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Author:
Publisher:
ISBN:
Category : Art criticism
Languages : fr
Pages : 198
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Book Description
Author:
Publisher:
ISBN:
Category : Art criticism
Languages : fr
Pages : 198
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Book Description
Author: Natalie Adamson
Publisher: Routledge
ISBN: 1351555197
Category : Art
Languages : en
Pages : 331
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Book Description
Painting, Politics and the Struggle for the ?ole de Paris, 1944-1964 is the first book dedicated to the postwar or 'nouvelle' ?ole de Paris. It challenges the customary relegation of the ?ole de Paris to the footnotes, not by arguing for some hitherto 'hidden' merit for the art and ideas associated with this school, but by establishing how and why the ?ole de Paris was a highly significant vehicle for artistic and political debate. The book presents a sustained historical study of how this 'school' was constituted by the paintings of a diverse group of artists, by the combative field of art criticism, and by the curatorial policies of galleries and state exhibitions. By thoroughly mining the extensive resources of the newspaper and art journal press, gallery and government archives, artists' writings and interviews with surviving artists and art critics, the book traces the artists, exhibitions, and art critical debates that made the ?ole de Paris a zone of aesthetic and political conflict. Through setting the ?ole de Paris into its artistic, social, and political context, Natalie Adamson demonstrates how it functioned as the defining force in French postwar art in its defence of the tradition of easel painting, as well as an international point of reference for the expansion of modernism. In doing so, she presents a wholly new perspective on the vexed relationships between painting, politics, and national identity in France during the two decades following World War II.
Author: Natalie Adamson
Publisher: Routledge
ISBN:
Category : Art
Languages : en
Pages : 344
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Book Description
By thoroughly mining the extensive resources of the newspaper and art journal press, gallery and government archives, artists' writings and interviews with surviving artists and art critics, Natalie Adamson traces the artists, exhibitions, and art critical debates that made the École de Paris a zone of aesthetic and political conflict. This study presents a wholly new perspective on the vexed relationships between painting, politics, and national identity in postwar France.
Author: Union Of International Associations
Publisher:
ISBN: 9789004272002
Category : Business & Economics
Languages : en
Pages : 728
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Book Description
The Yearbook of International Organizations provides the most extensive coverage of non-profit international organizations currently available. Detailed profiles of international non-governmental and intergovernmental organizations (IGO), collected and documented by the Union of International Associations, can be found here. In addition to the history, aims and acitvities of international organizations, with their events, publications and contact details, the volumes of the Yearbook include networks between associations, biographies of key people involved and extensive statistical data. Providing both an international organizations and research bibliography, Volume 4 cites over 46,000 publications and information resources supplied by international organizations, and provides nearly 18,000 research citations under 40 subject headings. This volume also includes a research bibliography on international organizations and transnational associations.
Author: Ana Gonçalves Magalhães
Publisher: Editora Peirópolis LTDA
ISBN: 8575963546
Category : Business & Economics
Languages : en
Pages : 367
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Book Description
This book discusses strategies and methodologies for the storage and preservation of digital art and processes of collections digitization, also including studies on the new forms of organization and availability of information in data visualization systems. Furthermore, Possible Futures presents case studies and reflections on the rise of database aesthetics and the emerging field of information curatorship. The book was published in a copublishing agreement with Edusp.
Author: Annika Ohrner
Publisher:
ISBN: 9789187843648
Category :
Languages : en
Pages :
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Book Description
How should we understand post-war art? How were issues of cultural transfer and curatorial strategies dealt with in the extended 1960s - the era of pop? Art in Transfer in the Era of Pop juxtaposes issues and contexts approaching the concept and reception of Pop Art. Contributors from Europe and beyond weave a web that resists the notion of universialism, adding to art historian Piotr Piotrowski's "horizontal" art history. This volume avoids the historiographic stance where the US--Europe relationship appears to be a one-way affair. Instead, the reader is drawn into the history of the circulation and cross-pollination of ideas, the aesthetic practices and the various contexts that influenced them.
Author:
Publisher:
ISBN:
Category : International Standard Book Numbers
Languages : en
Pages : 2060
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Book Description
Author: Barbara Vanderlinden
Publisher: MIT Press (MA)
ISBN:
Category : Art
Languages : en
Pages : 348
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Book Description
Reflections from curators, historians, philosophers, anthropologists, architects, and writers on the cultural and political conditions of European exhibition practice since the fall of the Berlin Wall.
Author: James Elkins
Publisher: Routledge
ISBN: 1135867593
Category : Art
Languages : en
Pages : 364
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Book Description
Art criticism is spurned by universities, but widely produced and read. It is seldom theorized and its history has hardly been investigated. The State of Art Criticism presents an international conversation among art historians and critics that considers the relation between criticism and art history and poses the question of whether criticism may become a university subject. Contributors include Dave Hickey, James Panero, Stephen Melville, Lynne Cook, Michael Newman, Whitney Davis, Irit Rogoff, Guy Brett and Boris Groys.
Author: Armin Medosch
Publisher:
ISBN: 9780262331913
Category : Art and society
Languages : en
Pages : 395
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Book Description
An account of a major international art movement originating in the former Yugoslavia in the 1960s, which anticipated key aspects of information aesthetics.
