Author: Reginald Gibbons
Publisher: University of Chicago Press
ISBN: 022627814X
Category : Literary Criticism
Languages : en
Pages : 246
Book Description
To write or read a poem is often to think in distinctively poetic ways—guided by metaphors, sound, rhythms, associative movement, and more. Poetry’s stance toward language creates a particular intelligence of thought and feeling, a compressed articulation that expands inner experience, imagining with words what cannot always be imagined without them. Through translation, poetry has diversified poetic traditions, and some of poetry’s ways of thinking begin in the ancient world and remain potent even now. In How Poems Think, Reginald Gibbons presents a rich gallery of poetic inventiveness and continuity drawn from a wide range of poets—Sappho, Pindar, Shakespeare, Keats, William Carlos Williams, Marina Tsvetaeva, Gwendolyn Brooks, and many others. Gibbons explores poetic temperament, rhyme, metonymy, etymology, and other elements of poetry as modes of thinking and feeling. In celebration and homage, Gibbons attunes us to the possibilities of poetic thinking.
How Poems Think
Author: Reginald Gibbons
Publisher: University of Chicago Press
ISBN: 022627814X
Category : Literary Criticism
Languages : en
Pages : 246
Book Description
To write or read a poem is often to think in distinctively poetic ways—guided by metaphors, sound, rhythms, associative movement, and more. Poetry’s stance toward language creates a particular intelligence of thought and feeling, a compressed articulation that expands inner experience, imagining with words what cannot always be imagined without them. Through translation, poetry has diversified poetic traditions, and some of poetry’s ways of thinking begin in the ancient world and remain potent even now. In How Poems Think, Reginald Gibbons presents a rich gallery of poetic inventiveness and continuity drawn from a wide range of poets—Sappho, Pindar, Shakespeare, Keats, William Carlos Williams, Marina Tsvetaeva, Gwendolyn Brooks, and many others. Gibbons explores poetic temperament, rhyme, metonymy, etymology, and other elements of poetry as modes of thinking and feeling. In celebration and homage, Gibbons attunes us to the possibilities of poetic thinking.
Publisher: University of Chicago Press
ISBN: 022627814X
Category : Literary Criticism
Languages : en
Pages : 246
Book Description
To write or read a poem is often to think in distinctively poetic ways—guided by metaphors, sound, rhythms, associative movement, and more. Poetry’s stance toward language creates a particular intelligence of thought and feeling, a compressed articulation that expands inner experience, imagining with words what cannot always be imagined without them. Through translation, poetry has diversified poetic traditions, and some of poetry’s ways of thinking begin in the ancient world and remain potent even now. In How Poems Think, Reginald Gibbons presents a rich gallery of poetic inventiveness and continuity drawn from a wide range of poets—Sappho, Pindar, Shakespeare, Keats, William Carlos Williams, Marina Tsvetaeva, Gwendolyn Brooks, and many others. Gibbons explores poetic temperament, rhyme, metonymy, etymology, and other elements of poetry as modes of thinking and feeling. In celebration and homage, Gibbons attunes us to the possibilities of poetic thinking.
Poems That Inspire You to Think and Grow Rich
Author: Napoleon Hill
Publisher: Gildan Media LLC aka G&D Media
ISBN: 1722522208
Category : Self-Help
Languages : en
Pages : 173
Book Description
THESE POEMS WILL INSPIRE YOU TO THINK AND GROW RICH! Poetry is an art form that oftentimes can be difficult for modern day readers to interpret. However, the 101 poems contained in this book have been individually selected to speak directly to the heart in simple language that is easily understood by all. Although Napoleon Hill was not a poet, he read many of the poems contained in this volume and even referred to them in his books. Poets like Edgar Guest, Ella Wheeler Wilcox, Jessie Rittenhouse, Walter Wintle and William Shakespeare were among Hill's favorites. He was inspired to write some of his most famous essays after reading their poetry. In addition to the poems themselves, this anthology offers commentary by Napoleon Hill in order to help you understand the significance of the eleven sections into which this book is divided. The first ten sections cover 10 of his17 success principles. Section eleven is dedicated solely to the most often requested reprints of Hill's "poetic" essays. Here you will read his memorable selections that have withstood the test of time.
