Horror Films FAQ PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Horror Films FAQ PDF full book. Access full book title Horror Films FAQ by John Kenneth Muir. Download full books in PDF and EPUB format.
Author: John Kenneth Muir
Publisher: Applause Theatre & Cinema Books
ISBN: 9781557839503
Category : Music
Languages : en
Pages : 0
Get Book Here
Book Description
HORROR FILMS FAQ: ALL THAT'S LEFT TO KNOW ABOUT SLASHERS VAMPIRES ZOMBIES ALIENS AN
Author: John Kenneth Muir
Publisher: Applause Theatre & Cinema Books
ISBN: 9781557839503
Category : Music
Languages : en
Pages : 0
Get Book Here
Book Description
HORROR FILMS FAQ: ALL THAT'S LEFT TO KNOW ABOUT SLASHERS VAMPIRES ZOMBIES ALIENS AN
Author: John Kenneth Muir
Publisher: Hal Leonard Corporation
ISBN: 1480366811
Category : Performing Arts
Languages : en
Pages : 394
Get Book Here
Book Description
(FAQ). Horror Films FAQ explores a century of ghoulish and grand horror cinema, gazing at the different characters, situations, settings, and themes featured in the horror film, from final girls, monstrous bogeymen, giant monsters and vampires to the recent torture porn and found footage formats. The book remembers the J-Horror remake trend of the 2000s, and examines the oft-repeated slasher format popularized by John Carpenter's Halloween (1978) and Friday the 13th (1980). After an introduction positioning the horror film as an important and moral voice in the national dialogue, the book explores the history of horror decade by decade, remembering the women's liberation horrors of the 1970s, the rubber reality films of the late 1980s, the serial killers of the 1990s, and the xenophobic terrors of the 9/11 age. Horror Films FAQ also asks what it means when animals attack in such films as The Birds (1963) or Jaws (1975), and considers the moral underpinnings of rape-and-revenge movies, such as I Spit on Your Grave (1978) and Irreversible (2002). The book features numerous photographs from the author's extensive personal archive, and also catalogs the genre's most prominent directors.
Author: Dave Thompson
Publisher: Rowman & Littlefield
ISBN: 149506378X
Category : Performing Arts
Languages : en
Pages : 417
Get Book Here
Book Description
The Rocky Horror Picture Show FAQ is the in-depth story of not only the legendary stage show and movie but of a unique period in theatrical history – in the movie's UK homeland as well as overseas. Rocky Horror has been performed worldwide for more than 40 years in over 30 countries and has been translated into more than 20 languages. Inside these pages, we see Rocky Horror as sexual cabaret and political subversion, as modern mega-hit and Broadway disaster. At the movie house, we learn when to shout, what to throw – and why people even do those things. Here is the full story of the play's original creation; its forebears and its influences are laid out in loving detail, together with both the triumphs and tragedies that attended it across the next 40 forty years. Packed with anecdotes, The Rocky Horror Picture Show FAQ is the story of dozens of worldwide performances and the myriad stars who have been featured in them. From Tim Curry to Anthony Head, from Reg Livermore to Gary Glitter, from Daniel Abineri to Tom Hewitt, the lives and careers of the greatest ever Frank N. Furters stalk the pages, joined by the Riff-Raffs, Magentas, Columbias, and all. The book also includes the largest and most in-depth Rocky Horror discography ever published, plus a unique timeline – The Ultimate Rocky Horror Chronology – detailing the who, what, where, and when of absolute pleasure.
