Author: NARENDER PIPLANI
Publisher: NARENDER PIPLANI
ISBN: 9353822505
Category : Art
Languages : en
Pages : 101
Book Description
Hieroglyphic Key For the last two and a half hundred years, many Egyptologists have been searching and deciphering the Egyptian hieroglyphics and claiming that they have deciphered the hieroglyphics signs. But the truth is that not a single Egyptologist has been able to read even a single hieroglyphic sign. All their claims are false and wild guesses. This book contains the key from which you can unlock the mystery not only of Hieroglyphics but also the origin of Alpha-beta and any script of the world. You will know for the first time the true meaning of hundreds of words like Km.t, Mummy, Cairo, Ra, Eye of Horus and Ptolemy. Gardiner’s sign list (D30) phonetic is ‘nachb-kAw’ means ‘god Nehebkau’. It is neither two-headed snake nor the two arms raised in the prayer. The hieroglyph is based on Sanskrit homonyms word na–th-h नाथः which means ‘A rope passed through the nose of a draft ox or any pet. The other meanings are ‘a lord, master, protector, leader, God, husband. This hieroglyph was used mostly for ‘the lightning god’. (M22) Phonetic is ‘nichb’ means ‘sedge, reed’. Neither the hieroglyph is showing sedge or a reed. Actually, the pictograph was sketched to show the furrow in a field. The two side arms, which are declared ‘a set of leaves’ by European Egyptologists, these arm type lines are not leaves but showing the ridges like letter V between a furrows. The upper turn shows to come back for next furrow. Based on Sanskrit, the word is sh–mb-h शम्बः which means ‘Lightning: ploughing of a field and makes furrow, track or line as the lightning uses to plough the clouds. Other meanings are ‘To go, move, happy, fortunate’. Alan Gardiner declared this hieroglyph logogram U1 as a ‘sickle’ without knowing the Egyptian culture. Though, his searching of phonetic sound of first letter of the word ‘ma’ was correct. Next diphthong ng was forgotten by Copts. Alas! Egyptologists would have searched the ancient boats of Egypt. The Egyptian hieroglyph Gardiner sign listed no.U1 is a Sanskrit based Egyptian word m-ng मन्ग, which means ‘the head or front of a boat’. (E26) Transliteration ‘3b, 3bu, eb’ by European Egyptologist is not correct. Only Sanskrit has its correct word e–bh-h इभः which means ‘an elephant as well as cloud’. The other synonyms for an elephant are ‘g-j गज] h-sti हस्ती m-tn-g मतंग, ku-mbhi कुम्भी, m-d-k-l मदकल g-je-ndr गजेन्द्र ku-nj-r कुजंर dwi-p द्विप va-r-n वारण k-ri-sh करीश*. This hieroglyph of an elephant could be used for all synonyms words which mean ‘an elephant as well as cloud. ‘Opening of the mouth’ ceremony or ritual --- (F- 13) phonetic is ‘wp, jp’ means ‘horn’. But the real Sanskrit’s word is shri-nga श्रृन्गा which means ‘the horn’. (D-21) phonetic is ‘r, rr, p (kh) ar’ means ‘mouth’. But true word of Sanskrit is r-nh रन्ह which means ‘talketive, speaking. Often the first letter r of this hieroglyph has used in Egyptian texts. Egyptologists have misinterpreted the above hieroglyphic description as ‘opening of the mouth’. The Sanskrit complete word of Shri-nga श्रृन्गा of F13 and first letter r र of D21 (r-nh) is taken. Thus the complete conjunctive word is Shri-nga+r श्रृन्गार which means ‘A fragrant for dress or body, to make up, adornment of body’. This refinement by makeup of mummy (shabti) was ritual. The term Shri–nga-r (makeup) is for both the living and the dead person. Guessing to see the open horns means ‘opening of the mouth ceremony’ is wild guess. Not only this, the key given in this book is Australian aborigine and also reveals the mysteries of the language of the Kenya and the tribal of Africa. The key given in this book opens the locks of hidden secrets of every ancient religion, culture and civilization of the world, not just Peru, Inca and Maya.
