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Author: H. Peter Oberlander
Publisher: UBC Press
ISBN: 9780774807210
Category : Architecture
Languages : en
Pages : 364
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Book Description
Catherine Bauer (1905–64) changed forever the concept of public housing in the United States—and inspired a generation of urban activists to include housing in welfare planning in the mid-20th century. She was one of a small group of idealists who called themselves Housers because of their commitment to raising the quality of urban life through improving shelter for low-income families. In the late 1920s, Bauer spent time in Paris, where she befriended Ferdinand Leger, Man Ray, and Sylvia Beach, publisher of Ulysses. Back in New York she fell under the spell of urban critic Lewis Mumford. It was at his urging that she became involved with the architects of change in post-World War I Europe, among them Ernst May, Andre Lurcat, and Walter Gropius. Convinced by their example that good social housing could produce good social architecture and moved by the visible ravages of the depression, she became a passionate leader in the fight for housing forthe poor. Soon established through her critical writings as a housing expert, she lodged the issue of public housing firmly within the New Deal’s agenda and was instrumental in the creation of the first public housing act in 1937. Her book Modern Housing, published in 1934, vividly depicts the essential interdependence of social, economic, and architectural policies in modern life; it is still required college reading. She taught for many years at the University of California Berkeley, as well as Harvard University.
Author: H. Peter Oberlander
Publisher: UBC Press
ISBN: 9780774807210
Category : Architecture
Languages : en
Pages : 364
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Book Description
Catherine Bauer (1905–64) changed forever the concept of public housing in the United States—and inspired a generation of urban activists to include housing in welfare planning in the mid-20th century. She was one of a small group of idealists who called themselves Housers because of their commitment to raising the quality of urban life through improving shelter for low-income families. In the late 1920s, Bauer spent time in Paris, where she befriended Ferdinand Leger, Man Ray, and Sylvia Beach, publisher of Ulysses. Back in New York she fell under the spell of urban critic Lewis Mumford. It was at his urging that she became involved with the architects of change in post-World War I Europe, among them Ernst May, Andre Lurcat, and Walter Gropius. Convinced by their example that good social housing could produce good social architecture and moved by the visible ravages of the depression, she became a passionate leader in the fight for housing forthe poor. Soon established through her critical writings as a housing expert, she lodged the issue of public housing firmly within the New Deal’s agenda and was instrumental in the creation of the first public housing act in 1937. Her book Modern Housing, published in 1934, vividly depicts the essential interdependence of social, economic, and architectural policies in modern life; it is still required college reading. She taught for many years at the University of California Berkeley, as well as Harvard University.
Author: W. Jackson Rushing III
Publisher: Harry N. Abrams
ISBN: 9780810943261
Category : Art
Languages : en
Pages : 0
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Book Description
He mastered a number of styles ranging from straightforward representation to pure abstraction, and throughout his career he remained alert to developments in the work of his contemporaries. Until his death in 1994 he continued to evolve, to rethink his approach, and to remaster his art. Today, his work, particularly his sculpture, can be seen in a number of collections both in the United States and abroad.".
Author: Heather Houser
Publisher: Columbia University Press
ISBN: 023154720X
Category : Literary Criticism
Languages : en
Pages : 224
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Book Description
How do artists and writers engage with environmental knowledge in the face of overwhelming information about catastrophe? What kinds of knowledge do the arts produce when addressing climate change, extinction, and other environmental emergencies? What happens to scientific data when it becomes art? In Infowhelm, Heather Houser explores the ways contemporary art manages environmental knowledge in an age of climate crisis and information overload. Houser argues that the infowhelm—a state of abundant yet contested scientific information—is an unexpectedly resonant resource for environmental artists seeking to go beyond communicating stories about crises. Infowhelm analyzes how artists transform the techniques of the sciences into aesthetic material, repurposing data on everything from butterfly migration to oil spills and experimenting with data collection, classification, and remote sensing. Houser traces how artists ranging from novelist Barbara Kingsolver to digital memorialist Maya Lin rework knowledge traditions native to the sciences, entangling data with embodiment, quantification with speculation, precision with ambiguity, and observation with feeling. Their works provide new ways of understanding environmental change while also questioning traditional distinctions between types of knowledge. Bridging the environmental humanities, digital media studies, and science and technology studies, this timely book reveals the importance of artistic medium and form to understanding environmental issues and challenges our assumptions about how people arrive at and respond to environmental knowledge.
