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Author: Tony Lee Moral
Publisher: Manchester University Press
ISBN: 9780719064821
Category : Biography & Autobiography
Languages : en
Pages : 256
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Book Description
Hitchcock's 1964 psychological thriller 'Marnie' generated wider critical controversy than any other film of his career. This study details the film from conception to postproduction and marketing, showing the film-making process in action, with production details and participants' oral history.
Author: Tony Lee Moral
Publisher: Manchester University Press
ISBN: 9780719064821
Category : Biography & Autobiography
Languages : en
Pages : 256
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Book Description
Hitchcock's 1964 psychological thriller 'Marnie' generated wider critical controversy than any other film of his career. This study details the film from conception to postproduction and marketing, showing the film-making process in action, with production details and participants' oral history.
Author: Tony Lee Moral
Publisher: Scarecrow Press
ISBN: 0810891085
Category : Performing Arts
Languages : en
Pages : 341
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Book Description
After a decade of successful films that included Rear Window, Vertigo, North by Northwest, and Psycho, Alfred Hitchcock produced Marnie, an apparent artistic failure and an unquestionable commercial disappointment. Over the decades, however, the film’s reputation has undergone a reevaluation, and both critics and fans alike have come to appreciate Marnie’s many qualities. In Hitchcock and the Making of Marnie, Tony Lee Moral investigates the cultural and political factors governing the 1964 film’s production, the causes of its critical and commercial failure, and Marnie’s relevance for today’s artists and filmmakers. Hitchcock’s style, motivation, and fears regarding the film are well-documented in this examination of one of his most undervalued efforts. Moral uses extensive research, including personal interviews with Tippi Hedren and Psycho screenwriter Joseph Stefano—as well as unpublished excerpts from interviews with Hitchcock himself—to delve into the issues surrounding the film’s production and release. This revised edition features four new chapters that provide even more fascinating insights into the film’s production and Hitchcock’s working methods. Biographies of Winston Graham—the author of the novel on which the film is based—and screenwriter Jay Presson Allen provide clues into how they brought a feminist viewpoint to Marnie. Additional material addresses Hitchcock’s unrealized project Mary Rose and his efforts to bring it to the screen, the director’s visual style and subjective approach to Marnie, and an exploration of the “real” Alfred Hitchcock. The book also addresses criticisms of the director following the HBO television movie The Girl, which depicted the filming of Marnie. With newly obtained access to the Hitchcock Collection Production Archives at the Margaret Herrick Library, the files of Jay and Lewis Allen, and the memoirs of Winston Graham—as well as interviews in 2012 with the Hitchcock crew—this new edition of Hitchcock and the Making of Marnie provides an invaluable look behind the scenes of a film that has finally been recognized for its influence and vision. It contains more than thirty photos, including a storyboard sequence for the film.
Author: Moral Tony Lee
Publisher: Oldcastle Books
ISBN: 1842439553
Category : Performing Arts
Languages : en
Pages : 232
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Book Description
In his most innovative and technically challenging film, The Birds, Alfred Hitchcock follows the success of Psycho with a modernist, avant garde horror-thriller, which has spawned many imitators and triggered the cycle for disaster and man versus nature films. Now to mark The Birds' 50th anniversary in 2013 and the digitally restored Blu-Ray release, The Making of Hitchcock's The Birds is the first book-length treatment on the production of this modernist masterpiece. Featuring new interviews with stars Rod Taylor, Tippi Hedren and Veronica Cartwright, as well as sketches and storyboards from Hitchcock's A-List technical team, Robert Boyle, Albert Whitlock and Harold Michelson, the book charts every aspect of the film's production all set against the tumultuous backdrop of the 1962 Cuban missile crisis and JFK's presidency. Using unpublished material from the Alfred Hitchcock Collection, Evan Hunter files, Peggy Robertson papers and Robert Boyle's artwork, this book will be the ultimate guide to Hitchcock's most ambitious film.
