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Author: Scott Von Doviak
Publisher: McFarland
ISBN: 0786482125
Category : Performing Arts
Languages : en
Pages : 233
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Book Description
While the pimps and players of blaxploitation movies dominated inner-city theaters, good old boys with muscle under their hoods and moonshine in their trunks roared onto drive-in screens throughout rural America. The popularity of these "hick flicks" grew throughout the '70s, and they attained mass acceptance with the 1977 release of Smokey and the Bandit. It marked the heyday of these regional favorites, but within a few short years, changing economic realities within the movie business and the collapse of the drive-in market would effectively spell the end of the so-called hixploitation genre. This comprehensive study of the hixploitation genre is the first of its kind. Chapters are divided into three major topics. Part One deals with "good ol' boys," from redneck sheriffs, to moonshiners, to honky-tonk heroes and beyond. Part Two explores road movies, featuring back-road racers, truckers and everything in between. Part Three, "In the Woods," covers movies about all manner of beasts--some of them human--populating the swamps and woodlands of rural America. Film stills are included, and an afterword examines both the decline and metamorphosis of the genre. A filmography, bibliography and index accompany the text.
Author: Scott Von Doviak
Publisher: McFarland
ISBN: 0786482125
Category : Performing Arts
Languages : en
Pages : 233
Get Book Here
Book Description
While the pimps and players of blaxploitation movies dominated inner-city theaters, good old boys with muscle under their hoods and moonshine in their trunks roared onto drive-in screens throughout rural America. The popularity of these "hick flicks" grew throughout the '70s, and they attained mass acceptance with the 1977 release of Smokey and the Bandit. It marked the heyday of these regional favorites, but within a few short years, changing economic realities within the movie business and the collapse of the drive-in market would effectively spell the end of the so-called hixploitation genre. This comprehensive study of the hixploitation genre is the first of its kind. Chapters are divided into three major topics. Part One deals with "good ol' boys," from redneck sheriffs, to moonshiners, to honky-tonk heroes and beyond. Part Two explores road movies, featuring back-road racers, truckers and everything in between. Part Three, "In the Woods," covers movies about all manner of beasts--some of them human--populating the swamps and woodlands of rural America. Film stills are included, and an afterword examines both the decline and metamorphosis of the genre. A filmography, bibliography and index accompany the text.
Author: Scott Von Doviak
Publisher: McFarland
ISBN: 0786419970
Category : Performing Arts
Languages : en
Pages : 233
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Book Description
While the pimps and players of blaxploitation movies dominated inner-city theaters, good old boys with muscle under their hoods and moonshine in their trunks roared onto drive-in screens throughout rural America. The popularity of these "hick flicks" grew throughout the '70s, and they attained mass acceptance with the 1977 release of Smokey and the Bandit. It marked the heyday of these regional favorites, but within a few short years, changing economic realities within the movie business and the collapse of the drive-in market would effectively spell the end of the so-called hixploitation genre. This comprehensive study of the hixploitation genre is the first of its kind. Chapters are divided into three major topics. Part One deals with "good ol' boys," from redneck sheriffs, to moonshiners, to honky-tonk heroes and beyond. Part Two explores road movies, featuring back-road racers, truckers and everything in between. Part Three, "In the Woods," covers movies about all manner of beasts--some of them human--populating the swamps and woodlands of rural America. Film stills are included, and an afterword examines both the decline and metamorphosis of the genre. A filmography, bibliography and index accompany the text.
Author: Kim Adelman
Publisher: Broadway
ISBN: 0767918185
Category : Performing Arts
Languages : en
Pages : 242
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Book Description
An entertaining guide to women's favorite movies offers keen insights into the elements that constitute a "Chick Flick," along with recommendations for every day of the year, suggestions for must-have DVDs, inside Hollywood gossip, photographs, and more. Original. 15,000 first printing.
Author: John Wharton Lowe
Publisher: LSU Press
ISBN: 0807138673
Category : Literary Criticism
Languages : en
Pages : 342
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Book Description
A panorama of past and contemporary southern society are captured in Bridging Southern Cultures by some of the South's leading historians, anthropologists, literary critics, musicologists, and folklorists. Crossing the chasms of demographics, academic disciplines, art forms, and culture, this exciting collection reaches aspects of southern heritage that previous approaches have long obscured. Virtually every dimension of southern identity receives attention here. William Andrews,Thadious Davis, Sue Bridwell Beckham, Richard Megraw, and Joyce Marie Jackson offer engaging reflections on art, age, race, and gender. Bertram Wyatt-Brown delivers a startling reading of Faulkner, revealing the tangled history of southern modernism. Daniel C. Littlefield, Henry Shapiro, and Charles Reagan Wilson provide important assessments of Africanisms in southern culture, Appalachian studies, and the blessing and burden of southern culture. John Shelton Reed probes the humorous and awkward aspects of the South's midlife crisis. John Lowe shows how the myth of the biracial southern family complicated plantation-school narratives for both white and black writers. Showcasing the thought of preeminent southern intellectuals, Bridging Southern Cultures is a timely assessment of the state of contemporary southern studies.