Publisher: Gildan Media LLC aka G&D Media
ISBN: 1722522208
Category : Self-Help
Languages : en
Pages : 173
Book Description
THESE POEMS WILL INSPIRE YOU TO THINK AND GROW RICH! Poetry is an art form that oftentimes can be difficult for modern day readers to interpret. However, the 101 poems contained in this book have been individually selected to speak directly to the heart in simple language that is easily understood by all. Although Napoleon Hill was not a poet, he read many of the poems contained in this volume and even referred to them in his books. Poets like Edgar Guest, Ella Wheeler Wilcox, Jessie Rittenhouse, Walter Wintle and William Shakespeare were among Hill's favorites. He was inspired to write some of his most famous essays after reading their poetry. In addition to the poems themselves, this anthology offers commentary by Napoleon Hill in order to help you understand the significance of the eleven sections into which this book is divided. The first ten sections cover 10 of his17 success principles. Section eleven is dedicated solely to the most often requested reprints of Hill's "poetic" essays. Here you will read his memorable selections that have withstood the test of time.
How Poems Think
Author: Reginald Gibbons
Publisher: University of Chicago Press
ISBN: 022627800X
Category : Language Arts & Disciplines
Languages : en
Pages : 246
Book Description
Reginald Gibbons collects here a lifetime s worth of thoughts on composing and translating poetry. Not a manifesto or a general theory of the lyric, rather, the book explores how a poem thinks: that is, what results from the circumstances of a poet s native language, choice of words and topics, the mentality that the poet shares with other writers, and the range of poetic possibilities (and limitations) in a given language. Through exemplary case studies taken from his own experience in writing poetry, as well as in translating poetry from languages ranging from Sophocles s and Pindar s ancient Greek to their contemporary French, Italian, Portuguese, Russian, and Spanish successors, Gibbons traces the curious persistence of classical modes and images into the twenty-first century. He shows how the very language used in composing a poem, be it ancient Greek, Renaissance English, or contemporary Russian, both limits and enables how a poet thinks and what the poet can say. Even in describing difficult poetic concepts and operations, Gibbons writes in a clear, companionable style, entirely accessible not just to practicing poets, but also to general readers interested in poetry, and to writers of various stripes interested in the way our native language can often circumscribe what and how we think poetically, and affect how we compose poetry and prose. This book joins other titles by this award-winning writer on the Press s list."
Publisher: University of Chicago Press
ISBN: 022627800X
Category : Language Arts & Disciplines
Languages : en
Pages : 246
Book Description
Reginald Gibbons collects here a lifetime s worth of thoughts on composing and translating poetry. Not a manifesto or a general theory of the lyric, rather, the book explores how a poem thinks: that is, what results from the circumstances of a poet s native language, choice of words and topics, the mentality that the poet shares with other writers, and the range of poetic possibilities (and limitations) in a given language. Through exemplary case studies taken from his own experience in writing poetry, as well as in translating poetry from languages ranging from Sophocles s and Pindar s ancient Greek to their contemporary French, Italian, Portuguese, Russian, and Spanish successors, Gibbons traces the curious persistence of classical modes and images into the twenty-first century. He shows how the very language used in composing a poem, be it ancient Greek, Renaissance English, or contemporary Russian, both limits and enables how a poet thinks and what the poet can say. Even in describing difficult poetic concepts and operations, Gibbons writes in a clear, companionable style, entirely accessible not just to practicing poets, but also to general readers interested in poetry, and to writers of various stripes interested in the way our native language can often circumscribe what and how we think poetically, and affect how we compose poetry and prose. This book joins other titles by this award-winning writer on the Press s list."