Author: Tony Lee Moral
Publisher:
ISBN: 9781615931378
Category : Cinematography
Languages : en
Pages : 0
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Book Description
Alfred Hitchcock is one of the most revered filmmakers of the 20th century. Not only was he the "Master of Suspense," he was also an innovator of storyboarding, directing, framing, editing, and marketing. Hitchcock regularly engaged with his audiences and gave lectures at film institutes, universities, and film schools across the country. Now in this Movie Making Master Class, Hitchcock author and aficionado Tony Lee Moral takes you through the process of making a ?motion picture, Hitchcock-style.
Author: Tippi Hedren
Publisher: HarperCollins
ISBN: 0062469053
Category : Biography & Autobiography
Languages : en
Pages : 286
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Book Description
In this absorbing and surprising memoir, one of the biggest names of classic Hollywood—the star of Alfred Hitchcock’s The Birds and Marnie—tells her story, including never-before-revealed experiences on the set of some of the biggest cult films of all time . . . now with a foreword by Melanie Griffith For decades, Tippi Hedren’s luminous beauty radiated from the silver screen, enchanting moviegoers and cementing her position among Hollywood’s elite—beauty and star power that continue to endure. For too long Hedren’s story has been told by others through whispered gossip and tabloid headlines. Now, Hedren sets the record straight, recalling how a young and virtuous Lutheran girl from small-town Minnesota became a worldwide legend—as one of the most famous Hitchcock girls, as an unwavering animal activist, and as the matriarch of a powerful Hollywood dynasty that includes her movie star daughter Melanie Griffith, and rising star Dakota Johnson, her granddaughter. For the first time, Hedren digs deep into her complicated relationship with the man who discovered her talent, director Alfred Hitchcock, the benefactor who would become a repulsive and controlling director who contractually controlled her every move. She speaks openly about the dark pain she endured working with him on their most famous collaborations, The Birds and Marnie, and finding the courage she needed to break away. Hedren’s incandescent spirit shines through as she talks about working with the great Charlie Chaplin, sharing the screen with some of the most esteemed actors in Hollywood, her experiences on some of the most intriguing and troubling film sets—including filming Roar, one of the most dangerous movies ever made—and the struggles of being a single mother—balancing her dedication to her work and her devotion to her daughter—and her commitment to helping animals. Filled with sixteen pages of beautiful photos, Tippi is a rare and fascinating look at a private woman’s remarkable life no celebrity aficionado can miss.
Author: Dan Auiler
Publisher: Dan Auiler
ISBN:
Category : Art
Languages : en
Pages : 263
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Book Description
25th Anniversary Edition Special edition of the the bestselling Vertigo: The Making of a Hitchcock Classic. The new e-text has images, a new preface and additional commentary on Vertigo's selection as the Best Film Ever Made by the BFI's Sight and Sound.
Author: Pat Hitchcock O'Connell
Publisher: Berkley Trade
ISBN: 9780425196199
Category : Biography & Autobiography
Languages : en
Pages : 308
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Book Description
Alfred Hitchcock's films are a testament to his perfectionism and autonomy, yet there was one person whose advice he valued above all others - his wife, Alma. What was her impact on one of the most creative collaborations in film history? Her daughter Pat Hitchcock O'Connel finds out. She traces her mother's life from her early career as film editor, to actress, to her ongoing input to the scripting, casting and direction of her husband's movies. The resulting account of Alma's life is intimate and touching, like a breezy tour through a family album.
