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Author: Roberta Freund Schwartz
Publisher: Routledge
ISBN: 1317120949
Category : Music
Languages : en
Pages : 282
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Book Description
This book explores how, and why, the blues became a central component of English popular music in the 1960s. It is commonly known that many 'British invasion' rock bands were heavily influenced by Chicago and Delta blues styles. But how, exactly, did Britain get the blues? Blues records by African American artists were released in the United States in substantial numbers between 1920 and the late 1930s, but were sold primarily to black consumers in large urban centres and the rural south. How, then, in an era before globalization, when multinational record releases were rare, did English teenagers in the early 1960s encounter the music of Robert Johnson, Blind Boy Fuller, Memphis Minnie, and Barbecue Bob? Roberta Schwartz analyses the transmission of blues records to England, from the first recordings to hit English shores to the end of the sixties. How did the blues, largely banned from the BBC until the mid 1960s, become popular enough to create a demand for re-released material by American artists? When did the British blues subculture begin, and how did it develop? Most significantly, how did the music become a part of the popular consciousness, and how did it change music and expectations? The way that the blues, and various blues styles, were received by critics is a central concern of the book, as their writings greatly affected which artists and recordings were distributed and reified, particularly in the early years of the revival. 'Hot' cultural issues such as authenticity, assimilation, appropriation, and cultural transgression were also part of the revival; these topics and more were interrogated in music periodicals by critics and fans alike, even as English musicians began incorporating elements of the blues into their common musical language. The vinyl record itself, under-represented in previous studies, plays a major part in the story of the blues in Britain. Not only did recordings shape perceptions and listening habits, but which artists were available at any given time also had an enormous impact on the British blues. Schwartz maps the influences on British blues and blues-rock performers and thereby illuminates the stylistic evolution of many genres of British popular music.
Author: Roberta Freund Schwartz
Publisher: Routledge
ISBN: 1317120949
Category : Music
Languages : en
Pages : 282
Get Book Here
Book Description
This book explores how, and why, the blues became a central component of English popular music in the 1960s. It is commonly known that many 'British invasion' rock bands were heavily influenced by Chicago and Delta blues styles. But how, exactly, did Britain get the blues? Blues records by African American artists were released in the United States in substantial numbers between 1920 and the late 1930s, but were sold primarily to black consumers in large urban centres and the rural south. How, then, in an era before globalization, when multinational record releases were rare, did English teenagers in the early 1960s encounter the music of Robert Johnson, Blind Boy Fuller, Memphis Minnie, and Barbecue Bob? Roberta Schwartz analyses the transmission of blues records to England, from the first recordings to hit English shores to the end of the sixties. How did the blues, largely banned from the BBC until the mid 1960s, become popular enough to create a demand for re-released material by American artists? When did the British blues subculture begin, and how did it develop? Most significantly, how did the music become a part of the popular consciousness, and how did it change music and expectations? The way that the blues, and various blues styles, were received by critics is a central concern of the book, as their writings greatly affected which artists and recordings were distributed and reified, particularly in the early years of the revival. 'Hot' cultural issues such as authenticity, assimilation, appropriation, and cultural transgression were also part of the revival; these topics and more were interrogated in music periodicals by critics and fans alike, even as English musicians began incorporating elements of the blues into their common musical language. The vinyl record itself, under-represented in previous studies, plays a major part in the story of the blues in Britain. Not only did recordings shape perceptions and listening habits, but which artists were available at any given time also had an enormous impact on the British blues. Schwartz maps the influences on British blues and blues-rock performers and thereby illuminates the stylistic evolution of many genres of British popular music.
Author: Roberta Freund Schwartz
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754655800
Category : Music
Languages : en
Pages : 298
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Book Description
This book explores how, and why, the blues became a central component of English popular music in the 1960s. It is commonly known that many 'British invasion' rock bands were heavily influenced by Chicago and Delta blues styles. But how, exactly, did Britain get the blues? Roberta Schwartz analyses the transmission of blues records to England, from the first recordings to hit English shores to the end of the sixties.
Author: Noel McLaughlin
Publisher: Intellect (UK)
ISBN: 9781789382747
Category : Popular music
Languages : en
Pages : 0
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Book Description
Highly original and fascinating cultural and political history told through Belfast's popular music scene in the 1960s in the context of Northern Ireland's sociopolitical milieu. With particular emphasis on Van Morrison, Them, and Ottilie Patterson; also features the Peter Whitehead film of TheRolling Stones. 15 b/w illus.
