Author: Thomas Tuohy
Publisher: Cambridge University Press
ISBN: 9780521522632
Category : Architecture
Languages : en
Pages : 576
Book Description
An illustrated account of the life and work of a leading patron of the Italian Renaissance.
Herculean Ferrara
Author: Thomas Tuohy
Publisher: Cambridge University Press
ISBN: 9780521522632
Category : Architecture
Languages : en
Pages : 576
Book Description
An illustrated account of the life and work of a leading patron of the Italian Renaissance.
Publisher: Cambridge University Press
ISBN: 9780521522632
Category : Architecture
Languages : en
Pages : 576
Book Description
An illustrated account of the life and work of a leading patron of the Italian Renaissance.
From Judaism to Calvinism
Author: Kenneth Austin
Publisher: Routledge
ISBN: 1351935410
Category : History
Languages : en
Pages : 229
Book Description
Immanuel Tremellius (c.1510-1580) was one of the most distinguished scholars of the Reformation era. Following his conversion to Christianity from Judaism, he rose to prominence in the mid-sixteenth century as a professor of Hebrew and Old Testament studies, teaching in numerous highly prestigious Reformed academies and universities across northern Europe. Through his activities in the classroom, and his connections with many of the leading religious and political figures of the age, he had a significant impact on the world around him; but through his published writings, some of which were printed through until the eighteenth century, his influence extended long beyond his death. This study of Tremellius' life and works, his first biography since the nineteenth-century, and the first ever full-length study, uses a chronological framework to trace his spiritual journey from Judaism through Catholicism and on to Calvinism, as well as his physical journey across Europe. Into this structure is woven a broader thematic analysis of Tremellius' place within the history of the Reformation, both as a Christian scholar and teacher, and as a converted Jew. The book includes a detailed examination of Tremellius' two most important publications, his Latin translations of the New Testament from Syriac, of 1569, and of the Old Testament from Hebrew, of 1575-1579. By looking at their composition, the figures to whom they were dedicated, their appearance, textual annotations, choice of language and publishing history, much is revealed about biblical scholarship in the sixteenth century as a whole, and about the roles which these works, in particular, would have filled. It is on these works, above all, that Tremellius' long-term international reputation rests. Encompassing issues of theology, education and religious identity, this book not only provides a fascinating biography of one of the most neglected biblical scholars of the sixteenth century, but also sheds much light on th
Publisher: Routledge
ISBN: 1351935410
Category : History
Languages : en
Pages : 229
Book Description
Immanuel Tremellius (c.1510-1580) was one of the most distinguished scholars of the Reformation era. Following his conversion to Christianity from Judaism, he rose to prominence in the mid-sixteenth century as a professor of Hebrew and Old Testament studies, teaching in numerous highly prestigious Reformed academies and universities across northern Europe. Through his activities in the classroom, and his connections with many of the leading religious and political figures of the age, he had a significant impact on the world around him; but through his published writings, some of which were printed through until the eighteenth century, his influence extended long beyond his death. This study of Tremellius' life and works, his first biography since the nineteenth-century, and the first ever full-length study, uses a chronological framework to trace his spiritual journey from Judaism through Catholicism and on to Calvinism, as well as his physical journey across Europe. Into this structure is woven a broader thematic analysis of Tremellius' place within the history of the Reformation, both as a Christian scholar and teacher, and as a converted Jew. The book includes a detailed examination of Tremellius' two most important publications, his Latin translations of the New Testament from Syriac, of 1569, and of the Old Testament from Hebrew, of 1575-1579. By looking at their composition, the figures to whom they were dedicated, their appearance, textual annotations, choice of language and publishing history, much is revealed about biblical scholarship in the sixteenth century as a whole, and about the roles which these works, in particular, would have filled. It is on these works, above all, that Tremellius' long-term international reputation rests. Encompassing issues of theology, education and religious identity, this book not only provides a fascinating biography of one of the most neglected biblical scholars of the sixteenth century, but also sheds much light on th
