Author: Roy Kinnard
Publisher: McFarland
ISBN: 1476609136
Category : Performing Arts
Languages : en
Pages : 285
Book Description
Though the horror film was not officially born until Universal Pictures released Frankenstein in 1931, there were many silent films that contained terrifying scenes and horrific elements. Many of the early horror soundies drew much of their inspiration for visual design and thematic development from the silents. This filmography includes all silent films that were horrific in nature, containing one or more of the stock horror movie elements, e.g., haunted houses, ghosts, witches, monsters, the occult or hypnotism. Each entry includes release date, running time, cast and credit information, contemporary review quotes when available, and in the case of foreign films, the original title and country of origin.
Horror in Silent Films
Author: Roy Kinnard
Publisher: McFarland
ISBN: 1476609136
Category : Performing Arts
Languages : en
Pages : 285
Book Description
Though the horror film was not officially born until Universal Pictures released Frankenstein in 1931, there were many silent films that contained terrifying scenes and horrific elements. Many of the early horror soundies drew much of their inspiration for visual design and thematic development from the silents. This filmography includes all silent films that were horrific in nature, containing one or more of the stock horror movie elements, e.g., haunted houses, ghosts, witches, monsters, the occult or hypnotism. Each entry includes release date, running time, cast and credit information, contemporary review quotes when available, and in the case of foreign films, the original title and country of origin.
Publisher: McFarland
ISBN: 1476609136
Category : Performing Arts
Languages : en
Pages : 285
Book Description
Though the horror film was not officially born until Universal Pictures released Frankenstein in 1931, there were many silent films that contained terrifying scenes and horrific elements. Many of the early horror soundies drew much of their inspiration for visual design and thematic development from the silents. This filmography includes all silent films that were horrific in nature, containing one or more of the stock horror movie elements, e.g., haunted houses, ghosts, witches, monsters, the occult or hypnotism. Each entry includes release date, running time, cast and credit information, contemporary review quotes when available, and in the case of foreign films, the original title and country of origin.
American Silent Horror, Science Fiction and Fantasy Feature Films, 1913-1929
Author: John T. Soister
Publisher: McFarland
ISBN: 0786487909
Category : Performing Arts
Languages : en
Pages : 831
Book Description
During the Silent Era, when most films dealt with dramatic or comedic takes on the "boy meets girl, boy loses girl" theme, other motion pictures dared to tackle such topics as rejuvenation, revivication, mesmerism, the supernatural and the grotesque. A Daughter of the Gods (1916), The Phantom of the Opera (1925), The Magician (1926) and Seven Footprints to Satan (1929) were among the unusual and startling films containing story elements that went far beyond the realm of "highly unlikely." Using surviving documentation and their combined expertise, the authors catalog and discuss these departures from the norm in this encyclopedic guide to American horror, science fiction and fantasy in the years from 1913 through 1929.
Publisher: McFarland
ISBN: 0786487909
Category : Performing Arts
Languages : en
Pages : 831
Book Description
During the Silent Era, when most films dealt with dramatic or comedic takes on the "boy meets girl, boy loses girl" theme, other motion pictures dared to tackle such topics as rejuvenation, revivication, mesmerism, the supernatural and the grotesque. A Daughter of the Gods (1916), The Phantom of the Opera (1925), The Magician (1926) and Seven Footprints to Satan (1929) were among the unusual and startling films containing story elements that went far beyond the realm of "highly unlikely." Using surviving documentation and their combined expertise, the authors catalog and discuss these departures from the norm in this encyclopedic guide to American horror, science fiction and fantasy in the years from 1913 through 1929.
Tome of Terror
Author: Troy Howarth
Publisher:
ISBN: 9781936168682
Category : Horror films
Languages : en
Pages : 370
Book Description
TOME OF TERROR is a series of books detailing the history of the horror genre, from the mid-1890s to the present day
Publisher:
ISBN: 9781936168682
Category : Horror films
Languages : en
Pages : 370
Book Description
TOME OF TERROR is a series of books detailing the history of the horror genre, from the mid-1890s to the present day
Silent Movies
Author: Peter Kobel
Publisher: Little, Brown
ISBN: 0316069590
Category : Performing Arts
Languages : en
Pages : 607
Book Description
Drawing on the extraordinary collection of The Library of Congress, one of the greatest repositories for silent film and memorabilia, Peter Kobel has created the definitive visual history of silent film. From its birth in the 1890s, with the earliest narrative shorts, through the brilliant full-length features of the 1920s, Silent Movies captures the greatest directors and actors and their immortal films. Silent Movies also looks at the technology of early film, the use of color photography, and the restoration work being spearheaded by some of Hollywood's most important directors, such as Martin Scorsese and Francis Ford Coppola. Richly illustrated from the Library of Congress's extensive collection of posters, paper prints, film stills, and memorabilia -- most of which have never been in print -- Silent Movies is an important work of history that will also be a sought-after gift book for all lovers of film.
