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Author: Diana Altman
Publisher:
ISBN: 9780982890202
Category : Performing Arts
Languages : en
Pages : 302
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Book Description
How did the business of movies grow? Who were the people who made it grow? What innovative twists did mobsters Al Capone and Willie Bioff add? Hollywood East tells the story of how the movies evolved as a business-a business controlled from the Eastern seaboard. As Diana Altman notes, "Hollywood was a pretty face but New York was the heart and lungs." Most film historians concentrate on the Hollywood studios and treat the New York side as an unimportant annoyance to the creative geniuses of Hollywood. In fact, New York ran the whole show, and the geniuses were merely employees as far as New York was concerned. Many of the elements of film art and technology were developed in the East. The screen test was an eastern innovation. James Stewart, Joan Crawford, Ava Gardner, and many other unknown actors who became stars got their start in the Fifty-fourth Street Manhattan studio where MGM screen tests were shot. Hollywood East is the story of Louis B. Mayer from his days as a theater owner in New England through his tenure as studio head at MGM, through his dismissal from the company bearing his name. It is the story of William Fox, the avaricious founder of Fox News (1919), the mightiest newsreel company, and Fox Film which eventually merged with Twentieth Century. At one time Fox sought to control the entire film industry and had a net worth of $100 million. Sent to prison for bribery, he sank into such obscurity that the New York Times referred to him as "the late William Fox" while he was still alive. It is the story of Marcus Loew, the benevolent ruler of the country's largest theater chain. It is the story of Adolph Zukor, Samuel Goldwyn, Cecil B. DeMille, and other pioneers. It's all here: how the stars emerged, how the public relations mills did their jobs, how the moguls put aside their rivalries when they were threatened by adverse publicity. Many of the photographs in the book are from the one-of-a-kind collection of the author's father.
Author: Diana Altman
Publisher:
ISBN: 9780982890202
Category : Performing Arts
Languages : en
Pages : 302
Get Book Here
Book Description
How did the business of movies grow? Who were the people who made it grow? What innovative twists did mobsters Al Capone and Willie Bioff add? Hollywood East tells the story of how the movies evolved as a business-a business controlled from the Eastern seaboard. As Diana Altman notes, "Hollywood was a pretty face but New York was the heart and lungs." Most film historians concentrate on the Hollywood studios and treat the New York side as an unimportant annoyance to the creative geniuses of Hollywood. In fact, New York ran the whole show, and the geniuses were merely employees as far as New York was concerned. Many of the elements of film art and technology were developed in the East. The screen test was an eastern innovation. James Stewart, Joan Crawford, Ava Gardner, and many other unknown actors who became stars got their start in the Fifty-fourth Street Manhattan studio where MGM screen tests were shot. Hollywood East is the story of Louis B. Mayer from his days as a theater owner in New England through his tenure as studio head at MGM, through his dismissal from the company bearing his name. It is the story of William Fox, the avaricious founder of Fox News (1919), the mightiest newsreel company, and Fox Film which eventually merged with Twentieth Century. At one time Fox sought to control the entire film industry and had a net worth of $100 million. Sent to prison for bribery, he sank into such obscurity that the New York Times referred to him as "the late William Fox" while he was still alive. It is the story of Marcus Loew, the benevolent ruler of the country's largest theater chain. It is the story of Adolph Zukor, Samuel Goldwyn, Cecil B. DeMille, and other pioneers. It's all here: how the stars emerged, how the public relations mills did their jobs, how the moguls put aside their rivalries when they were threatened by adverse publicity. Many of the photographs in the book are from the one-of-a-kind collection of the author's father.
Author: Stefan Hammond
Publisher: McGraw-Hill Companies
ISBN: 9780809225811
Category : Biography & Autobiography
Languages : en
Pages : 308
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Book Description
The visually striking, lightning-fast action movies of Hong Kong used to be a favorite only of cult film enthusiasts -- these days, however, stars such as Sammo Hung, Jet Li, and Jackie Chan are household names. This book offers an inside look at the explosive Hong Kong film industry, its skyrocketing popularity, and its sometimes controversial relationship with Hollywood.
Author: James Ponti
Publisher: NTC/Contemporary Publishing Company
ISBN: 9780941263429
Category : History
Languages : en
Pages : 212
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Book Description
A fascinating glimpse behind the scenes of more than 125 movies made in Florida.
Author: Paul Buhle
Publisher: Verso
ISBN: 9781859845981
Category : Art
Languages : en
Pages : 364
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Book Description
A lively, extensively illustrated history of the widespread influence of Jews on American popular culture through the twentieth century.
