Author: David Mason Greene
Publisher: Reproducing Piano Roll Fnd.
ISBN: 0385142781
Category : Composers
Languages : en
Pages : 1548
Book Description
Greene's Biographical Encyclopedia of Composers
Author: David Mason Greene
Publisher: Reproducing Piano Roll Fnd.
ISBN: 0385142781
Category : Composers
Languages : en
Pages : 1548
Book Description
Publisher: Reproducing Piano Roll Fnd.
ISBN: 0385142781
Category : Composers
Languages : en
Pages : 1548
Book Description
The Well-Tun'd Word
Author: Elise Bickford Jorgens
Publisher: U of Minnesota Press
ISBN: 1452912750
Category :
Languages : en
Pages : 321
Book Description
Publisher: U of Minnesota Press
ISBN: 1452912750
Category :
Languages : en
Pages : 321
Book Description
Henry Lawes
Author: Ian Spink
Publisher: Oxford Monographs on Music
ISBN: 9780198165569
Category : Biography & Autobiography
Languages : en
Pages : 200
Book Description
Henry Lawes (1596-1662) has long been acknowledged as the leading English songwriter of the period of Charles I. He collaborated with Milton in Comus (1634) and among his hundreds of songs are settings of many famous lyrics by Cavalier poets such as Carew, Herrick, and Suckling. New recordings and musical editions of his work reflect his continued and increasing importance. This study, the first published since 1940, combines an account of his life with an analysis of his development as a songwriter.
Publisher: Oxford Monographs on Music
ISBN: 9780198165569
Category : Biography & Autobiography
Languages : en
Pages : 200
Book Description
Henry Lawes (1596-1662) has long been acknowledged as the leading English songwriter of the period of Charles I. He collaborated with Milton in Comus (1634) and among his hundreds of songs are settings of many famous lyrics by Cavalier poets such as Carew, Herrick, and Suckling. New recordings and musical editions of his work reflect his continued and increasing importance. This study, the first published since 1940, combines an account of his life with an analysis of his development as a songwriter.
Lives of Eminent and Illustrious Englishmen
Author: George Godfrey Cunningham
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 976
Book Description
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 976
Book Description
Outlines of Musical Bibliography
Author: Andrew Deakin
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 122
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 122
Book Description
Notes and Queries
Author:
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 678
Book Description
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 678
Book Description
The Musical World
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 436
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 436
Book Description
Catalogue of Printed Music Published Between 1487 and 1800 Now in the British Museum
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 764
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 764
Book Description
The Matter of Song in Early Modern England
Author: Katherine Rebecca Larson
Publisher:
ISBN: 019884378X
Category : History
Languages : en
Pages : 266
Book Description
This volume treats early modern song as a musical and embodied practice and considers the implications of reading song not just as lyric text, but as a musical phenomenon that is the product of the singing body. It draws on a variety of genres, from theatre to psalm translations, sonnets and lyrics, and household drama to courtly masques.
Publisher:
ISBN: 019884378X
Category : History
Languages : en
Pages : 266
Book Description
This volume treats early modern song as a musical and embodied practice and considers the implications of reading song not just as lyric text, but as a musical phenomenon that is the product of the singing body. It draws on a variety of genres, from theatre to psalm translations, sonnets and lyrics, and household drama to courtly masques.
The Matter of Song in Early Modern England
Author: Katherine R. Larson
Publisher: Oxford University Press
ISBN: 0192581937
Category : Music
Languages : en
Pages : 266
Book Description
Given the variety and richness of the sixteenth- and seventeenth-century English 'songscape', it might seem unsurprising to suggest that early modern song needs to be considered as sung. When a reader encounters a song in a sonnet sequence, a romance, and even a masque or a play, however, the tendency is to engage with it as poem rather than as musical performance. Opening up the notion of song from a performance-based perspective The Matter of Song in Early Modern England considers the implications of reading song not simply as lyric text but as an embodied and gendered musical practice. Animating the traces of song preserved in physiological and philosophical commentaries, singing handbooks, poetic treatises, and literary texts ranging from Mary Sidney Herbert's Psalmes to John Milton's Comus, the book confronts song's ephemerality, its lexical and sonic capriciousness, and its airy substance. These features can resist critical analysis but were vital to song's affective workings in the early modern period. The volume foregrounds the need to attend much more closely to the embodied and musical dimensions of literary production and circulation in sixteenth- and seventeenth-century England. It also makes an important and timely contribution to our understanding of women's engagement with song as writers and as performers. A companion recording of fourteen songs featuring Larson (soprano) and Lucas Harris (lute) brings the project's innovative methodology and central case studies to life.
Publisher: Oxford University Press
ISBN: 0192581937
Category : Music
Languages : en
Pages : 266
Book Description
Given the variety and richness of the sixteenth- and seventeenth-century English 'songscape', it might seem unsurprising to suggest that early modern song needs to be considered as sung. When a reader encounters a song in a sonnet sequence, a romance, and even a masque or a play, however, the tendency is to engage with it as poem rather than as musical performance. Opening up the notion of song from a performance-based perspective The Matter of Song in Early Modern England considers the implications of reading song not simply as lyric text but as an embodied and gendered musical practice. Animating the traces of song preserved in physiological and philosophical commentaries, singing handbooks, poetic treatises, and literary texts ranging from Mary Sidney Herbert's Psalmes to John Milton's Comus, the book confronts song's ephemerality, its lexical and sonic capriciousness, and its airy substance. These features can resist critical analysis but were vital to song's affective workings in the early modern period. The volume foregrounds the need to attend much more closely to the embodied and musical dimensions of literary production and circulation in sixteenth- and seventeenth-century England. It also makes an important and timely contribution to our understanding of women's engagement with song as writers and as performers. A companion recording of fourteen songs featuring Larson (soprano) and Lucas Harris (lute) brings the project's innovative methodology and central case studies to life.