HIEROGLYPHICS KEY
Author: NARENDER PIPLANI
Publisher: NARENDER PIPLANI
ISBN: 9353822505
Category : Art
Languages : en
Pages : 101
Book Description
Hieroglyphic Key For the last two and a half hundred years, many Egyptologists have been searching and deciphering the Egyptian hieroglyphics and claiming that they have deciphered the hieroglyphics signs. But the truth is that not a single Egyptologist has been able to read even a single hieroglyphic sign. All their claims are false and wild guesses. This book contains the key from which you can unlock the mystery not only of Hieroglyphics but also the origin of Alpha-beta and any script of the world. You will know for the first time the true meaning of hundreds of words like Km.t, Mummy, Cairo, Ra, Eye of Horus and Ptolemy. Gardiner’s sign list (D30) phonetic is ‘nachb-kAw’ means ‘god Nehebkau’. It is neither two-headed snake nor the two arms raised in the prayer. The hieroglyph is based on Sanskrit homonyms word na–th-h नाथः which means ‘A rope passed through the nose of a draft ox or any pet. The other meanings are ‘a lord, master, protector, leader, God, husband. This hieroglyph was used mostly for ‘the lightning god’. (M22) Phonetic is ‘nichb’ means ‘sedge, reed’. Neither the hieroglyph is showing sedge or a reed. Actually, the pictograph was sketched to show the furrow in a field. The two side arms, which are declared ‘a set of leaves’ by European Egyptologists, these arm type lines are not leaves but showing the ridges like letter V between a furrows. The upper turn shows to come back for next furrow. Based on Sanskrit, the word is sh–mb-h शम्बः which means ‘Lightning: ploughing of a field and makes furrow, track or line as the lightning uses to plough the clouds. Other meanings are ‘To go, move, happy, fortunate’. Alan Gardiner declared this hieroglyph logogram U1 as a ‘sickle’ without knowing the Egyptian culture. Though, his searching of phonetic sound of first letter of the word ‘ma’ was correct. Next diphthong ng was forgotten by Copts. Alas! Egyptologists would have searched the ancient boats of Egypt. The Egyptian hieroglyph Gardiner sign listed no.U1 is a Sanskrit based Egyptian word m-ng मन्ग, which means ‘the head or front of a boat’. (E26) Transliteration ‘3b, 3bu, eb’ by European Egyptologist is not correct. Only Sanskrit has its correct word e–bh-h इभः which means ‘an elephant as well as cloud’. The other synonyms for an elephant are ‘g-j गज] h-sti हस्ती m-tn-g मतंग, ku-mbhi कुम्भी, m-d-k-l मदकल g-je-ndr गजेन्द्र ku-nj-r कुजंर dwi-p द्विप va-r-n वारण k-ri-sh करीश*. This hieroglyph of an elephant could be used for all synonyms words which mean ‘an elephant as well as cloud. ‘Opening of the mouth’ ceremony or ritual --- (F- 13) phonetic is ‘wp, jp’ means ‘horn’. But the real Sanskrit’s word is shri-nga श्रृन्गा which means ‘the horn’. (D-21) phonetic is ‘r, rr, p (kh) ar’ means ‘mouth’. But true word of Sanskrit is r-nh रन्ह which means ‘talketive, speaking. Often the first letter r of this hieroglyph has used in Egyptian texts. Egyptologists have misinterpreted the above hieroglyphic description as ‘opening of the mouth’. The Sanskrit complete word of Shri-nga श्रृन्गा of F13 and first letter r र of D21 (r-nh) is taken. Thus the complete conjunctive word is Shri-nga+r श्रृन्गार which means ‘A fragrant for dress or body, to make up, adornment of body’. This refinement by makeup of mummy (shabti) was ritual. The term Shri–nga-r (makeup) is for both the living and the dead person. Guessing to see the open horns means ‘opening of the mouth ceremony’ is wild guess. Not only this, the key given in this book is Australian aborigine and also reveals the mysteries of the language of the Kenya and the tribal of Africa. The key given in this book opens the locks of hidden secrets of every ancient religion, culture and civilization of the world, not just Peru, Inca and Maya.
