The Muller Dynasty: Jan Harmensz. Muller PDF Download
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Author: Erik Hinterding
Publisher:
ISBN:
Category : Engraving
Languages : en
Pages : 344
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Book Description
Author: Erik Hinterding
Publisher:
ISBN:
Category : Engraving
Languages : en
Pages : 344
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Book Description
Author: Petrus van der Borcht
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 264
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Book Description
![The Wierix family. [11]. Introduction and guide to the catalogue PDF](https://books.google.com/books/content/images/frontcover/0womvwEACAAJ?fife=w80-h100)
Author: Zsuzsanna van Ruyven-Zeman
Publisher:
ISBN:
Category : Prints, Dutch
Languages : en
Pages : 152
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Book Description
Author: Zsuzsanna van Ruyven-Zeman
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 148
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Book Description
Author: Leopoldine van Hogendorp Prosperetti
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754660903
Category : Art
Languages : en
Pages : 314
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Book Description
In this first comprehensive full length study in English on the art of Jan Brueghel the Elder, Leopoldine Prosperetti discloses the nature of the philosophical culture of Antwerp at the time, show its importance in the lives of cultivated citizens, and reveals the patterns of thought and visual stratagems by which his landscapes underwrite the pursuit of wisdom. The book presents a new model for the interpretation of a range of visual genres, including various types of landscape, that were popular in the Antwerp picture trade.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 281
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Book Description
Author: F. W. H. Hollstein
Publisher:
ISBN:
Category : Engravers
Languages : en
Pages : 284
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Book Description
[Vol. 2].
Author: Cathy Lamb
Publisher: Kensington Books
ISBN: 1496709861
Category : Fiction
Languages : en
Pages : 400
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Book Description
Set against the natural beauty of the San Juan Islands in the Pacific Northwest, acclaimed author Cathy Lamb’s latest novel tells the emotionally compelling story of one woman’s life-changing discovery about her past . . . As a child, Evie Lindsay was unnerved by her premonitions. As an adult, they have become a simple fact of life—sometimes disruptive but also inescapable, much like her quirky, loveable family. Evie’s mother, Poppy, and her aunts, Camellia and Iris, are well known on San Orcanita island for their free-spirited ways and elaborately decorated hats. Their floral shop and Evie’s bookstore draw streams of visitors all summer long. This season promises to be extra busy: Evie’s sister, Jules, is getting married on the island. As Jules plans her unconventional wedding, she arranges to do a DNA test with her mother, sister, and aunts, to see how much accepted lore about their heritage holds true. The results blow apart everything Evie has grown up believing about herself and her family. Spurred on by the revelations, Evie uncovers the real story of her past. But beyond her feelings of shock and betrayal, there are unexpected opportunities—to come to terms with a gift that has sometimes felt like a curse, to understand the secrets that surrounded her childhood, and to embrace the surprising new life that is waiting for her . . .
Author: Catherine Jenkins
Publisher: Metropolitan Museum of Art
ISBN: 1588396495
Category : Art
Languages : en
Pages : 311
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Book Description
The Renaissance of Etching is a groundbreaking study of the origins of the etched print. Initially used as a method for decorating armor, etching was reimagined as a printmaking technique at the end of the fifteenth century in Germany and spread rapidly across Europe. Unlike engraving and woodcut, which required great skill and years of training, the comparative ease of etching allowed a wide variety of artists to exploit the expanding market for prints. The early pioneers of the medium include some of the greatest artists of the Renaissance, such as Albrecht Dürer, Parmigianino, and Pieter Bruegel the Elder, who paved the way for future printmakers like Rembrandt, Goya, and many others in their wake. Remarkably, contemporary artists still use etching in much the same way as their predecessors did five hundred years ago. Richly illustrated and including a wealth of new information, The Renaissance of Etching explores how artists in Germany, the Netherlands, Italy, and France developed the new medium of etching, and how it became one of the most versatile and enduring forms of printmaking. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
Author: Christopher White
Publisher:
ISBN: 9780300079531
Category : Art
Languages : en
Pages : 284
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Book Description
To study Rembrandt's etchings one must do more that read dates and signatures, classify subject matter and enumerate states: one has to consider the whole man and his unique talent in the context of his life and milieu. This book surveys Rembrandt's prints both individually and J150505generally. Though an overall pattern in his work can be discovered, Rembrandt was essentially an artist of variety, and each print, at least in his maturity, represented a unique experience. Rembrandt was one of the first artists to experiment with the media of etching and drypoint, submitting his plates to numerous reworkings, drawing on impressions, varying the inking of his plates and the papers, on which he printed. Detailed study reveals that in many cases the changes and variations he introduced provide a unique opportunity, not afforded by the paintings and drawings, of observing the artist at work. Enthusiasm for Rembrandt's prints has not been confined to scholars. Even during the artist's lifetime and ever since, there has hardly been a time when his prints were not sought after, collected and cherished somewhere. There are numerous catalogues raisonnes as well as catalogues of individual collections, and exhibitions, but little has been written that sets Rembrandt's prints in the context of his whole life and work. This book, first published thirty years ago, fills that gap, surveying Rembrandt's prints thematically and in comparison to his paintings and drawings. The new edition, which has been considerably revised and expanded to take account of recent research, is particularly informative about working methods and the techniques of printmaking.
