Author: Matthew J. McMahan
Publisher: Springer Nature
ISBN: 3030700712
Category : Performing Arts
Languages : en
Pages : 264
Book Description
How do nationalized stereotypes inform the reception and content of the migrant comedian’s work? How do performers adapt? What gets lost (and found) in translation? Border-Crossing and Comedy at the Théâtre Italien, 1716-1723 explores these questions in an early modern context. When a troupe of commedia dell’arte actors were invited by the French crown to establish a theatre in Paris, they found their transition was anything but easy. They had to learn a new language and adjust to French expectations and demands. This study presents their story as a dynamic model of coping with the challenges of migration, whereby the actors made their transnational identity a central focus of their comedy. Relating their work to popular twenty-first century comedians, this book also discusses the tools and ideas that contextualize the border-crossing comedian’s work—including diplomacy, translation, improvisation, and parody—across time.
Histoire du theatre italien
Author: Luigi Riccoboni
Publisher:
ISBN:
Category : Italian drama
Languages : fr
Pages :
Book Description
Publisher:
ISBN:
Category : Italian drama
Languages : fr
Pages :
Book Description
Border-Crossing and Comedy at the Théâtre Italien, 1716–1723
Author: Matthew J. McMahan
Publisher: Springer Nature
ISBN: 3030700712
Category : Performing Arts
Languages : en
Pages : 264
Book Description
How do nationalized stereotypes inform the reception and content of the migrant comedian’s work? How do performers adapt? What gets lost (and found) in translation? Border-Crossing and Comedy at the Théâtre Italien, 1716-1723 explores these questions in an early modern context. When a troupe of commedia dell’arte actors were invited by the French crown to establish a theatre in Paris, they found their transition was anything but easy. They had to learn a new language and adjust to French expectations and demands. This study presents their story as a dynamic model of coping with the challenges of migration, whereby the actors made their transnational identity a central focus of their comedy. Relating their work to popular twenty-first century comedians, this book also discusses the tools and ideas that contextualize the border-crossing comedian’s work—including diplomacy, translation, improvisation, and parody—across time.
Publisher: Springer Nature
ISBN: 3030700712
Category : Performing Arts
Languages : en
Pages : 264
Book Description
How do nationalized stereotypes inform the reception and content of the migrant comedian’s work? How do performers adapt? What gets lost (and found) in translation? Border-Crossing and Comedy at the Théâtre Italien, 1716-1723 explores these questions in an early modern context. When a troupe of commedia dell’arte actors were invited by the French crown to establish a theatre in Paris, they found their transition was anything but easy. They had to learn a new language and adjust to French expectations and demands. This study presents their story as a dynamic model of coping with the challenges of migration, whereby the actors made their transnational identity a central focus of their comedy. Relating their work to popular twenty-first century comedians, this book also discusses the tools and ideas that contextualize the border-crossing comedian’s work—including diplomacy, translation, improvisation, and parody—across time.
Theatre History Studies 2017, Vol. 36
Author: Sara Freeman
Publisher: University of Alabama Press
ISBN: 0817371117
Category : Performing Arts
Languages : en
Pages : 371
Book Description
Theatre History Studies is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice.
Publisher: University of Alabama Press
ISBN: 0817371117
Category : Performing Arts
Languages : en
Pages : 371
Book Description
Theatre History Studies is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice.
The Italian Comedy
Author: Pierre Louis Duchartre
Publisher: Courier Corporation
ISBN: 0486138526
Category : Performing Arts
Languages : en
Pages : 385
Book Description
Illustrated history of the beginnings, growth and influence of the commedia dell’ arte. Describes improvisations, staging, marks, scenarios, acting troupes, and origins.
Publisher: Courier Corporation
ISBN: 0486138526
Category : Performing Arts
Languages : en
Pages : 385
Book Description
Illustrated history of the beginnings, growth and influence of the commedia dell’ arte. Describes improvisations, staging, marks, scenarios, acting troupes, and origins.
The New International Encyclopaedia
Author:
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 898
Book Description
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 898
Book Description
French Theatre in the Neo-classical Era, 1550-1789
Author: William Driver Howarth
Publisher: Cambridge University Press
ISBN: 9780521230131
Category : Drama
Languages : en
Pages : 764
Book Description
This 1997 book covers the period which saw the establishment in France of a centralized official theatre - not only the Comédie-Française (the first 'national' theatre), but an Italian theatre and a state opera; the often subversive independent theatres are also discussed. Nearly 1,000 documents deal with censorship and other aspects of external control, company management, the acting profession, dramatic theory and criticism, theatre architecture, settings and costumes, audience composition and behaviour. Over 120 pictorial documents - architectural drawings, technical engravings, frontispieces, portraits, etc. - provide a visual dimension where relevant. A full linking narrative and a copious bibliography help to make this an important reference work and a valuable research tool.