Publisher: Little, Brown
ISBN: 0316069590
Category : Performing Arts
Languages : en
Pages : 607
Book Description
Drawing on the extraordinary collection of The Library of Congress, one of the greatest repositories for silent film and memorabilia, Peter Kobel has created the definitive visual history of silent film. From its birth in the 1890s, with the earliest narrative shorts, through the brilliant full-length features of the 1920s, Silent Movies captures the greatest directors and actors and their immortal films. Silent Movies also looks at the technology of early film, the use of color photography, and the restoration work being spearheaded by some of Hollywood's most important directors, such as Martin Scorsese and Francis Ford Coppola. Richly illustrated from the Library of Congress's extensive collection of posters, paper prints, film stills, and memorabilia -- most of which have never been in print -- Silent Movies is an important work of history that will also be a sought-after gift book for all lovers of film.
A Place of Darkness
Author: Kendall R. Phillips
Publisher: University of Texas Press
ISBN: 1477315519
Category : Performing Arts
Languages : en
Pages : 252
Book Description
Horror is one of the most enduringly popular genres in cinema. The term “horror film” was coined in 1931 between the premiere of Dracula and the release of Frankenstein, but monsters, ghosts, demons, and supernatural and horrific themes have been popular with American audiences since the emergence of novelty kinematographic attractions in the late 1890s. A Place of Darkness illuminates the prehistory of the horror genre by tracing the way horrific elements and stories were portrayed in films prior to the introduction of the term “horror film.” Using a rhetorical approach that examines not only early films but also the promotional materials for them and critical responses to them, Kendall R. Phillips argues that the portrayal of horrific elements was enmeshed in broader social tensions around the emergence of American identity and, in turn, American cinema. He shows how early cinema linked monsters, ghosts, witches, and magicians with Old World superstitions and beliefs, in contrast to an American way of thinking that was pragmatic, reasonable, scientific, and progressive. Throughout the teens and twenties, Phillips finds, supernatural elements were almost always explained away as some hysterical mistake, humorous prank, or nefarious plot. The Great Depression of the 1930s, however, constituted a substantial upheaval in the system of American certainty and opened a space for the reemergence of Old World gothic within American popular discourse in the form of the horror genre, which has terrified and thrilled fans ever since.
Publisher: University of Texas Press
ISBN: 1477315519
Category : Performing Arts
Languages : en
Pages : 252
Book Description
Horror is one of the most enduringly popular genres in cinema. The term “horror film” was coined in 1931 between the premiere of Dracula and the release of Frankenstein, but monsters, ghosts, demons, and supernatural and horrific themes have been popular with American audiences since the emergence of novelty kinematographic attractions in the late 1890s. A Place of Darkness illuminates the prehistory of the horror genre by tracing the way horrific elements and stories were portrayed in films prior to the introduction of the term “horror film.” Using a rhetorical approach that examines not only early films but also the promotional materials for them and critical responses to them, Kendall R. Phillips argues that the portrayal of horrific elements was enmeshed in broader social tensions around the emergence of American identity and, in turn, American cinema. He shows how early cinema linked monsters, ghosts, witches, and magicians with Old World superstitions and beliefs, in contrast to an American way of thinking that was pragmatic, reasonable, scientific, and progressive. Throughout the teens and twenties, Phillips finds, supernatural elements were almost always explained away as some hysterical mistake, humorous prank, or nefarious plot. The Great Depression of the 1930s, however, constituted a substantial upheaval in the system of American certainty and opened a space for the reemergence of Old World gothic within American popular discourse in the form of the horror genre, which has terrified and thrilled fans ever since.
Horror in Silent Films
Author: Roy Kinnard
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 296
Book Description
Though the horror film was not officially born until Universal Pictures released Frankenstein in 1931, there were many silent films that contained terrifying scenes and horrific elements. Many of the early horror soundies drew much of their inspiration for visual design and thematic development from the silents. This filmography includes all silent films that were horrific in nature, containing one or more of the stock horror movie elements, e.g., haunted houses, ghosts, witches, monsters, the occult or hypnotism. Each entry includes release date, running time, cast and credit information, contemporary review quotes when available, and in the case of foreign films, the original title and country of origin.
