The Hogarth Conspiracy PDF Download
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Author: Alex Connor
Publisher: Quercus
ISBN: 1623654912
Category : Fiction
Languages : en
Pages : 339
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Book Description
Could a single scandalous painting rock two British monarchies, centuries apart... and threaten the lives of everyone who knows of its existence? It could--if the painting contains proof of a liaison between a prostitute and a prince. The evidence, a painting by William Hogarth done in 1732, was supposedly destroyed. But hundreds of years later, on a private jet, Sir Oliver Peters learns that it still exists. Dying of cancer, and desperate to secure his family's well-being, Sir Oliver resolves to find the missing work. But when a fellow passenger who also knows the secret is murdered, he realizes he's battling more than time.
Author: Alex Connor
Publisher: Quercus
ISBN: 1623654912
Category : Fiction
Languages : en
Pages : 339
Get Book Here
Book Description
Could a single scandalous painting rock two British monarchies, centuries apart... and threaten the lives of everyone who knows of its existence? It could--if the painting contains proof of a liaison between a prostitute and a prince. The evidence, a painting by William Hogarth done in 1732, was supposedly destroyed. But hundreds of years later, on a private jet, Sir Oliver Peters learns that it still exists. Dying of cancer, and desperate to secure his family's well-being, Sir Oliver resolves to find the missing work. But when a fellow passenger who also knows the secret is murdered, he realizes he's battling more than time.
Author: Morris Eaves
Publisher: Cornell University Press
ISBN: 9780801424892
Category : Art
Languages : en
Pages : 332
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Book Description
Author: William Hogarth
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 430
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Book Description
Author: Frida Beckman
Publisher: Taylor & Francis
ISBN: 100095806X
Category : Social Science
Languages : en
Pages : 242
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Book Description
Theory Conspiracy provides a state-of-the-art collection that takes stage on the meeting and/or battlegrounds between conspiracy theory and theory-asconspiracy. By deliberately scrambling the syntax—conspiracy theory cum theory conspiracy—it seeks to open a set of reflections on the articulation between theory and conspiracy that addresses how conspiracy might rattle the sense of theory as such. In this sense, the volume also inevitably stumbles on the recent debates on postcritique. The suspicion that our ways of reading in the humanities have been far too suspicious, if not paranoid, has gained considerable attention in a humanities continuously questioned as superfluous at best and leftist and dangerous at worst. The chapters in this volume all approach this problematic from different angles. It features clear engaging writing by a set of contributors who have published extensively on questions of paranoia, conspiracy theory, and/or the state of theory today. This collection will appeal to readers interested in conspiracy theories, critical theory, and the future of humanities.
Author: John Ireland
Publisher: Library of Alexandria
ISBN: 1465608044
Category : Fiction
Languages : en
Pages : 1033
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Book Description
Hogarth is essentially English—brave, straight-forward, manly; never pandering to fashion or fancy. When he had to deal with sin and misery, he met them full in the face, bating no whit of their repulsiveness; and in all his works, wherever a moral is to be drawn, it is a noble and a healthy one. In his merry moods he is irresistibly comic; when he stands forward as a censor of morals, he is terrible in his truth; when he creates a character, it is always human and complete,—a true reflex of the age in which he lived. Times may change, and costumes, but humanity remains much the same. Take any series of the splendid list, and the people who crowd the canvas live and move amongst us with different names and other attire. Such suggestive cognomens as Mary Hackabout are not in use; nor do procuresses haunt such localities as Wood Street in pursuit of their vile calling. The course of fashion, as of empire, has taken its way westward; but the whole story of the Harlot's Progress is as fresh and as applicable to a season in 1873 as it was a hundred and forty years before. Have we not Tom Rakewells in scores among us; and had Hogarth been living now, would he not have interpolated another picture of the degradation attained by the spendthrift when he enters the employment of the moneylender as a decoy to poor flies such as he was himself at the beginning of the chapter? The function of the satirist is still needed, and there is no danger of the works of William Hogarth proving to be out of date. Probably no artist ever told stories so well; certainly no one ever acquired such a reputation, and there is no reason why his splendid monuments should be found only in the libraries of the wealthy. Every one should know something of him besides his moral lessons, since, of all the moral lessons he ever taught, his