History of the national peace jubilee and great musical festival PDF Download
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Author: P. S. Gilmore
Publisher: BoD – Books on Demand
ISBN: 3368121375
Category : Fiction
Languages : en
Pages : 773
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Book Description
Reprint of the original, first published in 1871.
Author: P. S. Gilmore
Publisher: BoD – Books on Demand
ISBN: 3368121375
Category : Fiction
Languages : en
Pages : 773
Get Book Here
Book Description
Reprint of the original, first published in 1871.
Author: Jennie F. Copeland
Publisher: Blue Mustang Press
ISBN: 9780975973714
Category : History
Languages : en
Pages : 328
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Book Description
Every Day But Sunday: The Romantic Age of New England Industry is the story of America when rugged individualism was in full swing. the nineteenth-century industrialist, whether he made soap, tacks, or plows, stamped his peronality upon the small organization he controlled. Therefore the story of this romantic age of industry is a story of individuals -- of men who were rugged, shrewd, and daring. The author has taken a typical New England town -- Mansfield, Massachusetts -- from the beginning to the close of the 19th century and conujures up for us the ramshackle factories, the honest products, and the shrewd proprietors.
Author: Waldo Selden Pratt
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 464
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Book Description
Author: John Alexander Fuller-Maitland
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 468
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Book Description
Author: George Grove
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 458
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Book Description
Author: George Grove
Publisher:
ISBN:
Category :
Languages : en
Pages : 460
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Book Description
Author: Sir George Grove
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 464
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Book Description
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 462
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Book Description
Author: Celia Applegate
Publisher: University of Toronto Press
ISBN: 1487520484
Category : Art
Languages : en
Pages : 417
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Book Description
Cover -- Copyright page -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- Part I: Places -- 1 How German Is It? -- 2 Music in Place -- 3 Musical Itinerancy in a World of Nations -- 4 Music at the Fairs -- Part II: People -- 5 Mendelssohn on the Road -- 6 A.B. Marx's Cosmopolitan Nationalism -- 7 Schumann's German Nation -- 8 The Musical Worlds of Brahms's Hamburg -- Part III: Public and Private -- 9 What Difference Does a Nation Make? -- 10 Men with Trombones -- 11 Women's Wagner -- 12 Hausmusik in the Third Reich -- 13 To Be or Not to Be Wagnerian in Leni Riefenstahl's Films -- 14 Saving Music -- Notes -- Index
Author: Bill F. Faucett
Publisher: Oxford University Press
ISBN: 0197684181
Category : Biography & Autobiography
Languages : en
Pages : 377
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Book Description
"John Sullivan Dwight (1813-93) was for much of the nineteenth century America's leading music critic. Born into a musical family and educated at several premiere Boston schools, he fell under the spell of New England Transcendentalism during which time he befriended Ralph Waldo Emerson, Elizabeth Palmer Peabody, Margaret Fuller, George Ripley, and others of a similarly progressive mindset. Dwight resided at the socialist/utopian community of Brook Farm where he learned the art of journalism and the business of publishing while writing for The Harbinger. He wrote on many topics-Transcendentalism, of course, but especially on music and musical performance. Dwight was a skilled communicator, and he conveyed ideas powerfully, persuasively, and constantly in language that had recently been given verve by German Romanticism and Emersonian Transcendentalism. When Brook Farm collapsed, Dwight's professional prospects ran desperately low. After several years as a journeyman writer, he launched in 1852 his own Dwight's Journal of Music: A Paper of Art and Literature, a newspaper that firmly established him as a serious music critic. The Journal was published regularly until 1881. It was and remains an important periodical. In its own time, it spoke to America's growing appetite for art music; today it is indispensable for research into nineteenth-century American classical music, especially in Boston. This biography follows Dwight's fascinating life as he meets and writes about some of the era's most crucial intellectuals and musicians. His enormous body of essays, reviews, and translations, much of it illuminated here, leads to the conclusion that Dwight the Music Critic and Dwight the Transcendentalist are inseparable"--