Publisher: NARENDER PIPLANI
ISBN: 9353822505
Category : Art
Languages : en
Pages : 101
Book Description
Hieroglyphic Key For the last two and a half hundred years, many Egyptologists have been searching and deciphering the Egyptian hieroglyphics and claiming that they have deciphered the hieroglyphics signs. But the truth is that not a single Egyptologist has been able to read even a single hieroglyphic sign. All their claims are false and wild guesses. This book contains the key from which you can unlock the mystery not only of Hieroglyphics but also the origin of Alpha-beta and any script of the world. You will know for the first time the true meaning of hundreds of words like Km.t, Mummy, Cairo, Ra, Eye of Horus and Ptolemy. Gardiner’s sign list (D30) phonetic is ‘nachb-kAw’ means ‘god Nehebkau’. It is neither two-headed snake nor the two arms raised in the prayer. The hieroglyph is based on Sanskrit homonyms word na–th-h नाथः which means ‘A rope passed through the nose of a draft ox or any pet. The other meanings are ‘a lord, master, protector, leader, God, husband. This hieroglyph was used mostly for ‘the lightning god’. (M22) Phonetic is ‘nichb’ means ‘sedge, reed’. Neither the hieroglyph is showing sedge or a reed. Actually, the pictograph was sketched to show the furrow in a field. The two side arms, which are declared ‘a set of leaves’ by European Egyptologists, these arm type lines are not leaves but showing the ridges like letter V between a furrows. The upper turn shows to come back for next furrow. Based on Sanskrit, the word is sh–mb-h शम्बः which means ‘Lightning: ploughing of a field and makes furrow, track or line as the lightning uses to plough the clouds. Other meanings are ‘To go, move, happy, fortunate’. Alan Gardiner declared this hieroglyph logogram U1 as a ‘sickle’ without knowing the Egyptian culture. Though, his searching of phonetic sound of first letter of the word ‘ma’ was correct. Next diphthong ng was forgotten by Copts. Alas! Egyptologists would have searched the ancient boats of Egypt. The Egyptian hieroglyph Gardiner sign listed no.U1 is a Sanskrit based Egyptian word m-ng मन्ग, which means ‘the head or front of a boat’. (E26) Transliteration ‘3b, 3bu, eb’ by European Egyptologist is not correct. Only Sanskrit has its correct word e–bh-h इभः which means ‘an elephant as well as cloud’. The other synonyms for an elephant are ‘g-j गज] h-sti हस्ती m-tn-g मतंग, ku-mbhi कुम्भी, m-d-k-l मदकल g-je-ndr गजेन्द्र ku-nj-r कुजंर dwi-p द्विप va-r-n वारण k-ri-sh करीश*. This hieroglyph of an elephant could be used for all synonyms words which mean ‘an elephant as well as cloud. ‘Opening of the mouth’ ceremony or ritual --- (F- 13) phonetic is ‘wp, jp’ means ‘horn’. But the real Sanskrit’s word is shri-nga श्रृन्गा which means ‘the horn’. (D-21) phonetic is ‘r, rr, p (kh) ar’ means ‘mouth’. But true word of Sanskrit is r-nh रन्ह which means ‘talketive, speaking. Often the first letter r of this hieroglyph has used in Egyptian texts. Egyptologists have misinterpreted the above hieroglyphic description as ‘opening of the mouth’. The Sanskrit complete word of Shri-nga श्रृन्गा of F13 and first letter r र of D21 (r-nh) is taken. Thus the complete conjunctive word is Shri-nga+r श्रृन्गार which means ‘A fragrant for dress or body, to make up, adornment of body’. This refinement by makeup of mummy (shabti) was ritual. The term Shri–nga-r (makeup) is for both the living and the dead person. Guessing to see the open horns means ‘opening of the mouth ceremony’ is wild guess. Not only this, the key given in this book is Australian aborigine and also reveals the mysteries of the language of the Kenya and the tribal of Africa. The key given in this book opens the locks of hidden secrets of every ancient religion, culture and civilization of the world, not just Peru, Inca and Maya.