A Convert’s Tale
Author: Tamar Herzig
Publisher: Harvard University Press
ISBN: 0674242564
Category : History
Languages : en
Pages : 401
Book Description
An intimate portrait, based on newly discovered archival sources, of one of the most famous Jewish artists of the Italian Renaissance who, charged with a scandalous crime, renounced his faith and converted to Catholicism. In 1491 the renowned goldsmith Salomone da Sesso converted to Catholicism. Born in the mid-fifteenth century to a Jewish family in Florence, Salomone later settled in Ferrara, where he was regarded as a virtuoso artist whose exquisite jewelry and lavishly engraved swords were prized by Italy’s ruling elite. But rumors circulated about Salomone’s behavior, scandalizing the Jewish community, who turned him over to the civil authorities. Charged with sodomy, Salomone was sentenced to die but agreed to renounce Judaism to save his life. He was baptized, taking the name Ercole “de’ Fedeli” (“One of the Faithful”). With the help of powerful patrons like Duchess Eleonora of Aragon and Duke Ercole d’Este, his namesake, Ercole lived as a practicing Catholic for three more decades. Drawing on newly discovered archival sources, Tamar Herzig traces the dramatic story of his life, half a century before ecclesiastical authorities made Jewish conversion a priority of the Catholic Church. A Convert’s Tale explores the Jewish world in which Salomone was born and raised; the glittering objects he crafted, and their status as courtly hallmarks; and Ercole’s relations with his wealthy patrons. Herzig also examines homosexuality in Renaissance Italy, the response of Jewish communities and Christian authorities to allegations of sexual crimes, and attitudes toward homosexual acts among Christians and Jews. In Salomone/Ercole’s story we see how precarious life was for converts from Judaism, and how contested was the meaning of conversion for both the apostates’ former coreligionists and those tasked with welcoming them to their new faith.
Publisher: Harvard University Press
ISBN: 0674242564
Category : History
Languages : en
Pages : 401
Book Description
An intimate portrait, based on newly discovered archival sources, of one of the most famous Jewish artists of the Italian Renaissance who, charged with a scandalous crime, renounced his faith and converted to Catholicism. In 1491 the renowned goldsmith Salomone da Sesso converted to Catholicism. Born in the mid-fifteenth century to a Jewish family in Florence, Salomone later settled in Ferrara, where he was regarded as a virtuoso artist whose exquisite jewelry and lavishly engraved swords were prized by Italy’s ruling elite. But rumors circulated about Salomone’s behavior, scandalizing the Jewish community, who turned him over to the civil authorities. Charged with sodomy, Salomone was sentenced to die but agreed to renounce Judaism to save his life. He was baptized, taking the name Ercole “de’ Fedeli” (“One of the Faithful”). With the help of powerful patrons like Duchess Eleonora of Aragon and Duke Ercole d’Este, his namesake, Ercole lived as a practicing Catholic for three more decades. Drawing on newly discovered archival sources, Tamar Herzig traces the dramatic story of his life, half a century before ecclesiastical authorities made Jewish conversion a priority of the Catholic Church. A Convert’s Tale explores the Jewish world in which Salomone was born and raised; the glittering objects he crafted, and their status as courtly hallmarks; and Ercole’s relations with his wealthy patrons. Herzig also examines homosexuality in Renaissance Italy, the response of Jewish communities and Christian authorities to allegations of sexual crimes, and attitudes toward homosexual acts among Christians and Jews. In Salomone/Ercole’s story we see how precarious life was for converts from Judaism, and how contested was the meaning of conversion for both the apostates’ former coreligionists and those tasked with welcoming them to their new faith.
