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Author: Vibe Magazine Staff
Publisher:
ISBN: 9780609808368
Category : Biography & Autobiography
Languages : en
Pages : 228
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Book Description
It’s time to stand up, take notice, and give props to the women who have made their mark on hip hop culture. Although superstars like Lauryn Hill, Mary J. Blige, and TLC are some of the most popular entertainers in the world today—each having sold some 20 million albums apiece—the dramatic rise of women to the top of the hip hop industry has never been chronicled before. The revolution was decades in the making, with the female pioneers fighting for a place in the hip hop boy’s club, confronting sexist attitudes, and grabbing their piece of the commercial pie while taking hip hop to new creative heights. NowVIBE, the preeminent hip hop magazine, celebrates this pop culture explosion with a book of thoughtful essays, stunning photographs, and informative timelines and sidebars. Some of the best writers on hip hop profile the grassroots efforts of hip hop’s first ladies to the hottest stars of the moment. Emil Wilbekin, editor in chief ofVIBE, Mimi Valdés, Danyel Smith, dream hampton, Greg Tate, Sacha Jenkins, Harry Allen, Selwyn Hinds, Cristina Verán, and many others come together to reveal how these women continue to play a powerful and integral role in the hip hop world.
Author: Vibe Magazine Staff
Publisher:
ISBN: 9780609808368
Category : Biography & Autobiography
Languages : en
Pages : 228
Get Book Here
Book Description
It’s time to stand up, take notice, and give props to the women who have made their mark on hip hop culture. Although superstars like Lauryn Hill, Mary J. Blige, and TLC are some of the most popular entertainers in the world today—each having sold some 20 million albums apiece—the dramatic rise of women to the top of the hip hop industry has never been chronicled before. The revolution was decades in the making, with the female pioneers fighting for a place in the hip hop boy’s club, confronting sexist attitudes, and grabbing their piece of the commercial pie while taking hip hop to new creative heights. NowVIBE, the preeminent hip hop magazine, celebrates this pop culture explosion with a book of thoughtful essays, stunning photographs, and informative timelines and sidebars. Some of the best writers on hip hop profile the grassroots efforts of hip hop’s first ladies to the hottest stars of the moment. Emil Wilbekin, editor in chief ofVIBE, Mimi Valdés, Danyel Smith, dream hampton, Greg Tate, Sacha Jenkins, Harry Allen, Selwyn Hinds, Cristina Verán, and many others come together to reveal how these women continue to play a powerful and integral role in the hip hop world.
Author: Reiland Rabaka
Publisher: Lexington Books
ISBN: 0739174932
Category : Social Science
Languages : en
Pages : 386
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Book Description
What did rap music and hip hop culture inherit from the spirituals, classic blues, ragtime, classic jazz, and bebop? What did rap music and hip hop culture inherit from the Black Women’s Club Movement, New Negro Movement, Harlem Renaissance, Hipster Movement, and Black Muslim Movement? How did black popular music and black popular culture between 1900 and the 1950s influence white youth culture, especially the Lost Generation and the Beat Generation, in ways that mirror rap music and hip hop culture’s influence on contemporary white youth music, culture, and politics? In Hip Hop’s Amnesia award-winning author, spoken-word artist, and multi-instrumentalist Reiland Rabaka answers these questions by rescuing and reclaiming the often-overlooked early twentieth century origins and evolution of rap music and hip hop culture. Hip Hop’s Amnesia is a study about aesthetics and politics, music and social movements, as well as the ways in which African Americans’ unique history and culture has consistently led them to create musics that have served as the soundtracks for their socio-political aspirations and frustrations, their socio-political organizations and nationally-networked movements. The musics of the major African American social and political movements of the 1950s, 1960s, and 1970s were based and ultimately built on earlier forms of “African American movement music.” Therefore, in order to really and truly understand rap music and hip hop culture we must critically examine both classical African American musics and the classical African American movements that these musics served as soundtracks for. This book is primarily preoccupied with the ways in which post-enslavement black popular music and black popular culture frequently served as a soundtrack for and reflected the grassroots politics of post-enslavement African American social and political movements. Where many Hip Hop Studies scholars have made clever allusions to the ways that rap music and hip hop culture are connected to and seem to innovatively evolve earlier forms of black popular music and black popular culture, Hip Hop’s Amnesia moves beyond anecdotes and witty allusions and earnestly endeavors a full-fledged critical examination and archive-informed re-evaluation of “hip hop’s inheritance” from the major African American musics and movements of the first half of the twentieth century: classic blues, ragtime, classic jazz, swing, bebop, the Black Women’s Club Movement, the New Negro Movement, the Harlem Renaissance, the Bebop Movement, the Hipster Movement, and the Black Muslim Movement.
