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Author: Michele Brittany
Publisher: McFarland
ISBN: 1476637911
Category : Literary Criticism
Languages : en
Pages : 237
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Book Description
From shambling zombies to Gothic ghosts, horror has entertained thrill-seeking readers for centuries. A versatile literary genre, it offers commentary on societal issues, fresh insight into the everyday and moral tales disguised in haunting tropes and grotesque acts, with many stories worthy of critical appraisal. This collection of new essays takes in a range of topics, focusing on historic works such as Ann Radcliffe's Gaston de Blondeville (1826) and modern novels including Max Brooks' World War Z. Other contributions examine weird fiction, Stephen King, Richard Laymon, Indigenous Australian monster mythology and horror in picture books for young children.
Author: Michele Brittany
Publisher: McFarland
ISBN: 1476637911
Category : Literary Criticism
Languages : en
Pages : 237
Get Book
Book Description
From shambling zombies to Gothic ghosts, horror has entertained thrill-seeking readers for centuries. A versatile literary genre, it offers commentary on societal issues, fresh insight into the everyday and moral tales disguised in haunting tropes and grotesque acts, with many stories worthy of critical appraisal. This collection of new essays takes in a range of topics, focusing on historic works such as Ann Radcliffe's Gaston de Blondeville (1826) and modern novels including Max Brooks' World War Z. Other contributions examine weird fiction, Stephen King, Richard Laymon, Indigenous Australian monster mythology and horror in picture books for young children.
Author: Maria Beville
Publisher: Rodopi
ISBN: 9042026650
Category : Fiction
Languages : en
Pages : 220
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Book Description
Preliminary Material -- Introduction -- Defining Gothic-postmodernism -- On Gothic Terror -- Generic Investigations: What is 'Gothic'? -- Postmodernism -- The Gothic and Postmodernism - At the Interface -- Gothic Literary Transformations: The Fin de Siecle and Modernism -- Introduction to Part II -- The Gothic-postmodernist Novel: Three Models -- Gothic Metafiction: The Satanic Verses -- Bulgakov's The Master and Margarita -- Textual Terrors of the Self: Haunting and Hyperreality in Lunar Park -- Conclusion -- Bibliography -- Index.
Author: Michele Brittany
Publisher: McFarland
ISBN: 1476674884
Category : Literary Criticism
Languages : en
Pages : 237
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Book Description
From shambling zombies to Gothic ghosts, horror has entertained thrill-seeking readers for centuries. A versatile literary genre, it offers commentary on societal issues, fresh insight into the everyday and moral tales disguised in haunting tropes and grotesque acts, with many stories worthy of critical appraisal. This collection of new essays takes in a range of topics, focusing on historic works such as Ann Radcliffe's Gaston de Blondeville (1826) and modern novels including Max Brooks' World War Z. Other contributions examine weird fiction, Stephen King, Richard Laymon, Indigenous Australian monster mythology and horror in picture books for young children.
Author: Keith McDonald
Publisher: Anthem Press
ISBN: 1785277758
Category : Art
Languages : en
Pages : 224
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Book Description
This book looks at contemporary Gothic cinema within a transnational approach. With a focus on the aesthetic and philosophical roots which lie at the heart of the Gothic, the study invokes its literary as well as filmic forebears by exploring how these styles informed strands of the modern filmic Gothic: the ghost narrative, folk horror, the vampire movie, cosmic horror and, finally, the zombie film. In recent years, the concept of transnationalism has ‘trans’-cended its original boundaries, perhaps excessively in the minds of some. Originally defined in the wake of the rise of globalisation in the 1990s, as a way to study cinema beyond national boundaries, where the look and the story of a film reflected the input of more than one nation, or region, or culture. It was considered too confining to study national cinemas in an age of internationalization, witnessing the fusions of cultures, and post-colonialism, exile and diasporas. The concept allows us to appreciate the broader range of forces from a wider international perspective while at the same time also engaging with concepts of nationalism, identity and an acknowledgement of cinema itself.