Princes of the Renaissance
Author: Mary Hollingsworth
Publisher: Simon and Schuster
ISBN: 1643135473
Category : History
Languages : en
Pages : 304
Book Description
A vivid history of the lives and times of the aristocratic elite whose patronage created the art and architecture of the Italian Renaissance. The fifteenth and sixteenth centuries was an era of dramatic political, religious, and cultural change in the Italian peninsula, witnessing major innovations in the visual arts, literature, music, and science. Princes of the Renaissance charts these developments in a sequence of eleven chapters, each of which is devoted to two or three princely characters with a cast of minor ones—from Federigo da Montefeltro, Duke of Urbino, to Cosimo I de' Medici, Duke of Florence, and from Isabella d'Este of Mantua to Lucrezia Borgia. Many of these princes were related by blood or marriage, creating a web of alliances that held Renaissance society together—but whose tensions could spark feuds that threatened to tear it apart. A vivid depiction of the lives and times of the aristocratic elite whose patronage created the art and architecture of the Renaissance, Princes of the Renaissance is a narrative that is as rigorous and definitively researched as it is accessible and entertaining. Perhaps most importantly, Mary Hollingsworth sets the aesthetic achievements of these aristocratic patrons in the context of the volatile, ever-shifting politics of an age of change and innovation.
Publisher: Simon and Schuster
ISBN: 1643135473
Category : History
Languages : en
Pages : 304
Book Description
A vivid history of the lives and times of the aristocratic elite whose patronage created the art and architecture of the Italian Renaissance. The fifteenth and sixteenth centuries was an era of dramatic political, religious, and cultural change in the Italian peninsula, witnessing major innovations in the visual arts, literature, music, and science. Princes of the Renaissance charts these developments in a sequence of eleven chapters, each of which is devoted to two or three princely characters with a cast of minor ones—from Federigo da Montefeltro, Duke of Urbino, to Cosimo I de' Medici, Duke of Florence, and from Isabella d'Este of Mantua to Lucrezia Borgia. Many of these princes were related by blood or marriage, creating a web of alliances that held Renaissance society together—but whose tensions could spark feuds that threatened to tear it apart. A vivid depiction of the lives and times of the aristocratic elite whose patronage created the art and architecture of the Renaissance, Princes of the Renaissance is a narrative that is as rigorous and definitively researched as it is accessible and entertaining. Perhaps most importantly, Mary Hollingsworth sets the aesthetic achievements of these aristocratic patrons in the context of the volatile, ever-shifting politics of an age of change and innovation.
The Renaissance of Empire in Early Modern Europe
Author: Thomas James Dandelet
Publisher: Cambridge University Press
ISBN: 0521769930
Category : History
Languages : en
Pages : 317
Book Description
Examines the intellectual and artistic foundations of the Imperial Renaissance in fourteenth- and fifteenth-century Italy and traces its political realization in sixteenth- and seventeenth-century Europe.
Publisher: Cambridge University Press
ISBN: 0521769930
Category : History
Languages : en
Pages : 317
Book Description
Examines the intellectual and artistic foundations of the Imperial Renaissance in fourteenth- and fifteenth-century Italy and traces its political realization in sixteenth- and seventeenth-century Europe.
Japanese Travellers in Sixteenth-Century Europe
Author: Derek Massarella
Publisher: Ashgate Publishing, Ltd.
ISBN: 140947223X
Category : History
Languages : en
Pages : 697
Book Description
In 1582 Alessandro Valignano, the Visitor to the Jesuit mission in the East Indies, sent four Japanese boys to Europe. Until the arrival of the embassy in Europe, the Euro-Japanese encounter had been almost exclusively one way: Europeans going to Japan. This book is an account of their travels, their long journeys out and back, and the 20 months in Europe being received by popes and kings. It was published in Macao in 1590 with the title De Missione Legatorvm Iaponensium ad Romanum curiam. The present edition is the first complete version of this rich, complex and impressive work to appear in English, and is accompanied with maps and illustrations of the mission, and an introduction discussing its context and the subsequent reception of the book.
Publisher: Ashgate Publishing, Ltd.