Hieroglyphs Without Mystery
Author: Karl-Theodor Zauzich
Publisher: University of Texas Press
ISBN: 9780292798045
Category : Language Arts & Disciplines
Languages : en
Pages : 144
Book Description
Marveling over the tomb treasures of Ramses II and Tutankhamen that have toured U.S. and European museums in recent years, visitors inevitably wonder what the mysterious hieroglyphs that cover their surfaces mean. Indeed, everyone who is fascinated by ancient Egypt sooner or later wishes for a Rosetta stone to unlock the secrets of hieroglyphic writing. Hieroglyphs without Mystery provides the needed key. Written for ordinary people with no special language skills, the book quickly demonstrates that hieroglyphic writing can be read, once a few simple principles are understood. Zauzich explains the basic rules of the writing system and the grammar and then applies them to thirteen actual inscriptions taken from objects in European and Egyptian museums. By following his explanations and learning the most commonly used glyphs, readers can begin to decode hieroglyphs themselves and increase their enjoyment of both museum objects and ancient Egyptian sites. Even for the armchair traveler, learning about hieroglyphs opens a sealed door into ancient Egyptian culture. In examining these inscriptions, readers will gain a better understanding of Egyptian art, politics, and religion, as well as language.
Publisher: University of Texas Press
ISBN: 9780292798045
Category : Language Arts & Disciplines
Languages : en
Pages : 144
Book Description
Marveling over the tomb treasures of Ramses II and Tutankhamen that have toured U.S. and European museums in recent years, visitors inevitably wonder what the mysterious hieroglyphs that cover their surfaces mean. Indeed, everyone who is fascinated by ancient Egypt sooner or later wishes for a Rosetta stone to unlock the secrets of hieroglyphic writing. Hieroglyphs without Mystery provides the needed key. Written for ordinary people with no special language skills, the book quickly demonstrates that hieroglyphic writing can be read, once a few simple principles are understood. Zauzich explains the basic rules of the writing system and the grammar and then applies them to thirteen actual inscriptions taken from objects in European and Egyptian museums. By following his explanations and learning the most commonly used glyphs, readers can begin to decode hieroglyphs themselves and increase their enjoyment of both museum objects and ancient Egyptian sites. Even for the armchair traveler, learning about hieroglyphs opens a sealed door into ancient Egyptian culture. In examining these inscriptions, readers will gain a better understanding of Egyptian art, politics, and religion, as well as language.
Pepi and the Secret Names
Author: Jill Paton Walsh
Publisher: Frances Lincoln Children's Books
ISBN: 9781845078737
Category : Juvenile Fiction
Languages : en
Pages : 0
Book Description
Prince Dhutmose has commanded a splendid tomb to be built for his final journey to the Land of the Dead. Pepi's father is to decorate it, but how can he paint the unimaginable - the Lions of the Horizon, the terrible gods Horus the Hawk and Sebek the crocodile, and Mertseger the deadly Winged Cobra? Pepi decides to find real-life models for his father, using his knowledge of secret names. In this enthralling, magically illustrated story, young readers can solve the secret names for themselves, using a simple hieroglyphics key to enter the mysterious world of ancient Egypt.
Publisher: Frances Lincoln Children's Books
ISBN: 9781845078737
Category : Juvenile Fiction
Languages : en
Pages : 0
Book Description
Prince Dhutmose has commanded a splendid tomb to be built for his final journey to the Land of the Dead. Pepi's father is to decorate it, but how can he paint the unimaginable - the Lions of the Horizon, the terrible gods Horus the Hawk and Sebek the crocodile, and Mertseger the deadly Winged Cobra? Pepi decides to find real-life models for his father, using his knowledge of secret names. In this enthralling, magically illustrated story, young readers can solve the secret names for themselves, using a simple hieroglyphics key to enter the mysterious world of ancient Egypt.
