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Author: J.H. Head
Publisher: BoD – Books on Demand
ISBN: 3752312483
Category : Fiction
Languages : en
Pages : 197
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Book Description
Reproduction of the original: Home Pastimes by J.H. Head
Author: J.H. Head
Publisher: BoD – Books on Demand
ISBN: 3752312483
Category : Fiction
Languages : en
Pages : 197
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Book Description
Reproduction of the original: Home Pastimes by J.H. Head
Author: Young Men's Association, Buffalo
Publisher:
ISBN:
Category :
Languages : en
Pages : 502
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Book Description
Author: Mercantile Library Association of Brooklyn
Publisher:
ISBN:
Category : Public libraries
Languages : en
Pages : 418
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Book Description
Author: Free Public Library (Worcester, Mass.)
Publisher:
ISBN:
Category : Catalogs, Dictionary
Languages : en
Pages : 1416
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Book Description
Author: Fall River Public Library
Publisher:
ISBN:
Category : Catalogs, Dictionary
Languages : en
Pages : 964
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Book Description
Author: Morse Institute, Natick, Mass. Library
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 488
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Book Description
Author: St. Johnsbury Athenaeum (Saint Johnsbury, Vt.)
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 448
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 414
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Book Description
Author: Louis Antoine Godey
Publisher:
ISBN:
Category : Costume
Languages : en
Pages : 1098
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Book Description
Includes music.
Author: Vincent L. Barnett
Publisher: Routledge
ISBN: 1317145143
Category : Literary Criticism
Languages : en
Pages : 287
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Book Description
The first full-length study of the authorial and cross-media practices of the English novelist Elinor Glyn (1864-1943), Elinor Glyn as Novelist, Moviemaker, Glamour Icon and Businesswoman examines Glyn’s work as a novelist in the United Kingdom followed by her success in Hollywood where she adapted her popular romantic novels into films. Making extensive use of newly available archival materials, Vincent L. Barnett and Alexis Weedon explore Glyn’s experiences from multiple perspectives, including the artistic, legal and financial aspects of the adaptation process. At the same time, they document Glyn’s personal and professional relationships with a number of prominent individuals in the Hollywood studio system, including Louis B. Mayer and Irving Thalberg. The authors contextualize Glyn’s involvement in scenario-writing in relationship to other novelists in Hollywood, such as Edgar Wallace and Arnold Bennett, and also show how Glyn worked across Europe and America to transform her stories into other forms of media such as plays and movies. Providing a new perspective from which to understand the historical development of both British and American media industries in the first half of the twentieth century, this book will appeal to historians working in the fields of cultural and film studies, publishing and business history.
