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Author: John F Freie
Publisher: Routledge
ISBN: 1317256441
Category : Political Science
Languages : en
Pages : 222
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Book Description
Throughout American history presidents have been accused of being liars, of deceiving others for political gain, of being corrupt, or of violating the Constitution. Such criticism is, to some extent, a facet of our political culture. Yet, in recent years the intensity and depth of hostility coming from news reporters, political pundits, and even academics seems unprecedented. It is the argument of "The Making of the Postmodern Presidency" that something more fundamental is occurring other than personal mendacity, character failures, or political errors; that, in fact, the model we have used to explain presidential behavior no longer works.The dominant paradigm used to assess presidential behavior-the modern presidency-is no longer an adequate explanatory model. Nonetheless, those who study the presidency continue to use it to explain behavior. This book claims that the more relevant paradigm that should be used today is the postmodern presidency model. This book traces the origins and development of the postmodern presidency.The heart of the book is composed of an examination of the presidencies of Ronald Reagan, George H. W. Bush, Bill Clinton and George W. Bush to show how each has contributed to the evolution and formation of the postmodern presidency. A penultimate chapter analyzes the 2008 presidential election through the lens of postmodernism. The book concludes with speculation on the challenges that face the Obama presidency in light of the postmodern presidency and American democracy.
Author: John F Freie
Publisher: Routledge
ISBN: 1317256441
Category : Political Science
Languages : en
Pages : 222
Get Book Here
Book Description
Throughout American history presidents have been accused of being liars, of deceiving others for political gain, of being corrupt, or of violating the Constitution. Such criticism is, to some extent, a facet of our political culture. Yet, in recent years the intensity and depth of hostility coming from news reporters, political pundits, and even academics seems unprecedented. It is the argument of "The Making of the Postmodern Presidency" that something more fundamental is occurring other than personal mendacity, character failures, or political errors; that, in fact, the model we have used to explain presidential behavior no longer works.The dominant paradigm used to assess presidential behavior-the modern presidency-is no longer an adequate explanatory model. Nonetheless, those who study the presidency continue to use it to explain behavior. This book claims that the more relevant paradigm that should be used today is the postmodern presidency model. This book traces the origins and development of the postmodern presidency.The heart of the book is composed of an examination of the presidencies of Ronald Reagan, George H. W. Bush, Bill Clinton and George W. Bush to show how each has contributed to the evolution and formation of the postmodern presidency. A penultimate chapter analyzes the 2008 presidential election through the lens of postmodernism. The book concludes with speculation on the challenges that face the Obama presidency in light of the postmodern presidency and American democracy.
Author: M. Keith Booker
Publisher: Bloomsbury Publishing USA
ISBN: 0275999017
Category : Social Science
Languages : en
Pages : 241
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Book Description
Postmodernism is essential to American culture today. We can see its manifestations on billboards and on television; we can hear its tone on the radio and in everyday conversation; and we can even sense its outlook in how we live our lives. This volume presents an accessible and brief summary of postmodernism, especially as it pertains to American cinema-one of the central players and leading lights in the development of this cultural attitude. Four distinct sections investigate postmodernist fragmentation, musical use, and pastiches of previous television shows and cinematic genres in such films as Quentin Tarantino's Pulp Fiction, David Lynch's Mulholland Drive, and Sofia Coppola's Marie Antoinette. Discussions of the phenomenon of postmodernism have established certain characteristics that are typical of postmodernist culture. These characteristics include formal fragmentation, a tendency toward a particular kind of nostalgia, and the use of materials and styles borrowed from previous films and other cultural products. This volume presents a brief summary of the characteristics that have typically been associated with postmodernism, especially as they pertain to film. It illustrates those characteristics with discussions of a wide variety of American films of the past thirty years, noting how those films participate in the phenomenon of postmodernism. Emphasis is on popular, commercial films, rather than the more esoteric, experimental products that have sometimes been associated with postmodern film. Booker's work contains detailed discussions of a wide variety of American films—including classics like Sullivan's Travels and The Last Picture Show, and recent successes such as Scream, Natural Born Killers, Memento, Moulin Rouge, and Fight Club—noting how these films participate in the phenomenon of postmodernism, and how they have helped to shape its current form.