Author: Charles Sanders Peirce
Publisher: Indiana University Press
ISBN: 0253207215
Category : Literary Criticism
Languages : en
Pages : 444
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Book Description
A convenient two-volume reader's edition makes accessible to students and scholars the most important philosophical papers of the brilliant American thinker Charles Sanders Peirce. Volume 1 presents twenty-five key texts, chronologically arranged, beginning with Peirce's 'On a New List of Categories' of 1867, a highly regarded alternative alternative to Kantian philosophy, and ending with the first sustained and systematic presentation of his evolutionary metaphysics in the Monist Metaphysical Series of 1891-1893.
Author: Jim Houser
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 104
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Book Description
Self-taught mixed media artist Jim Houser's creative journey began as a child when he started drawing in sketchbooks brought home to him by his father. Over the years, driven by impulse and inspired by words as well as the perspective that his childhood drawings provide. Houser developed a style combining words, phrases and existential story fragments with crisp, colorful paintings on surfaces ranging from canvas to walls to skateboards and more. Houser forces us to re-examine these often wellworn words and discover their lost, faded and even alternate meanings amidst visions of ten gallon hats, snaggletooth snakes, preternatural beigns and visualized natural elements. Jim Houser is a Philadelphia-based artist who was a founding member of the collective Space 1026 and an avid skateboarder who designs skate decks for Toy Machine.
Author: Heather Houser
Publisher: Columbia University Press
ISBN: 0231165145
Category : Literary Criticism
Languages : en
Pages : 330
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Book Description
The 1970s brought a new understanding of the biological and intellectual impact of environmental crises on human beings, and as efforts to prevent ecological and human degradation aligned, a new literature of sickness emerged. “Ecosickness fiction” imaginatively rethinks the link between ecological and bodily endangerment and uses affect and the sick body to bring readers to environmental consciousness. Tracing the development of ecosickness through a compelling archive of modern U.S. novels and memoirs, this study demonstrates the mode’s crucial role in shaping thematic content and formal and affective literary strategies. Examining works by David Foster Wallace, Richard Powers, Leslie Marmon Silko, Marge Piercy, Jan Zita Grover, and David Wojnarowicz, Heather Houser shows how these authors unite experiences of environmental and somatic damage through narrative affects that draw attention to ecological phenomena, organize perception, and convert knowledge into ethics. Traversing contemporary cultural studies, ecocriticism, affect studies, and literature and medicine, Houser juxtaposes ecosickness fiction against new forms of environmentalism and technoscientific innovations such as regenerative medicine and alternative ecosystems. Ecosickness in Contemporary U.S. Fiction recasts recent narrative as a laboratory in which affective and perceptual changes both support and challenge political projects.
Author: Trevor J. Houser
Publisher:
ISBN: 9781950730841
Category :
Languages : en
Pages :
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Book Description
Author: Robert Dunn
Publisher: Infinity Publishing
ISBN: 074143637X
Category :
Languages : en
Pages : 237
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Book Description
Author: R. E. Houser
Publisher: Catholic University of America Press
ISBN: 0813232341
Category : Philosophy
Languages : en
Pages : 481
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Book Description
In the twenty-first century there are two ways to study logic. The more recent approach is symbolic logic. The history of teaching logic since World War II, however, casts doubt on the idea that symbolic logic is best for a first logic course. Logic as a Liberal Art is designed as part of a minority approach, teaching logic in the "verbal" way, in the student's "natural" language, the approach invented by Aristotle. On utilitarian grounds alone, this "verbal" approach is superior for a first course in logic, for the whole range of students. For millennia, this "verbal" approach to logic was taught in conjunction with grammar and rhetoric, christened the trivium. The decline in teaching grammar and rhetoric in American secondary schools has led Dr. Rollen Edward Houser to develop this book. The first part treats grammar, rhetoric, and the essential nature of logic. Those teachers who look down upon rhetoric are free, of course, to skip those lessons. The treatment of logic itself follows Aristotle's division of the three acts of the mind (Prior Analytics 1.1). Formal logic is then taken up in Aristotle's order, with Parts on the logic of Terms, Propositions, and Arguments. The emphasis in Logic as a Liberal Art is on learning logic through doing problems. Consequently, there are more problems in each lesson than would be found, for example, in many textbooks. In addition, a special effort has been made to have easy, medium, and difficult problems in each Problem Set. In this way the problem sets are designed to offer a challenge to all students, from those most in need of a logic course to the very best students.
