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Author: Sandy Petrey
Publisher: John Benjamins Publishing
ISBN: 9027217130
Category : Language Arts & Disciplines
Languages : en
Pages : 138
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Book Description
The title of this study History in the text is an oxymoronic phrase, and by this, the main focus of the book is clear immediately. On the other hand, there still remains the question to what extent text and history are comparable. The author of this volume tries to answer this by discussing the famous novel of Victor Hugo Quatrevingt-Treize against the background of the French Revolution.
Author: Sandy Petrey
Publisher: John Benjamins Publishing
ISBN: 9027217130
Category : Language Arts & Disciplines
Languages : en
Pages : 138
Get Book Here
Book Description
The title of this study History in the text is an oxymoronic phrase, and by this, the main focus of the book is clear immediately. On the other hand, there still remains the question to what extent text and history are comparable. The author of this volume tries to answer this by discussing the famous novel of Victor Hugo Quatrevingt-Treize against the background of the French Revolution.
Author: Sandy Petrey
Publisher: John Benjamins Publishing
ISBN: 9027281033
Category : Literary Criticism
Languages : en
Pages : 139
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Book Description
The title of this study “History in the text” is an oxymoronic phrase, and by this, the main focus of the book is clear immediately. On the other hand, there still remains the question to what extent text and history are comparable. The author of this volume tries to answer this by discussing the famous novel of Victor Hugo Quatrevingt-Treize against the background of the French Revolution.
Author: Damian Catani
Publisher: A&C Black
ISBN: 1441184902
Category : Literary Criticism
Languages : en
Pages : 461
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Book Description
In this original, interdisciplinary approach to evil in French literature, Damian Catani links literary depictions of evil with cultural events to chart a history of the concept in some of the most important texts in modern literature. Beginning with Balzac and Baudelaire, Catani covers the restoration and the Second Empire before interpreting how Catholic stereotypes of the 'evil feminine' and new scientific theories impacted the work of Lautréamont and Zola. Moving into the twentieth century, evil is then explored in terms of the Self, power, knowledge and politics through readings of Proust, Céline, Sartre and Foucault. By seamlessly bringing together aesthetic, philosophical, historical and ideological concerns to read key French writers from the 18th to the 21st century, this study argues why a broader treatment of literary evils is vital to understanding our contemporary moral and political climate.
Author: Peter Starr
Publisher: Fordham Univ Press
ISBN: 0823226034
Category : History
Languages : en
Pages : 239
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Book Description
The bloody events of the Paris Commune in 1871 traumatized France. In this study of cultural memory, the author draws on a range of sources to understand the resonating questions about the terrible year.
Author: Victor Hugo
Publisher:
ISBN:
Category : France
Languages : en
Pages : 560
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Book Description
Author: C. C. Barfoot
Publisher: Rodopi
ISBN: 9789051832938
Category : History
Languages : en
Pages : 412
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Book Description
Author: Kathryn M. Grossman
Publisher: Oxford University Press
ISBN: 0191636436
Category : Literary Criticism
Languages : en
Pages :
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Book Description
This study places the last three novels of Victor Hugo's maturity - Les Travailleurs de la mer (1866), L'Homme qui rit (1869), and Quatrevingt-Treize (1874) - within the context of his artistic development after the success of Les Misérables (1862). By situating these historical narratives in relation to each other, to all of Hugo's previous fiction, and to a number of poetic and critical works published in exile and in the initial years of the Third Republic, it illuminates the final structural and thematic shifts from a poetics of harmony to one of transcendence. As in Les Misérables, the disharmony associated with social tumult, apocalyptic vision, and oxymoronic tensions provides an essential component of the later Hugo's Romantic sublime. Instead of merely capitalizing on the runaway success of Les Misérables by recycling its prominent features, however, each novel makes an original contribution to the political and aesthetic trajectory inscribed by the entire oeuvre. Each testifies as well to the wizardry of Hugo's own 'special effects' that contribute to his story-telling genius. Such effects, especially the dizzying spatial optics and manipulation of temporal dimensions, function not as mere playful gimmicks or novelistic flourishes but as strategies for figuring and communicating the ideal, both political and artistic. The unique interplay of poetic and historical discourse in each text reconfigures our disordered experience of the world into something far more coherent: a construction of meaning that strives to change perceptions and to promote social action.
