History of Chinese Folk Crafts PDF Download
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Author: Zhi Dao
Publisher: DeepLogic
ISBN:
Category : History
Languages : en
Pages : 110
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Book Description
The book provides highlights on the key concepts and trends of evolution in the History of Chinese Folk Crafts, as one of the series of books of “China Classified Histories”.
Author: Zhi Dao
Publisher: DeepLogic
ISBN:
Category : History
Languages : en
Pages : 110
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Book Description
The book provides highlights on the key concepts and trends of evolution in the History of Chinese Folk Crafts, as one of the series of books of “China Classified Histories”.
Author: Zhilin Jin
Publisher: Cambridge University Press
ISBN: 9780521186582
Category : Art
Languages : en
Pages : 152
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Book Description
Chinese folk arts originate in the rural areas of China's vast territory. As forms of communal art, folk arts are evident in everyday food, clothing and shelter, in traditional festivals, ceremonies and rituals, and in beliefs and taboos. As a living example of cultural heritage, folk art demonstrates the continuity of Chinese culture from ancient to modern times, a culture with distinctive national and regional characteristics and a history of some 8,000 years. Chinese Folk Arts provides an illustrated introduction to the history and development of this colourful part of China's unique artistic culture.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870994832
Category : Art
Languages : en
Pages : 97
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Book Description
Author: Lothar Ledderose
Publisher: Princeton University Press
ISBN: 0691252882
Category : Art
Languages : en
Pages : 280
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Book Description
An incomparable look at how Chinese artists have used mass production to assemble exquisite objects from standardized parts Chinese workers in the third century BC created seven thousand life-sized terracotta soldiers to guard the tomb of the First Emperor. In the eleventh century AD, Chinese builders constructed a pagoda from as many as thirty thousand separately carved wooden pieces. As these examples show, throughout history, Chinese artisans have produced works of art in astonishing quantities, and have done so without sacrificing quality, affordability, or speed of manufacture. In this book, Lothar Ledderose takes us on a remarkable tour of Chinese art and culture to explain how artists used complex systems of mass production to assemble extraordinary objects from standardized parts or modules. He reveals how these systems have deep roots in Chinese thought and reflect characteristically Chinese modes of social organization. Combining invaluable aesthetic and cultural insights with a rich variety of illustrations, Ten Thousand Things make a profound statement about Chinese art and society.
Author: 杭间
Publisher: 中信出版社
ISBN: 9787508509631
Category : Education
Languages : en
Pages : 166
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Book Description
Also part of the Cultural China Series, this volume introduces the history and development of the traditional arts and crafts, and how these apply to many fields such as utensil, apparel, furnishings, adornment, entertainment, and commerce. Vivid color illustrations and photographs throughout.
Author: Carol Michaelson
Publisher: Harvard University Press
ISBN: 9780674023895
Category : Art
Languages : en
Pages : 152
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Book Description
Drawing on the British Museum's extensive collection, this book explores the traditional hierarchy of materials and techniques reaching back as far as the Han Dynasty in the third century BC. In the history and character of the works under scrutiny, this sumptuously illustrated book conveys an understanding of Chinese art in all its great variety.
Author: Fengwen Liu
Publisher: 五洲传播出版社
ISBN: 9787508511283
Category : Birds in art
Languages : en
Pages : 158
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Book Description
Author: Sharmaine Kwan
Publisher: Flame Tree Illustrated
ISBN: 9781787553002
Category : Art
Languages : en
Pages : 0
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Book Description
Traditional Chinese painting is one of the purest art forms in existence, continuing as it does the techniques and themes that have been employed over centuries to create the most exquisite works in ink and wash. Whether meticulously realist or vibrantly expressive, often expertly combining skilful calligraphy with stunning draughtsmanship, these works all pay homage to what went before them. Focusing on classical painting, especially the colour-infused work of the Ming (1368–1644) and Qing dynasties (1644–1912), this delightful book reveals the fascinating history of Chinese painting. From Dai Jin to Ma Quan; from dramatic mountainscapes and tranquil rivers, through intricate and vivid depictions of animals and flowers, to peaceful pastoral scenes and busy tableaux of court life, the engaging text and lush reproductions ensure an enchanting read.
Author: Song Li
Publisher: Cambridge China Library
ISBN: 9781107016613
Category : Art
Languages : en
Pages : 0
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Book Description
A lavishly illustrated work covering the history of Chinese art from the Pre-Qin period to the early twentieth century in two volumes.
Author: Xifan Li
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110790939
Category : Art
Languages : en
Pages : 440
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Book Description
This volume investigates the artistic development during the Qing Dynasty, the last of imperial Chinese dynasties, and shows the importance of opera and playwriting during this time period. Further analysis is dedicated to the development of scroll painting and the revival of calligraphy and seal carving. A General History of Chinese Art comprises six volumes with a total of nine parts spanning from the Prehistoric Era until the 3rd year of Xuantong during the Qing Dynasty (1911). The work provides a comprehensive compilation of in-depth studies of the development of art throughout the subsequent reign of Chinese dynasties and explores the emergence of a wide range of artistic categories such as but not limited to music, dance, acrobatics, singing, story telling, painting, calligraphy, sculpture, architecture, and crafts. Unlike previous reference books, A General History of Chinese Art offers a broader overview of the notion of Chinese art by asserting a more diverse and less material understanding of arts, as has often been the case in Western scholarship.