Publisher: Cambridge University Press
ISBN: 9780521230131
Category : Drama
Languages : en
Pages : 764
Book Description
This 1997 book covers the period which saw the establishment in France of a centralized official theatre - not only the Comédie-Française (the first 'national' theatre), but an Italian theatre and a state opera; the often subversive independent theatres are also discussed. Nearly 1,000 documents deal with censorship and other aspects of external control, company management, the acting profession, dramatic theory and criticism, theatre architecture, settings and costumes, audience composition and behaviour. Over 120 pictorial documents - architectural drawings, technical engravings, frontispieces, portraits, etc. - provide a visual dimension where relevant. A full linking narrative and a copious bibliography help to make this an important reference work and a valuable research tool.
The "philosophe" in the French Drama of the Eighteenth Century
Author: Ira Owen Wade
Publisher:
ISBN:
Category : French drama
Languages : en
Pages : 172
Book Description
Publisher:
ISBN:
Category : French drama
Languages : en
Pages : 172
Book Description
The World of Harlequin
Author: Allardyce Nicoll
Publisher: Cambridge University Press
ISBN: 9780521058346
Category : Literary Criticism
Languages : en
Pages : 264
Book Description
The commedia dell'arte was an improvised drama performed by masked players. How did the actors react to these demands and limitations? What force kept this form of theatre alive for more than two centuries and made Harlequin such a potent image? In this study of the commedia dell'arte, originally published in 1987, Professor Nicoll's concern is not to provide an historical survey of its origins or to trace the ascent and descent of Harlequin or any or any other character or 'mask', but rather to explore critically the answers to these and related questions. His arguments are based on the evidence of the play scenarios and contemporary documents as far as possible, and are illuminated by many illustrations that are either little-known or had not previously been reproduced.
Publisher: Cambridge University Press
ISBN: 9780521058346
Category : Literary Criticism
Languages : en
Pages : 264
Book Description
The commedia dell'arte was an improvised drama performed by masked players. How did the actors react to these demands and limitations? What force kept this form of theatre alive for more than two centuries and made Harlequin such a potent image? In this study of the commedia dell'arte, originally published in 1987, Professor Nicoll's concern is not to provide an historical survey of its origins or to trace the ascent and descent of Harlequin or any or any other character or 'mask', but rather to explore critically the answers to these and related questions. His arguments are based on the evidence of the play scenarios and contemporary documents as far as possible, and are illuminated by many illustrations that are either little-known or had not previously been reproduced.
Pierrot and his world
Author: Marika Takanishi Knowles
Publisher: Manchester University Press
ISBN: 1526174073
Category : History
Languages : en
Pages : 289
Book Description
Pierrot, a theatrical stock character known by his distinctive costume of loose white tunic and trousers, is a ubiquitous figure in French art and culture. This richly illustrated book offers an account of Pierrot’s recurrence in painting, printmaking, photography and film, tracing this distinctive type from the art of Antoine Watteau to the cinema of Occupied France. As a visual type, Pierrot thrives at the intersection of theatrical and marketplace practices. From Watteau’s Pierrot (c. 1720) and Édouard Manet’s The Old Musician (1862) to Nadar and Adrien Tournachon’s Pierrot the Photographer (1855) and the landmark film Children of Paradise (1945), Pierrot has given artists a medium through which to explore the marketplace as a form for both social life and creative practice. Simultaneously a human figure and a theatrical mask, Pierrot elicits artistic reflection on the representation of personality in the marketplace.
Publisher: Manchester University Press
ISBN: 1526174073
Category : History
Languages : en
Pages : 289
Book Description
Pierrot, a theatrical stock character known by his distinctive costume of loose white tunic and trousers, is a ubiquitous figure in French art and culture. This richly illustrated book offers an account of Pierrot’s recurrence in painting, printmaking, photography and film, tracing this distinctive type from the art of Antoine Watteau to the cinema of Occupied France. As a visual type, Pierrot thrives at the intersection of theatrical and marketplace practices. From Watteau’s Pierrot (c. 1720) and Édouard Manet’s The Old Musician (1862) to Nadar and Adrien Tournachon’s Pierrot the Photographer (1855) and the landmark film Children of Paradise (1945), Pierrot has given artists a medium through which to explore the marketplace as a form for both social life and creative practice. Simultaneously a human figure and a theatrical mask, Pierrot elicits artistic reflection on the representation of personality in the marketplace.
The New International Encyclopædia
Author: Frank Moore Colby
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 902
Book Description
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 902
Book Description