Author: Steven E. Schier
Publisher: University of Pittsburgh Press
ISBN: 9780822972204
Category : Political Science
Languages : en
Pages : 316
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Book Description
Choice Outstanding Academic Book. As America’s first truly postmodern president, Bill Clinton experienced both great highs and stunning lows in office that will shape the future course of American politics. Clinton will forever be remembered as the first elected president to be impeached, but will his tarnished legacy have lasting effects on America’s political system? Including the conflict in Kosovo, the World Trade Organization meeting in Seattle, and new developments in the 2000 presidential campaign, The Postmodern Presidency is the most comprehensive and current assessment of Bill Clinton’s presidency available in print. The Postmodern Presidency examines Clinton’s role in redefining the institution of the presidency, and his affect on future presidents’ economic and foreign policies. The contributors highlight the president’s unprecedented courtship of public opinion; how polls affected policy; how the president gained “celebrity” status; how Clinton’s “postmodern” style of public presidency helped him survive the 1994 elections and impeachment; and how all of this might impact future presidents. This new text also demonstrates how the Clinton presidency changed party politics in the public and in Congress, with long-term implications and costs to both Republicans and his own Democratic party, while analyzing Clinton’s effect on the 1990s “culture wars,” the politics and importance of gender, and the politics and policy of race. This text is a must for anyone who studies, teaches, or has an interest in the American presidency and politics.
Author: Randy Laist
Publisher: Bloomsbury Publishing USA
ISBN: 1501320033
Category : Performing Arts
Languages : en
Pages : 267
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Book Description
Hyperreality is an Alice-in-Wonderland dimension where copies have no originals, simulation is more real than reality, and living dreams undermine the barriers between imagination and objective experience. The most prominent philosopher of the hyperreal, Jean Baudrillard, formulated his concept of hyperreality throughout the 1980s, but it was not until the 1990s that the end of the Cold War, along with the proliferation of new reality-bending technologies, made hyperreality seem to come true. In the ?lost decade? between the fall of the Berlin Wall and 9/11, the nature of reality itself became a source of uncertainty, a psychic condition that has been recognizably recorded by that seismograph of American consciousness, Hollywood cinema. The auteur cinema of the 1970s aimed for gritty realism, and the most prominent feature of Reagan-era cinema was its fantastic unrealism. Clinton-era cinema, however, is characterized by a prevailing mood of hyperrealism, communicated in various ways by such benchmark films as JFK, Pulp Fiction, and The Matrix. The hyperreal cinema of the 1990s conceives of the movie screen as neither a window on a preexisting social reality (realism), nor as a wormhole into a fantastic dream-dimension (escapism), but as an arena in which images and reality exchange masks, blend into one another, and challenge the philosophical premises which differentiate them from one another. Cinema of Simulation: Hyperreal Hollywood in the Long 1990s provides a guided tour through the anxieties and fantasies, reciprocally social and cinematic, which characterize the surreal territory of the hyperreal.
Author: Peter C. Rollins
Publisher: University Press of Kentucky
ISBN: 0813127920
Category : History
Languages : en
Pages : 458
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Book Description
" Winner of the 2003 Ray and Pat Browne Book Award, given by the Popular Culture Association The contributors to Hollywood's White House examine the historical accuracy of these presidential depictions, illuminate their influence, and uncover how they reflect the concerns of their times and the social and political visions of the filmmakers. The volume, which includes a comprehensive filmography and a bibliography, is ideal for historians and film enthusiasts.
Author: Mehnaaz Momen
Publisher: Rowman & Littlefield
ISBN: 1498592759
Category : Political Science
Languages : en
Pages : 329
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Book Description
This book attempts to grasp the recent paradigm shift in American politics through the lens of satire. It connects changes in the political and cultural landscape to corresponding shifts in the structure and organization of the media, in order to shed light on the evolution of political satire on late-night television. Satire is situated in its historical background to comprehend its movement away from the fringes of discourse to the very center of politics and the media. Beginning in the 1990s, certain trends such as technological advances, media consolidation, and the globalization of communications reinforced each other, paving the way for satire to claim a prized spot in the visual media—a tendency that only gained strength after September 11. While the Bush presidency presented itself as an apposite target for satirists, their stronghold on American television was made possible by a number of transitions in broader culture, which are encapsulated in the shrinking space available for political engagement under neoliberalism. This largely underestimated development can be understood through the framework of postmodernism, which focuses on the relationship between language, power, and the presentation of reality. These trends and transitions reached a climax in the 2016 election where President Trump was elected, embodying what can only be considered a significant turning point in American politics. The bigger narrative contains various subplots represented in the rise of the neoliberal economy, the acceptance of postmodernism as the dominant cultural code, and the role of the voyeur superseding that of the engaged citizen. It is only through understanding each of these pieces and connecting them that we can comprehend the current political transformation. The present moment may feel like a golden age of satire, and it may well be, but this book addresses the hardest questions about the realities behind such a claim: what can we conclude about when and how satire is effective, judging by the history of this genre in its various incarnations, and how can the “apolitical” postmodern media landscape be reconciled with what the best of this genre has had to offer during times of political duress?
