Hecuba. Orestes. Phoenician damsels. Medea. Hippolytus. Alcestis. Andromache PDF Download
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Author: Euripides
Publisher:
ISBN:
Category :
Languages : en
Pages : 592
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Book Description
Author: Euripides
Publisher:
ISBN:
Category :
Languages : en
Pages : 592
Get Book Here
Book Description
Author: Euripides
Publisher:
ISBN:
Category :
Languages : en
Pages : 620
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Book Description
Author: Euripides
Publisher: Hackett Publishing
ISBN: 1603840222
Category : Drama
Languages : en
Pages : 247
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Book Description
This new volume of three of Euripides' most celebrated plays offers graceful, economical, metrical translations that convey the wide range of effects of the playwright's verse, from the idiomatic speech of its dialogue to the high formality of its choral odes.
Author: Euripides
Publisher:
ISBN:
Category :
Languages : en
Pages : 114
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Book Description
Author: Euripides
Publisher:
ISBN:
Category :
Languages : en
Pages : 116
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Book Description
Author: Euripides
Publisher:
ISBN:
Category :
Languages : en
Pages : 446
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Book Description
Author: Euripides
Publisher:
ISBN:
Category : Greek drama
Languages : en
Pages : 490
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Book Description
Author: Euripides
Publisher: University of Chicago Press
ISBN: 0226309347
Category : Literary Collections
Languages : en
Pages : 276
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Book Description
Euripides I contains the plays “Alcestis,” translated by Richmond Lattimore; “Medea,” translated by Oliver Taplin; “The Children of Heracles,” translated by Mark Griffith; and “Hippolytus,” translated by David Grene. Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century. In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides’ Medea, The Children of Heracles, Andromache, and Iphigenia among the Taurians, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles’s satyr-drama The Trackers. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays. In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.
Author: Euripides
Publisher:
ISBN:
Category :
Languages : en
Pages : 532
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Book Description
Author: Charles Segal
Publisher: Duke University Press
ISBN: 9780822313601
Category : Drama
Languages : en
Pages : 340
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Book Description
Where is the pleasure in tragedy? This question, how suffering and sorrow become the stuff of aesthetic delight, is at the center of Charles Segal's new book, which collects and expands his recent explorations of Euripides' art. Alcestis, Hippolytus, and Hecuba, the three early plays interpreted here, are linked by common themes of violence, death, lamentation and mourning, and by their implicit definitions of male and female roles. Segal shows how these plays draw on ancient traditions of poetic and ritual commemoration, particularly epic song, and at the same time refashion these traditions into new forms. In place of the epic muse of martial glory, Euripides, Segal argues, evokes a muse of sorrows who transforms the suffering of individuals into a "common grief for all the citizens," a community of shared feeling in the theater. Like his predecessors in tragedy, Euripides believes death, more than any other event, exposes the deepest truth of human nature. Segal examines the revealing final moments in Alcestis, Hippolytus, and Hecuba, and discusses the playwright's use of these deaths--especially those of women--to question traditional values and the familiar definitions of male heroism. Focusing on gender, the affective dimension of tragedy, and ritual mourning and commemoration, Segal develops and extends his earlier work on Greek drama. The result deepens our understanding of Euripides' art and of tragedy itself.