Author: Vibe Magazine Staff
Publisher:
ISBN: 9780609808368
Category : Biography & Autobiography
Languages : en
Pages : 228
Get Book Here
Book Description
It’s time to stand up, take notice, and give props to the women who have made their mark on hip hop culture. Although superstars like Lauryn Hill, Mary J. Blige, and TLC are some of the most popular entertainers in the world today—each having sold some 20 million albums apiece—the dramatic rise of women to the top of the hip hop industry has never been chronicled before. The revolution was decades in the making, with the female pioneers fighting for a place in the hip hop boy’s club, confronting sexist attitudes, and grabbing their piece of the commercial pie while taking hip hop to new creative heights. NowVIBE, the preeminent hip hop magazine, celebrates this pop culture explosion with a book of thoughtful essays, stunning photographs, and informative timelines and sidebars. Some of the best writers on hip hop profile the grassroots efforts of hip hop’s first ladies to the hottest stars of the moment. Emil Wilbekin, editor in chief ofVIBE, Mimi Valdés, Danyel Smith, dream hampton, Greg Tate, Sacha Jenkins, Harry Allen, Selwyn Hinds, Cristina Verán, and many others come together to reveal how these women continue to play a powerful and integral role in the hip hop world.
Author: Kathy Iandoli
Publisher: HarperCollins
ISBN: 0062878522
Category : Music
Languages : en
Pages : 364
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Book Description
An NPR Best Book of the Year "Without God Save the Queens, it is possible that the contributions of dozens of important female hip-hop artists who have sold tens of millions of albums, starred in monumental films, and influenced the direction of the culture would continue to go unrecognized." —AllHipHop.com Can’t Stop Won’t Stop meets Girls to the Front in this essential and long overdue history of hip-hop’s female pioneers and its enduring stars. Every history of hip-hop previously published, from Jeff Chang’s Can’t Stop Won’t Stop to Shea Serrano’s The Rap Yearbook, focuses primarily on men, glaringly omitting a thorough and respectful examination of the presence and contribution of the genre’s female artists. For far too long, women in hip-hop have been relegated to the shadows, viewed as the designated “First Lady” thrown a contract, a pawn in some beef, or even worse. But as Kathy Iandoli makes clear, the reality is very different. Today, hip-hop is dominated by successful women such as Cardi B and Nicki Minaj, yet there are scores of female artists whose influence continues to resonate. God Save the Queens pays tribute to the women of hip-hop—from the early work of Roxanne Shante, to hitmakers like Queen Latifah and Missy Elliot, to the superstars of today. Exploring issues of gender, money, sexuality, violence, body image, feuds, objectification and more, God Save the Queens is an important and monumental work of music journalism that at last gives these influential female artists the respect they have long deserved.
Author: Reiland Rabaka
Publisher: Lexington Books
ISBN: 0739164821
Category : Music
Languages : en
Pages : 267
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Book Description
Hip Hop's Inheritance arguably offers the first book-length treatment of what hip hop culture has, literally, 'inherited' from the Harlem Renaissance, the Black Arts movement, the Feminist Art movement, and 1980s and 1990s postmodern aesthetics. By comparing and contrasting the major motifs of the aforementioned cultural aesthetic traditions with those of hip hop culture, all the while critically exploring the origins and evolution of black popular culture from antebellum America through to 'Obama's America,' Hip Hop's Inheritance demonstrates that the Hip Hop generation is not the first generation of young black folk preoccupied with spirituality and sexuality, race and religion, entertainment and athletics, or ghetto culture and bourgeois culture.
Author: Marlow Jermaine Martin
Publisher: Createspace Independent Publishing Platform
ISBN: 9781500327477
Category : Photography
Languages : en
Pages : 56
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Book Description
Self proclaim princess of up coming hip hip diva, Joseline Hernandez one of the most beautiful divas of Love & Hip Hop reality T.V Star Photo Booklet.
