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Author: M.B.B. Biskupski
Publisher: University Press of Kentucky
ISBN: 0813139325
Category : Performing Arts
Languages : en
Pages : 326
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Book Description
“This passionate, carefully researched, richly detailed, well-written study” reveals the political motives behind WWII Hollywood’s portrayal of Poles (Choice). During World War II, Hollywood studios supported the war effort by making patriotic movies designed to raise the nation's morale. Often the characterizations were as black and white as the movies themselves: Americans and their allies were heroes, while everyone else was a villain. The peoples of Norway, France, Czechoslovakia, and England were all good because they had been invaded or victimized by Nazi Germany. Yet Poland—the first country to be invaded by the Third Reich—was repeatedly represented in a negative light. In this prize-winning study, Polish historian M. B. B. Biskupski explores why. Biskupski presents a close critical study of prewar and wartime films such as To Be or Not to Be, In Our Time, and None Shall Escape. Through memoirs, letters, diaries, and memoranda written by screenwriters, directors, studio heads, and actors, Biskupski examines how the political climate, and especially pro-Soviet sentiment, influenced Hollywood films of the time. Winner of the Oscar Halecki Prize A Choice Outstanding Academic Title
Author: M.B.B. Biskupski
Publisher: University Press of Kentucky
ISBN: 0813139325
Category : Performing Arts
Languages : en
Pages : 326
Get Book Here
Book Description
“This passionate, carefully researched, richly detailed, well-written study” reveals the political motives behind WWII Hollywood’s portrayal of Poles (Choice). During World War II, Hollywood studios supported the war effort by making patriotic movies designed to raise the nation's morale. Often the characterizations were as black and white as the movies themselves: Americans and their allies were heroes, while everyone else was a villain. The peoples of Norway, France, Czechoslovakia, and England were all good because they had been invaded or victimized by Nazi Germany. Yet Poland—the first country to be invaded by the Third Reich—was repeatedly represented in a negative light. In this prize-winning study, Polish historian M. B. B. Biskupski explores why. Biskupski presents a close critical study of prewar and wartime films such as To Be or Not to Be, In Our Time, and None Shall Escape. Through memoirs, letters, diaries, and memoranda written by screenwriters, directors, studio heads, and actors, Biskupski examines how the political climate, and especially pro-Soviet sentiment, influenced Hollywood films of the time. Winner of the Oscar Halecki Prize A Choice Outstanding Academic Title
Author: M.B.B. Biskupski
Publisher: University Press of Kentucky
ISBN: 0813173523
Category : History
Languages : en
Pages : 391
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Book Description
During World War II, Hollywood studios supported the war effort by making patriotic movies designed to raise the nation's morale. They often portrayed the combatants in very simple terms: Americans and their allies were heroes, and everyone else was a villain. Norway, France, Czechoslovakia, and England were all good because they had been invaded or victimized by Nazi Germany. Poland, however, was represented in a negative light in numerous movies. In Hollywood's War with Poland, 1939-1945, M. B. B. Biskupski draws on a close study of prewar and wartime films such as To Be or Not to Be (1942), In Our Time (1944), and None Shall Escape (1944). He researched memoirs, letters, diaries, and memoranda written by screenwriters, directors, studio heads, and actors to explore the negative portrayal of Poland during World War II. Biskupski also examines the political climate that influenced Hollywood films.
Author: M. B. B. Biskupski
Publisher: Bloomsbury Publishing USA
ISBN: 1440862265
Category : History
Languages : en
Pages : 321
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Book Description
This book is an engaging explanation of the complicated history of Poland, one of the least well-known countries in Europe. Poland, which has one of the strongest economies in the European Union, has faced significant turmoil throughout the years. Encapsulating centuries of development, this book distills Poland's historical evolution into patterns, including those that have developed since the first edition was published nearly 20 years ago. The book begins with an overview of contemporary Poland, providing both basic information about the geography, culture, and current political climate of the country while tying these to major contemporary issues. This introduction is followed by chapters discussing Poland's long history, starting with the 10th century. The second half of the book presents a history of Poland in the 20th and 21st centuries, covering the major issues affecting the country and offering possible interpretations of them. This updated and revised edition accounts for recent events in Poland and examines the effects of the Polish diaspora globally.
Author: Jennifer Stark-Blumenthal
Publisher: Academic Studies PRess
ISBN:
Category : History
Languages : en
Pages : 578
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Book Description
Nationalism’s global resurgence has upended societies. With the rise of the Polish nationalist Law and Justice (PiS) party, and American Jewry’s swift reaction to its law punishing people who allege Polish complicity in Holocaust crimes, both sides have revived old stereotypes. Stark-Blumenthal argues that American Jews’ disgust with Polish nationalism ought to be checked by America’s centuries-old embrace of white supremacy. Poles and Jews: A Call for Myth Reconstruction confronts both the anti-Polonism deeply embedded in the American Jewish community and Poland’s enduring relationship with antisemitism. Armed with two decades of research and in-depth interviews with scholars, community leaders, and laity in Poland and the U.S., Stark-Blumenthal dispels myths and considers new approaches to this relationship.