Author: Connie Houser
Publisher: Xlibris Corporation
ISBN: 1477181539
Category : Art
Languages : en
Pages : 134
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Book Description
The Letters: Portrait of an Artist, Jim Houser is a book about Connie and Jim Houser’s passion for art and each other as well as for living and family. It is a dialogue about their adventures in pursuing those loves and achieving recognition for their accomplishments. In 2008 the book garnered FIRST PLACE in the DIY California Book Fest and HONORABLE MENTIONS in A DOZEN BOOK FESTS including the New England Book Fest and the LONDON, ENGLAND book fest. It is a readable, visual delight. There is a profound degree of “suchness” or Zen quality in Jim Houser’s paintings as well as a lyricism not unlike the clear concise resonance of Robert Frost’s shorter verse. Those essentials are shown in the almost forty paintings photographed for The Letters: Portrait of an Artist, Jim Houser. The imagined and inventive device and use of letters (or messages) in "The Letters: Portrait of an Artist, Jim Houser swiftly conveys the actual events in Jim and Connie Houser’s lives. The creative partners are portrayed in a rapidly moving dialogue that involves the reader in artist’s competitions, art gallery shows, foreign and domestic travel, family life, and an understanding of the profession of producing a fine work of art in modern times. The Letters: Portrait of an Artist, Jim Houser explains that a fine work of art is very different from the remainder of artistic endeavor. Fine art engages the viewer in a visual dialogue that distinguishes it and bonds the viewer in love or hate but never mediocrity. Not a run of the mill coffee table book, The Letters: Portrait of an Artist, Jim Houser is a charming and accurate account of the modern day artist’s life while creating works of art and bringing them to the public’s attention. The story encompasses the tragedies and the successes in the Houser’s lives and their interaction with others. Written by the artist’s wife, Connie Houser, herself an awarded artist and writer, it spans the artists’ relationship thus far and offers insights into their creative work. The Letters: Portrait of an Artist, Jim Houser follows the artists’ creative work accomplished during their hectic everyday existence. The same full lives of having a family, a home, and a job to pay bills, necessary today to most people. Although the letters themselves are an imaginative artistic device to enliven the book, the events are true. Not satisfied to just get by, they made career choices that would eventually make them both candidates for inclusion in the prestigious Marquis Who’s Who editions of art, literature, America and the World. Jim has been represented in those volumes for fifteen years and Connie joined the ranks in 2004. Photographs of his paintings will also appeared in the 2008-2009 "Who ́s Who in American Art" Artist ́s gallery. Their ability to continue to work under conditions that might discourage others is made clear in The Letters: Portrait of an Artist, Jim Houser. Jim‘s profession is painting and Connie’s is writing and painting. The rest of their work, although they contributed much, enjoyed it, and performed with excellence, was done to pay the bills. Jim was a 30-year college professor and full-time family man. Connie organized family matters, taught part-time, while writing for various publications and magazines plus painting. The carousing hours were the working hours for their creative efforts because silence reigned. Their many travel adventures in the states and abroad guaranteed they played hard with the same energy and enthusiasms. When Jim began winning countless awards for his painting, he was invited to show at numerous exhibitions and in New York City galleries. They added these events plus art show openings to their already hectic schedule. Through it all they managed a fulfilling family life while taking creative care of their parents and allowing them their desired home life.
