Author: Brian Murdoch
Publisher: Boydell & Brewer
ISBN: 1640141170
Category : German drama
Languages : en
Pages : 195
Book Description
Death still comes to Everyman, but this study of three twentieth-century German plays shows the harder challenge of living without salvation in an age of war and unprecedented mass destruction. Death comes to everyone, and in the late-medieval morality play of Everyman the familiar skeleton forces the universalized central figure to come to terms with this. Only his inner resources, in the forms of Good Deeds and Knowledge, ensure that he repents and is redeemed. Three important twentieth-century German plays echo Everyman - Toller's Hinkemann, Borchert's The Man Outside, and Frisch's The Arsonists/Firebugs - but the unprecedented scale of killing in the First and Second World Wars changed the view of death, while in the Cold War the nuclear destruction literally of everyone became a possibility. Brian Murdoch traces the heritage of Everyman in the three plays in terms of dramatic effect, changes in the image of Death, and especially the problem of living with existential guilt. Death, now over-fed, still has to be faced, but Everyman has the harder problem of living with the awareness of human wickedness without the possibility of salvation. All three plays have tended to be viewed in their specific historical contexts, but by viewing them less rigidly and as part of a long dramatic tradition, Murdoch shows that all present a message of lasting and universal significance. They pose directly to the theater audience questions not just of how to cope with death, but how to cope with life.
The Fortunes of Everyman in Twentieth-century German Drama
Author: Brian Murdoch
Publisher: Boydell & Brewer
ISBN: 1640141170
Category : German drama
Languages : en
Pages : 195
Book Description
Death still comes to Everyman, but this study of three twentieth-century German plays shows the harder challenge of living without salvation in an age of war and unprecedented mass destruction. Death comes to everyone, and in the late-medieval morality play of Everyman the familiar skeleton forces the universalized central figure to come to terms with this. Only his inner resources, in the forms of Good Deeds and Knowledge, ensure that he repents and is redeemed. Three important twentieth-century German plays echo Everyman - Toller's Hinkemann, Borchert's The Man Outside, and Frisch's The Arsonists/Firebugs - but the unprecedented scale of killing in the First and Second World Wars changed the view of death, while in the Cold War the nuclear destruction literally of everyone became a possibility. Brian Murdoch traces the heritage of Everyman in the three plays in terms of dramatic effect, changes in the image of Death, and especially the problem of living with existential guilt. Death, now over-fed, still has to be faced, but Everyman has the harder problem of living with the awareness of human wickedness without the possibility of salvation. All three plays have tended to be viewed in their specific historical contexts, but by viewing them less rigidly and as part of a long dramatic tradition, Murdoch shows that all present a message of lasting and universal significance. They pose directly to the theater audience questions not just of how to cope with death, but how to cope with life.
Publisher: Boydell & Brewer
ISBN: 1640141170
Category : German drama
Languages : en
Pages : 195
Book Description
Death still comes to Everyman, but this study of three twentieth-century German plays shows the harder challenge of living without salvation in an age of war and unprecedented mass destruction. Death comes to everyone, and in the late-medieval morality play of Everyman the familiar skeleton forces the universalized central figure to come to terms with this. Only his inner resources, in the forms of Good Deeds and Knowledge, ensure that he repents and is redeemed. Three important twentieth-century German plays echo Everyman - Toller's Hinkemann, Borchert's The Man Outside, and Frisch's The Arsonists/Firebugs - but the unprecedented scale of killing in the First and Second World Wars changed the view of death, while in the Cold War the nuclear destruction literally of everyone became a possibility. Brian Murdoch traces the heritage of Everyman in the three plays in terms of dramatic effect, changes in the image of Death, and especially the problem of living with existential guilt. Death, now over-fed, still has to be faced, but Everyman has the harder problem of living with the awareness of human wickedness without the possibility of salvation. All three plays have tended to be viewed in their specific historical contexts, but by viewing them less rigidly and as part of a long dramatic tradition, Murdoch shows that all present a message of lasting and universal significance. They pose directly to the theater audience questions not just of how to cope with death, but how to cope with life.