Author: Victor Brombert
Publisher: Harvard University Press
ISBN: 9780674935518
Category : Education
Languages : en
Pages : 320
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Book Description
Victor Brombert reassesses in a modern perspective the power and originality of Hugo's work, and provides a new interpretation of Hugo's narrative art as well as a synthesis of his poetic and moral vision. The twenty-eight drawings by Hugo reproduced in this book are further testimony to the visionary nature of Hugo's imagination.
Author: John Porter Houston
Publisher: Bucknell University Press
ISBN: 9780838752272
Category : Literary Criticism
Languages : en
Pages : 178
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Book Description
"The Shaping of Text pays homage to the work of the late John Porter Houston, who wrote extensively on style, rhetoric, and narrative and poetic techniques in Western European literature. It is appropriate that the essays in this volume focus on the form of the literary work and the ways in which form determines meaning." "William Calin's essay on the saint's life analyzes the use of antithesis as a poetic and structural device that illustrates the saint's fundamental understanding of the relationship between the ephemeral reality of his physical existence and the absolute, timeless reality to which he aspires. Raymond LaCharite's study of Rabelais focuses on the author's self-conscious awareness of this relationship and of Renaissance preoccupation with reading as both an act of creation and interpretation. George Joseph's study of three Renaissance poets focuses on the use of paradox as both a figure of speech and as a genre that serves both as a structure and as a basis for the interaction in the poetry. David Rubin's essay on La Fontaine emphasizes the ways in which the register of style in the Fables is used to set the tone and control the meaning of the language." "In the chapters devoted to nineteenth- and twentieth-century literature one can see the continuing closer relationship between the book as a work of art and the reality in which it interacts. Suzanne Nash analyzes the strategy Mme. de Stael uses in writing De l'Allemagne, a book written less to present an accurate portrayal of Germany than to promote her own republican ideals for France. Ross Chambers's essay probes the question of the theme of melancholy in Romantic writing and its relationship to the social and political structures of the period; Edward Kaplan shows how a growing ethical, social concern can be seen in Baudelaire's revised Les Fleurs du Mal; Rima Reck and Edward Kaplan reflect the growing use of literature as a vehicle for influencing public opinion." "Stirling Haig analyzes Flaubert's careful use of style and his awareness that reality is ultimately shaped by the beholder's perspective. Finnally, Virginia La Charite's chapter on Proust returns to the idea of a structure within a structure, in this case the architecture of the cathedral as a metaphor of synthesis, an aesthetic device that gives an intelligible structure to Proust's enormous but intricately complex, mass of details." "If John Porter Houston focused on form and style, it is because he understood the semiotic nature of all things: that a writer's style is a subtle form of refined communication or, as Houston wrote, "style is an absolute manner of seeing things for Proust, a question of vision, and so constitutes the ultimate reality of literature.""--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Christopher Hill
Publisher: Duke University Press
ISBN: 0822389150
Category : History
Languages : en
Pages : 370
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Book Description
Focusing on Japan, France, and the United States, Christopher L. Hill reveals how the writing of national history in the late nineteenth century made the reshaping of the world by capitalism and the nation-state seem natural and inevitable. The three countries, occupying widely different positions in the world, faced similar ideological challenges stemming from the rapidly changing geopolitical order and from domestic political upheavals: the Meiji Restoration in Japan, the Civil War in the United States, and the establishment of the Third Republic in France. Through analysis that is both comparative and transnational, Hill shows that the representations of national history that emerged in response to these changes reflected rhetorical and narrative strategies shared across the globe. Delving into narrative histories, prose fiction, and social philosophy, Hill analyzes the rhetoric, narrative form, and intellectual genealogy of late-nineteenth-century texts that contributed to the creation of national history in each of the three countries. He discusses the global political economy of the era, the positions of the three countries in it, and the reasons that arguments about history loomed large in debates on political, economic, and social problems. Examining how the writing of national histories in the three countries addressed political transformations and the place of the nation in the world, Hill illuminates the ideological labor national history performed. Its production not only naturalized the division of the world by systems of states and markets, but also asserted the inevitability of the nationalization of human community; displaced dissent to pre-modern, pre-national pasts; and presented the subject’s acceptance of a national identity as an unavoidable part of the passage from youth to adulthood.