life formed the most pointed. Fearlessness and honesty were his watchwords from his early career of art, after being released from the silversmith's apprenticeship in 1720 until the day of his death in 1764, when he retired from mundane existence full of years and honours. As Ireland declares him to have asserted, his drawings were meant for the crowd rather than for the critics; and with that intention his book was commenced, the original design being to comprise in one volume "a moral and analytical description of seventy-eight prints;" but as the work advanced, such an amount of anecdote and illustrative comment suggested itself, that he was compelled to adopt the three-volume form which is here followed, with the further addition to which we have alluded, of such a full description and reproduction as the original compiler, from accident or design, omitted. These will be found in the third volume, and include many of the most important and meritorious works of the great artist. It has been found advisable to change the ornamental and sometimes indistinct lettering of the original plates, and to adopt a consistent and uniform style of titles. At the same time the elaborate catalogue compiled by Ireland is preserved, since it is still highly valuable as a chronological list of every effort of Hogarth's hand, although it would be folly to attempt a reproduction of every variation it contains. The system pursued by Ireland and Nichols is followed, and the Publishers venture to congratulate themselves on submitting to the notice of the artistic and literary world, as well as to the public generally, the best and cheapest edition of Hogarth's complete works ever brought forward.
Author: David Coady
Publisher: Routledge
ISBN: 1351949454
Category : Philosophy
Languages : en
Pages : 212
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Book Description
Conspiracy theories have a bad reputation. In the past, most philosophers have ignored the topic, vaguely supposing that conspiracy theories are obviously irrational and that they can be easily dismissed. The current philosophical interest in the subject results from a realisation that this is not so. Some philosophers have taken up the challenge of identifying and explaining the flaws of conspiracy theories. Other philosophers have argued that conspiracy theories do not deserve their bad reputation, and that conspiracy theorists do not deserve their reputation for irrationality. This book represents both sides of this important debate. Aimed at a broad philosophical community, including epistemologists, political philosophers, and philosophers of history. It represents a significant contribution to the growing interdisciplinary debate about conspiracy theories.
Author: P. Beirne
Publisher: Springer
ISBN: 1137447214
Category : Social Science
Languages : en
Pages : 212
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Book Description
This book analyses the animal images used in William Hogarth's art, demonstrating how animals were variously depicted as hybrids, edibles, companions, emblems of satire and objects of cruelty. Beirne offers an important assessment of how Hogarth's various audiences reacted to his gruesome images and ultimately what was meant by 'cruelty'.
Author: Ronald Paulson
Publisher: JHU Press
ISBN: 9780801873911
Category : Art
Languages : en
Pages : 460
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Book Description
In 1732, a blasphemous burlesque of the Christian Atonement was published in England without comment from the government or Church of England. The author explains this absence of censure through a detailed examination of the parameters of blasphemy in 18th century England.
Author: Brian Nugent
Publisher: Brian Nugent
ISBN: 0955681227
Category : Reference
Languages : en
Pages : 343
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Book Description
This book is an attempt to address the widespread criticism of 'conspiracy theories', raising issues like: the control and negligence of the main organs of the media and police which make it difficult for true information to reach the public (and hence the public remain in ignorance of - and dismiss as a 'conspiracy theory' - the true facts); and the public's habit of underestimating the complexity of modern day politics. A number of complex political plots and allegations are described in detail including: the 1641 Rebellion, British Intelligence manipulation of the 1919-21 Irish leaders, Secret Societies and the role of Occult organisations in Ireland and around the world, the allegations that Martin McGuinness is a British agent, and the motivation behind large scale immigration into Ireland. The author also addresses the question of value systems in modern Western societies and asks are even these being manipulated in order to assist the process of political control.
Author:
Publisher: BRILL
ISBN: 9004499725
Category : Philosophy
Languages : en
Pages : 268
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Book Description
This collection of essays offers a rich variety of texts written on secrets and conspiracies. They investigate and analyse the various kinds of theories there are and analyse them further by casting a look at historical as well contemporary phenomena.