Sacred Symbols of the Dogon
Author: Laird Scranton
Publisher: Simon and Schuster
ISBN: 1594777535
Category : History
Languages : en
Pages : 237
Book Description
Dogon cosmology provides a new Rosetta stone for reinterpreting Egyptian hieroglyphs • Provides a new understanding of Egyptian hieroglyphs as scientific symbols based on Dogon cosmological drawings • Use parallels between Dogon and Egyptian word meanings to identify relationships between Dogon myths and modern science In The Science of the Dogon, Laird Scranton demonstrated that the cosmological structure described in the myths and drawings of the Dogon runs parallel to modern science--atomic theory, quantum theory, and string theory--their drawings often taking the same form as accurate scientific diagrams that relate to the formation of matter. Scranton also pointed to the close resemblance between the keywords and component elements of Dogon cosmology and those of ancient Egypt, and the implication that ancient cosmology may also be about actual science. Sacred Symbols of the Dogon uses these parallels as the starting point for a new interpretation of the Egyptian hieroglyphic language. By substituting Dogon cosmological drawings for equivalent glyph-shapes in Egyptian words, a new way of reading and interpreting the Egyptian hieroglyphs emerges. Scranton shows how each hieroglyph constitutes an entire concept, and that their meanings are scientific in nature. Using the Dogon symbols as a “Rosetta stone,” he reveals references within the ancient Egyptian language that define the full range of scientific components of matter: from massless waves to the completed atom, even suggesting direct correlations to a fully realized unified field theory.
Publisher: Simon and Schuster
ISBN: 1594777535
Category : History
Languages : en
Pages : 237
Book Description
Dogon cosmology provides a new Rosetta stone for reinterpreting Egyptian hieroglyphs • Provides a new understanding of Egyptian hieroglyphs as scientific symbols based on Dogon cosmological drawings • Use parallels between Dogon and Egyptian word meanings to identify relationships between Dogon myths and modern science In The Science of the Dogon, Laird Scranton demonstrated that the cosmological structure described in the myths and drawings of the Dogon runs parallel to modern science--atomic theory, quantum theory, and string theory--their drawings often taking the same form as accurate scientific diagrams that relate to the formation of matter. Scranton also pointed to the close resemblance between the keywords and component elements of Dogon cosmology and those of ancient Egypt, and the implication that ancient cosmology may also be about actual science. Sacred Symbols of the Dogon uses these parallels as the starting point for a new interpretation of the Egyptian hieroglyphic language. By substituting Dogon cosmological drawings for equivalent glyph-shapes in Egyptian words, a new way of reading and interpreting the Egyptian hieroglyphs emerges. Scranton shows how each hieroglyph constitutes an entire concept, and that their meanings are scientific in nature. Using the Dogon symbols as a “Rosetta stone,” he reveals references within the ancient Egyptian language that define the full range of scientific components of matter: from massless waves to the completed atom, even suggesting direct correlations to a fully realized unified field theory.
The Keys of Egypt
Author: Lesley Adkins
Publisher:
ISBN: 9780006531456
Category : Biography & Autobiography
Languages : en
Pages : 0
Book Description
The Keys of Egypt reveals the story of the scramble to decipher hieroglyphics, and the rediscovery of the Nile Valley after it had been closed to Europeans for nearly 2000 years.
Publisher:
ISBN: 9780006531456
Category : Biography & Autobiography
Languages : en
Pages : 0
Book Description
The Keys of Egypt reveals the story of the scramble to decipher hieroglyphics, and the rediscovery of the Nile Valley after it had been closed to Europeans for nearly 2000 years.
How to Read Egyptian Hieroglyphs
Author: Mark Collier
Publisher: Univ of California Press
ISBN: 9780520239494
Category : Foreign Language Study
Languages : en
Pages : 196
Book Description
With the help of Egyptologists Collier and Manley, museum-goers, tourists, and armchair travelers alike can gain a basic knowledge of the language and culture of ancient Egypt. Each chapter introduces a new aspect of hieroglyphic script and encourages acquisition of reading skills with practical exercises. 200 illustrations.
Publisher: Univ of California Press
ISBN: 9780520239494
Category : Foreign Language Study
Languages : en
Pages : 196
Book Description
With the help of Egyptologists Collier and Manley, museum-goers, tourists, and armchair travelers alike can gain a basic knowledge of the language and culture of ancient Egypt. Each chapter introduces a new aspect of hieroglyphic script and encourages acquisition of reading skills with practical exercises. 200 illustrations.
