Hiroshige - Kunisada Two Brushes Tokaido PDF Download
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Author: Cristina Berna
Publisher: BOD GmbH DE
ISBN: 8411747794
Category : Art
Languages : en
Pages : 190
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Book Description
The cooperative work between Hiroshige and Kunisada (1854 -1855) is probably the most romantic of all the Tokaido editions. Both Hiroshige and Kunisada did their own individual versions with the same type of theme - a combination of landscape and often unrelated portraits based in legend and other motifs. But they did not rise to the level of elegance of the "Two Brush" Tokaido. The figures and the landscape are very well balanced and the colors are fresh and joyful. The "Two Brush" Tokaido is both a tour through the landscape of Japan and a cultural introduction. The reason for the combination of landscape and theater was to circumvent censorship of the popular kabuki theater prints.
Author: Cristina Berna
Publisher: BOD GmbH DE
ISBN: 8411747794
Category : Art
Languages : en
Pages : 190
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Book Description
The cooperative work between Hiroshige and Kunisada (1854 -1855) is probably the most romantic of all the Tokaido editions. Both Hiroshige and Kunisada did their own individual versions with the same type of theme - a combination of landscape and often unrelated portraits based in legend and other motifs. But they did not rise to the level of elegance of the "Two Brush" Tokaido. The figures and the landscape are very well balanced and the colors are fresh and joyful. The "Two Brush" Tokaido is both a tour through the landscape of Japan and a cultural introduction. The reason for the combination of landscape and theater was to circumvent censorship of the popular kabuki theater prints.
Author: Cristina Berna
Publisher: BOD GmbH DE
ISBN: 8411749940
Category : Art
Languages : en
Pages : 164
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Book Description
The 53 Stations of the Tokaido by Utagawa Kunisada (1786 - 12 January 1865) is both a tour through the landscape of Japan and a cultural introduction. But first of all it is a fashion magazine about beautiful, young and stylish Japanese women in 1838. These young beauties were one of the subjects Kunisada excelled in. Kunisada show beautiful girls from all walks of life, explorers and adventurers, musicians, theater stars, imperial concubines, country girls, business women. They all have beauty and great fashion taste as the common denominator. His landscapes were a means of circumventing censorship especially of theater prints and pin-up prints of pretty ladies, bijin-ga. The work is probably one of the most romantic of all the Tokaido series.
Author: Cristina Berna
Publisher: BOD GmbH DE
ISBN: 8411746518
Category : Travel
Languages : en
Pages : 334
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Book Description
This series, Fifty-three Pairings of the Tokaido Road, Tokaido gojusan tsui, popularly called Pairs Tokaido or 53 Parallels for the Tokaido Road, was published in 1845-1846. It is a unique cooperation between three artists: Utagawa Hiroshige, Utagawa Kunisada and Utagawa Kuniyoshi and five publishers: Ibaya Kyubei, (Ibaya Senzaburo (Dansendo)) and Kojimaya Jubei, Enshuya Matabei, Ebiya Rinnosuke (Kaijudo) and Iseya Ichibei. The special feature of this Pairs Tokaido is the pairing of a print for each station with a legend, a wonderful, dramatic, historic or supranatural story. These stories are told partly by the print theme, partly by accompanying text in a cartouche. Sometimes there is a poem. It is a very enjoyable tour!
Author: Cristina Berna
Publisher: BoD – Books on Demand
ISBN: 3757808630
Category : Religion
Languages : en
Pages : 322
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Book Description
All the way through Hiroshige follows certain design principles of proportion of elements, arranging elements and views by diagonals and parallels and balancing of color elements. Compared to most of his other Tokaido series Hiroshige in Aritaya focus on letting the landscape tell the story instead of letting people or legend do that, although this is not followed through completely.
Author: Cristina Berna
Publisher: BOD GmbH DE
ISBN: 8411749886
Category : Art
Languages : en
Pages : 318
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Book Description
Keisai Eisen (1790 -1848) is especially known for his bijin-ga, pretty women, and landscapes. He is well known for his participation in the series 69 stations of the Nakasendo together with Hiroshige. The series A Tokaido Board Game of Courtesans, Fifty-three Pairings in the Yoshiwara use the Tokaido with landscape inserts as an excuse for showing courtesans and geisha, bijin-ga, to skirt the censorship. It was published 1821-1823. His bijin-ga are considered to be masterpieces of the "decadent" Bunsei Era (1818-1830). Most of them have impressive hairdo with many ornamental hairpins and combs. Their dress is extravagant with beautiful patterns and sublime embroideries. Their faces are elongated squares with long noses and small pouted painted mouths. Courtesans were desirable for their rich and splendid attire, not so much for their beauty and their names were actually like trademarks for a series of girls performing the same name role with the brothel in question.