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 296
Book Description
Though the horror film was not officially born until Universal Pictures released Frankenstein in 1931, there were many silent films that contained terrifying scenes and horrific elements. Many of the early horror soundies drew much of their inspiration for visual design and thematic development from the silents. This filmography includes all silent films that were horrific in nature, containing one or more of the stock horror movie elements, e.g., haunted houses, ghosts, witches, monsters, the occult or hypnotism. Each entry includes release date, running time, cast and credit information, contemporary review quotes when available, and in the case of foreign films, the original title and country of origin.
The Horror Film
Author: Stephen Prince
Publisher: Rutgers University Press
ISBN: 081354257X
Category : Performing Arts
Languages : en
Pages : 281
Book Description
In this volume, Stephen Prince has collected essays reviewing the history of the horror film and the psychological reasons for its persistent appeal, as well as discussions of the developmental responses of young adult viewers and children to the genre. The book focuses on recent postmodern examples such as The Blair Witch Project. In a daring move, the volume also examines Holocaust films in relation to horror. Part One features essays on the silent and classical Hollywood eras. Part Two covers the postWorld War II era and discusses the historical, aesthetic, and psychological characteristics of contemporary horror films. In contrast to horror during the classical Hollywood period, contemporary horror features more graphic and prolonged visualizations of disturbing and horrific imagery, as well as other distinguishing characteristics. Princes introduction provides an overview of the genre, contextualizing the readings that follow. Stephen Prince is professor of communications at Virginia Tech. He has written many film books, including Classical Film Violence: Designing and Regulating Brutality in Hollywood Cinema, 19301968, and has edited Screening Violence, also in the Depth of Field Series.
Publisher: Rutgers University Press
ISBN: 081354257X
Category : Performing Arts
Languages : en
Pages : 281
Book Description
In this volume, Stephen Prince has collected essays reviewing the history of the horror film and the psychological reasons for its persistent appeal, as well as discussions of the developmental responses of young adult viewers and children to the genre. The book focuses on recent postmodern examples such as The Blair Witch Project. In a daring move, the volume also examines Holocaust films in relation to horror. Part One features essays on the silent and classical Hollywood eras. Part Two covers the postWorld War II era and discusses the historical, aesthetic, and psychological characteristics of contemporary horror films. In contrast to horror during the classical Hollywood period, contemporary horror features more graphic and prolonged visualizations of disturbing and horrific imagery, as well as other distinguishing characteristics. Princes introduction provides an overview of the genre, contextualizing the readings that follow. Stephen Prince is professor of communications at Virginia Tech. He has written many film books, including Classical Film Violence: Designing and Regulating Brutality in Hollywood Cinema, 19301968, and has edited Screening Violence, also in the Depth of Field Series.
Comedy-Horror Films
Author: Bruce G. Hallenbeck
Publisher: McFarland
ISBN: 0786453788
Category : Performing Arts
Languages : en
Pages : 256
Book Description
Fun and fright have long been partners in the cinema, dating back to the silent film era and progressing to the Scary Movie franchise and other recent releases. This guide takes a comprehensive look at the comedy-horror movie genre, from the earliest stabs at melding horror and hilarity during the nascent days of silent film, to its full-fledged development with The Bat in 1926, to the Abbott and Costello films pitting the comedy duo against Frankenstein's Monster, the Mummy and other Universal Studio monsters, continuing to such recent cult hits as Shaun of the Dead and Black Sheep. Selected short films such as Tim Burton's Frankenweenie are also covered. Photos and promotional posters, interviews with actors and a filmography are included.
Publisher: McFarland
ISBN: 0786453788
Category : Performing Arts
Languages : en
Pages : 256
Book Description
Fun and fright have long been partners in the cinema, dating back to the silent film era and progressing to the Scary Movie franchise and other recent releases. This guide takes a comprehensive look at the comedy-horror movie genre, from the earliest stabs at melding horror and hilarity during the nascent days of silent film, to its full-fledged development with The Bat in 1926, to the Abbott and Costello films pitting the comedy duo against Frankenstein's Monster, the Mummy and other Universal Studio monsters, continuing to such recent cult hits as Shaun of the Dead and Black Sheep. Selected short films such as Tim Burton's Frankenweenie are also covered. Photos and promotional posters, interviews with actors and a filmography are included.