Author: Adam Lowenstein
Publisher: Columbia University Press
ISBN: 0231556152
Category : Performing Arts
Languages : en
Pages : 172
Get Book Here
Book Description
What do horror films reveal about social difference in the everyday world? Criticism of the genre often relies on a dichotomy between monstrosity and normality, in which unearthly creatures and deranged killers are metaphors for society’s fear of the “others” that threaten the “normal.” The monstrous other might represent women, Jews, or Blacks, as well as Indigenous, queer, poor, elderly, or disabled people. The horror film’s depiction of such minorities can be sympathetic to their exclusion or complicit in their oppression, but ultimately, these images are understood to stand in for the others that the majority dreads and marginalizes. Adam Lowenstein offers a new account of horror and why it matters for understanding social otherness. He argues that horror films reveal how the category of the other is not fixed. Instead, the genre captures ongoing metamorphoses across “normal” self and “monstrous” other. This “transformative otherness” confronts viewers with the other’s experience—and challenges us to recognize that we are all vulnerable to becoming or being seen as the other. Instead of settling into comforting certainties regarding monstrosity and normality, horror exposes the ongoing struggle to acknowledge self and other as fundamentally intertwined. Horror Film and Otherness features new interpretations of landmark films by directors including Tobe Hooper, George A. Romero, John Carpenter, David Cronenberg, Stephanie Rothman, Jennifer Kent, Marina de Van, and Jordan Peele. Through close analysis of their engagement with different forms of otherness, this book provides new perspectives on horror’s significance for culture, politics, and art.
Author: Scott Von Doviak
Publisher: Hal Leonard Corporation
ISBN: 1480386189
Category : Performing Arts
Languages : en
Pages : 365
Get Book Here
Book Description
(FAQ). Over the past four decades, the Stephen King movie has become a genre unto itself. The prolific writer's works have spawned well over 100 adaptations for both the big and small screen, ranging from modern classics of horror ( Carrie , The Shining ) to Oscar-nominated fare ( The Shawshank Redemption , The Green Mile ) to unapologetic, B-movie schlock (the King-directed Maximum Overdrive ). The filmmakers to put their stamp on King's material include acclaimed auteurs Stanley Kubrick, David Cronenberg, and Brian De Palma; masters of horror Tobe Hooper, John Carpenter, and George Romero; and popular mainstream directors Rob Reiner, Frank Darabont, and Lawrence Kasdan. Stephen King Films FAQ is the most comprehensive overview of this body of work to date, encompassing well-known hits as well as forgotten obscurities, critical darlings and reviled flops, films that influenced King as well as those that have followed in his footsteps, upcoming and unmade projects, and selected works in other media (including comic books, radio dramas, and the infamous Carrie musical). Author Scott Von Doviak provides background information, analysis, and trivia regarding the various films and television productions, including "Bloodlines" sections on related works and "Deep Cuts" sections collecting additional odd facts and ephemera. All you ever wanted to know about the king of horror onscreen can be found here.
Author: Mark Clark
Publisher: Hal Leonard Corporation
ISBN: 1495046087
Category : Performing Arts
Languages : en
Pages : 400
Get Book Here
Book Description
(FAQ). From the books and movies that inspired George Lucas to imagine the Star Wars universe, to early screenplay drafts that were never filmed, to short biographies of many people who made key contributions to the movies' success, Star Wars FAQ explores every aspect of the original Star Wars trilogy ( Star Wars , The Empire Strikes Back , and Return of the Jedi ). Along the way, it unearths underreported stories and illuminating minutiae often skimmed over or completely ignored in other histories of the legendary film series. Highlights include details about the Star Wars Holiday Special debacle, the Ewok TV movies, the rise of Star Wars fiction and its importance in the revival of the franchise, and the wave of Star Wars imitators and parodies that flooded theaters and TV screens in the late 1970s and early 1980s along with dozens of rare publicity stills and photographs of vintage memorabilia. Offering an original analysis of the series' enduring appeal and cultural impact, Star Wars FAQ tells a story as thrilling and action-packed as the movies themselves, with bold characters facing apparently insurmountable odds, full of frantic chases, narrow escapes, daring victories, and tragic setbacks, culminating in an unlikely triumph that changed the course of the galaxy or at least of Hollywood.
Author: Dave Thompson
Publisher: Rowman & Littlefield
ISBN: 149504601X
Category : Body, Mind & Spirit
Languages : en
Pages : 386
Get Book Here
Book Description
Take a fast-paced survey of the ghosties, ghouls, and associated denizens of the country's haunted history with Haunted America FAQ. Tracing local ghost stories back to Native American legends and then forward through horror tales both ancient and modern, the book revisits some of the best known haunted locales, as well as some of the most obscure creepy places, in America. Delving deep into the cultural history of American hauntings, Haunted America FAQ includes chapters on ghostly books, movies, and television. Also included is an A-Z of reality-TV ghost hunts and a state-by-state gazetteer of haunted spots.