Author: Dick Heckstall-Smith
Publisher: Clear Press Ltd
ISBN: 9781904555049
Category : Biography & Autobiography
Languages : en
Pages : 274
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Book Description
This is the autobiography of a master musician, the King of British blues saxophone. In the 60s and 70s Dick was the cornerstone of such seminal R&B bands as Alexis Korner’s Blues Incorporated, the Graham Bond Organisation, John Mayall’s Bluesbreakers and Colosseum, paving the way for R&B-influenced rock groups like Fleetwood Mac, the Yardbirds, the Animals and the Rolling Stones. With his pithy humour, Dick describes the revolutionary founding years of British R&B - his anecdotes about Ginger Baker, Alexis Korner, Charlie Watts and the unforgettable Graham Bond alone are worth the price. An extraordinarily entertaining book, Dick’s unrelentingly honest account of his musical career also reflects on what it takes to be a full time musician, and grapples with the racism and drug abuse endemic in the music industry. In the back of the book is a CD featuring 25 minutes of previously unreleased tracks by Dick Heckstall-Smith, illustrating the sheer musical diversity of his work.
Author: Mark Jones
Publisher: Record Press
ISBN: 9781909953765
Category :
Languages : en
Pages : 122
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Book Description
In 1967, the fledgling, Bristol based, Saydisc label released its first country blues record, by Anderson Jones Jackson, with Noël Sheldon on jug. By 1968, it was helping Sunflower, Kokomo and Highway 51, three 'pop-up', independent, DIY blues labels, to get to market. These were mere toes in the water and in 1968 Saydisc created the celebrated Matchbox label to release contemporary, British country blues and LPs, transcribed from original 78s, of classic, pre-war, US country blues. Matchbox also pressed the popular, Austrian, Roots label for the UK market and, later, issued contemporary, American blues and transcriptions of Library of Congress recordings. Later again came the Bluesmaster Series. Saydisc released well over 100 blues LPs between 1967 and 1987, when it moved exclusively to CD. By 1968, blues was becoming increasingly popular in the UK, though the focus was mostly on electric blues bands. In July, however, Matchbox released the first LP of home-grown, British, country blues. The time was right and Blues Like Showers of Rain made a big stir. John Peel played it on his Nightride radio show and invited most of the artists up to London to record BBC sessions. The major labels picked up on the buzz and most of the artists were snapped up. Matchbox carried on the momentum over the next few years but eventually shut in July 1977. It returned in 1982 with the extremely well-received Bluesmaster Series, an ambitious undertaking that resulted in 38 LPs along with two 2-LP sets. Amongst other things, this book includes: - Information on every Saydisc-related, blues record released (and one that never saw light of day). - Images of all Saydisc's blues record sleeves. - Images of all Saydisc-related Sunflower, Kokomo, Highway 51 and Ahura Mazda record sleeves. - A cameo appearance by The Village Thing label, which represented 'what came after the blues'. - Memorabilia provided specially by the label owners and other archives/collections, much not seen in print since the 1960s and 1970s (if ever). - Active input from those who were there. - A section on Saydisc's hook-ups with Blues World and November Books' Blues Paperbacks series.
Author: Neil A. Wynn
Publisher: Univ. Press of Mississippi
ISBN: 1604735473
Category : Music
Languages : en
Pages : 302
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Book Description
Contributions from Christopher G. Bakriges, Sean Creighton, Jeffrey Green, Leighton Grist, Bob Groom, Rainer E. Lotz, Paul Oliver, Catherine Parsonage, Iris Schmeisser, Roberta Freund Schwartz, Robert Springer, Rupert Till, Guido van Rijn, David Webster, Jen Wilson, and Neil A. Wynn This unique collection of essays examines the flow of African American music and musicians across the Atlantic to Europe from the time of slavery to the twentieth century. In a sweeping examination of different musical forms--spirituals, blues, jazz, skiffle, and orchestral music--the contributors consider the reception and influence of black music on a number of different European audiences, particularly in Britain, but also France, Germany, and the Netherlands. The essayists approach the subject through diverse historical, musicological, and philosophical perspectives. A number of essays document little-known performances and recordings of African American musicians in Europe. Several pieces, including one by Paul Oliver, focus on the appeal of the blues to British listeners. At the same time, these considerations often reveal the ambiguous nature of European responses to black music and in so doing add to our knowledge of transatlantic race relations.
