Hildegard von Bingen's Ordo Virtutum

Hildegard von Bingen's Ordo Virtutum PDF Author: Michael Gardiner
Publisher: Routledge
ISBN: 135197419X
Category : Music
Languages : en
Pages : 232

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Book Description
The Ordo Virtutum, Hildegard von Bingen’s twelfth-century music-drama, is one of the first known examples of a large-scale composition by a named composer in the Western canon. Not only does the Ordo’s expansive duration set it apart from its precursors, but also its complex imagery and non-biblical narrative have raised various questions concerning its context and genre. As a poetic meditation on the fall of a soul, the Ordo deploys an array of personified virtues and musical forces over the course of its eighty-seven chants. In this ambitious analysis of the work, Michael C. Gardiner examines how classical Neoplatonic hierarchies are established in the music-drama and considers how they are mediated and subverted through a series of concentric absorptions (absorptions related to medieval Platonism and its various theological developments) which lie at the core of the work’s musical design and text. This is achieved primarily through Gardiner’s musical network model, which implicates mode into a networked system of nodes, and draws upon parallels with the medieval interpretation of Platonic ontology and Hildegard’s correlative realization through sound, song, and voice.

Hildegard von Bingen's Ordo Virtutum

Hildegard von Bingen's Ordo Virtutum PDF Author: Michael Gardiner
Publisher: Routledge
ISBN: 135197419X
Category : Music
Languages : en
Pages : 232

Get Book

Book Description
The Ordo Virtutum, Hildegard von Bingen’s twelfth-century music-drama, is one of the first known examples of a large-scale composition by a named composer in the Western canon. Not only does the Ordo’s expansive duration set it apart from its precursors, but also its complex imagery and non-biblical narrative have raised various questions concerning its context and genre. As a poetic meditation on the fall of a soul, the Ordo deploys an array of personified virtues and musical forces over the course of its eighty-seven chants. In this ambitious analysis of the work, Michael C. Gardiner examines how classical Neoplatonic hierarchies are established in the music-drama and considers how they are mediated and subverted through a series of concentric absorptions (absorptions related to medieval Platonism and its various theological developments) which lie at the core of the work’s musical design and text. This is achieved primarily through Gardiner’s musical network model, which implicates mode into a networked system of nodes, and draws upon parallels with the medieval interpretation of Platonic ontology and Hildegard’s correlative realization through sound, song, and voice.

Symphonia

Symphonia PDF Author: Hildegard of Bingen
Publisher: Cornell University Press
ISBN: 1501711873
Category : Music
Languages : en
Pages : 345

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Book Description
For this revised edition of Hildegard's liturgical song cycle, Barbara Newman has redone her prose translations of the songs, updated the bibliography and discography, and made other minor changes. Also included is an essay by Marianne Richert Pfau which delineates the connection between music and text in the Symphonia. Famous throughout Europe during her lifetime, Hildegard of Bingen (1098-1179) was a composer and a poet, a writer on theological, scientific, and medical subjects, an abbess, and a visionary prophet. One of the very few female composers of the Middle Ages whose work has survived, Hildegard was neglected for centuries until her liturgical song cycle was rediscovered. Songs from it are now being performed regularly by early music groups, and more than twenty compact discs have been recorded.

Hildegard Von Bingen's Ordo Virtutum

Hildegard Von Bingen's Ordo Virtutum PDF Author: Michael C. Gardiner
Publisher: Routledge
ISBN: 9781138288584
Category : Metaphysics
Languages : en
Pages : 0

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Book Description
Michael C. Gardiner examines how classical Neoplatonic hierarchies are established in the Ordo Virtutum, Hildegard von Bingen's twelfth-century music-drama, and considers how these hierarchies are mediated and subverted through a series of concentric absorptions which lie at the core of the work's musical design and text.

The "Ordo Virtutum" of Hildegard of Bingen

The Author: Audrey Ekdahl Davidson
Publisher: Medieval Institute Publications
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 160

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Book Description
The first collection of essays on Hildegard's wonderfully unique Ordo Virtutum, along with a reduced facsimile of the pages in Wiesbaden MS.2 that contain the drama.

The Book of Divine Works

The Book of Divine Works PDF Author: St. Hildegard of Bingen
Publisher: Catholic University of America Press
ISBN: 0813231299
Category : Religion
Languages : en
Pages : 568

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Book Description
Completed in 1173, The Book of Divine Works (Liber Divinorum Operum) is the culmination of the Visionary’s Doctor’s theological project, offered here for the first time in a complete and scholarly English translation. The first part explores the intricate physical and spiritual relationships between the cosmos and the human person, with the famous image of the universal Man standing astride the cosmic spheres. The second part examines the rewards for virtue and the punishments for vice, mapped onto a geography of purgatory, hellmouth, and the road to the heavenly city. At the end of each Hildegard writes extensive commentaries on the Prologue to John’s Gospel (Part 1) and the first chapter of Genesis (Part 2)—the only premodern woman to have done so. Finally, the third part tells the history of salvation, imagined as the City of God standing next to the mountain of God’s foreknowledge, with Divine Love reigning over all.

