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Author: Ian Conrich
Publisher: I.B. Tauris
ISBN:
Category : Performing Arts
Languages : en
Pages : 328
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Book Description
Leading international writers in horror take horror out into the world beyond cinema screens to explore the interconnections between the films and modern media and entertainment industries, economies and production practices, cultural and political forums, spectators and fans.
Author: Ian Conrich
Publisher: I.B. Tauris
ISBN:
Category : Performing Arts
Languages : en
Pages : 328
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Book Description
Leading international writers in horror take horror out into the world beyond cinema screens to explore the interconnections between the films and modern media and entertainment industries, economies and production practices, cultural and political forums, spectators and fans.
Author: Ian Conrich
Publisher: I.B. Tauris
ISBN:
Category : Performing Arts
Languages : en
Pages : 324
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Book Description
Leading international writers in horror take horror out into the world beyond cinema screens to explore the interconnections between the films and modern media and entertainment industries, economies and production practices, cultural and political forums, spectators and fans.
Author: Murray Leeder
Publisher: Bloomsbury Publishing USA
ISBN: 1501314424
Category : Performing Arts
Languages : en
Pages : 289
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Book Description
An introduction to the horror film genre.
Author: Antonio Lazaro-Reboll
Publisher: Edinburgh University Press
ISBN: 0748670629
Category : Performing Arts
Languages : en
Pages : 374
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Book Description
An original new study of Spanish horror film.
Author: Robin R. Means Coleman
Publisher: Routledge
ISBN: 1136942939
Category : Performing Arts
Languages : en
Pages : 338
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Book Description
From King Kong to Candyman, the boundary-pushing genre of the horror film has always been a site for provocative explorations of race in American popular culture. In Horror Noire: Blacks in American Horror Films from 1890's to Present, Robin R. Means Coleman traces the history of notable characterizations of blackness in horror cinema, and examines key levels of black participation on screen and behind the camera. She argues that horror offers a representational space for black people to challenge the more negative, or racist, images seen in other media outlets, and to portray greater diversity within the concept of blackness itself. Horror Noire presents a unique social history of blacks in America through changing images in horror films. Throughout the text, the reader is encouraged to unpack the genre’s racialized imagery, as well as the narratives that make up popular culture’s commentary on race. Offering a comprehensive chronological survey of the genre, this book addresses a full range of black horror films, including mainstream Hollywood fare, as well as art-house films, Blaxploitation films, direct-to-DVD films, and the emerging U.S./hip-hop culture-inspired Nigerian "Nollywood" Black horror films. Horror Noire is, thus, essential reading for anyone seeking to understand how fears and anxieties about race and race relations are made manifest, and often challenged, on the silver screen.
Author: Ernest Mathijs
Publisher: John Wiley & Sons
ISBN: 1444396439
Category : Performing Arts
Languages : en
Pages : 326
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Book Description
Cult Cinema: an Introduction presents the first in-depth academic examination of all aspects of the field of cult cinema, including audiences, genres, and theoretical perspectives. Represents the first exhaustive introduction to cult cinema Offers a scholarly treatment of a hotly contested topic at the center of current academic debate Covers audience reactions, aesthetics, genres, theories of cult cinema, as well as historical insights into the topic
Author: David Church
Publisher: Edinburgh University Press
ISBN: 1474475914
Category : Fiction
Languages : en
Pages : 317
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Book Description
Horror’s longstanding reputation as a popular but culturally denigrated genre has been challenged by a new wave of films mixing arthouse minimalism with established genre conventions. Variously dubbed 'elevated horror' and 'post-horror,' films such as The Babadook, It Follows, The Witch, It Comes at Night, Get Out, The Invitation, Hereditary, Midsommar, A Ghost Story, and mother! represent an emerging nexus of taste, politics, and style that has often earned outsized acclaim from critics and populist rejection by wider audiences. Post-Horror is the first full-length study of one of the most important and divisive movements in twenty-first-century horror cinema.
Author: Kevin McGuiness
Publisher: McFarland
ISBN: 1476693277
Category : Performing Arts
Languages : en
Pages : 185
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Book Description
In the 1978 horror film classic Halloween, little Tommy Doyle asks his babysitter Laurie Strode "what is the Boogeyman?" This book answers this question by assessing the qualities that create the Boogeyman persona in Western popular culture particularly in the fairytale and the modern horror film. Using an archetypal approach derived from the work of Carl Jung and his successors Erich Neumann and Edgar Herzog, the book assesses the figure of the Boogeyman through an interdisciplinary lens that incorporates research from the fields of psychology, philosophy, and film studies. The book begins with an examination of the key traits associated with Bluebeard, a quintessential example of the folkloric Boogeyman featured in Charles Perrault's 1697 collection of fairytales. Through an intense comparative analysis, it highlights the presence of similar qualities in the popular villains from the contemporary American slasher movies of the 1970s and '80s. Specifically, these characters include Michael Myers from Halloween (1978), Jason Voorhees of Friday the 13th (1980), and Freddy Krueger featured in A Nightmare on Elm Street (1984). This examination situates these terrifying antagonists within a larger context of monstrosity and simultaneously establishes their role as cinematic manifestations of the folkloric Boogeyman.
Author: K. R. Alexander
Publisher: Scholastic Inc.
ISBN: 1338702149
Category : Juvenile Fiction
Languages : en
Pages : 204
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Book Description
They thought the fears were gone.They thought the nightmares would stop haunting them.But the five of them were wrong.They're older now. They're friends. But that friendship can be shattered so easily when life turns scary again.It was bad enough when it was just clowns and sharks and snakes. Back then, they had to conquer their own fear.Now . . . they have to conquer everyone else's.
Author: Eddie Falvey
Publisher: Liverpool University Press
ISBN: 1800858159
Category : Performing Arts
Languages : en
Pages : 132
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Book Description
Since its release at the mid-point of the 1980s American horror boom, Stuart Gordon’s Re-Animator (1985) has endured as one of the most beloved cult horror films of that era. Greeted by enthusiastic early reviews, Re-Animator has maintained a spot at the periphery of the classic horror film canon. While Re-Animator has not entirely gone without critical attention, it has often been overshadowed in horror studies by more familiar titles from the period. Eddie Falvey’s book, which represents the first book-length study of Re-Animator, repositions it as one of the most significant American horror films of its era. For Falvey, Re-Animator sits at the intersection of various developments that were taking place within the context of 1980s American horror production. He uses Re-Animator to explore the rise and fall of Charles Band’s Empire Pictures, the revival of the mad science sub-genre, the emergent popularity of both gore aesthetics and horror-comedies, as well as a new appetite for the works of H.P. Lovecraft in adaptation. Falvey also tracks the film's legacies, observing not only how Re-Animator’s success gave rise to a new Lovecraftian cycle fronted by Stuart Gordon, but also how its cult status has continued to grow, marked by sequels, spin-offs, parodies and re-releases. As such, Falvey's book promises to be a book both about Re-Animator itself and about the various contexts that birthed it and continue to reflect its influence.