Author: Andrew B. Leiter
Publisher: McFarland
ISBN: 078648702X
Category : Performing Arts
Languages : en
Pages : 254
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Book Description
The representation of Southerners on film has been a topic of enduring interest and debate among scholars of both film and Southern studies. These 15 essays examine the problem of Southern identity in film since the civil rights era. Fresh insights are provided on such familiar topics as the redneck image, transitions to modernity and the prevalence of the Southern gothic. Other essays reflect the reinvigorated and expanding field of new Southern studies and topics include the transnational South, the intersection of ethnicity and environment and the cultural significance of Southern identity outside the South.
Author: Victoria McCollum
Publisher: Routledge
ISBN: 1317077539
Category : Social Science
Languages : en
Pages : 154
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Book Description
This book explores the resurgence of rural horror following the events of 9/11, as a number of filmmakers, inspired by the films of the 1970s, moved away from the characteristic industrial and urban settings of apocalyptic horror, to return to American heartland horror. Examining the revival of rural horror in an era of city fear and urban terrorism, the author analyses the relationship of the genre with fears surrounding the Global War on Terror, exploring the films’ engagement with the political repercussions of 9/11 and the ways in which traces of traumatic events leave their mark on cultures. Arranged around the themes of dissent, patriotism, myth, anger and memorial, and with attention to both text and socio-cultural context in its interpretation of the films’ themes, Post-9/11 Heartland Horror offers a series of case studies covering a ten-year period to shed light on the manner in which the Post-9/11 Heartland Horror films scrutinize and unravel the events, aspirations, anxieties, discourses, dogmas, and socio-political conflicts of the post-9/11 era. As such, it will appeal to scholars and students of film studies, cultural studies and media studies, and those with interests in the relationship between popular culture and politics.
Author: Floyd Sullivan
Publisher: McFarland
ISBN: 0786456876
Category : Sports & Recreation
Languages : en
Pages : 205
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Book Description
This is a memoir of a diehard--a diehard fan who drove himself and his family half crazy to get to Cubs games that were 700 miles away from their home. Along the way Sullivan recounts the history of Cubs baseball, including events from the 1908 season, as well as reminiscences from other fans and stories of his own experience following a team that has gone more than a century without attaining that final win that would make them world champions.
Author: Laura Kalman
Publisher: W. W. Norton & Company
ISBN: 0393076385
Category : History
Languages : en
Pages : 505
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Book Description
Tells the history of the Ford-Carter years, discusses the relevance of the period's politics on today's issues, and explains its shaping of the current political environment.
Author: Harvey O'Brien
Publisher: Columbia University Press
ISBN: 0231850220
Category : Performing Arts
Languages : en
Pages : 145
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Book Description
Action Movies: The Cinema of Striking Back is a study of action cinema, exploring the ethics and aesthetics of the genre with reference to its relatively short history. It moves from seminal classics like Bullitt (1968) and Dirty Harry (1971) through epoch-defining films like Rambo: First Blood Part II (1985) and Die Hard (1988) to revisions, reboots, and renewals in films like Kill Bill Vol. 1 (2003), Taken (2008), and The Expendables (2010). The action genre is a fusion of form and content: a cinema of action about action. It is a cinema of the will, configured as a decisive reaction to untenable circumstances. Action heroes take up arms against the sea of troubles that beset them, safe in the knowledge that if they don't do it, nobody will. Though this makes the action movie profoundly disturbing as an embodiment of moral ideology, its enduring appeal proves the appetite for assurance remains undiminished, even in the wake of 9/11.
Author: Edward D. C. Campbell
Publisher: Univ. of Tennessee Press
ISBN: 9781572332539
Category : Education
Languages : en
Pages : 236
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Book Description
The "southern" - as much a Hollywood genre as the "western" - is the subject of The Celluloid South. For decades the film industry, to provide profit-making entertainment, offered the public movies that neither raised difficult issues nor offended a majority of the ticket-buyers. As a result, Hollywood romanticized the south, particularly the antebellum era, in hundreds of films like Uncle Tom's Cabin, Gone With the Wind, Birth of a Nation, and Jezebel. During the 1920's and especially the Depression, the "moonlight and magnolia" romances increased to such an extent that Hollywood has been struggling since the late forties to rid films of the traditional images of the "southern." In his exploration of the "southern," Edward D.C. Campbell, Jr. examines the film plots and images - their social, literary, and historical origins, and their impact on the creation of a popular mythology of the south. The unrealistic but seemingly harmless characterizations of a planter society, and agricultural economy, and especially slavery have hindered the region's self-assessment and warped the nation's perspective on race. Campbell looks beyond the productions themselves, however, to advertising techniques and the reactions of the viewers and reviewers in his examination of the "southern," its popularity and its decline, and its influence of the public's conception of history, contemporary conditions, and black/white relations. The Celluloid South is not a study of film per se, but of film as a reflection of society and the ramifications inherent in popular entertainment. Readers interested in southern history, popular culture, or cinema studies, as well as movie fans, will find The Celluloid South a fascinating look at Hollywood's development of the southern myth. Thirty-one film stills illustrate the text.