Degeneration and Revolution
Author: Robert Heynen
Publisher: BRILL
ISBN: 9004276270
Category : Political Science
Languages : en
Pages : 692
Book Description
In Degeneration and Revolution: Radical Cultural Politics and the Body in Weimar Germany Robert Heynen explores the impact of conceptions of degeneration, exemplified by eugenics and social hygiene, on the social, cultural, and political history of the left in Germany, 1914–33. Hygienic practices of bodily regulation were integral to the extension of modern capitalist social relations, and profoundly shaped Weimar culture. Heynen’s innovative interdisciplinary approach draws on Marxist and other critical traditions to examine the politics of degeneration and socialist, communist, and anarchist responses. Drawing on key Weimar theorists and addressing artistic and cultural movements ranging from Dada to worker-produced media, this book challenges us to rethink conventional understandings of left culture and politics, and of Weimar culture more generally.
Publisher: BRILL
ISBN: 9004276270
Category : Political Science
Languages : en
Pages : 692
Book Description
In Degeneration and Revolution: Radical Cultural Politics and the Body in Weimar Germany Robert Heynen explores the impact of conceptions of degeneration, exemplified by eugenics and social hygiene, on the social, cultural, and political history of the left in Germany, 1914–33. Hygienic practices of bodily regulation were integral to the extension of modern capitalist social relations, and profoundly shaped Weimar culture. Heynen’s innovative interdisciplinary approach draws on Marxist and other critical traditions to examine the politics of degeneration and socialist, communist, and anarchist responses. Drawing on key Weimar theorists and addressing artistic and cultural movements ranging from Dada to worker-produced media, this book challenges us to rethink conventional understandings of left culture and politics, and of Weimar culture more generally.
Gender and Sexuality in Weimar Modernity
Author: R. McCormick
Publisher: Springer
ISBN: 0230107516
Category : Social Science
Languages : en
Pages : 248
Book Description
Richard McCormick takes a fresh look at the crisis of gender in Weimar Germany through the analysis of selected cultural texts, both literary and film, characterized under the label 'New Objectivity'. The 'New Objectivity' was characterized by a sober and unsentimental embrace of urban modernity, in contract to Expressionism's horror of technology and belief in 'auratic' art. This movement was profoundly gendered - the epitome of the 'New Objectivity' was the 'New Woman' - working, sexually emancipated, and unsentimental. The book traces the crisis of gender identities, both male and female, and reveals how a variety of narratives of the time displaced an assortment of social anxieties onto sexual relations.
Publisher: Springer
ISBN: 0230107516
Category : Social Science
Languages : en
Pages : 248
Book Description
Richard McCormick takes a fresh look at the crisis of gender in Weimar Germany through the analysis of selected cultural texts, both literary and film, characterized under the label 'New Objectivity'. The 'New Objectivity' was characterized by a sober and unsentimental embrace of urban modernity, in contract to Expressionism's horror of technology and belief in 'auratic' art. This movement was profoundly gendered - the epitome of the 'New Objectivity' was the 'New Woman' - working, sexually emancipated, and unsentimental. The book traces the crisis of gender identities, both male and female, and reveals how a variety of narratives of the time displaced an assortment of social anxieties onto sexual relations.
The Plays of Ernst Toller
Author: Cecil Davies
Publisher: Routledge
ISBN: 1134361858
Category : Performing Arts
Languages : en
Pages : 710
Book Description
This book is the fullest and most detailed study yet published in English of Ernst Toller's plays and their most significant productions. In particular the productions directed by Karl-Heinz Martin, Jurgen Fehling and Erwin Piscator are closely analyzed and the author demonstrates how, brilliant though they were, they obscured or even distorted Toller's intentions. The plays are seen as eminently stage-worthy while worth lies in Toller's use of language, both in prose and inverse. The neglected puppet-play The Scorned Lovers' Revenge is analyzed from a new perspective in the light, both of its language and its sexual theme, so important in Toller's writings as a whole. The reader is led to appreciate why Toller was regarded as the most outstanding German dramatist of his generation until, after his death in 1939 his reputation was overlaid by that of Brecht. This book should do much to restore Toller to his proper place in theatre history.