Author: L. Andrew Cooper
Publisher: McFarland
ISBN: 9780786457885
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
Eighteenth-century critics believed Gothic fiction would inspire deviant sexuality, instill heretical beliefs, and encourage antisocial violence—this book puts these beliefs to the test. After examining the assumptions behind critics’ fears, it considers nineteenth-century concerns about sexual deviance, showing how Frankenstein, Dr. Jekyll and Mr. Hyde, Dorian Gray, and other works helped construct homosexuality as a pathological, dangerous phenomenon. It then turns to television and film, particularly Buffy the Vampire Slayer and David DeCoteau’s direct-to-video movies, to trace Gothicized sexuality’s lasting impact. Moving to heretical beliefs, Gothic Realities surveys ghost stories from Dickens’s A Christmas Carol to Poltergeist, articulating the relationships between fiction and the “real” supernatural. Finally, it considers connections between Gothic horror and real-world violence, especially the tragedies at Columbine and Virginia Tech.
Author: Charles L. Crow
Publisher: University of Wales Press
ISBN: 0708322484
Category : Literary Criticism
Languages : en
Pages : 250
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Book Description
Defining the American gothic tradition both within the context of the major movements of intellectual history over the past three-hundred years, as well as within the issues critical to American culture, this comprehensive volume covers a diverse terrain of well-known American writers, from Poe to Faulkner to Toni Morrison and Cormac McCarthy. Charles L. Crow demonstrates how the gothic provides a forum for discussing key issues of changing American culture, explores forbidden subjects, and provides a voice for the repressed and silenced.
Author: Sorcha Ní Fhlainn
Publisher: Springer
ISBN: 1137583770
Category : Performing Arts
Languages : en
Pages : 264
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Book Description
Postmodern Vampires: Film, Fiction, and Popular Culture is the first major study to focus on American cultural history from the vampire’s point of view. Beginning in 1968, Ní Fhlainn argues that vampires move from the margins to the centre of popular culture as representatives of the anxieties and aspirations of their age. Mapping their literary and screen evolution on to the American Presidency, from Richard Nixon to Donald Trump, this essential critical study chronicles the vampire’s blood-ties to distinct socio-political movements and cultural decades in the late twentieth and early twenty-first centuries. Through case studies of key texts, including Interview with the Vampire, The Lost Boys, Blade, Twilight, Let Me In, True Blood and numerous adaptations of Dracula, this book reveals how vampires continue to be exemplary barometers of political and historical change in the American imagination. It is essential reading for scholars and students in Gothic and Horror Studies, Film Studies, and American Studies, and for anyone interested in the articulate undead.
Author: Silvia Moreno-Garcia
Publisher: Del Rey
ISBN: 0525620796
Category : Fiction
Languages : en
Pages : 361
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Book Description
NEW YORK TIMES BESTSELLER • “It’s Lovecraft meets the Brontës in Latin America, and after a slow-burn start Mexican Gothic gets seriously weird.”—The Guardian IN DEVELOPMENT AS A HULU ORIGINAL LIMITED SERIES PRODUCED BY KELLY RIPA AND MARK CONSUELOS • ONE OF TIME’S 100 BEST MYSTERY AND THRILLER BOOKS OF ALL TIME • WINNER OF THE LOCUS AWARD • NOMINATED FOR THE BRAM STOKER AWARD ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker, Vanity Fair, NPR, The Washington Post, Tordotcom, Marie Claire, Vox, Mashable, Men’s Health, Library Journal, Book Riot, LibraryReads An isolated mansion. A chillingly charismatic aristocrat. And a brave socialite drawn to expose their treacherous secrets. . . . From the author of Gods of Jade and Shadow comes “a terrifying twist on classic gothic horror” (Kirkus Reviews) set in glamorous 1950s Mexico. After receiving a frantic letter from her newly-wed cousin begging for someone to save her from a mysterious doom, Noemí Taboada heads to High Place, a distant house in the Mexican countryside. She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region. Noemí is also an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemi’s dreams with visions of blood and doom. Her only ally in this inhospitable abode is the family’s youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family’s past. For there are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness. And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind. “It’s as if a supernatural power compels us to turn the pages of the gripping Mexican Gothic.”—The Washington Post “Mexican Gothic is the perfect summer horror read, and marks Moreno-Garcia with her hypnotic and engaging prose as one of the genre’s most exciting talents.”—Nerdist “A period thriller as rich in suspense as it is in lush ’50s atmosphere.”—Entertainment Weekly
Author: Lorna Piatti-Farnell
Publisher: Rowman & Littlefield
ISBN: 1498578233
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
Gothic Afterlives examines the intersecting dimensions of contemporary Gothic horror and remakes scholarship, bringing together innovative perspectives from different areas of study. The research compiled in this collection covers a wide range of examples, including not only literature but also film, television, video games, and digital media remakes. Gothic Afterlives signals the cultural and conceptual impact of Gothic horror on transmedia production, with a focus on reimagining and remaking. While diverse in content and approach, all chapters pivot on two important points: first, they reflect some of the core preoccupations of Gothic horror by subverting cultural and social certainties about notions such as the body, technology, consumption, human nature, digitalization, scientific experimentation, national identity, memory, and gender and by challenging the boundaries between human and inhuman, self and Other, and good and evil. Second, and perhaps most important, all chapters in the collection collectively show what happens when well-known Gothic horror narratives are adapted and remade into different contexts, highlighting the implications of the mode-shifting registers, platforms, and chronologies in the process. As a collection, Gothic Afterlives hones in on contemporary sociocultural experiences and identities as they appear in contemporary popular culture and in the stories told and retold in the twenty-first century.
