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Author: John W. Cones
Publisher:
ISBN:
Category : Business & Economics
Languages : en
Pages : 420
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Book Description
This book represents the most comprehensive critical analysis of the big picture in Hollywood with respect to how those whocontrol the institution gained and have maintained that control for its 100-year history. The book traces the evolution and development of specific tactics and strategies implemented by the upper level management of that controlling handful of major studio/distributors and explains the relationship between control of the financial side of the film business and the creative side. One important aspect of that control arises from the use of unfair, unethical, unconscionable, anti-competitive, predatory and illegal provisions in the distribution deal between film distributors and producers.
Author: John W. Cones
Publisher:
ISBN:
Category : Business & Economics
Languages : en
Pages : 420
Get Book Here
Book Description
This book represents the most comprehensive critical analysis of the big picture in Hollywood with respect to how those whocontrol the institution gained and have maintained that control for its 100-year history. The book traces the evolution and development of specific tactics and strategies implemented by the upper level management of that controlling handful of major studio/distributors and explains the relationship between control of the financial side of the film business and the creative side. One important aspect of that control arises from the use of unfair, unethical, unconscionable, anti-competitive, predatory and illegal provisions in the distribution deal between film distributors and producers.
Author: Peter Decherney
Publisher: Columbia University Press
ISBN: 0231159471
Category : Performing Arts
Languages : en
Pages : 306
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Book Description
Beginning with Thomas Edison's aggressive copyright disputes and concluding with recent lawsuits against YouTube, Hollywood's Copyright Wars follows the struggle of the film, television, and digital media industries to influence and adapt to copyright law. Though much of Hollywood's engagement with the law occurs offstage, in the larger theater of copyright, many of Hollywood's most valued treasures, from Modern Times (1936) to Star Wars (1977), cannot be fully understood without appreciating their legal controversies. Peter Decherney shows that the history of intellectual property in Hollywood has not always mirrored the evolution of the law and recounts these extralegal solutions and their impact on American media and culture.
Author: Douglas M. Kellner
Publisher: John Wiley & Sons
ISBN: 1444360493
Category : Performing Arts
Languages : en
Pages : 297
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Book Description
Cinema Wars explores the intersection of film, politics, and US culture and society through a bold critical analysis of the films, TV shows, and documentaries produced in the early 2000s Offers a thought-provoking depiction of Hollywood film as a contested terrain between conservative and liberal forces Films and documentaries discussed include: Black Hawk Down, The Dark Knight, Star Wars, Syriana, WALL-E, Fahrenheit 9/11 and other Michael Moore documentaries, amongst others Explores how some films in this era supported the Bush-Cheney regime, while others criticized the administration, openly or otherwise Investigates Hollywood’s treatment of a range of hot topics, from terrorism and environmental crisis to the Iraq war and the culture wars of the 2000s Shows how Hollywood film in the 2000s brought to life a vibrant array of social protest and helped create cultural conditions to elect Barack Obama
Author: Jonathan Rosenbaum
Publisher: Chicago Review Press
ISBN: 1556529937
Category : Social Science
Languages : en
Pages : 242
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Book Description
Is the cinema, as writers from David Denby to Susan Sontag have claimed, really dead? Contrary to what we have been led to believe, films are better than ever—we just can't see the good ones. Movie Wars cogently explains how movies are packaged, distributed, and promoted, and how, at every stage of the process, the potential moviegoer is treated with contempt. Using examples ranging from the New York Times's coverage of the Cannes film festival to the anticommercial practices of Orson Welles, Movie Wars details the workings of the powerful forces that are in the process of ruining our precious cinematic culture and heritage, and the counterforces that have begun to fight back.
Author: Guy Westwell
Publisher: Wallflower Press
ISBN: 9781904764540
Category : Fiction
Languages : en
Pages : 148
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Book Description
'War Cinema' presents an introduction to and overview of films that take war as their main theme. Framing the era with 'Apocalypse Now' and 'Apocalypse Now Redux', the author initially focuses on Vietnam on film in the 1970s and 1980s and how this divisive war was represented.
Author: Clayton R. Koppes
Publisher: Univ of California Press
ISBN: 9780520071612
Category : History
Languages : en
Pages : 404
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Book Description
The little-explored story of how politics, propaganda, and profits were combined to create the drama, imagery and fantasy that was American film during World War II. 32 black-and-white photographs.
