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Author: SM Reine
Publisher: Red Iris Books
ISBN:
Category : Fiction
Languages : en
Pages : 385
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Book Description
Sophie Keyes has made a mistake that might destroy the universe. The Traveler has an offer: go back in time, fix your mistake, and save the world. Easy. Except that fixing Sophie's mistake means destroying her life, and Lincoln Marshall won't stand to see that happen. Not if he can time travel with them to find another way. Their attempt to jump into the past goes awry and dumps them into Reno 2006, where Elise Kavanagh is in hiding with James Faulkner. It's a delicate moment in the timeline, and if Lincoln takes a single wrong step, he'll change everything. He can't go to Elise for help. He can't speak to the woman he's loved for years, touch her again, kiss her... Not unless he's willing to bring the universe that much closer to destruction. For the Godslayer, Lincoln might be willing to lose it all. For the Traveler, it might be a step too far. War is breaking out in Reno 2006, and the consequences threaten to ripple through time--assuming that they don't make the entire world fall apart first. Book 3 of the A Fistful of Daggers series.
Author: SM Reine
Publisher: Red Iris Books
ISBN:
Category : Fiction
Languages : en
Pages : 385
Get Book Here
Book Description
Sophie Keyes has made a mistake that might destroy the universe. The Traveler has an offer: go back in time, fix your mistake, and save the world. Easy. Except that fixing Sophie's mistake means destroying her life, and Lincoln Marshall won't stand to see that happen. Not if he can time travel with them to find another way. Their attempt to jump into the past goes awry and dumps them into Reno 2006, where Elise Kavanagh is in hiding with James Faulkner. It's a delicate moment in the timeline, and if Lincoln takes a single wrong step, he'll change everything. He can't go to Elise for help. He can't speak to the woman he's loved for years, touch her again, kiss her... Not unless he's willing to bring the universe that much closer to destruction. For the Godslayer, Lincoln might be willing to lose it all. For the Traveler, it might be a step too far. War is breaking out in Reno 2006, and the consequences threaten to ripple through time--assuming that they don't make the entire world fall apart first. Book 3 of the A Fistful of Daggers series.
Author: Grace Mazur
Publisher: CRC Press
ISBN: 1439873534
Category : Mathematics
Languages : en
Pages : 179
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Book Description
Grace Dane Mazur uses the idea of the hinge to illuminate real and metaphysical thresholds in fiction, poetry, myth, and ordinary life. From ancient narratives of Gilgamesh, Odysseus, Parmenides, and Orpheus, to modern works by Katherine Mansfield and Eudora Welty, the exploration of the Other World acts as a metaphor for the entrancement of readin
Author: Stewart Sterling
Publisher:
ISBN:
Category :
Languages : en
Pages : 157
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Book Description
Author: Stewart Sterling
Publisher:
ISBN:
Category :
Languages : en
Pages : 157
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Book Description
Author: Richard Slotkin
Publisher: University of Oklahoma Press
ISBN: 9780806130316
Category : History
Languages : en
Pages : 868
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Book Description
Examines the ways in which the frontier myth influences American culture and politics, drawing on fiction, western films, and political writing
Author: Paula Marantz Cohen
Publisher: Oxford University Press, USA
ISBN: 019514094X
Category : Electronic books
Languages : en
Pages : 235
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Book Description
Cohen argues that silent film allowed America to sever its literary and linguistic ties to Europe and develop an original form of expression compatible with American strengths and weaknesses. She connects the rise of film and the rise of America as a cultural center and 20th century world power.
Author: Peter C. Mowrey
Publisher: McFarland
ISBN: 1476682380
Category : Performing Arts
Languages : en
Pages : 405
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Book Description
The great American Westerns can be profoundly meaningful when read metaphorically. More than mere shoot 'em up entertainment, they are an essential part of a vibrant, evolving national mythology. Like other versions of the archetypal Hero's Journey, these films are filled with insights about life, love, nature, society, ethics, beauty and what it means to be human, and are key to understanding American culture. Part film guide, part historical survey, this book explores the mythic and artistic elements in 52 great Westerns--some orthodox, some subversive--from the genre's first half-century. Each film is given detailed critical analysis, from the earliest silent movies to Golden Age classics like Red River (1948), High Noon (1952) and Shane (1953).
Author: Stewart STERLING (pseud.)
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: David S. Shields
Publisher: University of Chicago Press
ISBN: 022601343X
Category : Performing Arts
Languages : en
Pages : 416
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Book Description
The success of movies like The Artist and Hugo recreated the wonder and magic of silent film for modern audiences, many of whom might never have experienced a movie without sound. But while the American silent movie was one of the most significant popular art forms of the modern age, it is also one that is largely lost to us, as more than eighty percent of silent films have disappeared, the victims of age, disaster, and neglect. We now know about many of these cinematic masterpieces only from the collections of still portraits and production photographs that were originally created for publicity and reference. Capturing the beauty, horror, and moodiness of silent motion pictures, these images are remarkable pieces of art in their own right. In the first history of still camera work generated by the American silent motion picture industry, David S. Shields chronicles the evolution of silent film aesthetics, glamour, and publicity, and provides unparalleled insight into this influential body of popular imagery. Exploring the work of over sixty camera artists, Still recovers the stories of the photographers who descended on early Hollywood and the stars and starlets who sat for them between 1908 and 1928. Focusing on the most culturally influential types of photographs—the performer portrait and the scene still—Shields follows photographers such as Albert Witzel and W. F. Seely as they devised the poses that newspapers and magazines would bring to Americans, who mimicked the sultry stares and dangerous glances of silent stars. He uncovers scene shots of unprecedented splendor—visions that would ignite the popular imagination. And he details how still photographs changed the film industry, whose growing preoccupation with artistry in imagery caused directors and stars to hire celebrated stage photographers and transformed cameramen into bankable names. Reproducing over one hundred and fifty of these gorgeous black-and-white photographs, Still brings to life an entire long-lost visual culture that a century later still has the power to enchant.
Author: Eleni Palis
Publisher: Oxford University Press
ISBN: 0197558178
Category : Performing Arts
Languages : en
Pages : 185
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Book Description
Quotations are a standard way that the humanities make meaning; the pull-quote, epigraph, and quotation are standard for citing evidence and invoking and interrogating authority in both literary and scholarly writing. However, film studies has yet to seriously examine how moving images can quote one another, convening interaction and creating new knowledge across time. Classical Projections offers film quotation as a new concept for understanding how preexisting moving image fragments are reframed and re-viewed within subsequent films. As a visual corollary to literary quotation, film quotations embed film fragments in on-screen movie screens. Though film quotations have appeared since silent cinema, Classical Projections focuses on quotations of classical Hollywood film--mainstream American studio production, 1915-1950--as quoted in post-classical Hollywood, roughly 1960 to present. This strategic historical frame asks: how does post-classical cinema visualize its awareness of coming after a classical or golden age? How do post-classical filmmakers claim or disavow classical history? How do historically disenfranchised post-classical filmmakers, whether by gender, sexuality, or race, grapple with exclusionary and stereotype-ridden canons? As a constitutive element of post-classical authorship, film quotations amass and manufacture classical Hollywood in retrospective, highly strategic ways. By revealing how quotational tellings of film history build and embolden exclusionary, myopic canons, Classical Projections uncovers opportunities to construct more capacious cultural memory.