Author: Stephen Teo
Publisher: Routledge
ISBN: 1317592255
Category : Performing Arts
Languages : en
Pages : 490
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Book Description
The western, one of Hollywood’s great film genres, has, surprisingly, enjoyed a revival recently in Asia and in other parts of the world, whilst at the same time declining in America. Although the western is often seen as an example of American cultural dominance, this book challenges this view. It considers the western from an Asian perspective, exploring why the rise of Asian westerns has come about, and examining how its aesthetics, styles and politics have evolved as a result. It analyses specific Asian Westerns as well as Westerns made elsewhere, including in Australia, Europe, and Hollywood, to demonstrate how these employ Asian philosophical and mythical ideas and value systems. The book concludes that the western is a genre which is truly global, and not one that that is purely intrinsic to America.
Author: Fredric Dannen
Publisher:
ISBN: 9780571190409
Category : Motion picture actors and actresses
Languages : en
Pages : 412
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Book Description
Over the past few years, Hong Kong movies have become more popular and studied by critics and film-goers alike. It is a cinema of incessant action, eye-popping effects and cartoon-like violence which has left its mark on the work of many young contemporary Western Film-makers. Conversely, Hong Kong film-makers like John Woo have crossed over and put their unique stamp on American films like Hard Target and Broken Arrow with John Travolta. In his book Fredric Dannen depicts the dark inner world of Hong Kong cinema: the brave and enigmatic actors who risk their lives performing dangerous stunts and explosive feats of martial arts; the movie producers, many of whom are involved with the criminal triad families and who will resort, literally, to murder to secure a deal or an actor for a film. Hong Kong Babylon is an indispensable guide to one of the most exciting national cinemas.
Author: Alice Bag
Publisher: Feral House
ISBN: 1936239124
Category : Biography & Autobiography
Languages : en
Pages : 386
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Book Description
The birth of the 1970s' punk movement as seen through the eyes of Chicana feminist and punk musician Alice Bag.
Author:
Publisher:
ISBN:
Category : Geology
Languages : en
Pages : 916
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Book Description
Author: Ross Melnick
Publisher: Columbia University Press
ISBN: 0231554133
Category : Performing Arts
Languages : en
Pages : 371
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Book Description
Winner - 2022 Richard Wall Memorial Award, Theatre Library Association Beginning in the 1920s, audiences around the globe were seduced not only by Hollywood films but also by lavish movie theaters that were owned and operated by the major American film companies. These theaters aimed to provide a quintessentially “American” experience. Outfitted with American technology and accoutrements, they allowed local audiences to watch American films in an American-owned cinema in a distinctly American way. In a history that stretches from Buenos Aires and Tokyo to Johannesburg and Cairo, Ross Melnick considers these movie houses as cultural embassies. He examines how the exhibition of Hollywood films became a constant flow of political and consumerist messaging, selling American ideas, products, and power, especially during fractious eras. Melnick demonstrates that while Hollywood’s marketing of luxury and consumption often struck a chord with local audiences, it was also frequently tone-deaf to new social, cultural, racial, and political movements. He argues that the story of Hollywood’s global cinemas is not a simple narrative of cultural and industrial indoctrination and colonization. Instead, it is one of negotiation, booms and busts, successes and failures, adoptions and rejections, and a precursor to later conflicts over the spread of American consumer culture. A truly global account, Hollywood’s Embassies shows how the entanglement of worldwide movie theaters with American empire offers a new way of understanding film history and the history of U.S. soft power.
Author: Tony Shaw
Publisher: Columbia University Press
ISBN: 0231544928
Category : History
Languages : en
Pages : 254
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Book Description
Winner, 2023 Shapiro Best Book Award, Association for Israel Studies From Frank Sinatra’s early pro-Zionist rallying to Steven Spielberg’s present-day peacemaking, Hollywood has long enjoyed a “special relationship” with Israel. This book offers a groundbreaking account of this relationship, both on and off the screen. Tony Shaw and Giora Goodman investigate the many ways in which Hollywood’s moguls, directors, and actors have supported or challenged Israel for more than seven decades. They explore the complex story of Israel’s relationship with American Jewry and illuminate how media and soft power have shaped the Arab-Israeli conflict. Shaw and Goodman draw on a vast range of archival sources to demonstrate how show business has played a pivotal role in crafting the U.S.-Israel alliance. They probe the influence of Israeli diplomacy on Hollywood’s output and lobbying activities, but also highlight the limits of ideological devotion in high-risk entertainment industries. The book details the political involvement with Israel—and Palestine—of household names such as Eddie Cantor, Kirk Douglas, Elizabeth Taylor, Barbra Streisand, Vanessa Redgrave, Arnold Schwarzenegger, Robert De Niro, and Natalie Portman. It also spotlights the role of key behind-the-scenes players like Dore Schary, Arthur Krim, Arnon Milchan, and Haim Saban. Bringing the story up to the moment, Shaw and Goodman contend that the Hollywood-Israel relationship might now be at a turning point. Shedding new light on the political power that images and celebrity can wield, Hollywood and Israel shows the world’s entertainment capital to be an important player in international affairs.