Author: Nancy Lynn Schwartz
Publisher: Backinprint.com
ISBN: 9780595190607
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
The story of the battle to form the Screen Writers’ Guild is for the first time told fully and in riveting detail, based on diaries, letters, newspaper clippings, pamphlets, and hundreds of interviews with Hollywood people. Brilliantly recreated is the political turmoil that shattered the Hollywood community through the 1930’s and into the 40’s— leading to House Un-American Activity Committee and the blacklist. “Hollywood of that era has a narcotic fascination for many of us. The book is crammed with compelling movieland figures. The riches Nancy Lynn Schwartz unearthed deserved our attention.” —J. Anthony Lukas, The New York Times Book Review
Author: J. David Slocum
Publisher: Taylor & Francis
ISBN: 1000938565
Category : Performing Arts
Languages : en
Pages : 464
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Book Description
Discussing such classic films as Sergeant York, Air Force, and All Quiet on the Western Front, as well as more modern blockbusters like Apocalypse Now and Saving Private Ryan, this outstanding volume focuses on Hollywood and its production of war films. Topics covered include: the early formation of war cinema the apotheosis of the Hollywood war film the ascendancy of ambivalence Hollywood and the war since Vietnam war as a way of seeing. For any student of film studies or American cultural studies, this is a valuable companion.
Author: Jane Gaines
Publisher: Duke University Press
ISBN: 9780822312994
Category : Performing Arts
Languages : en
Pages : 366
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Book Description
An overview of film studies
Author: Thomas R Lindlof
Publisher: University Press of Kentucky
ISBN: 0813173167
Category : Performing Arts
Languages : en
Pages : 407
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Book Description
In 1988, director Martin Scorsese fulfilled his lifelong dream of making a film about Jesus Christ. Rather than celebrating the film as a statement of faith, churches and religious leaders immediately went on the attack, alleging blasphemy. At the height of the controversy, thousands of phone calls a day flooded the Universal switchboard, and before the year was out, more than three million mailings protesting the film fanned out across the country. For the first time in history, a studio took responsibility for protecting theaters and scrambled to recruit a "field crisis team" to guide The Last Temptation of Christ through its contentious American openings. Overseas, the film faced widespread censorship actions, with thirteen countries eventually banning the film. The response in Europe turned violent when opposition groups sacked theaters in France and Greece and caused injuries to dozens of moviegoers. Twenty years later, author Thomas R. Lindlof offers a comprehensive account of how this provocative film came to be made and how Universal Pictures and its parent company MCA became targets of the most intense, unremitting attacks ever mounted against a media company. The film faced early and determined opposition from elements of the religious Right when it was being developed at Paramount during the last year the studio was run by the celebrated troika of Barry Diller, Michael Eisner, and Jeffrey Katzenberg. By the mid-1980s, Scorsese's film was widely regarded as unmakeable—a political stick of dynamite that no one dared touch. Through the joint efforts of two of the era's most influential executives, CAA president Michael Ovitz and Universal Pictures chairman Thomas P. Pollock, this improbable project found its way into production. The making of The Last Temptation of Christ caught evangelical Christians at a moment when they were suffering a crisis of confidence in their leadership. The religious right seized on the film as a way to rehabilitate its image and to mobilize ordinary citizens to attack liberalism in art and culture. The ensuing controversy over the film's alleged blasphemy escalated into a full-scale war fought out very openly in the media. Universal/MCA faced unprecedented calls for boycotts of its business interests, anti-Semitic rhetoric and death threats were directed at MCA chairman Lew Wasserman and other MCA executives, and the industry faced the specter of violence at theaters. Hollywood Under Siege draws upon interviews with many of the key figures—Martin Scorsese, Paul Schrader, Michael Ovitz, Jeffrey Katzenberg, Jack Valenti, Thomas P. Pollock, and Willem Dafoe—to explore the trajectory of the film from its conception to the subsequent epic controversy and beyond. Lindlof offers a fascinating dissection of a critical episode in the embryonic culture wars, illuminating the explosive effects of the clash between the interests of the media industry and the forces of social conservatism.
