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Author: Katherine M. Kuenzli
Publisher: Yale University Press
ISBN: 0300226667
Category : Art
Languages : en
Pages : 237
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Book Description
The painter, designer, and architect Henry van de Velde (1863–1957) played a crucial role in expanding modernist aesthetics beyond Paris and beyond painting. Opposing growing nationalism around 1900, he sought to make painting the basis of an aesthetic that transcended boundaries between the arts and between nations through his work in Belgium, France, Germany, and the Netherlands. Van de Velde’s designs for homes, museums, and theaters received international recognition. The artist, often associated with the Art Nouveau and Jugendstil, developed a style of abstraction that he taught in his School of Applied Arts in Weimar, the immediate precursor of and model for the Bauhaus. As a leading member of the German Werkbund, he helped shaped the fields of modern architecture and design. This long-awaited book, the first major work on van de Velde in English, firmly positions him as one of the twentieth century’s most influential artists and an essential voice within the modern movement.
Author: Katherine M. Kuenzli
Publisher: Yale University Press
ISBN: 0300226667
Category : Art
Languages : en
Pages : 237
Get Book Here
Book Description
The painter, designer, and architect Henry van de Velde (1863–1957) played a crucial role in expanding modernist aesthetics beyond Paris and beyond painting. Opposing growing nationalism around 1900, he sought to make painting the basis of an aesthetic that transcended boundaries between the arts and between nations through his work in Belgium, France, Germany, and the Netherlands. Van de Velde’s designs for homes, museums, and theaters received international recognition. The artist, often associated with the Art Nouveau and Jugendstil, developed a style of abstraction that he taught in his School of Applied Arts in Weimar, the immediate precursor of and model for the Bauhaus. As a leading member of the German Werkbund, he helped shaped the fields of modern architecture and design. This long-awaited book, the first major work on van de Velde in English, firmly positions him as one of the twentieth century’s most influential artists and an essential voice within the modern movement.
Author: Richard Hollis
Publisher:
ISBN: 9780995473058
Category : Architects
Languages : en
Pages : 264
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Book Description
"Henry van de Velde (1863-1957) is a pivotal figure in design history: a bridge between nineteenth-century eclecticism and the emergence of a modern style. His range was prodigious: from furniture, domestic and shop interiors to ceramics, textiles, dresses, jewelery, silverware and books. He was also the architect of large private houses, theatres, museums and art galleries." --back cover of book
Author: Thomas Föhl
Publisher: Lannoo Publishers
ISBN: 9789401410953
Category : Design
Languages : en
Pages : 0
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Book Description
Few artists have been as versatile as Henry van de Velde (1863-1957). Trained initially as a painter, he then developed as an architect, interior designer, designer and art advisor. He created a highly impressive oeuvre; with his furniture, silverware, porcelain, jewellery, book design and other creations, always managing to combine both practicality with unique style and elegance. This collection highlights the diversity of his work and is a reflection of his originality and talent in crossing the boundaries between a range of different art forms. AUTHOR: Werner Adriaenses is a conservator in the department of 20th Century Decorative Arts at the Royal Musea for Art and History in Brussels. Thomas Fohl is a doctor in art history and special representative of the chairman of the Klassik-Stiftung Weimar. Sabine Walter works for the musea of the Klassik Stiftung Weimar. SELLING POINTS: A complete overview of the works of Henry van de Velde who, along with Victor Horta and Paul Hankar, can be considered as one of the main founders and representatives of Art Nouveau in Belgium Van de Velde was a major influence on German design and architecture at the beginning of the twentieth century 100 colour and 250 b/w illustrations
Author: Richard Hollis
Publisher: Yale University Press
ISBN: 9780300106763
Category : Design
Languages : en
Pages : 288
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Book Description
Originally published: London: Laurence King Pub., 2006.
Author: Stephan Tschudi Madsen
Publisher: Courier Corporation
ISBN: 048614237X
Category : Design
Languages : en
Pages : 500
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Book Description
DIVAbsorbing, exceptionally detailed study examines early trends, posters, and book illustrations, stylistic influences in architecture; furniture, jewelry, and other applied arts; plus perceptive discussions of artists associated with the movement. /div
Author: Loretta Vandi
Publisher: Routledge
ISBN: 1351668587
Category : Art
Languages : en
Pages : 399
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Book Description
These in-depth, historical, and critical essays study the meaning of ornament, the role it played in the formation of modernism, and its theoretical importance between the mid-nineteenth century and the late twentieth century in England and Germany. Ranging from Owen Jones to Ernst Gombrich through Gottfried Semper, Alois Riegl, August Schmarsow, Wilhelm Worringer, Adolf Loos, Henry van de Velde, and Hermann Muthesius, the contributors show how artistic theories are deeply related to the art practice of their own times, and how ornament is imbued with historical and social meaning.
Author: Yvonne J. Markowitz
Publisher: Lund Humphries Publishers Limited
ISBN: 9780853319979
Category : Art nouveau
Languages : en
Pages : 0
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Book Description
Jewellery.
Author: Elie George Haddad
Publisher: Cambridge Scholars Publishing
ISBN: 1527588408
Category : Art
Languages : en
Pages : 265
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Book Description
This book explores the different aspects of Henry van de Velde’s creative activity through a study of his writings and major works of his German period (1900-1916), including his unpublished manuscript on ornament. The study casts light on this major figure in Early Modern architecture, specifically on his aesthetic theory, centered around themes such as “rational conception” and “empathy”. This study focuses on this specific period of van de Velde’s work, as it constitutes the period of his greatest activity as a designer, teacher, and architect. While examining the relation between his writings and his built works, it thematically addresses the different architectural works realized by the architect during this period.
Author:
Publisher: BRILL
ISBN: 9004459987
Category : Literary Criticism
Languages : en
Pages : 469
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Book Description
Brussels 1900 Vienna examines the complex cultural networks between Austria and Belgium (1880-1930), and situates these interrelations within a wider European context. The collection covers various fields, including literature, translation, music, theatre, visual arts, café culture, and architecture.
Author: Henry van de Velde
Publisher: Getty Publications
ISBN: 160606794X
Category : Art
Languages : en
Pages : 394
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Book Description
The first English collection of writings by Henry van de Velde, one of the most influential designers and theorists of the twentieth century. Belgian artist, architect, designer, and theorist Henry van de Velde (1863–1957) was a highly original and influential figure in Europe beginning in the 1890s. A founding member of the Art Nouveau and Jugendstil movements, he also directed the Grand-Ducal Saxon School of Arts and Crafts in Weimar, Germany, which eventually became the Bauhaus under Walter Gropius. This selection of twenty-six essays, translated from French and German, includes van de Velde’s writings on William Morris and the English Arts and Crafts movement, Neo-Impressionist painting, and relationships between ornament, line, and abstraction in German aesthetics. The texts trace the evolution of van de Velde’s thoughts during his most productive period as a theorist in the artistic debates in France, Germany, Belgium, and the Netherlands. Katherine M. Kuenzli expertly guides readers to see how van de Velde’s writings reconcile themes of aesthetics and function, and expression and reason, throughout the artistic periods and regions represented by these texts. With introductory discussions of each essay and full annotations, this is an essential volume for a broad range of scholars and students of the history of fine and applied arts and ideas.