Composing Poetry
Author: Gerard Lafemina
Publisher:
ISBN: 9781524930264
Category : Language Arts & Disciplines
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9781524930264
Category : Language Arts & Disciplines
Languages : en
Pages : 0
Book Description
The Hatred of Poetry
Author: Ben Lerner
Publisher: Macmillan
ISBN: 0865478201
Category : History
Languages : en
Pages : 97
Book Description
"The novelist and poet Ben Lerner argues that our hatred of poetry is ultimately a sign of its nagging relevance"--
Publisher: Macmillan
ISBN: 0865478201
Category : History
Languages : en
Pages : 97
Book Description
"The novelist and poet Ben Lerner argues that our hatred of poetry is ultimately a sign of its nagging relevance"--
Poets Thinking
Author: Helen Vendler
Publisher: Harvard University Press
ISBN: 0674044622
Category : Poetry
Languages : en
Pages : 155
Book Description
Poetry has often been considered an irrational genre, more expressive than logical, more meditative than given to coherent argument. And yet, in each of the four very different poets she considers here, Helen Vendler reveals a style of thinking in operation; although they may prefer different means, she argues, all poets of any value are thinkers. The four poets taken up in this volume--Alexander Pope, Walt Whitman, Emily Dickinson, and William Butler Yeats--come from three centuries and three nations, and their styles of thinking are characteristically idiosyncratic. Vendler shows us Pope performing as a satiric miniaturizer, remaking in verse the form of the essay, Whitman writing as a poet of repetitive insistence for whom thinking must be followed by rethinking, Dickinson experimenting with plot to characterize life's unfolding, and Yeats thinking in images, using montage in lieu of argument. With customary lucidity and spirit, Vendler traces through these poets' lines to find evidence of thought in lyric, the silent stylistic measures representing changes of mind, the condensed power of poetic thinking. Her work argues against the reduction of poetry to its (frequently well-worn) themes and demonstrates, instead, that there is always in admirable poetry a strenuous process of thinking, evident in an evolving style--however ancient the theme--that is powerful and original.
Publisher: Harvard University Press
ISBN: 0674044622
Category : Poetry
Languages : en
Pages : 155
Book Description
Poetry has often been considered an irrational genre, more expressive than logical, more meditative than given to coherent argument. And yet, in each of the four very different poets she considers here, Helen Vendler reveals a style of thinking in operation; although they may prefer different means, she argues, all poets of any value are thinkers. The four poets taken up in this volume--Alexander Pope, Walt Whitman, Emily Dickinson, and William Butler Yeats--come from three centuries and three nations, and their styles of thinking are characteristically idiosyncratic. Vendler shows us Pope performing as a satiric miniaturizer, remaking in verse the form of the essay, Whitman writing as a poet of repetitive insistence for whom thinking must be followed by rethinking, Dickinson experimenting with plot to characterize life's unfolding, and Yeats thinking in images, using montage in lieu of argument. With customary lucidity and spirit, Vendler traces through these poets' lines to find evidence of thought in lyric, the silent stylistic measures representing changes of mind, the condensed power of poetic thinking. Her work argues against the reduction of poetry to its (frequently well-worn) themes and demonstrates, instead, that there is always in admirable poetry a strenuous process of thinking, evident in an evolving style--however ancient the theme--that is powerful and original.
I'm Nobody! Who Are You?
Author: Emily Dickinson
Publisher: Scholastic
ISBN: 9780439295765
Category : Juvenile Nonfiction
Languages : en
Pages : 105
Book Description
A collection of the author's greatest poetry--from the wistful to the unsettling, the wonders of nature to the foibles of human nature--is an ideal introduction for first-time readers. Original.
Publisher: Scholastic
ISBN: 9780439295765
Category : Juvenile Nonfiction
Languages : en
Pages : 105
Book Description
A collection of the author's greatest poetry--from the wistful to the unsettling, the wonders of nature to the foibles of human nature--is an ideal introduction for first-time readers. Original.
Why Poetry
Author: Matthew Zapruder
Publisher: HarperCollins
ISBN: 0062343092
Category : Literary Criticism
Languages : en
Pages : 177
Book Description
An impassioned call for a return to reading poetry and an incisive argument for poetry’s accessibility to all readers, by critically acclaimed poet Matthew Zapruder In Why Poetry, award-winning poet Matthew Zapruder takes on what it is that poetry—and poetry alone—can do. Zapruder argues that the way we have been taught to read poetry is the very thing that prevents us from enjoying it. In lively, lilting prose, he shows us how that misunderstanding interferes with our direct experience of poetry and creates the sense of confusion or inadequacy that many of us feel when faced with it. Zapruder explores what poems are, and how we can read them, so that we can, as Whitman wrote, “possess the origin of all poems,” without the aid of any teacher or expert. Most important, he asks how reading poetry can help us to lead our lives with greater meaning and purpose. Anchored in poetic analysis and steered through Zapruder’s personal experience of coming to the form, Why Poetry is engaging and conversational, even as it makes a passionate argument for the necessity of poetry in an age when information is constantly being mistaken for knowledge. While he provides a simple reading method for approaching poems and illuminates concepts like associative movement, metaphor, and negative capability, Zapruder explicitly confronts the obstacles that readers face when they encounter poetry to show us that poetry can be read, and enjoyed, by anyone.
