Hollywood Classics Index, Books 1-16: A-Z PDF Download
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Author: John Reid
Publisher: Lulu.com
ISBN: 1411692551
Category : Performing Arts
Languages : en
Pages : 210
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Book Description
This cumulative index to all the films detailed and reviewed in the "Hollywood Classics" series to date, features both original release and alternative titles, together with the year of production. This book is lavishly illustrated with black-and-white reproductions of original movie posters, many from the author's private collection.
Author: John Reid
Publisher: Lulu.com
ISBN: 1411692551
Category : Performing Arts
Languages : en
Pages : 210
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Book Description
This cumulative index to all the films detailed and reviewed in the "Hollywood Classics" series to date, features both original release and alternative titles, together with the year of production. This book is lavishly illustrated with black-and-white reproductions of original movie posters, many from the author's private collection.
Author: John H. Reid
Publisher: Lulu.com
ISBN: 1411692497
Category :
Languages : en
Pages : 98
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Book Description
Author: John Howard Reid
Publisher: Lulu.com
ISBN: 1411695283
Category :
Languages : en
Pages : 114
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Book Description
Author: John Howard Reid
Publisher: Lulu.com
ISBN: 1329613112
Category : Performing Arts
Languages : en
Pages : 352
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Book Description
The 1950's saw a major revolution on the movie front. In order to combat TV, the size of movies screens was changed forever. Unfortunately, there was no standard agreement as to what dimensions, the preferred new sized screen should be.
Author: John Howard Reid
Publisher: Lulu.com
ISBN: 1411673425
Category : Performing Arts
Languages : en
Pages : 261
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Book Description
Many of your favorite movie musicals are sure to be represented in this book. Classics like "Rose Marie" and "Calamity Jane" rub shoulders with "Artists and Models," "Babes on Broadway," "The Bohemian Girl," "The Inspector General" and "The Kid from Brooklyn." Bing and Bob are off on "The Road to Singapore," Eddie Cantor is involved in "Roman Scandals," while Mitzi Gaynor enjoys her stay in "South Pacific." Will Rogers, Jeanne Crain and Alice Faye all have a go in the various versions of "State Fair" and we catch Deanna Durbin in "Three Smart Girls," "Three Smart Girls Grow Up," "It Started with Eve" and "Something in the Wind." And that's just a small sampling of the wonders in store in "More Movie Musicals."
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Brian Winston
Publisher: Bloomsbury Publishing
ISBN: 1838718753
Category : Performing Arts
Languages : en
Pages : 416
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Book Description
Powerfully posing questions of ethics, ideology, authorship and form, documentary film has never been more popular than it is today. Edited by one of the leading British authorities in the field, The Documentary Film Book is an essential guide to current thinking on documentary film. In a series of fascinating essays, key international experts discuss the theory of documentary, outline current understandings of its history (from pre-Flaherty to the post-Griersonian world of digital 'i-Docs'), survey documentary production (from Africa to Europe, and from the Americas to Asia), consider documentaries by marginalised minority communities, and assess its contribution to other disciplines and arts. Brought together here in one volume, these scholars offer compelling evidence as to why, over the last few decades, documentary has come to the centre of screen studies.
Author: Ted Nannicelli
Publisher: Routledge
ISBN: 1135085412
Category : Philosophy
Languages : en
Pages : 278
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Book Description
Recently, scholars in a variety of disciplines—including philosophy, film and media studies, and literary studies—have become interested in the aesthetics, definition, and ontology of the screenplay. To this end, this volume addresses the fundamental philosophical questions about the nature of the screenplay: What is a screenplay? Is the screenplay art—more specifically, literature? What kind of a thing is a screenplay? Nannicelli argues that the screenplay is a kind of artefact; as such, its boundaries are determined collectively by screenwriters, and its ontological nature is determined collectively by both writers and readers of screenplays. Any plausible philosophical account of the screenplay must be strictly constrained by our collective creative and appreciative practices, and must recognize that those practices indicate that at least some screenplays are artworks.
Author: Daly Racing Form
Publisher:
ISBN:
Category :
Languages : en
Pages : 1714
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Book Description
Author: William Baer
Publisher: Bloomsbury Publishing USA
ISBN: 0313348995
Category : Social Science
Languages : en
Pages : 295
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Book Description
Classic American Films explores the origin and development of many of the most influential and revered films in cinema history, and does so with the aid and insight of the people who actually wrote the screenplays. These lively, candid, in-depth interviews are filled with fascinating new material (details, anecdotes, judgments, and opinions) about the creative and collaborative processes that went into the making of these extraordinary films. In the past, Hollywood screenwriters—the original artists—have often been overlooked. This book is a special tribute to the invaluable contributions of these cinematic visionaries, many of whom are considered among the greatest screenwriters in American film history. As Orson Welles once said, In my opinion, the writer should have the first and last word in filmmaking. This book allows them to have that exciting opportunity. Some of the highlights from these interviews include: Betty Comden and Adolph Green's explaining how a nightclub skit became the premise for Singin' in the Rain; Ernest Lehman's description of how, while in conversation with Hitchcock, his unconscious suddenly solved the plot problems in North by Northwest; Carl Gottlieb's remembrance of the terrible pressure involved with writing the script for Jaws while shooting was already underway; and Sylvester Stallone's account of how he received final approval to star in Rocky from studio executives who thought he was just another actor.