Author: Annette Kuhn
Publisher: OUP Oxford
ISBN: 0191034657
Category : Performing Arts
Languages : en
Pages : 530
Get Book Here
Book Description
Written by experts in the field, this dictionary covers all aspects of film studies, including terms, concepts, debates, and movements in film theory and criticism, national, international and transnational cinemas, film history, film movements and genres, film industry organizations and practices, and key technical terms and concepts in 500 detailed entries. Most entries also feature recommendations for further reading and a large number also have web links. The web links are listed and regularly updated on a companion website that complements the printed book. The dictionary is international in its approach, covering national cinemas, genres, and film movements from around the world such as the Nouvelle Vague, Latin American cinema, the Latsploitation film, Bollywood, Yiddish cinema, the spaghetti western, and World cinema. The most up-to-date dictionary of its kind available, this is a must-have for all students of film studies and ancillary subjects, as well as an informative read for cinephiles and for anyone with an interest in films and film criticism.
Author: Marc Olivier
Publisher: Indiana University Press
ISBN: 0253046599
Category : Literary Criticism
Languages : en
Pages : 350
Get Book Here
Book Description
A scholar examines 14 everyday objects featured in horror films and how they manifest their power and speak to society’s fears. Take a tour of the house where a microwave killed a gremlin, a typewriter made Jack a dull boy, a sewing machine fashioned Carrie’s prom dress, and houseplants might kill you while you sleep. In Household Horror, Marc Olivier highlights the wonder, fear, and terrifying dimension of objects in horror cinema. Inspired by object-oriented ontology and the nonhuman turn in philosophy, Olivier places objects in film on par with humans, arguing, for example, that a sleeper sofa is as much the star of Sisters as Margot Kidder, that The Exorcist is about a possessed bed, and that Rosemary’s Baby is a conflict between herbal shakes and prenatal vitamins. Household Horror reinvigorates horror film criticism by investigating the unfathomable being of objects as seemingly benign as remotes, radiators, refrigerators, and dining tables. Olivier questions what Hitchcock’s Psycho tells us about shower curtains. What can we learn from Freddie Krueger’s greatest accomplice, the mattress? Room by room, Olivier considers the dark side of fourteen household objects to demonstrate how the objects in these films manifest their own power and connect with specific cultural fears and concerns. “Provides a lively and highly original contribution to horror studies. As a work on cinema, it introduces the reader to films that may be less well-known to casual fans and scholars; more conspicuously, it returns to horror staples, gleefully reanimating works that one might otherwise assume had been critically “done to death” (Psycho, The Exorcist, The Shining).” —Allan Cameron, University of Auckland
Author: Stephen Prince
Publisher: Rutgers University Press
ISBN: 081354257X
Category : Performing Arts
Languages : en
Pages : 281
Get Book Here
Book Description
In this volume, Stephen Prince has collected essays reviewing the history of the horror film and the psychological reasons for its persistent appeal, as well as discussions of the developmental responses of young adult viewers and children to the genre. The book focuses on recent postmodern examples such as The Blair Witch Project. In a daring move, the volume also examines Holocaust films in relation to horror. Part One features essays on the silent and classical Hollywood eras. Part Two covers the postWorld War II era and discusses the historical, aesthetic, and psychological characteristics of contemporary horror films. In contrast to horror during the classical Hollywood period, contemporary horror features more graphic and prolonged visualizations of disturbing and horrific imagery, as well as other distinguishing characteristics. Princes introduction provides an overview of the genre, contextualizing the readings that follow. Stephen Prince is professor of communications at Virginia Tech. He has written many film books, including Classical Film Violence: Designing and Regulating Brutality in Hollywood Cinema, 19301968, and has edited Screening Violence, also in the Depth of Field Series.
