History of Madeley including Ironbridge, Coalbrookdale, and Coalport

History of Madeley including Ironbridge, Coalbrookdale, and Coalport PDF Author: John Randall
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 208

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Book Description
Madeley is located in Staffordshire, England and has a rich history. This book describes the geography of the village as well as its history and folklore.

History of Madeley including Ironbridge, Coalbrookdale, and Coalport

History of Madeley including Ironbridge, Coalbrookdale, and Coalport PDF Author: John Randall
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 208

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Book Description
Madeley is located in Staffordshire, England and has a rich history. This book describes the geography of the village as well as its history and folklore.

History of Madeley

History of Madeley PDF Author: John Randall
Publisher:
ISBN:
Category : Madeley (Shropshire)
Languages : en
Pages : 412

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Book Description


A History of GKN

A History of GKN PDF Author: Edgar Jones
Publisher: Springer
ISBN: 134906629X
Category : Business & Economics
Languages : en
Pages : 476

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Book Description
This is the story of a major business enterprise. It describes the transformation of a small partnership, formed in 1759, into an international group, the scale of whose diverse activities has demanded the creation of a multi-divisional structure, supported by many specialist departments. Probably the most longeval of Britain's current manufacturing companies, GKN's history may be interpreted as a unique and revealing insight into Britain's industrial experience over past centuries.

The Clay Industries, Including the Fictile & Ceramic Arts on the Banks of the Severn

The Clay Industries, Including the Fictile & Ceramic Arts on the Banks of the Severn PDF Author: John Randall
Publisher: Good Press
ISBN:
Category : Crafts & Hobbies
Languages : en
Pages : 47

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Book Description
In 'The Clay Industries, Including the Fictile & Ceramic Arts on the Banks of the Severn', John Randall delves into the intricate world of pottery-making along the Severn River. Through meticulous research and attention to detail, Randall explores the history, techniques, and significance of these industries, providing readers with a comprehensive understanding of this important aspect of British culture. The book is written in a scholarly yet accessible style, making it a valuable resource for both academics and enthusiasts of the arts and crafts. Randall's descriptive language vividly brings to life the bustling pottery workshops and the skilled artisans who shaped the region's ceramic legacy. This work stands as a tribute to the innovative spirit and craftsmanship of the individuals who contributed to the development of the clay industries along the Severn River. John Randall, an esteemed historian and expert in British industrial history, brings a wealth of knowledge and expertise to 'The Clay Industries'. His passion for preserving the legacy of these industries is evident throughout the book, showcasing his dedication to celebrating the cultural heritage of the Severn region. Randall's unique perspective and in-depth research make this book a standout contribution to the field of ceramic arts and industrial history. I highly recommend 'The Clay Industries, Including the Fictile & Ceramic Arts on the Banks of the Severn' to anyone interested in the history of pottery-making, British industrial heritage, or the creative arts. Randall's insightful exploration of this fascinating subject will captivate readers and provide them with a deeper appreciation for the craftsmanship and artistry that defined the clay industries along the Severn River.

Crossing Paths Or Sharing Tracks?

Crossing Paths Or Sharing Tracks? PDF Author: Audrey J. Horning
Publisher: Boydell Press
ISBN:
Category : Social Science
Languages : en
Pages : 452

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Book Description
This volume brings together over 30 leading scholars in post medieval archaeology and examines where this relatively new discipline has developed from and, perhaps more importantly, where it is going in the decades to come.

The History of Ceramic Art in Great Britain

The History of Ceramic Art in Great Britain PDF Author: Llewellynn Frederick William Jewitt
Publisher:
ISBN:
Category : Porcelain
Languages : en
Pages : 570

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Book Description


A Biographical Dictionary of Civil Engineers in Great Britain and Ireland: 1500-1830

A Biographical Dictionary of Civil Engineers in Great Britain and Ireland: 1500-1830 PDF Author: A. W. Skempton
Publisher: Thomas Telford
ISBN: 9780727729392
Category : Biography & Autobiography
Languages : en
Pages : 952

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Book Description
This biographical reference work looks specifically at the lives, works and careers of those individuals involved in civil engineering whose careers began before 1830.

A History and Description of English Porcelain

A History and Description of English Porcelain PDF Author: William Burton
Publisher:
ISBN:
Category : Pottery
Languages : en
Pages : 470

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Book Description


The History and Antiquities of Shrewsbury

The History and Antiquities of Shrewsbury PDF Author: Thomas Phillips
Publisher:
ISBN:
Category : Castles
Languages : en
Pages : 464

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Book Description


The Ceramic Art of Great Britain From Pre-Historic Times Down to the Present Day (Complete)

The Ceramic Art of Great Britain From Pre-Historic Times Down to the Present Day (Complete) PDF Author: Llewellynn Frederick William Jewitt
Publisher: Library of Alexandria
ISBN: 1465589686
Category : Art
Languages : en
Pages : 1463

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Book Description
In issuing my present work I have two distinct personal duties to perform, and I hasten, in these few brief lines of introduction, to discharge them. First, I earnestly desire to ask indulgence from my readers for any shortcomings which may be apparent in its contents; and next, I desire emphatically to express my thanks to all who have in any way, or even to the smallest extent, assisted me in my labours. The preparation of the work has extended over a considerable period of time, and I have had many difficulties to contend with that are, and must necessarily be, wholly unknown to any but myself—hard literary digging to get at facts and to verify dates, that is not understood, and would scarce be believed in, by the reader who turns to my pages—and hence errors of omission and of commission may have, nay, doubtless have crept in, and may in some places, to a greater or less extent, have marred the accuracy of the page whereon they have occurred. I can honestly say I have left nothing undone, no source untried, and no trouble untaken to secure perfect accuracy in all I have written, and yet I am painfully aware that shortcomings may, and doubtless will, be laid to my charge; for these, wherever they occur, I ask, and indeed claim, indulgence. I believe in work, in hard unceasing labour, in patient and painstaking research, in untiring searchings, and in diligent collection and arrangement of facts—to make time and labour and money subservient to the end in view, rather than that the end in view, and the time and labour and money expended, should bend and bow and ultimately break before time. Thus it is that my “Ceramic Art” has been so long in progress, and thus it is that many changes have occurred during the time it has been passing through the press which it has been manifestly impossible to chronicle. I have the proud satisfaction, however, of knowing that my work is the only one of its kind yet attempted, and I feel a confident hope that it will fill a gap that has long wanted filling, and will be found alike useful to the manufacturer, the china collector, and the general reader. When, some twenty years ago, at the instance of my dear friend Mr. S. C. Hall, I began my series of papers in the Art Journal upon the various famous earthenware and porcelain works of the kingdom, but little had been done in that direction, and the information I got together from time to time had to be procured from original sources, by prolonged visits to the places themselves and by numberless applications to all sorts of people from whom even scraps of reliable matter could be obtained. Books on the subject were not many, and the information they contained on English Ceramics was meagre in the extreme. Since then numerous workers have sprung up, and their published volumes—many of them sumptuous and truly valuable works—attest strongly to the interest and pains they have taken in the subject. To all these, whoever they may be, the world owes a debt of gratitude for devoting their time and their talents to so important a branch of study. To each of them I tender my own thanks for having devoted themselves to the elucidation of one of my favourite pursuits, and for having given to the world the result of their labours. No work has, however, until now been entirely devoted to the one subject of British Ceramics, and I feel therefore that in presenting my present volumes to the public I am only carrying out the plan I at first laid down, and am not even in the slightest degree encroaching on the province of any other writer.