The Grin of the Dark
Author: Ramsey Campbell
Publisher: Tor Books
ISBN: 1429949929
Category : Fiction
Languages : en
Pages : 406
Book Description
A former professor offers film critic Simon the chance of a lifetime—to write a book on one of the greatest long-lost comedians of the silent-film era, Tubby Thackeray. Simon is determined to find out the truth behind the jolly fat man's disappearance from film—and from the world. Tubby's work carries the unmistakable stamp of the macabre. People literally laughed themselves to death during his performances. Soon, wherever Simon goes, laughter—and a clown's wide, threatening grin—follow. Is Simon losing his mind? Or is Tubby Thackeray waiting for him to open the door back to the world? Ramsey Campbell has won a dozen British Fantasy and World Fantasy Awards and three Bram Stoker Awards. A new Campbell novel is an opportunity to delight in the craftsmanship of an extraordinary writer. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Publisher: Tor Books
ISBN: 1429949929
Category : Fiction
Languages : en
Pages : 406
Book Description
A former professor offers film critic Simon the chance of a lifetime—to write a book on one of the greatest long-lost comedians of the silent-film era, Tubby Thackeray. Simon is determined to find out the truth behind the jolly fat man's disappearance from film—and from the world. Tubby's work carries the unmistakable stamp of the macabre. People literally laughed themselves to death during his performances. Soon, wherever Simon goes, laughter—and a clown's wide, threatening grin—follow. Is Simon losing his mind? Or is Tubby Thackeray waiting for him to open the door back to the world? Ramsey Campbell has won a dozen British Fantasy and World Fantasy Awards and three Bram Stoker Awards. A new Campbell novel is an opportunity to delight in the craftsmanship of an extraordinary writer. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
The Book of Horror
Author: Matt Glasby
Publisher: Quarto Publishing Group USA
ISBN: 0711251797
Category : Art
Languages : en
Pages : 179
Book Description
“Glasby anatomizes horror’s scare tactics with keen, lucid clarity across 34 carefully selected main films—classic and pleasingly obscure. 4 Stars.” —Total Film? Horror movies have never been more critically or commercially successful, but there’s only one metric that matters: are they scary? The Book of Horror focuses on the most frightening films of the post-war era—from Psycho (1960) to It Chapter Two (2019)—examining exactly how they scare us across a series of key categories. Each chapter explores a seminal horror film in depth, charting its scariest moments with infographics and identifying the related works you need to see. Including references to more than one hundred classic and contemporary horror films from around the globe, and striking illustrations from Barney Bodoano, this is a rich and compelling guide to the scariest films ever made. “This is the definitive guide to what properly messes us up.” —SFX Magazine The films: Psycho (1960), The Innocents (1961), The Haunting (1963), Don’t Look Now (1973), The Exorcist (1973), The Texas Chain Saw Massacre (1974), Who Can Kill a Child? (1976), Suspiria (1977), Halloween (1978), The Shining (1980), The Entity (1982), Angst (1983), Henry: Portrait of a Serial Killer (1990), Ring (1998), The Blair Witch Project (1999), The Others (2001), The Eye (2002), Ju-On: The Grudge (2002), Shutter (2004), The Descent (2005), Wolf Creek (2005), The Orphanage (2007), [Rec] (2007), The Strangers (2008), Lake Mungo (2008), Martyrs (2008), The Innkeepers (2011), Banshee Chapter (2013), Oculus (2013), The Babadook (2014), It Follows (2015), Terrified (2017), Hereditary (2018), It Chapter Two (2019)
Publisher: Quarto Publishing Group USA
ISBN: 0711251797
Category : Art
Languages : en
Pages : 179
Book Description
“Glasby anatomizes horror’s scare tactics with keen, lucid clarity across 34 carefully selected main films—classic and pleasingly obscure. 4 Stars.” —Total Film? Horror movies have never been more critically or commercially successful, but there’s only one metric that matters: are they scary? The Book of Horror focuses on the most frightening films of the post-war era—from Psycho (1960) to It Chapter Two (2019)—examining exactly how they scare us across a series of key categories. Each chapter explores a seminal horror film in depth, charting its scariest moments with infographics and identifying the related works you need to see. Including references to more than one hundred classic and contemporary horror films from around the globe, and striking illustrations from Barney Bodoano, this is a rich and compelling guide to the scariest films ever made. “This is the definitive guide to what properly messes us up.” —SFX Magazine The films: Psycho (1960), The Innocents (1961), The Haunting (1963), Don’t Look Now (1973), The Exorcist (1973), The Texas Chain Saw Massacre (1974), Who Can Kill a Child? (1976), Suspiria (1977), Halloween (1978), The Shining (1980), The Entity (1982), Angst (1983), Henry: Portrait of a Serial Killer (1990), Ring (1998), The Blair Witch Project (1999), The Others (2001), The Eye (2002), Ju-On: The Grudge (2002), Shutter (2004), The Descent (2005), Wolf Creek (2005), The Orphanage (2007), [Rec] (2007), The Strangers (2008), Lake Mungo (2008), Martyrs (2008), The Innkeepers (2011), Banshee Chapter (2013), Oculus (2013), The Babadook (2014), It Follows (2015), Terrified (2017), Hereditary (2018), It Chapter Two (2019)