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Author: Jenny Uglow
Publisher: Farrar Straus & Giroux
ISBN: 9780374528515
Category : Biography & Autobiography
Languages : en
Pages : 800
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Book Description
Traces the career of the English artist and satirist, and depicts life in eighteenth-century England
Author: Jenny Uglow
Publisher: Farrar Straus & Giroux
ISBN: 9780374528515
Category : Biography & Autobiography
Languages : en
Pages : 800
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Book Description
Traces the career of the English artist and satirist, and depicts life in eighteenth-century England
Author: Joachim Möller
Publisher:
ISBN:
Category : England
Languages : en
Pages : 176
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Book Description
Author: William Hogarth
Publisher: Courier Corporation
ISBN: 0486317161
Category : Art
Languages : en
Pages : 205
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Book Description
Rake's Progress, Harlot's Progress, Illustrations for Hudibras, Before and After, Beer Street, and Gin Lane, 96 more. Commentary by Sean Shesgreen.
Author: Mark Hallett
Publisher: Tate
ISBN: 9781854376626
Category : Art
Languages : en
Pages : 264
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Book Description
This text examines Hogarth's career, from his beginnings as a young engraver in the 1720s, through to his rise to fame as a painter & printmaker in the 1730s & 1740s. The book offers an understanding of the breadth of his achievements, showing his brilliance as a graphic satirist, urban commentator, draughtsman, portraitist, & history painter.
Author: Frédéric Ogée
Publisher: Manchester University Press
ISBN: 9780719059193
Category : Architecture
Languages : en
Pages : 308
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Book Description
By focusing on the artist's most famous works, this collection of essays applies studies of science and philosophy from the period to give a more accurate sense of the meanings in Hogarth's art.
Author: Rana A. Hogarth
Publisher: UNC Press Books
ISBN: 1469632888
Category : Social Science
Languages : en
Pages : 291
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Book Description
In 1748, as yellow fever raged in Charleston, South Carolina, doctor John Lining remarked, "There is something very singular in the constitution of the Negroes, which renders them not liable to this fever." Lining's comments presaged ideas about blackness that would endure in medical discourses and beyond. In this fascinating medical history, Rana A. Hogarth examines the creation and circulation of medical ideas about blackness in the Atlantic World during the late eighteenth and early nineteenth centuries. She shows how white physicians deployed blackness as a medically significant marker of difference and used medical knowledge to improve plantation labor efficiency, safeguard colonial and civic interests, and enhance control over black bodies during the era of slavery. Hogarth refigures Atlantic slave societies as medical frontiers of knowledge production on the topic of racial difference. Rather than looking to their counterparts in Europe who collected and dissected bodies to gain knowledge about race, white physicians in Atlantic slaveholding regions created and tested ideas about race based on the contexts in which they lived and practiced. What emerges in sharp relief is the ways in which blackness was reified in medical discourses and used to perpetuate notions of white supremacy.
Author: Ronald Paulson
Publisher:
ISBN: 9780718829674
Category :
Languages : en
Pages : 1600
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Book Description
Ronald Paulson's authoritative study of the life of William Hogarth was first published in 1971 in two volumes. This latest work in three volumes represents a fully revised and updated text in the light of the author's changing views on Hogarth and his art, and on the social and political issues of the period. The general growth of knowledge of and interest in the 18th Century, including the works of historians during the 70s and 80s and surveys of other English painters, have contributed substantially to Professor Paulson's reassessment. In his study, Paulson sets out to discover answers to an entirely new set of questions: to examine not only the apparent nature of Hogarth's works, but also their underlying purpose, and the way in which the paintings are used to mythologise Hogarth's own life. Paulson wishes to differentiate those things Hogarth believed he was doing from those which, as part of the cultural milieu of the 18th Century, he was unconscious. From this study, Hogarth emerges as a more complex individual than that of the elitist Augustan satirist or the subversive popular artist. Volume I charts the emergence of Hogarth the man, placing him in the context of the art of his times. Volume II explores the peak of the artist's career and concentrates particularly on the production and consumption of his works. Volume II takes Hogarth from his fifty-third year to his death at sixty-seven.
Author: Elizabeth Einberg
Publisher: Paul Mellon Centre
ISBN: 9780300221749
Category : Art
Languages : en
Pages : 0
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Book Description
William Hogarth (1697-1764) was among the first British-born artists to rise to international recognition and acclaim and to this day he is considered one of the country's most celebrated and innovative masters. His output encompassed engravings, paintings, prints, and editorial cartoons that presaged western sequential art. This comprehensive catalogue of his paintings brings together over twenty years of scholarly research and expertise on the artist, and serves to highlight the remarkable diversity of his accomplishments in this medium. Portraits, history paintings, theater pictures, and genre pieces are lavishly reproduced alongside detailed entries on each painting, including much previously unpublished material relating to his oeuvre. This deeply informed publication affirms Hogarth's legacy and testifies to the artist's enduring reputation. Published for the Paul Mellon Centre for Studies in British Art
Author: David Bindman
Publisher: Univ of California Press
ISBN: 9780520213005
Category : Art
Languages : en
Pages : 216
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Book Description
The reputation of William Hogarth (1697-1764) rests largely on his pictorial stories, a series of engravings that he called "modern Moral Subjects," the most famous being the Harlot's and the Rake's Progress. In this catalog, David Bindman works backward from Hogarth's reputation today--where he is seen by some as a conservative populist and by others as a political radical--and examines his impact on various artists over the past three centuries. Bindman also sets Hogarth's prints firmly in their historical context, discussing the artist's public and the different influences on his work, from Roman satire to the politics of the day. The result is an engaging and insightful portrayal not only of William Hogarth, but also of the middle years of the eighteenth century. Art lovers will enjoy this book, but so too will anyone with an interest in the literature and history of the mid-eighteenth century. The reputation of William Hogarth (1697-1764) rests largely on his pictorial stories, a series of engravings that he called "modern Moral Subjects," the most famous being the Harlot's and the Rake's Progress. In this catalog, David Bindman works backward from Hogarth's reputation today--where he is seen by some as a conservative populist and by others as a political radical--and examines his impact on various artists over the past three centuries. Bindman also sets Hogarth's prints firmly in their historical context, discussing the artist's public and the different influences on his work, from Roman satire to the politics of the day. The result is an engaging and insightful portrayal not only of William Hogarth, but also of the middle years of the eighteenth century. Art lovers will enjoy this book, but so too will anyone with an interest in the literature and history of the mid-eighteenth century.
Author: Richard Kennedy
Publisher: Hesperus Press
ISBN: 9781843914617
Category : Illustrators
Languages : en
Pages : 0
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Book Description
In 1928, after a rather unsuccessful education at Marlborough College, sixteen-year-old Richard Kennedy was put firmly under the wing of Leonard Woolf as his new protege at the Woolfs' printing press. Responsible for making tea, packing boxes and a host of other menial tasks, Kennedy observed unnoticed the social milieu of the sophisticated Bloomsbury set as it revolved around the Hogarth Press. Some forty years later, and by then a professional illustrator, he put pen to paper, recalling his time with Virginia and Leonard Woolf in candid and often hilarious detail. He tells of the success that Virginia enjoyed ('There is much talk of Mrs W's new book Orlando and plenty of tension'), of their chaotic office with its collapsing shelves, rats and arguments over toilet paper, and of his own often hapless attempts to keep pace with the literary giants around him. Illustrated throughout with Kennedy's own sketches, this is a delightful work that offers a unique peep into the Bloomsbury set.