Seeker of Knowledge
Author: James Rumford
Publisher: Houghton Mifflin Harcourt
ISBN: 0547530749
Category : Juvenile Nonfiction
Languages : en
Pages : 43
Book Description
In 1802, Jean-Francois Champollion was eleven years old. That year, he vowed to be the first person to read Egypt’s ancient hieroglyphs. Champollion’s dream was to sail up the Nile in Egypt and uncover the secrets of the past, and he dedicated the next twenty years to the challenge. James Rumford introduces the remarkable man who deciphered the ancient Egyptian script and fulfilled a lifelong dream in the process. Stunning watercolors bring Champollion’s adventure to life in a story that challenges the mind and touches the heart.
Publisher: Houghton Mifflin Harcourt
ISBN: 0547530749
Category : Juvenile Nonfiction
Languages : en
Pages : 43
Book Description
In 1802, Jean-Francois Champollion was eleven years old. That year, he vowed to be the first person to read Egypt’s ancient hieroglyphs. Champollion’s dream was to sail up the Nile in Egypt and uncover the secrets of the past, and he dedicated the next twenty years to the challenge. James Rumford introduces the remarkable man who deciphered the ancient Egyptian script and fulfilled a lifelong dream in the process. Stunning watercolors bring Champollion’s adventure to life in a story that challenges the mind and touches the heart.
Egyptian Hieroglyphs in the Late Antique Imagination
Author: Jennifer Taylor Westerfeld
Publisher: University of Pennsylvania Press
ISBN: 0812296400
Category : History
Languages : en
Pages : 257
Book Description
Throughout the pharaonic period, hieroglyphs served both practical and aesthetic purposes. Carved on stelae, statues, and temple walls, hieroglyphic inscriptions were one of the most prominent and distinctive features of ancient Egyptian visual culture. For both the literate minority of Egyptians and the vast illiterate majority of the population, hieroglyphs possessed a potent symbolic value that went beyond their capacity to render language visible. For nearly three thousand years, the hieroglyphic script remained closely bound to indigenous notions of religious and cultural identity. By the late antique period, literacy in hieroglyphs had been almost entirely lost. However, the monumental temples and tombs that marked the Egyptian landscape, together with the hieroglyphic inscriptions that adorned them, still stood as inescapable reminders that Christianity was a relatively new arrival to the ancient land of the pharaohs. In Egyptian Hieroglyphs in the Late Antique Imagination, Jennifer Westerfeld argues that depictions of hieroglyphic inscriptions in late antique Christian texts reflect the authors' attitudes toward Egypt's pharaonic past. Whether hieroglyphs were condemned as idolatrous images or valued as a source of mystical knowledge, control over the representation and interpretation of hieroglyphic texts constituted an important source of Christian authority. Westerfeld examines the ways in which hieroglyphs are deployed in the works of Eusebius and Augustine, to debate biblical chronology; in Greek, Roman, and patristic sources, to claim that hieroglyphs encoded the mysteries of the Egyptian priesthood; and in a polemical sermon by the fifth-century monastic leader Shenoute of Atripe, to argue that hieroglyphs should be destroyed lest they promote a return to idolatry. She argues that, in the absence of any genuine understanding of hieroglyphic writing, late antique Christian authors were able to take this powerful symbol of Egyptian identity and manipulate it to serve their particular theological and ideological ends.
Publisher: University of Pennsylvania Press
ISBN: 0812296400
Category : History
Languages : en
Pages : 257
Book Description
Throughout the pharaonic period, hieroglyphs served both practical and aesthetic purposes. Carved on stelae, statues, and temple walls, hieroglyphic inscriptions were one of the most prominent and distinctive features of ancient Egyptian visual culture. For both the literate minority of Egyptians and the vast illiterate majority of the population, hieroglyphs possessed a potent symbolic value that went beyond their capacity to render language visible. For nearly three thousand years, the hieroglyphic script remained closely bound to indigenous notions of religious and cultural identity. By the late antique period, literacy in hieroglyphs had been almost entirely lost. However, the monumental temples and tombs that marked the Egyptian landscape, together with the hieroglyphic inscriptions that adorned them, still stood as inescapable reminders that Christianity was a relatively new arrival to the ancient land of the pharaohs. In Egyptian Hieroglyphs in the Late Antique Imagination, Jennifer Westerfeld argues that depictions of hieroglyphic inscriptions in late antique Christian texts reflect the authors' attitudes toward Egypt's pharaonic past. Whether hieroglyphs were condemned as idolatrous images or valued as a source of mystical knowledge, control over the representation and interpretation of hieroglyphic texts constituted an important source of Christian authority. Westerfeld examines the ways in which hieroglyphs are deployed in the works of Eusebius and Augustine, to debate biblical chronology; in Greek, Roman, and patristic sources, to claim that hieroglyphs encoded the mysteries of the Egyptian priesthood; and in a polemical sermon by the fifth-century monastic leader Shenoute of Atripe, to argue that hieroglyphs should be destroyed lest they promote a return to idolatry. She argues that, in the absence of any genuine understanding of hieroglyphic writing, late antique Christian authors were able to take this powerful symbol of Egyptian identity and manipulate it to serve their particular theological and ideological ends.