Author: Dan Callahan
Publisher: Oxford University Press, USA
ISBN: 0197515320
Category : Performing Arts
Languages : en
Pages : 273
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Book Description
The first book on Hitchcock that focuses exclusively on his work with actors Alfred Hitchcock is said to have once remarked, "Actors are cattle," a line that has stuck in the public consciousness ever since. For Hitchcock, acting was a matter of contrast and counterpoint, valuing subtlety and understatement over flashiness. He felt that the camera was duplicitous, and directed actors to look and act conversely. In The Camera Lies, author Dan Callahan spotlights the many nuances of Hitchcock's direction throughout his career, from Cary Grant in Notorious (1946) to Janet Leigh in Psycho (1960). Delving further, he examines the ways that sex and sexuality are presented through Hitchcock's characters, reflecting the director's own complex relationship with sexuality. Detailing the fluidity of acting -- both what it means to act on film and how the process varies in each actor's career -- Callahan examines the spectrum of treatment and direction Hitchcock provided well- and lesser-known actors alike, including Ingrid Bergman, Henry Kendall, Joan Barry, Robert Walker, Jessica Tandy, Kim Novak, and Tippi Hedren. As Hitchcock believed, the best actor was one who could "do nothing well" - but behind an outward indifference to his players was a sophisticated acting theorist who often drew out great performances. The Camera Lies unpacks Hitchcock's legacy both as a director who continuously taught audiences to distrust appearance, and as a man with an uncanny insight into the human capacity for deceit and misinterpretation.
Author: John Fawell
Publisher: SIU Press
ISBN: 080932606X
Category : Performing Arts
Languages : en
Pages : 204
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Book Description
In the process of providing the most extensive analysis of Alfred Hitchcock’s Rear Window to date, John Fawell also dismantles many myths and clichés about Hitchcock, particularly in regard to his attitude toward women. Although Rear Window masquerades quite successfully as a piece of light entertainment, Fawell demonstrates just how complex the film really is. It is a film in which Hitchcock, the consummate virtuoso, was in full command of his technique. One of Hitchcock’s favorite films, Rear Window offered the ideal venue for the great director to fully use the tricks and ideas he acquired over his previous three decades of filmmaking. Yet technique alone did not make this classic film great; one of Hitchcock’s most personal films, Rear Window is characterized by great depth of feeling. It offers glimpses of a sensibility at odds with the image Hitchcock created for himself—that of the grand ghoul of cinema who mocks his audience with a slick and sadistic style. Though Hitchcock is often labeled a misanthrope and misogynist, Fawell finds evidence in Rear Window of a sympathy for the loneliness that leads to voyeurism and crime, as well as an empathy for the film’s women. Fawell emphasizesa more feeling, humane spirit than either Hitchcock’s critics have granted him or Hitchcock himself admitted to, and does so in a manner of interest to film scholars and general readers alike.
Author: Edward White
Publisher: W. W. Norton & Company
ISBN: 1324002409
Category : Biography & Autobiography
Languages : en
Pages : 343
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Book Description
Winner of the 2022 Edgar Award for Best Biography An Economist Best Book of 2021 A fresh, innovative biography of the twentieth century’s most iconic filmmaker. In The Twelve Lives of Alfred Hitchcock, Edward White explores the Hitchcock phenomenon—what defines it, how it was invented, what it reveals about the man at its core, and how its legacy continues to shape our cultural world. The book’s twelve chapters illuminate different aspects of Hitchcock’s life and work: “The Boy Who Couldn’t Grow Up”; “The Murderer”; “The Auteur”; “The Womanizer”; “The Fat Man”; “The Dandy”; “The Family Man”; “The Voyeur”; “The Entertainer”; “The Pioneer”; “The Londoner”; “The Man of God.” Each of these angles reveals something fundamental about the man he was and the mythological creature he has become, presenting not just the life Hitchcock lived but also the various versions of himself that he projected, and those projected on his behalf. From Hitchcock’s early work in England to his most celebrated films, White astutely analyzes Hitchcock’s oeuvre and provides new interpretations. He also delves into Hitchcock’s ideas about gender; his complicated relationships with “his women”—not only Grace Kelly and Tippi Hedren but also his female audiences—as well as leading men such as Cary Grant, and writes movingly of Hitchcock’s devotion to his wife and lifelong companion, Alma, who made vital contributions to numerous classic Hitchcock films, and burnished his mythology. And White is trenchant in his assessment of the Hitchcock persona, so carefully created that Hitchcock became not only a figurehead for his own industry but nothing less than a cultural icon. Ultimately, White’s portrayal illuminates a vital truth: Hitchcock was more than a Hollywood titan; he was the definitive modern artist, and his significance reaches far beyond the confines of cinema.