The Cambridge Companion to Hildegard of Bingen

The Cambridge Companion to Hildegard of Bingen PDF Author: Jennifer Bain
Publisher: Cambridge University Press
ISBN: 1108471358
Category : Literary Criticism
Languages : en
Pages : 351

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Book Description
This volume explores the extraordinary life and works of Hildegard of Bingen, medieval writer, composer, visionary, and monastic founder.

Music in Print and Beyond

Music in Print and Beyond PDF Author: Craig A. Monson
Publisher: Boydell & Brewer
ISBN: 1580464165
Category : History
Languages : en
Pages : 338

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Book Description
Fresh and innovative takes on the dissemination of music in manuscript, print, and, now, electronic formats, revealing how the world has experienced music from the sixteenth century to the present. This collection of essays examines the diverse ways in which music and ideas about music have been disseminated in print and other media from the sixteenth century onward. Contributors look afresh at unfamiliar facets of the sixteenth-century book trade and the circulation of manuscript and printed music in the seventeenth to nineteenth centuries. They also analyze and critique new media forms, showing how a dizzying array of changing technologies has influenced what we hear, whom we hear, and how we hear. The repertoires considered include Western art music -- from medieval to contemporary -- as well as popular music and jazz. Assembling contributions from experts in a wide range of fields, such as musicology, music theory, music history, and jazz and popular music studies, Music in Print and Beyond: Hildegard von Bingen to The Beatles sets new standards for the discussion of music's place in Western cultural life. Contributors: Joseph Auner, Bonnie J. Blackburn, Gabriela Cruz, Bonnie Gordon, Ellen T. Harris, Lewis Lockwood, Paul S. Machlin, Roberta Montemorra Marvin, Honey Meconi, Craig A. Monson, Kate van Orden, Sousan L. Youens. Roberta Montemorra Marvin teaches at the University of Iowa and is the author of Verdi the Student -- Verdi the Teacher (Istituto Nazionale di Studi Verdiani, 2010) and editor of The Cambridge Verdi Encyclopedia (Cambridge University Press, 2013). Craig A. Monson is Professor of Musicology at Washington University (St Louis, Missouri) and is the author of Divas in the Convent: Nuns, Music, and Defiance in Seventeenth-Century Italy (University of Chicago Press, 2012).

Hildegard of Bingen

Hildegard of Bingen PDF Author: Saint Hildegard
Publisher: Paulist Press
ISBN: 9780809131303
Category : Biography & Autobiography
Languages : en
Pages : 564

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Book Description
In one series, the original writings of the universally acknowledged teachers of the Catholic, Protestant, Eastern Orthodox, Jewish, and Islamic traditions have been critically selected, translated and introduced by internationally recognized scholars and spiritual leaders.

Explanation of the Rule of Benedict

Explanation of the Rule of Benedict PDF Author: Hildegard of Bingen
Publisher: Wipf and Stock Publishers
ISBN: 1597523909
Category : Religion
Languages : en
Pages : 105

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Book Description
Hildegard of Bingen (1098 - 1179) was the outstanding female religious figure of twelfth-century Germany. A Benedictine nun, she was consulted by bishops, popes, and kings, and wrote copiously for her fellow monastics: mystical and visionary material, liturgical music, biblical commentaries, saints' lives, and theological explanations of various aspects of church doctrine, as well as treatises on natural science and the healing arts. Her story is important to all students of spirituality, medieval history, and culture.

Hildegard of Bingen and Musical Reception

Hildegard of Bingen and Musical Reception PDF Author: Jennifer Bain
Publisher: Cambridge University Press
ISBN: 1316299678
Category : Music
Languages : en
Pages : 251

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Book Description
Since her death in 1179, Hildegard of Bingen has commanded attention in every century. In this book Jennifer Bain traces the historical reception of Hildegard, focusing particularly on the moment in the modern era when she began to be considered as a composer. Bain examines how the activities of clergy in nineteenth-century Eibingen resulted in increased veneration of Hildegard, an authentication of her relics, and a rediscovery of her music. The book goes on to situate the emergence of Hildegard's music both within the French chant restoration movement driven by Solesmes and the German chant revival supported by Cecilianism, the German movement to reform Church music more generally. Engaging with the complex political and religious environment in German speaking areas, Bain places the more recent Anglophone revival of Hildegard's music in a broader historical perspective and reveals the important intersections amongst local devotion, popular culture, and intellectual activities.