ISBN: 140947223X
Category : History
Languages : en
Pages : 697
Book Description
In 1582 Alessandro Valignano, the Visitor to the Jesuit mission in the East Indies, sent four Japanese boys to Europe. Until the arrival of the embassy in Europe, the Euro-Japanese encounter had been almost exclusively one way: Europeans going to Japan. This book is an account of their travels, their long journeys out and back, and the 20 months in Europe being received by popes and kings. It was published in Macao in 1590 with the title De Missione Legatorvm Iaponensium ad Romanum curiam. The present edition is the first complete version of this rich, complex and impressive work to appear in English, and is accompanied with maps and illustrations of the mission, and an introduction discussing its context and the subsequent reception of the book.
Intersections
Author: Iain Borden
Publisher: Psychology Press
ISBN: 9780415232920
Category : Architecture
Languages : en
Pages : 362
Book Description
Intersections represents a newly emergent approach to the history of architecture that addresses both the relevance of critical theories to an historical understanding of architecture and the development of those theories.
Publisher: Psychology Press
ISBN: 9780415232920
Category : Architecture
Languages : en
Pages : 362
Book Description
Intersections represents a newly emergent approach to the history of architecture that addresses both the relevance of critical theories to an historical understanding of architecture and the development of those theories.
Architectures of Festival in Early Modern Europe
Author: J.R. Mulryne
Publisher: Routledge
ISBN: 1317178920
Category : History
Languages : en
Pages : 343
Book Description
This fourth volume in the European Festival Studies, 1450–1700 series breaks with precedent in stemming from a joint conference (Venice, 2013) between the Society for European Festivals Research and the PALATIUM project supported by the European Science Foundation. The volume draws on up-to-date research by a Europe-wide group of academic scholars and museum and gallery curators to provide a unique, intellectually-stimulating and beautifully-illustrated account of temporary architecture created for festivals of the sixteenth and seventeenth centuries, together with permanent architecture pressed into service for festival occasions across major European locations including Italian, French, Austrian, Scottish and German. Appealing and vigorous in style, the essays look towards classical sources while evoking political and practical circumstances and intellectual concerns – from re-shaping and re-conceptualizing early sixteenth-century Rome, through providing for the well-being and political allegiance of Medici-era Florentines and exploring the teasing aesthetics of performance at Versailles to accommodating players and spectators in seventeenth-century Paris and at royal and ducal events for the Habsburg, French and English crowns. The volume is unique in its field in the diversity of its topics and the range of its scholarship and fascinating in its account of the intellectual and political life of Early Modern Europe.
Publisher: Routledge
ISBN: 1317178920
Category : History
Languages : en
Pages : 343
Book Description
This fourth volume in the European Festival Studies, 1450–1700 series breaks with precedent in stemming from a joint conference (Venice, 2013) between the Society for European Festivals Research and the PALATIUM project supported by the European Science Foundation. The volume draws on up-to-date research by a Europe-wide group of academic scholars and museum and gallery curators to provide a unique, intellectually-stimulating and beautifully-illustrated account of temporary architecture created for festivals of the sixteenth and seventeenth centuries, together with permanent architecture pressed into service for festival occasions across major European locations including Italian, French, Austrian, Scottish and German. Appealing and vigorous in style, the essays look towards classical sources while evoking political and practical circumstances and intellectual concerns – from re-shaping and re-conceptualizing early sixteenth-century Rome, through providing for the well-being and political allegiance of Medici-era Florentines and exploring the teasing aesthetics of performance at Versailles to accommodating players and spectators in seventeenth-century Paris and at royal and ducal events for the Habsburg, French and English crowns. The volume is unique in its field in the diversity of its topics and the range of its scholarship and fascinating in its account of the intellectual and political life of Early Modern Europe.