Publisher: Routledge
ISBN: 1134361858
Category : Performing Arts
Languages : en
Pages : 710
Book Description
This book is the fullest and most detailed study yet published in English of Ernst Toller's plays and their most significant productions. In particular the productions directed by Karl-Heinz Martin, Jurgen Fehling and Erwin Piscator are closely analyzed and the author demonstrates how, brilliant though they were, they obscured or even distorted Toller's intentions. The plays are seen as eminently stage-worthy while worth lies in Toller's use of language, both in prose and inverse. The neglected puppet-play The Scorned Lovers' Revenge is analyzed from a new perspective in the light, both of its language and its sexual theme, so important in Toller's writings as a whole. The reader is led to appreciate why Toller was regarded as the most outstanding German dramatist of his generation until, after his death in 1939 his reputation was overlaid by that of Brecht. This book should do much to restore Toller to his proper place in theatre history.
Anarchism in the Dramas of Ernst Toller
Author: Michael Ossar
Publisher: State University of New York Press
ISBN: 1438415257
Category : Biography & Autobiography
Languages : en
Pages : 216
Book Description
This study shows how politics and art intermingled in the life and works of one of the most renowned playwrights of German Expressionism, a man who was in many senses paradigmatic of the non-communist Left in the Weimar Republic. Toller sought to preserve the sanctity of the individual against collectivist assaults from the Right and from the Left, but at the same time to meet the needs of a complex society. Ossar demonstrates that the playwright arrived at solutions that were anarchist in nature, deriving from a long European tradition. This is the first in-depth book-length study of Toller and his plays published in English.
Publisher: State University of New York Press
ISBN: 1438415257
Category : Biography & Autobiography
Languages : en
Pages : 216
Book Description
This study shows how politics and art intermingled in the life and works of one of the most renowned playwrights of German Expressionism, a man who was in many senses paradigmatic of the non-communist Left in the Weimar Republic. Toller sought to preserve the sanctity of the individual against collectivist assaults from the Right and from the Left, but at the same time to meet the needs of a complex society. Ossar demonstrates that the playwright arrived at solutions that were anarchist in nature, deriving from a long European tradition. This is the first in-depth book-length study of Toller and his plays published in English.
The Hooded Eagle
Author: Peter Bauland
Publisher: Syracuse University Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 328
Book Description
Publisher: Syracuse University Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 328
Book Description
Culture and Society in the Weimar Republic
Author: Keith Bullivant
Publisher: Manchester University Press
ISBN: 9780719006890
Category : History
Languages : en
Pages : 224
Book Description
Publisher: Manchester University Press
ISBN: 9780719006890
Category : History
Languages : en
Pages : 224
Book Description
Disability in Twentieth-Century German Culture
Author: Carol Poore
Publisher: University of Michigan Press
ISBN: 9780472115952
Category : History
Languages : en
Pages : 444
Book Description
This book offers a groundbreaking exploration of disability in Germany, from the Weimar Republic to the fall of the Berlin Wall. Disability in Twentieth-Century German Culture reveals the contradictions of a nation renowned for its social services programs yet notorious for its history of compulsory sterilization and eugenic dogma. Covering the entire scope of Germany's most tragic and tumultuous century, this comprehensive volume reveals how central the notion of disability is to modern German cultural history. Carol Poore examines a wide range of literary and visual depictions of disability, focusing particular attention on disability and Nazi culture. Other topics explored include the exile community's response to disability, socialism and disability in East Germany, current bioethical debates, and the rise and gains of the disability rights movement. Twentieth-Century Germany gives students, scholars, and all those interested in disability studies, Germans studies, visual culture, Nazi history, and bioethics the opportunity to explore controversial questions of individuality, normalcy, citizenship, and morality.