Mystery of the Egyptian Scroll
Author: Scott Peters
Publisher: Lulu.com
ISBN: 1300875739
Category :
Languages : en
Pages : 116
Book Description
You, who have dug deep and sifted hard for a story to read, have unearthed an ancient treasure: a mystery from the dusty ages, when a boy could be a hero and fight for the good of all . . .When Zet's father left home to fight the Hyksos, he left siblings Zet and Kat in charge. It turns out keeping food on the table is easier said than done. The family's market stall is empty--except for the dizzy array of unsold pottery. It seems adults don't approve of two children running the place.Back home, Zet and Kat's cupboards are growing bare. They need a solution and they need it now. When Zet learns of a reward for capturing a thief, he jumps at the chance.The siblings soon set off on a dangerous investigation--an investigation that brings them into forbidden temples, into chapels whispering with the voices of ancient gods, drawing them ever closer to a frightening truth that threatens to crush their family forever.
Publisher: Lulu.com
ISBN: 1300875739
Category :
Languages : en
Pages : 116
Book Description
You, who have dug deep and sifted hard for a story to read, have unearthed an ancient treasure: a mystery from the dusty ages, when a boy could be a hero and fight for the good of all . . .When Zet's father left home to fight the Hyksos, he left siblings Zet and Kat in charge. It turns out keeping food on the table is easier said than done. The family's market stall is empty--except for the dizzy array of unsold pottery. It seems adults don't approve of two children running the place.Back home, Zet and Kat's cupboards are growing bare. They need a solution and they need it now. When Zet learns of a reward for capturing a thief, he jumps at the chance.The siblings soon set off on a dangerous investigation--an investigation that brings them into forbidden temples, into chapels whispering with the voices of ancient gods, drawing them ever closer to a frightening truth that threatens to crush their family forever.
Under the Sphinx
Author: Manu Seyfzadeh
Publisher:
ISBN: 9781948261418
Category :
Languages : en
Pages : 434
Book Description
Edgar Cayce, the "sleeping prophet" predicted a century ago that records from Atlantis will be found somewhere under the Great Sphinx in Egypt. Independent researcher and author Manu Seyfzadeh takes the reader on an investigative journey to ancient Egypt to explore what it is the ancient Egyptians had to say about this in their own writings. The trail begins with an unusual painting that presents a paradox of history related to the sky. In pursuit of its origin, myth and reality begin to converge leading from the City of Thoth back to the Great Sphinx. The evidence leads to a stunning conclusion: What was under the Sphinx was opened a long time ago. What was taken was a legacy by one no one could have expected and laid the seed of civilization into its cradle by the River Nile.
Publisher:
ISBN: 9781948261418
Category :
Languages : en
Pages : 434
Book Description
Edgar Cayce, the "sleeping prophet" predicted a century ago that records from Atlantis will be found somewhere under the Great Sphinx in Egypt. Independent researcher and author Manu Seyfzadeh takes the reader on an investigative journey to ancient Egypt to explore what it is the ancient Egyptians had to say about this in their own writings. The trail begins with an unusual painting that presents a paradox of history related to the sky. In pursuit of its origin, myth and reality begin to converge leading from the City of Thoth back to the Great Sphinx. The evidence leads to a stunning conclusion: What was under the Sphinx was opened a long time ago. What was taken was a legacy by one no one could have expected and laid the seed of civilization into its cradle by the River Nile.