Wives, Widows, Mistresses, and Nuns in Early Modern Italy
Author: Katherine A. McIver
Publisher: Routledge
ISBN: 1351872478
Category : Art
Languages : en
Pages : 270
Book Description
Through a visually oriented investigation of historical (in)visibility in early modern Italy, the essays in this volume recover those women - wives, widows, mistresses, the illegitimate - who have been erased from history in modern literature, rendered invisible or obscured by history or scholarship, as well as those who were overshadowed by male relatives, political accident, or spatial location. A multi-faceted invisibility of the individual and of the object is the thread that unites the chapters in this volume. Though some women chose to be invisible, for example the cloistered nun, these essays show that in fact, their voices are heard or seen through their commissions and their patronage of the arts, which afforded them some visibility. Invisibility is also examined in terms of commissions which are no longer extant or are inaccessible. What is revealed throughout the essays is a new way of looking at works of art, a new way to visualize the past by addressing representational invisibility, the marginalized or absent subject or object and historical (in)visibility to discover who does the 'looking,' and how this shapes how something or someone is visible or invisible. The result is a more nuanced understanding of the place of women and gender in early modern Italy.
Publisher: Routledge
ISBN: 1351872478
Category : Art
Languages : en
Pages : 270
Book Description
Through a visually oriented investigation of historical (in)visibility in early modern Italy, the essays in this volume recover those women - wives, widows, mistresses, the illegitimate - who have been erased from history in modern literature, rendered invisible or obscured by history or scholarship, as well as those who were overshadowed by male relatives, political accident, or spatial location. A multi-faceted invisibility of the individual and of the object is the thread that unites the chapters in this volume. Though some women chose to be invisible, for example the cloistered nun, these essays show that in fact, their voices are heard or seen through their commissions and their patronage of the arts, which afforded them some visibility. Invisibility is also examined in terms of commissions which are no longer extant or are inaccessible. What is revealed throughout the essays is a new way of looking at works of art, a new way to visualize the past by addressing representational invisibility, the marginalized or absent subject or object and historical (in)visibility to discover who does the 'looking,' and how this shapes how something or someone is visible or invisible. The result is a more nuanced understanding of the place of women and gender in early modern Italy.
Collecting Art in the Italian Renaissance Court
Author: Leah R. Clark
Publisher: Cambridge University Press
ISBN: 1108678114
Category : Art
Languages : en
Pages : 806
Book Description
In this book, Leah R. Clark examines collecting practices across the Italian Renaissance court, exploring the circulation, exchange, collection, and display of objects. Rather than focusing on patronage strategies or the political power of individual collectors, she uses the objects themselves to elucidate the dynamic relationships formed through their exchange. Her study brings forward the mechanisms that structured relations within the court, and most importantly, also with individuals, representations, and spaces outside the court. The volume examines the courts of Italy through the wide variety of objects - statues, paintings, jewellery, furniture, and heraldry - that were valued for their subject matter, material forms, histories, and social functions. As Clark shows, the late fifteenth-century Italian court an be located not only in the body of the prince, but also in the objects that constituted symbolic practices, initiated political dialogues, caused rifts, created memories, and formed associations.
Publisher: Cambridge University Press
ISBN: 1108678114
Category : Art
Languages : en
Pages : 806
Book Description
In this book, Leah R. Clark examines collecting practices across the Italian Renaissance court, exploring the circulation, exchange, collection, and display of objects. Rather than focusing on patronage strategies or the political power of individual collectors, she uses the objects themselves to elucidate the dynamic relationships formed through their exchange. Her study brings forward the mechanisms that structured relations within the court, and most importantly, also with individuals, representations, and spaces outside the court. The volume examines the courts of Italy through the wide variety of objects - statues, paintings, jewellery, furniture, and heraldry - that were valued for their subject matter, material forms, histories, and social functions. As Clark shows, the late fifteenth-century Italian court an be located not only in the body of the prince, but also in the objects that constituted symbolic practices, initiated political dialogues, caused rifts, created memories, and formed associations.