Publisher: University of Michigan Press
ISBN: 9780472115952
Category : History
Languages : en
Pages : 444
Book Description
This book offers a groundbreaking exploration of disability in Germany, from the Weimar Republic to the fall of the Berlin Wall. Disability in Twentieth-Century German Culture reveals the contradictions of a nation renowned for its social services programs yet notorious for its history of compulsory sterilization and eugenic dogma. Covering the entire scope of Germany's most tragic and tumultuous century, this comprehensive volume reveals how central the notion of disability is to modern German cultural history. Carol Poore examines a wide range of literary and visual depictions of disability, focusing particular attention on disability and Nazi culture. Other topics explored include the exile community's response to disability, socialism and disability in East Germany, current bioethical debates, and the rise and gains of the disability rights movement. Twentieth-Century Germany gives students, scholars, and all those interested in disability studies, Germans studies, visual culture, Nazi history, and bioethics the opportunity to explore controversial questions of individuality, normalcy, citizenship, and morality.
Shell Shock Cinema
Author: Anton Kaes
Publisher: Princeton University Press
ISBN: 1400831199
Category : Performing Arts
Languages : en
Pages : 327
Book Description
How war trauma haunted the films of Weimar Germany Shell Shock Cinema explores how the classical German cinema of the Weimar Republic was haunted by the horrors of World War I and the the devastating effects of the nation's defeat. In this exciting new book, Anton Kaes argues that masterworks such as The Cabinet of Dr. Caligari, Nosferatu, The Nibelungen, and Metropolis, even though they do not depict battle scenes or soldiers in combat, engaged the war and registered its tragic aftermath. These films reveal a wounded nation in post-traumatic shock, reeling from a devastating defeat that it never officially acknowledged, let alone accepted. Kaes uses the term "shell shock"—coined during World War I to describe soldiers suffering from nervous breakdowns—as a metaphor for the psychological wounds that found expression in Weimar cinema. Directors like Robert Wiene, F. W. Murnau, and Fritz Lang portrayed paranoia, panic, and fear of invasion in films peopled with serial killers, mad scientists, and troubled young men. Combining original close textual analysis with extensive archival research, Kaes shows how this post-traumatic cinema of shell shock transformed extreme psychological states into visual expression; how it pushed the limits of cinematic representation with its fragmented story lines, distorted perspectives, and stark lighting; and how it helped create a modernist film language that anticipated film noir and remains incredibly influential today. A compelling contribution to the cultural history of trauma, Shell Shock Cinema exposes how German film gave expression to the loss and acute grief that lay behind Weimar's sleek façade.
Publisher: Princeton University Press
ISBN: 1400831199
Category : Performing Arts
Languages : en
Pages : 327
Book Description
How war trauma haunted the films of Weimar Germany Shell Shock Cinema explores how the classical German cinema of the Weimar Republic was haunted by the horrors of World War I and the the devastating effects of the nation's defeat. In this exciting new book, Anton Kaes argues that masterworks such as The Cabinet of Dr. Caligari, Nosferatu, The Nibelungen, and Metropolis, even though they do not depict battle scenes or soldiers in combat, engaged the war and registered its tragic aftermath. These films reveal a wounded nation in post-traumatic shock, reeling from a devastating defeat that it never officially acknowledged, let alone accepted. Kaes uses the term "shell shock"—coined during World War I to describe soldiers suffering from nervous breakdowns—as a metaphor for the psychological wounds that found expression in Weimar cinema. Directors like Robert Wiene, F. W. Murnau, and Fritz Lang portrayed paranoia, panic, and fear of invasion in films peopled with serial killers, mad scientists, and troubled young men. Combining original close textual analysis with extensive archival research, Kaes shows how this post-traumatic cinema of shell shock transformed extreme psychological states into visual expression; how it pushed the limits of cinematic representation with its fragmented story lines, distorted perspectives, and stark lighting; and how it helped create a modernist film language that anticipated film noir and remains incredibly influential today. A compelling contribution to the cultural history of trauma, Shell Shock Cinema exposes how German film gave expression to the loss and acute grief that lay behind Weimar's sleek façade.
Saturday Review of Literature
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 950
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 950
Book Description