of discs collected in Russia, it is a unique story of forbidden culture, bootleg technology and human endeavour.
Author: David A. Noebel
Publisher:
ISBN:
Category : Communism and music
Languages : en
Pages : 40
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Book Description
This book is an analysis of the Communist use of music, the Communist master music plan.
Author: Juliane Fürst
Publisher: Oxford University Press
ISBN: 0191092517
Category : History
Languages : en
Pages : 497
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Book Description
Flowers through Concrete: Explorations in Soviet Hippieland takes the reader on a journey into the lives and thoughts of Soviet hippies. In the face of disapproval and repression, they created a version of Western counterculture, skillfully adapting to, manipulating, and shaping their late socialist environment. Flowers through Concrete takes its readers into the underground hippieland and beyond, situating the world of hippies firmly in late Soviet reality and offering both an unusual history of the last Soviet decades as well as a case study of transnational youth culture and East-West globalization. Flowers through Concrete is based on over a hundred interviews, declassified documents, and private archives hidden for many decades. It tells the almost forgotten story of how hippie communities sprang up across the Soviet Union in the late-60s, often under the tutelage of the rebellious offspring of privileged households at the heart of the Soviet establishment. It charts how these communities linked up to create an impressive network with elaborate customs and rituals, ensuring its survival for more than two decades. Flowers through Concrete recounts not only a compelling story of survival against the odds - hippies who were harassed by police, shorn of their hair by civilian guards, and confined in psychiatric hospitals by doctors who believed non-conformism was a symptom of schizophrenia - but also advances a surprising argument. It suggests that the land of Soviet hippies and the world of late socialism were not entirely incompatible, but in fact meshed surprisingly well. Ultimately, it was not the KGB but the arrival of capitalism in the 1990s that ended the Soviet hippie sistema.
Author: Joe Mulhall
Publisher: Footnote Press
ISBN: 1804441171
Category : History
Languages : en
Pages : 270
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Book Description
'Empathy is the currency of all music and Joe Mulhall does a great job of explaining how that quality has been used to generate solidarity for the struggle and sympathy for those who suffer injustice' Billy Bragg 'A beautiful account of how music has unified, healed and inspired humanity during some of history's darkest days. Illuminating, uplifting and important' James O'Brien While the global history of the dictatorships, oppression, racism and state violence over the last century is well known - the role that music played in people's lives during these times is less understood. This book is a collection of stories and hidden histories about how music provided light in the darkest of times over the past century. How it steeled souls and inspired resistance to oppression. Rebel Sounds will explore freedom songs in the Republic of Ireland, the Soviet Union's oppression behind the Berlin Wall, authoritarian dictatorships in Brazil and Nigeria, institutionalised racism and police violence in America and South Africa, street violence in Britain, ethnic cleansing in the Balkans and musical resistance in war-torn Ukraine. This is a social history of the twentieth century but one that takes in the human impulse to create, share and enjoy the one thing that connects cultures and spans generations: music.
Author: Marko Kölbl
Publisher: transcript Verlag
ISBN: 3839456576
Category : Music
Languages : en
Pages : 270
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Book Description
Music and Democracy explores music as a resource for societal transformation processes. This book provides recent insights into how individuals and groups used and still use music to achieve social, cultural, and political participation and bring about social change. The contributors present outstanding perspectives on the topic: From the promise and myth of democratization through music technology to the use of music in imposing authoritarian, neoliberal or even fascist political ideas in the past and present up to music's impact on political systems, governmental representation, and socio-political realities. The volume further features approaches in the fields of gender, migration, disability, and digitalization.
Author: Tim Smolko
Publisher: Indiana University Press
ISBN: 0253056187
Category : Music
Languages : en
Pages : 211
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Book Description
What is the soundtrack for a nuclear war? During the Cold War, over 500 songs were written about nuclear weapons, fear of the Soviet Union, civil defense, bomb shelters, McCarthyism, uranium mining, the space race, espionage, the Berlin Wall, and glasnost. This music uncovers aspects of these world-changing events that documentaries and history books cannot. In Atomic Tunes, Tim and Joanna Smolko explore everything from the serious to the comical, the morbid to the crude, showing the widespread concern among musicians coping with the effect of communism on American society and the threat of a nuclear conflict of global proportions. Atomic Tunes presents a musical history of the Cold War, analyzing the songs that capture the fear of those who lived under the shadow of Stalin, Sputnik, mushroom clouds, and missiles.