Author: Billy Bragg
Publisher: Faber & Faber
ISBN: 0571327761
Category : Music
Languages : en
Pages : 357
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Book Description
SHORTLISTED FOR THE PENDERYN MUSIC BOOK PRIZERoots, Radicals & Rockers: How Skiffle Changed the World is the first book to explore this phenomenon in depth - a meticulously researched and joyous account that explains how skiffle sparked a revolution that shaped pop music as we have come to know it. It's a story of jazz pilgrims and blues blowers, Teddy Boys and beatnik girls, coffee-bar bohemians and refugees from the McCarthyite witch-hunts. Billy traces how the guitar came to the forefront of music in the UK and led directly to the British Invasion of the US charts in the 1960s.Emerging from the trad-jazz clubs of the early '50s, skiffle was adopted by kids who growing up during the dreary, post-war rationing years. These were Britain's first teenagers, looking for a music of their own in a pop culture dominated by crooners and mediated by a stuffy BBC. Lonnie Donegan hit the charts in 1956 with a version of 'Rock Island Line' and soon sales of guitars rocketed from 5,000 to 250,000 a year. Like punk rock that would flourish two decades later, skiffle was a do-it-yourself music. All you needed were three guitar chords and you could form a group, with mates playing tea-chest bass and washboard as a rhythm section.
Author: Keith Richards
Publisher: Little, Brown
ISBN: 0316178721
Category : Biography & Autobiography
Languages : en
Pages : 474
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Book Description
The long-awaited autobiography of Keith Richards, guitarist, songwriter, singer, and founding member of the Rolling Stones. With The Rolling Stones, Keith Richards created the songs that roused the world, and he lived the original rock and roll life. Now, at last, the man himself tells his story of life in the crossfire hurricane. Listening obsessively to Chuck Berry and Muddy Waters records, learning guitar and forming a band with Mick Jagger and Brian Jones. The Rolling Stones's first fame and the notorious drug busts that led to his enduring image as an outlaw folk hero. Creating immortal riffs like the ones in "Jumping Jack Flash" and "Honky Tonk Women." His relationship with Anita Pallenberg and the death of Brian Jones. Tax exile in France, wildfire tours of the U.S., isolation and addiction. Falling in love with Patti Hansen. Estrangement from Jagger and subsequent reconciliation. Marriage, family, solo albums and Xpensive Winos, and the road that goes on forever. With his trademark disarming honesty, Keith Richard brings us the story of a life we have all longed to know more of, unfettered, fearless, and true.
Author: Stuart Hall
Publisher: Verso Books
ISBN: 1839761369
Category : Political Science
Languages : en
Pages : 305
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Book Description
Stuart Hall's writings on the political impact of Margaret Thatcher have established him as the most prescient and insightful analyst of contemporary Conservatism Collected here for the first time with a new introduction, these essays show how Thatcher has exploited discontent with Labour's record in office and with aspects of the welfare state to devise a potent authoritarian, populist ideology. Hall's critical approach is elaborated here in essays on the formation of the SDP, inner city riots, the Falklands War and the signficance of Antonio Gramsci. He suggests that Thatcherism is skillfully employing the restless and individualistic dynamic of consumer capitalism to promote a swingeing programme of 'regressive modernization'. The Hard Road to Renewal is as concerned with elaborating a new politics for the Left as it is with the project of the Right. Hall insists that the Left can no longer trade on inherited politics and tradition. Socialists today must be as radical as modernity itself. Valuable pointers to a new politics are identified in the experience of feminism, the campaigns of the GLC and the world-wide response to Band Aid.
Author: Alan Lomax
Publisher:
ISBN: 9780385312851
Category : African Americans
Languages : en
Pages : 0
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Book Description
Winner of the 1993 National Book Critics Circle Award for nonfiction, this mususical and cultural exploration of the rich, sorrow-laden birth of the blues is an intimate and respectful look at an integral part of African American culture--a master work that has been 60 years in the making. Photos.