Author: Reiland Rabaka
Publisher: Lexington Books
ISBN: 0739181173
Category : Social Science
Languages : en
Pages : 432
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Book Description
The Hip Hop Movement offers a critical theory and alternative history of rap music and hip hop culture by examining their roots in the popular musics and popular cultures of the Civil Rights Movement and Black Power Movement. Connecting classic rhythm & blues and rock & roll to the Civil Rights Movement, and classic soul and funk to the Black Power Movement, The Hip Hop Movement explores what each of these musics and movements contributed to rap, neo-soul, hip hop culture, and the broader Hip Hop Movement. Ultimately, this book’s remixes (as opposed to chapters) reveal that black popular music and black popular culture have always been more than merely “popular music” and “popular culture” in the conventional sense and reflect a broader social, political, and cultural movement. With this in mind, sociologist and musicologist Reiland Rabaka critically reinterprets rap and neo-soul as popular expressions of the politics, social visions, and cultural values of a contemporary multi-issue movement: the Hip Hop Movement. Rabaka argues that rap music, hip hop culture, and the Hip Hop Movement are as deserving of critical scholarly inquiry as previous black popular musics, such as the spirituals, blues, ragtime, jazz, rhythm & blues, rock & roll, soul, and funk, and previous black popular movements, such as the Black Women’s Club Movement, New Negro Movement, Harlem Renaissance, Civil Rights Movement, Black Power Movement, Black Arts Movement, and Black Women’s Liberation Movement. This volume, equal parts alternative history of hip hop and critical theory of hip hop, challenges those scholars, critics, and fans of hip hop who lopsidedly over-focus on commercial rap, pop rap, and gangsta rap while failing to acknowledge that there are more than three dozen genres of rap music and many other socially and politically progressive forms of hip hop culture beyond DJing, MCing, rapping, beat-making, break-dancing, and graffiti-writing.
Author: Gwendolyn D. Pough
Publisher: Northeastern University Press
ISBN: 1555538541
Category : Social Science
Languages : en
Pages : 287
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Book Description
Hip-hop culture began in the early 1970s as the creative and activist expressions -- graffiti writing, dee-jaying, break dancing, and rap music -- of black and Latino youth in the depressed South Bronx, and the movement has since grown into a worldwide cultural phenomenon that permeates almost every aspect of society, from speech to dress. But although hip-hop has been assimilated and exploited in the mainstream, young black women who came of age during the hip-hop era are still fighting for equality. In this provocative study, Gwendolyn D. Pough explores the complex relationship between black women, hip-hop, and feminism. Examining a wide range of genres, including rap music, novels, spoken word poetry, hip-hop cinema, and hip-hop soul music, she traces the rhetoric of black women "bringing wreck." Pough demonstrates how influential women rappers such as Queen Latifah, Missy Elliot, and Lil' Kim are building on the legacy of earlier generations of women -- from Sojourner Truth to sisters of the black power and civil rights movements -- to disrupt and break into the dominant patriarchal public sphere. She discusses the ways in which today's young black women struggle against the stereotypical language of the past ("castrating black mother," "mammy," "sapphire") and the present ("bitch," "ho," "chickenhead"), and shows how rap provides an avenue to tell their own life stories, to construct their identities, and to dismantle historical and contemporary negative representations of black womanhood. Pough also looks at the ongoing public dialogue between male and female rappers about love and relationships, explaining how the denigrating rhetoric used by men has been appropriated by black women rappers as a means to empowerment in their own lyrics. The author concludes with a discussion of the pedagogical implications of rap music as well as of third wave and black feminism. This fresh and thought-provoking perspective on the complexities of hip-hop urges young black women to harness the energy, vitality, and activist roots of hip-hop culture and rap music to claim a public voice for themselves and to "bring wreck" on sexism and misogyny in mainstream society.
Author: Sheri Sher
Publisher: Kensington Books
ISBN: 9781601830036
Category : Fiction
Languages : en
Pages : 290
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Book Description
Based on a true story, this gripping account of hip hop's early years follows Sherri Sher, who, growing up in the South Bronx during the 1970s and caring for her eleven siblings, forms an all-girl rap group and discovers that it is hard to earn respect in a male-dominated world. Original.
Author: Vibe Magazine
Publisher: Three Rivers Press
ISBN: 9780676793970
Category : Music
Languages : en
Pages : 224
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Book Description
It's time to stand up, take notice, and give props to the women who have made their mark on hip hop culture. Although superstars like Lauryn Hill, Mary J. Blige, and TLC are some of the most popular entertainers in the world today-each having sold some 20 million albums apiece-the dramatic rise of women to the top of the hip hop industry has never been chronicled before. The revolution was decades in the making, with the female pioneers fighting for a place in the hip hop boy's club, confronting sexist attitudes, and grabbing their piece of the commercial pie while taking hip hop to new creative heights. Now VIBE, the preeminent hip hop magazine, celebrates this pop culture explosion with a book of thoughtful essays, stunning photographs, and informative timelines and sidebars. Some of the best writers on hip hop profile the grassroots efforts of hip hop's first ladies to the hottest stars of the moment. Emil Wilbekin, editor in chief of VIBE, Mimi Valdés, Danyel Smith, dream hampton, Greg Tate, Sacha Jenkins, Harry Allen, Selwyn Hinds, Cristina Verán, and many others come together to reveal how these women continue to play a powerful and integral role in the hip hop world.