Author: Sebastian M. Herrmann
Publisher: Universitätsverlag Winter
ISBN: 3825363333
Category : History
Languages : en
Pages : 249
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Book Description
This book analyzes and historicizes an important and popular motif in contemporary US political discourse: the notion that politics has become increasingly ‘unreal.’ At the turn of the millennium, the simulated quality of politics in general and of the US presidency in particular has become a major object of concern across a broad range of venues and media: publications in media studies and political science, newspaper editorials, novels, films, and TV shows alike worry over how much or how little we can actually know about the reality of the US president when all our knowledge is based on carefully staged media representations. Rather than adding another voice to this concern, ‘Presidential Unrealities’ investigates the cultural work such discussions do. Charting their histories and their cultural resonances, the book argues that debating ‘presidential unreality’ provides a crucial vocabulary by way of which the US public negotiates the postmodernization of American culture and society.
Author: Barry Langford
Publisher: Edinburgh University Press
ISBN: 0748643214
Category : Business & Economics
Languages : en
Pages : 320
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Book Description
At the end of World War II, Hollywood basked in unprecedented prosperity. Since then, numerous challenges and crises have changed the American film industry in ways beyond imagination in 1945. Nonetheless, at the start of a new century Hollywood's worldwide dominance is intact - indeed, in today's global economy the products of the American entertainment industry (of which movies are now only one part) are more ubiquitous than ever. How does today's "e;Hollywood"e; - absorbed into transnational media conglomerates like NewsCorp., Sony, and Viacom - differ from the legendary studios of Hollywood's Golden Age? What are the dominant frameworks and conventions, the historical contexts and the governing attitudes through which films are made, marketed and consumed today? How have these changed across the last seven decades? And how have these evolving contexts helped shape the form, the style and the content of Hollywood movies, from Singin' in the Rain to Pirates of the Caribbean? Barry Langford explains and interrogates the concept of "e;post-classical"e; Hollywood cinema - its coherence, its historical justification and how it can help or hinder our understanding of Hollywood from the forties to the present. Integrating film history, discussion of movies' social and political dimensions, and analysis of Hollywood's distinctive methods of storytelling, Post-Classical Hollywood charts key critical debates alongside the histories they interpret, while offering its own account of the "e;post-classical."e; Wide-ranging yet concise, challenging and insightful, Post-Classical Hollywood offers a new perspective on the most enduringly fascinating artform of our age.
Author: Sarah Miles Bolam & Thomas J. Bolam
Publisher: Xlibris Corporation
ISBN: 1462893198
Category : Fiction
Languages : en
Pages : 327
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Book Description
Fictional Presidential Films Hollywood’s manner of making films, its conventions, applies especially to fictional presidential films, allowing filmmakers to express their ideas that could not be done in traditional historical films. Fictional Presidential Films offers a complete filmography of these two-hundred-plus films decade by decade since 1930. The main body of the work provides a brief summary of each decade along with a summary on the overall nature of films in which a fictional President appeared. Each relevant film is then discussed with credits, plot summary, description of the presidential appearance, and, when possible, an assessment of the presidential portrayal included.
Author: Martin J. Medhurst
Publisher: Texas A&M University Press
ISBN: 9781585446278
Category : Political Science
Languages : en
Pages : 402
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Book Description
Culminating a decade of conferences that have explored presidential speech, The Prospect of Presidential Rhetoric assesses progress and suggests directions for both the practice of presidential speech and its study. In Part One, following an analytic review of the field by Martin Medhurst, contributors address the state of the art in their own areas of expertise. Roderick P. Hart then summarizes their work in the course of his rebuttal of an argument made by political scientist George Edwards: that presidential rhetoric lacks political impact. Part Two of the volume consists of the forward-looking reports of six task forces, comprising more than forty scholars, charged with outlining the likely future course of presidential rhetoric, as well as the major questions scholars should ask about it and the tools at their disposal. The Prospect of Presidential Rhetoric will serve as a pivotal work for students and scholars of public discourse and the presidency who seek to understand the shifting landscape of American political leadership.
