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Author: David J. Staley
Publisher: Routledge
ISBN: 100033614X
Category : History
Languages : en
Pages : 213
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Book Description
Historical Imagination examines the threshold between what historians consider to be proper, imagination-free history and the malpractice of excessive imagination, asking where the boundary between the two sits and the limits of permitted imagination for the historian. We use "imagination" to refer to a mental skill that encompasses two different tasks: the reconstruction of previously experienced parts of the world and the creation of new objects and experiences with no direct connection to the actual world. In history, imagination means using the mind's eye to picture both the actual and inactual at the same time. All historical works employ at least some creative imagination, but an excess is considered "too much". Under what circumstances are historians permitted to cross this boundary into creative imagination and how far can they go? Supporting theory with relatable examples, Staley shows how historical works are a complex combination of mimetic and creative imagination and offers a heuristic for assessing this ratio in any work of history. Setting out complex theoretical concepts in an accessible and understandable manner and encouraging the reader to consider both the nature and limits of historical imagination, this is an ideal volume for students and scholars of the philosophy of history.
Author: David J. Staley
Publisher: Routledge
ISBN: 100033614X
Category : History
Languages : en
Pages : 213
Get Book Here
Book Description
Historical Imagination examines the threshold between what historians consider to be proper, imagination-free history and the malpractice of excessive imagination, asking where the boundary between the two sits and the limits of permitted imagination for the historian. We use "imagination" to refer to a mental skill that encompasses two different tasks: the reconstruction of previously experienced parts of the world and the creation of new objects and experiences with no direct connection to the actual world. In history, imagination means using the mind's eye to picture both the actual and inactual at the same time. All historical works employ at least some creative imagination, but an excess is considered "too much". Under what circumstances are historians permitted to cross this boundary into creative imagination and how far can they go? Supporting theory with relatable examples, Staley shows how historical works are a complex combination of mimetic and creative imagination and offers a heuristic for assessing this ratio in any work of history. Setting out complex theoretical concepts in an accessible and understandable manner and encouraging the reader to consider both the nature and limits of historical imagination, this is an ideal volume for students and scholars of the philosophy of history.
Author: Kerwin Lee Klein
Publisher: Univ of California Press
ISBN: 0520221664
Category : History
Languages : en
Pages : 391
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Book Description
"A thorough and breathtaking review of modern historiography, anthropology, and literary criticism as they relate to the American frontier."—Robert V. Hine, author of Second Sight
Author: John Cocking
Publisher: Routledge
ISBN: 1134932081
Category : History
Languages : en
Pages : 408
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Book Description
The origins, nature, function and effects of imagination have engrossed writers, theologians, philosophers and practitioners of the arts across the ages; its influence on painting and music continues to be debated. It has been simultaneously feared as a dangerous, uncontrollable force and revered as the supreme visionary power. Cocking's Imagination is an exploration of the history of imagination from antiquity to the Renaissance. The book opens with a treatment of imagination in the writings of Aristotle and Plato. Developments in the Middle Ages are traced, with particular attention to the parallel tradition in Islamic thought of the period and the book pursues the concept through the theories of Dante and the Neo-platonists to the High Renaissance. The manuscript was left unfinished on Professor Cocking's death in 1986 and has been edited by Penelope Murray, who adds an introductory essay. The book will be of particular value as a background to the explosion of interest in the imagination in the Romantic period.
Author: David Shulman
Publisher: Harvard University Press
ISBN: 0674059913
Category : History
Languages : en
Pages : 349
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Book Description
From the late fifteenth to the eighteenth centuries, the imagination came to be recognized in South Indian culture as the defining feature of human beings. Shulman elucidates the distinctiveness of South Indian theories of the imagination and shows how they differ radically from Western notions of reality and models of the mind.
Author: Leo Treitler
Publisher: Harvard University Press
ISBN: 9780674591295
Category : History
Languages : en
Pages : 352
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Book Description
Leo Treitler is a central figure in American musicology, both for his writings on medieval and Renaissance music and for his influential work on historical analysis. In this elegant book he develops a powerful statement of what music analysis and criticism in relation to historical understanding can be. His aim is an understanding of the music of the past not only in its own historical context but also as we apprehend it now, and as we assimilate it to our current interests and concerns. He elucidates his views through unique new interpretations of major works from the fifteenth through the twentieth centuries.