Author: Robert Bryce
Publisher: PublicAffairs
ISBN: 161039206X
Category : Business & Economics
Languages : en
Pages : 401
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Book Description
In the face of today's environmental and economic challenges, doomsayers preach that the only way to stave off disaster is for humans to reverse course: to de-industrialize, re-localize, ban the use of modern energy sources, and forswear prosperity. But in this provocative and optimistic rebuke to the catastrophists, Robert Bryce shows how innovation and the inexorable human desire to make things Smaller Faster Lighter Denser Cheaper is providing consumers with Cheaper and more abundant energy, Faster computing, Lighter vehicles, and myriad other goods. That same desire is fostering unprecedented prosperity, greater liberty, and yes, better environmental protection. Utilizing on-the-ground reporting from Ottawa to Panama City and Pittsburgh to Bakersfield, Bryce shows how we have, for centuries, been pushing for Smaller Faster solutions to our problems. From the vacuum tube, mass-produced fertilizer, and the printing press to mobile phones, nanotech, and advanced drill rigs, Bryce demonstrates how cutting-edge companies and breakthrough technologies have created a world in which people are living longer, freer, healthier, lives than at any time in human history. The push toward Smaller Faster Lighter Denser Cheaper is happening across multiple sectors. Bryce profiles innovative individuals and companies, from long-established ones like Ford and Intel to upstarts like Aquion Energy and Khan Academy. And he zeroes in on the energy industry, proving that the future belongs to the high power density sources that can provide the enormous quantities of energy the world demands. The tools we need to save the planet aren't to be found in the technologies or lifestyles of the past. Nor must we sacrifice prosperity and human progress to ensure our survival. The catastrophists have been wrong since the days of Thomas Malthus. This is the time to embrace the innovators and businesses all over the world who are making things Smaller Faster Lighter Denser Cheaper.
Author: A. James McAdams
Publisher: University of Notre Dame Pess
ISBN: 0268200556
Category : History
Languages : en
Pages : 642
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Book Description
Global 1968 is a unique study of the similarities and differences in the 1968 cultural revolutions in Europe and Latin America. The late 1960s was a time of revolutionary ferment throughout the world. Yet so much was in flux during these years that it is often difficult to make sense of the period. In this volume, distinguished historians, filmmakers, musicologists, literary scholars, and novelists address this challenge by exploring a specific issue—the extent to which the period that we associate with the year 1968 constituted a cultural revolution. They approach this topic by comparing the different manifestations of this transformational era in Europe and Latin America. The contributors show in vivid detail how new social mores, innovative forms of artistic expression, and cultural, religious, and political resistance were debated and tested on both sides of the Atlantic. In some cases, the desire to confront traditional beliefs and conventions had been percolating under the surface for years. Yet they also find that the impulse to overturn the status quo was fueled by the interplay of a host of factors that converged at the end of the 1960s and accelerated the transition from one generation to the next. These factors included new thinking about education and work, dramatic changes in the self-presentation of the Roman Catholic Church, government repression in both the Soviet Bloc and Latin America, and universal disillusionment with the United States. The contributors demonstrate that the short- and long-term effects of the cultural revolution of 1968 varied from country to country, but the period’s defining legacy was a lasting shift in values, beliefs, lifestyles, and artistic sensibilities. Contributors: A. James McAdams, Volker Schlöndorff, Massimo De Giuseppe, Eric Drott, Eric Zolov, William Collins Donahue, Valeria Manzano, Timothy W. Ryback, Vania Markarian, Belinda Davis, J. Patrice McSherry, Michael Seidman, Willem Melching, Jaime M. Pensado, Patrick Barr-Melej, Carmen-Helena Téllez, Alonso Cueto, and Ignacio Walker.
Author: Lena Redman
Publisher: Springer
ISBN: 981131361X
Category : Social Science
Languages : en
Pages : 290
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Book Description
This cutting edge book considers how advances in technologies and new media have transformed our perception of education, and focuses on the impact of the privatisation of digital tools as a mean of knowledge production. Arguing that education needs to adapt to the modern learner, the book’s unique approach is based on a disassociation with the deeply ingrained attitude with which people have traditionally viewed education – learning the existing symbolic systems of certain disciplines and then expressing themselves strictly within the operational modes of these systems. The ways of knowledge production – exploring, recording, representing, making meaning of and sharing human experiences – have been fundamentally transformed through the infusion of digital technologies into all aspects of human activity, allowing learners to engage with their immediate natural, social and cultural environments by capitalising on their individual abilities and interests. This book proposes a new approach to teaching and learning termed ‘cinematic bricolage’, which involves generating knowledge from heterogeneous resources in a ‘do-it-yourself’ manner while making meaning through multimodal representations. It shows how cinematic bricolage reconnects ways of knowing with ways of being, empowering the individual with a sense of personal identity and responsibility, helping to shape more aware social citizens.
