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Author: Michael Hollister
Publisher: AuthorHouse
ISBN: 1467812021
Category : Fiction
Languages : en
Pages : 436
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Book Description
Hollywood’s global influence from the 1960s to the present age of terrorism. The team of Sarah and Ryan Eisley film Faulkner’s As I Lay Dying, then divorce, but stay in touch. Ryan directs studio pictures for Universal, takes up with a much younger actress, attends the Woodstock festival and turns countercultural in his Beverly Hills mansion. Inspired to film a documentary of the black civil rights, hippie and anti-Vietnam War movements, he encounters President Kennedy, Martin Luther King, Jr. and the Manson gang. Their son Davin goes to Vietnam as a medic and their daughter Karen leaves her husband and disappears with her three kids. Living apart from Ryan in San Francisco, Sarah goes back to graduate school and tries to hold their family together while earning a doctorate at Berkeley. She becomes a film critic, then moves to Portland and becomes a teacher in the Hollyworld of higher education. The story of the Eisley family is interwoven with major films, including Billy Budd, Dr. Strangelove, The Graduate, Woodstock, Easy Rider, 2001: A Space Odyssey, Close Encounters, Apocalypse Now, Reds, The Big Chill and The Player. The novel also exposes Communist propaganda movies such as Fail-Safe, The Way We Were, The Front and Coming Home. It deflates the show business Blacklist myth, satirizes political correctness and ridicules Marxist movie stars and professors. Third in trilogy including Holywood (2004) and Follywood (2005).
Author: Michael Hollister
Publisher: AuthorHouse
ISBN: 1467812021
Category : Fiction
Languages : en
Pages : 436
Get Book Here
Book Description
Hollywood’s global influence from the 1960s to the present age of terrorism. The team of Sarah and Ryan Eisley film Faulkner’s As I Lay Dying, then divorce, but stay in touch. Ryan directs studio pictures for Universal, takes up with a much younger actress, attends the Woodstock festival and turns countercultural in his Beverly Hills mansion. Inspired to film a documentary of the black civil rights, hippie and anti-Vietnam War movements, he encounters President Kennedy, Martin Luther King, Jr. and the Manson gang. Their son Davin goes to Vietnam as a medic and their daughter Karen leaves her husband and disappears with her three kids. Living apart from Ryan in San Francisco, Sarah goes back to graduate school and tries to hold their family together while earning a doctorate at Berkeley. She becomes a film critic, then moves to Portland and becomes a teacher in the Hollyworld of higher education. The story of the Eisley family is interwoven with major films, including Billy Budd, Dr. Strangelove, The Graduate, Woodstock, Easy Rider, 2001: A Space Odyssey, Close Encounters, Apocalypse Now, Reds, The Big Chill and The Player. The novel also exposes Communist propaganda movies such as Fail-Safe, The Way We Were, The Front and Coming Home. It deflates the show business Blacklist myth, satirizes political correctness and ridicules Marxist movie stars and professors. Third in trilogy including Holywood (2004) and Follywood (2005).
Author: Cat Ellington
Publisher: Quill Pen Ink Publishing
ISBN:
Category : Literary Criticism
Languages : en
Pages : 856
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Book Description
The Complete Works comprises books 1-9 from the famous Reviews by Cat Ellington series. In the making since 2018, this comprehensive reference, compiled by Quill Pen Ink Publishing, serves to wrap up the fascinating seven-year series. Featuring bonus material by author Naras Kimono and award-winning filmmaker Joseph Strickland, Reviews by Cat Ellington: The Complete Works (Books 1-9) will end the first era of Cat Ellington's prolific career in literary criticism to make way for a new span in her passion for reading and her one-of-a-kind analysis by way of the written word: for the review by Cat Ellington is the original unique critique.
![Catalog of Copyright Entries. Part 1. [C] Group 3. Dramatic Composition and Motion Pictures. New Series PDF](https://books.google.com/books/content/images/frontcover/hFdhAAAAIAAJ?fife=w80-h100)
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category :
Languages : en
Pages : 376
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Book Description
Author: Kevin James Shay
Publisher: Lulu.com
ISBN: 1304947785
Category : Travel
Languages : en
Pages : 164
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Book Description
It's a Mad, Mad, Mad, Mad Trip chronicles the adventures of a single Dad taking his two kids on a 6,950-mile odyssey across the USA and back during his two-week vacation. Along the way, they set a record for the longest family road trip in a roughly two-week span, certified by RecordSetter, a competitor of Guinness World Records. And they did it in their trusty 2001 Honda CRV with more than 165,000 miles. They rode roller coasters and water slides, tried to locate some Hollywood celebrities, met some aliens at a UFO center in Sedona, sat on a ledge on top of the country's tallest building in Chicago, spray painted Cadillac Ranch, dodged mule poop at the Grand Canyon, and bought a pressed coin at Old Faithful. They also visited Mount Rushmore, Vegas, Dallas, the Pro Football Hall of Fame, and many points in between. Their book also lends tips, websites and other info on attractions, fun facts, and more resources, so you can take your own Great American Adventure.