Author: Diana West
Publisher: St. Martin's Press
ISBN: 1250017556
Category : Political Science
Languages : en
Pages : 415
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Book Description
In The Death of the Grown-Up, Diana West diagnosed the demise of Western civilization by looking at its chief symptom: our inability to become adults who render judgments of right and wrong. In American Betrayal, West digs deeper to discover the root of this malaise and uncovers a body of lies that Americans have been led to regard as the near-sacred history of World War II and its Cold War aftermath. Part real-life thriller, part national tragedy, American Betrayal lights up the massive, Moscow-directed penetration of America's most hallowed halls of power, revealing not just the familiar struggle between Communism and the Free World, but the hidden war between those wishing to conceal the truth and those trying to expose the increasingly official web of lies. American Betrayal is America's lost history, a chronicle that pits Franklin Delano Roosevelt, Harry Truman, Dwight David Eisenhower, and other American icons who shielded overlapping Communist conspiracies against the investigators, politicians, defectors, and others (including Senator Joseph McCarthy) who tried to tell the American people the truth. American Betrayal shatters the approved histories of an era that begins with FDR's first inauguration, when "happy days" are supposed to be here again, and ends when we "win" the Cold War. It is here, amid the rubble, where Diana West focuses on the World War II--Cold War deal with the devil in which America surrendered her principles in exchange for a series of Big Lies whose preservation soon became the basis of our leaders' own self-preservation. It was this moral surrender to deception and self-deception, West argues, that sent us down the long road to moral relativism, "political correctness," and other cultural ills that have left us unable to ask the hard questions: Does our silence on the crimes of Communism explain our silence on the totalitarianism of Islam? Is Uncle Sam once again betraying America? In American Betrayal, Diana West shakes the historical record to bring down a new understanding of our past, our present, and how we have become a nation unable to know truth from lies.
Author: Timothy Stanley
Publisher: Macmillan
ISBN: 1250032490
Category : Biography & Autobiography
Languages : en
Pages : 320
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Book Description
"To most Americans, Hollywood activism consists of self-obsessed movie stars making transparently liberal films in a desperate bid for Academy Award glory. There's some truth in that stereotype. But celebrity activism also exerts a subtle power over the American political process. Through money, networking, and image making, the movie industry has shaped the way that politics works for nearly a century. It has helped to forge a culture that is obsessed with celebrity and spectacle. In return, politics has become part of the fabric of Hollywood society. Using original archival research and exclusive interviews with stars, directors, producers, and politicians from both parties, Timothy Stanley's Citizen Hollywood tells the story of how Hollywood revolutionized American politics"--
Author: Frank Costigliola
Publisher: Cambridge University Press
ISBN: 1107649544
Category : History
Languages : en
Pages : 391
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Book Description
This volume includes historiographical surveys of American foreign relations since 1941 by some of the country's leading historians. Some of the essays offer sweeping overviews of the major trends in the field of foreign/international relations history. Others survey the literature on US relations with particular regions of the world or on the foreign policies of presidential administrations. The result is a comprehensive assessment of the historical literature on US foreign policy that highlights recent developments in the field.
Author: Pamela M. Potter
Publisher: Indiana University Press
ISBN: 0253050278
Category : Music
Languages : en
Pages : 318
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Book Description
A collection of essays examining the roles played by music in American and European society during the Second World War. Global conflicts of the twentieth century fundamentally transformed not only national boundaries, power relations, and global economies, but also the arts and culture of every nation involved. An important, unacknowledged aspect of these conflicts is that they have unique musical soundtracks. Music in World War II explores how music and sound took on radically different dimensions in the United States and Europe before, during, and after World War II. Additionally, the collection examines the impact of radio and film as the disseminators of the war’s musical soundtrack. Contributors contend that the European and American soundtrack of World War II was largely one of escapism rather than the lofty, solemn, heroic, and celebratory mode of “war music” in the past. Furthermore, they explore the variety of experiences of populations forced from their homes and interned in civilian and POW camps in Europe and the United States, examining how music in these environments played a crucial role in maintaining ties to an idealized “home” and constructing politicized notions of national and ethnic identity. This fascinating, well-constructed volume of essays builds understanding of the role and importance of music during periods of conflict and highlights the unique aspects of music during World War II. “A collection that offers deeply informed, interdisciplinary, and original views on a myriad of musical practices in Europe, Great Britain, and the United States during the period.” —Gayle Magee, co-editor of Over Here, Over There: Transatlantic Conversations on the Music of World War I
Author: Kris Van Heuckelom
Publisher: Springer
ISBN: 3030042189
Category : Performing Arts
Languages : en
Pages : 294
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Book Description
This study explores the representation of international migration on screen and how it has gained prominence and salience in European filmmaking over the past 100 years. Using Polish migration as a key example due to its long-standing cultural resonance across the continent, this book moves beyond a director-oriented approach and beyond the dominant focus on postcolonial migrant cinemas. It succeeds in being both transnational and longitudinal by including a diverse corpus of more than 150 films from some twenty different countries, of which Roman Polański’s The Tenant, Jean-Luc Godard’s Passion and Krzysztof Kieślowski’s Trois couleurs: Blanc are the best-known examples. Engaging with contemporary debates on modernisation and Europeanisation, the author proposes the notion of “close Otherness” to delineate the liminal position of fictional characters with a Polish background. Polish Migrants in European Film 1918-2017 takes the reader through a wide range of genres, from interwar musicals to Cold War defection films; from communist-era exile right up to the contemporary moment. It is suitable for scholars interested in European or Slavic studies, as well as anyone who is interested in topics such as identity construction, ethnic representation, East-West cultural exchanges and transnationalism.
Author: Christian Delage
Publisher: University of Pennsylvania Press
ISBN: 0812245563
Category : Law
Languages : en
Pages : 360
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Book Description
Combining the practical knowledge of a renowned director with the perspective of a historian and media specialist, Christian Delage explores the conditions and consequences of using film for the purposes of justice and memory by examining archival footage from war crime trials from Nuremberg to the present.