Author: Hugh Lloyd-Jones
Publisher:
ISBN:
Category : History
Languages : en
Pages : 410
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Book Description
Author: Svetlana Evdokimova
Publisher: Yale University Press
ISBN: 9780300070231
Category : Literary Criticism
Languages : en
Pages : 332
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Book Description
This book explores the historical insights of Alexander Pushkin (1799-1837), Russia’s most celebrated poet and arguably its greatest thinker. Svetlana Evdokimova examines for the first time the full range of Pushkin’s fictional and nonfictional writings on the subject of history—writings that have strongly influenced Russians’ views of themselves and their past. Through new readings of his drama, Boris Godunov; such narrative poems as Poltava, The Bronze Horseman, and Count Nulin; prose fiction, including The Captain’s Daughter and Blackamoor of Peter the Great; lyrical poems; and a variety of nonfictional texts, the author presents Pushkin not only as a progenitor of Russian national mythology but also as an original historical and political thinker. Evdokimova considers Pushkin within the context of Romantic historiography and addresses the tension between Pushkin the historian and Pushkin the fiction writer . She also discusses Pushkin’s ideas on the complex relations between chance and necessity in historical processes, on the particular significance of great individuals in Russian history, and on historical truth.
Author: Veronica Marie Gregg
Publisher: UNC Press Books
ISBN: 1469617358
Category : Literary Criticism
Languages : en
Pages : 314
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Book Description
As the foremost white West Indian writer of this century and author of the widely acclaimed novel Wide Sargasso Sea, Jean Rhys (1890-1979) has attracted much critical attention, most often from the perspective of gender analysis. Veronica Gregg extends our critical appreciation of Rhys by analyzing the complex relationship between Rhys's identity and the structures of her fiction, and she reveals the ways in which this relationship is connected to the history of British colonization of the West Indies. Gregg focuses on Rhys as a writer--a Creole woman analyzing the question of identity through literary investigations of race, gender, and colonialism. Arguing that history itself can be a site where different narratives collide and compete, she explores Rhys's rewriting of the historical discourses of the West Indies and of European canonical texts, such as Rhys's treatment of Jane Eyre in Wide Sargasso Sea. Gregg's analysis also reveals the precision with which Rhys crafted her work and her preoccupation with writing as performance.
Author: John Ehrenreich
Publisher: Cornell University Press
ISBN: 0801471222
Category : Social Science
Languages : en
Pages : 284
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Book Description
Social work and social policy in the United States have always had a complex and troubled relationship. In The Altruistic Imagination, John H. Ehrenreich offers a critical interpretation of their intertwined histories, seeking to understand the problems that face these two vital institutions in American society.Ehrenreich demonstrates that the emphasis of social work has always vacillated between individual treatment and social reform. Tracing this ever-changing focus from the Progressive Era, through the development of the welfare state, the New Deal, and the affluent 1950s and 1960s, into the administration of Ronald Reagan, he places the evolution of social work in the context of political, cultural, and ideological trends, noting the paradoxes inherent in the attempt to provide essential services and reflect at the same time the intentions of the state. He concludes by examining the turning point faced by the social work profession in the 1980s, indicated by a return to casework and a withdrawal from social policy concerns.
Author: Mauricio Tenorio-Trillo
Publisher: University of Texas Press
ISBN: 1477319263
Category : History
Languages : en
Pages : 271
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Book Description
Offering a unique perspective on the very notions and practices of storytelling, history, memory, and language, Clio’s Laws collects ten essays (some new and some previously published in Spanish) by a revered voice in global history. Taking its title from the Greek muse of history, this opus considers issues related to the historian’s craft, including nationalism and identity, and draws on Tenorio-Trillo’s own lifetime of experiences as a historian with deep roots in both Mexico and the United States. By turns deeply ironic, provocative, and experimental, and covering topics both lowbrow and highbrow, the essays form a dialogue with Clio about idiosyncratic yet profound matters. Tenorio-Trillo presents his own version of an ars historica (what history is, why we write it, and how we abuse it) alongside a very personal essay on the relationship between poetry and history. Other selections include an exploration of the effects of a historian’s autobiography, a critique of history’s celebratory obsession, and a guide to reading history in an era of internet searches and too many books. A self-described exile, Tenorio-Trillo has produced a singular tour of the historical imagination and its universal traits.