Author: April Taylor
Publisher:
ISBN: 9780692110959
Category :
Languages : en
Pages : 280
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Book Description
Welcome to Cabin Green, where the setting is familiar, but the story is completely unexpected. This original, terrifying psychological thriller is the debut horror novel from the author of the Midnight Myths and Fairy Tales Series. Going to Cabin Green alone after the death of his fiancée was Ben's first mistake. His second mistake was tempting fate by saying, "There's no such thing as an evil building." Now he's caught in a nightmare of his own making deep in the woods of Northern Michigan. Even worse, a family history of mental illness makes it impossible for him to know if the ghosts haunting the cabin are real or all in his head. This modern Gothic horror story takes the reader directly into Ben's hellish experience. Is he crazy? Is a ghost haunting him? The only way to find out is to make it to the end of this deep, dark thrill ride that's filled with more twists than a roller coaster. This novel was inspired by a real-life, spooky green cabin in Northern Michigan that's so well-hidden it can't be found by GPS! Content Warning: This isn't a Saw-type torture story, but it does contain gore, sex, profanity, and deeply disturbing psychological themes. For mature readers only. Review for The Haunting of Cabin Green "This book will challenge its readers, and that is a good thing... You are taken on a nightmarish, uncomfortable journey and you soon realize you can't count on the standard rules of storytelling. The author is brave enough to push the envelope and leave you not even guessing the end!" - Goodreads Reviewer Reviews for the Author's Previous Work "Beautifully bewitching... it's a fast-paced, captivating tale, and the writing is exquisite." - Kindle Reviewer "This story is like a witch's spell drawing the reader in." - Kindle Reviewer "Very original... the ending was completely surprising." - Kindle Reviewer "It really whets your appetite for more." - Kindle Reviewer "I felt immersed in the story!" - Kindle Reviewer "Well-written and immediately draws you into the story, with no lag in momentum." - Goodreads Reviewer Excerpt from The Haunting of Cabin Green: A Modern Gothic Horror Novel ...Unsure what the vast blanket of fog was hiding but certain he wanted to live, Ben's limbs stopped moving. 'This is crazy. I know I didn't hit anything.' Another part of his mind refuted this logic. 'Then why am I crawling in the middle of a highway?' As distasteful and terrifying as it was, he'd never be able to live with himself if he didn't uncover the identity of the object - 'not a person' - that had tripped him. Hesitation clawed at every fiber of his being, but he forced his way forward until his right hand brushed a raw, rough surface. He yanked his hand back like it was on fire before regaining control of his actions. 'I can do this.' Ben reached out again, and his fingertips came into tentative contact with the alien object. The moisture in the air hadn't seeped into its skin. His left fist covered his mouth to stop audible proof of his fear from escaping. At the same time, he increased the pressure of his right fingers in a bid to figure out what - or who - had gotten in his way. A crumbling sensation sent shock waves throughout his body. He managed to hold on long enough for a small sliver of something unknown to drop into his palm. Unable to keep his composure any longer, he darted back to the car, careful not to drop the evidence. He slammed the door shut and jammed the locks in place before turning to face the source of his inevitable doom. With his eyes squeezed shut, he uncurled his fist and put the object on display. His left eyelid lifted a fraction of an inch to test the waters before he dove in and allowed both eyes to confront the truth...