Author: Library of Congress. Copyright Office
Publisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1794
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Book Description
Includes Part 1, Number 1 & 2: Books and Pamphlets, Including Serials and Contributions to Periodicals (January - December)
Author: Steven Mintz
Publisher: John Wiley & Sons
ISBN: 1405190035
Category : History
Languages : en
Pages : 417
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Book Description
Fully revised, updated, and extended, this compilation of interpretive essays and primary documents teaches students to read films as cultural artifacts within the contexts of actual past events. A new edition of this classic textbook, which ties movies into the broader narrative of US and film history Ten new articles which consider recently released films, as well as issues of gender and ethnicity Well-organized within a chronological framework with thematic treatments to provide a valuable resource for students of the history of American film Fourth edition includes completely new images throughout
Author: Thomas Nelson
Publisher: Thomas Nelson
ISBN: 1418568686
Category : Religion
Languages : en
Pages : 253
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Book Description
Would you like to know what Billy Graham thinks about the most important issues of daily life? What about politics, presidents and terrorism? This book contains answers to questions many of us would ask Billy Graham if we had the good fortune to sit down with the person many call "America's Pastor". Best-selling author Bill Adler arranges topics from Graham's sermons, speeches, interviews, television appearances and writings in an easy to follow Q and A format. Topics include Billy Graham on: Humor, Politics, Prayer, Technology and Religion, Race, Money, the Church, and Growing Older. Hear Graham's responses to questions like What will heaven be like? Why does God bring on natural disasters? What do you think about the mixing of religion and politics? What do you say to an atheist who doesn't think there is a God? What is the greatest spiritual threat facing the United States? How can we achieve world peace?
Author: Jonathan Kirshner
Publisher: Cornell University Press
ISBN: 0801465400
Category : Performing Arts
Languages : en
Pages : 281
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Book Description
Between 1967 and 1976 a number of extraordinary factors converged to produce an uncommonly adventurous era in the history of American film. The end of censorship, the decline of the studio system, economic changes in the industry, and demographic shifts among audiences, filmmakers, and critics created an unprecedented opportunity for a new type of Hollywood movie, one that Jonathan Kirshner identifies as the "seventies film." In Hollywood's Last Golden Age, Kirshner shows the ways in which key films from this period—including Chinatown, Five Easy Pieces, The Graduate, and Nashville, as well as underappreciated films such as The Friends of Eddie Coyle, Klute, and Night Moves—were important works of art in continuous dialogue with the political, social, personal, and philosophical issues of their times. These "seventies films" reflected the era's social and political upheavals: the civil rights movement, the domestic consequences of the Vietnam war, the sexual revolution, women's liberation, the end of the long postwar economic boom, the Shakespearean saga of the Nixon Administration and Watergate. Hollywood films, in this brief, exceptional moment, embraced a new aesthetic and a new approach to storytelling, creating self-consciously gritty, character-driven explorations of moral and narrative ambiguity. Although the rise of the blockbuster in the second half of the 1970s largely ended Hollywood’s embrace of more challenging films, Kirshner argues that seventies filmmakers showed that it was possible to combine commercial entertainment with serious explorations of politics, society, and characters’ interior lives.
Author: Virginia Wright Wexman
Publisher: Columbia University Press
ISBN: 0231551436
Category : Performing Arts
Languages : en
Pages : 191
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Book Description
Today, the director is considered the leading artistic force behind a film. The production of a Hollywood movie requires the labor of many people, from screenwriters and editors to cinematographers and boom operators, but the director as author of the film overshadows them all. How did this concept of the director become so deeply ingrained in our understanding of cinema? In Hollywood’s Artists, Virginia Wright Wexman offers a groundbreaking history of how movie directors became cinematic auteurs that reveals and pinpoints the influence of the Directors Guild of America (DGA). Guided by Frank Capra’s mantra “one man, one film,” the Guild has portrayed its director-members as the creators responsible for turning Hollywood entertainment into cinematic art. Wexman details how the DGA differentiated itself from other industry unions, focusing on issues of status and creative control as opposed to bread-and-butter concerns like wages and working conditions. She also traces the Guild’s struggle for creative and legal power, exploring subjects from the language of on-screen credits to the House Un-American Activities Committee’s investigations of the movie industry. Wexman emphasizes the gendered nature of images of the great director, demonstrating how the DGA promoted the idea of the director as a masculine hero. Drawing on a broad array of archival sources, interviews, and theoretical and sociological insight, Hollywood’s Artists sheds new light on the ways in which the Directors Guild of America has shaped the role and image of directors both within the Hollywood system and in the culture at large.
Author: Mary Daheim
Publisher: Harper Collins
ISBN: 0061736791
Category : Fiction
Languages : en
Pages : 372
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Book Description
While witches fly and ghosts go by on a Halloween weekend, a Hollywood cast and crew descend upon Hillside Manor. Judith McMonigle Flynn′s worst nightmare is realised when yet another guest, mega-producer Bruno Zepf, drowns in the kitchen sink. When is a murder not a murder, but an accident that could cost Judith her beloved B&B? The police are baffled, so Judith and cousin Renie try to find a killer - any killer will do - to fend off a five-star lawsuit.