Author: Cristina Berna
Publisher: Missy´s Clan
ISBN:
Category : Art
Languages : en
Pages : 472
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Book Description
Vincent Van Gogh (1853 – 1890) is often mentioned as one of the best examples of Japonism, Western art inspired by Japanese art. Van Gogh was infatuated with a vision of Japanese art. He experienced this mainly from Japanese woodblock prints which became widely available after Commodore Matthew Perry forced Japan to open with the Convention of Kanagawa in 1854 after abt 250 years of seclusion. Van Gogh and his brother Theo dealt in these prints for a while and Van Gogh´s studio was literally plastered with them. Van Gogh vision of Japan was a mythical fantasy, an ideal for the artist, and he even tried to establish an artist´s colony to live out this dream. Japan, on the other hand, and especially the woodblock print artists, were inspired by earlier Dutch engraved prints, which had a profound influence on artists like Katsushika Hokusai from abt 1800. It was from these prints Western perspective entered into Japanese art. In the period from abt 1800 to 1850 Japanese prints evolved with Hokusai´s 36 Views of Mt Fuji and became the inspiration that met painters like van Gogh. In a way, what these Western artists saw, was a Japanese mirror of their own processed artistic tradition.
Author: Cristina Berna
Publisher: BOD GmbH DE
ISBN: 8411748421
Category : Biography & Autobiography
Languages : en
Pages : 396
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Book Description
Joaquín Sorolla (born in Valencia 1863 - died in Cercedilla 1923) is one of the most successful Spanish painters ever. He was a genius in capturing the essence of the scene he was painting. In Joaquín Sorolla Portraits 3 1911 -1920 Sorolla paints still paints many important portraits although in the course of preparing for his grand masterpiece "The Vision of Spain", which hangs in the Hispanic Society of America, he did not have the same amount of time available. Sorolla also indulged in painting gardens as relaxation from the gigantic "The Vision of Spain" project. The portraits provide a deep and interesting look into both American and Spanish society in this period. In his early years Sorolla often showed social realism, in his culmination period showed the increasingly wealthy sitters that came to him and in his final period he is a celebrated portraitist of rich Americans and a cultural and political elite in Spain.
Author: Cristina Berna
Publisher: BOD GmbH DE
ISBN: 8411749746
Category : Art
Languages : en
Pages : 300
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Book Description
The official title for this work is "Pictures from the Famous Places of the Fifty-three Stations". Hiroshige produced these prints in 1855 more than 20 years after his first horizontal Hoeido series published 1833-34, which is included as thumbnails for comparison. It is instructive to see Hiroshiges use of his now mature experience as he develops the vertical format for the narrative. He does designs as he would do a photograph. He set the standard for landscape photography, without a camera. The Tokaido series was the most popular print series ever made in Japan. Hiroshige returned to this theme again and again, with delightful results. It is possible to travel the same road today and some villages are still looking quite like they did back then. The postal stations were constructed between 1601 and 1624.
Author: Cristina Berna
Publisher: BOD GmbH DE
ISBN: 8411749827
Category : Art
Languages : en
Pages : 202
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Book Description
Hokusai ́s 53 Stations of the Tokaido 1805 - 1806 is something completely different! It is different from his famous 36 Views of Mt Fuji, which are sublime artistic expressions distilling a long life ́s work. It is different from much of Hokusai ́s other well known work, like his 100 Views of Mt Fuji. But in that series Hokusai still retained a lot of the humor and the caricature found here. It is different from the many other well known 53 Stations of the Tokaido in that Hokusai does not focus on the landscape and the markers that Hiroshige and others showed. Instead Hokusai focus on the events, the interactions between the travellers, the tales that you will share with your friends when you get back home. It was a great and earlier contribution to the Tokaido literature
Author: Cristina Berna
Publisher: BOD GmbH DE
ISBN: 8411749894
Category : Art
Languages : en
Pages : 476
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Book Description
The Scenic Places of the Tokaido (Tokaido Meisho no Uchi) by 17 artists is based on the list of prints on the Kunisada Project website run by Dr Horst Graebner with a total of 162 ukiyo-e prints. It is a fantastic work, an effort presumably directed by the shogun ́s political office to commemorate his attempt to preserve a joint rulership with the emperor over Japan. It differs from the many other Tokaido series by the large number of prints, at least three times as many in a series. If differs by the number of people in the prints - the procession consisted of 3,000 people. It also marks the end of the ukiyo-e Tokaido, where the forced travel of the daimyo - sankin-kotai - had contributed so much to the economic and cultural development along these roads and indeed to the whole print making industry. The shogun abolished sankin-kotai in 1862.