Publisher: HarperCollins
ISBN: 0062343092
Category : Literary Criticism
Languages : en
Pages : 177
Book Description
An impassioned call for a return to reading poetry and an incisive argument for poetry’s accessibility to all readers, by critically acclaimed poet Matthew Zapruder In Why Poetry, award-winning poet Matthew Zapruder takes on what it is that poetry—and poetry alone—can do. Zapruder argues that the way we have been taught to read poetry is the very thing that prevents us from enjoying it. In lively, lilting prose, he shows us how that misunderstanding interferes with our direct experience of poetry and creates the sense of confusion or inadequacy that many of us feel when faced with it. Zapruder explores what poems are, and how we can read them, so that we can, as Whitman wrote, “possess the origin of all poems,” without the aid of any teacher or expert. Most important, he asks how reading poetry can help us to lead our lives with greater meaning and purpose. Anchored in poetic analysis and steered through Zapruder’s personal experience of coming to the form, Why Poetry is engaging and conversational, even as it makes a passionate argument for the necessity of poetry in an age when information is constantly being mistaken for knowledge. While he provides a simple reading method for approaching poems and illuminates concepts like associative movement, metaphor, and negative capability, Zapruder explicitly confronts the obstacles that readers face when they encounter poetry to show us that poetry can be read, and enjoyed, by anyone.
The Stranger World
Author: Ryan Wilson
Publisher: Measure Press Incorporated
ISBN: 9781939574206
Category : American poetry
Languages : en
Pages : 104
Book Description
"Ryan Wilson's unsettling debut collection The Stranger World is filled with poems of menace and promise, surprise and sorrow, tempered by gentle humor and always tuned to a fine music. The long poem 'Authority' reads like a masterpiece of modern horror. The deeply psychological 'Xenia' is a minor miracle of a poem. These pages contain 'real shores across imagined seas . . . where black suns set, ' where the poet meditates on 'that present unity / of absences the living move among.' Each page of The Stranger World yields a new delight. Wilson proves himself a worthy heir to Anthony Hecht with this remarkable, disarming, and genuinely moving book. Seek it out." -- Ernest Hilbert
Publisher: Measure Press Incorporated
ISBN: 9781939574206
Category : American poetry
Languages : en
Pages : 104
Book Description
"Ryan Wilson's unsettling debut collection The Stranger World is filled with poems of menace and promise, surprise and sorrow, tempered by gentle humor and always tuned to a fine music. The long poem 'Authority' reads like a masterpiece of modern horror. The deeply psychological 'Xenia' is a minor miracle of a poem. These pages contain 'real shores across imagined seas . . . where black suns set, ' where the poet meditates on 'that present unity / of absences the living move among.' Each page of The Stranger World yields a new delight. Wilson proves himself a worthy heir to Anthony Hecht with this remarkable, disarming, and genuinely moving book. Seek it out." -- Ernest Hilbert
How to Read a Poem
Author: Terry Eagleton
Publisher: John Wiley & Sons
ISBN: 111830621X
Category : Literary Criticism
Languages : en
Pages : 288
Book Description
Lucid, entertaining and full of insight, How To Read A Poemis designed to banish the intimidation that too often attends thesubject of poetry, and in doing so to bring it into the personalpossession of the students and the general reader. Offers a detailed examination of poetic form and its relationto content. Takes a wide range of poems from the Renaissance to the presentday and submits them to brilliantly illuminating closesanalysis. Discusses the work of major poets, including John Milton,Alexander Pope, John Keats, Christina Rossetti, Emily Dickinson,W.B. Yeats, Robert Frost, W.H.Auden, Seamus Heaney, Derek Mahon,and many more. Includes a helpful glossary of poetic terms.
Publisher: John Wiley & Sons
ISBN: 111830621X
Category : Literary Criticism
Languages : en
Pages : 288
Book Description
Lucid, entertaining and full of insight, How To Read A Poemis designed to banish the intimidation that too often attends thesubject of poetry, and in doing so to bring it into the personalpossession of the students and the general reader. Offers a detailed examination of poetic form and its relationto content. Takes a wide range of poems from the Renaissance to the presentday and submits them to brilliantly illuminating closesanalysis. Discusses the work of major poets, including John Milton,Alexander Pope, John Keats, Christina Rossetti, Emily Dickinson,W.B. Yeats, Robert Frost, W.H.Auden, Seamus Heaney, Derek Mahon,and many more. Includes a helpful glossary of poetic terms.