Author: Bryan McCann
Publisher: Duke University Press
ISBN: 0822385635
Category : Music
Languages : en
Pages : 315
Book Description
“Hello, hello Brazil” was the standard greeting Brazilian radio announcers of the 1930s used to welcome their audience into an expanding cultural marketplace. New genres like samba and repackaged older ones like choro served as the currency in this marketplace, minted in the capital in Rio de Janeiro and circulated nationally by the burgeoning recording and broadcasting industries. Bryan McCann chronicles the flourishing of Brazilian popular music between the 1920s and the 1950s. Through analysis of the competing projects of composers, producers, bureaucrats, and fans, he shows that Brazilians alternately envisioned popular music as the foundation for a unified national culture and used it as a tool to probe racial and regional divisions. McCann explores the links between the growth of the culture industry, rapid industrialization, and the rise and fall of Getúlio Vargas’s Estado Novo dictatorship. He argues that these processes opened a window of opportunity for the creation of enduring cultural patterns and demonstrates that the understandings of popular music cemented in the mid–twentieth century continue to structure Brazilian cultural life in the early twenty-first.
Hello, Hello Brazil
Author: Bryan McCann
Publisher: Duke University Press
ISBN: 0822385635
Category : Music
Languages : en
Pages : 315
Book Description
“Hello, hello Brazil” was the standard greeting Brazilian radio announcers of the 1930s used to welcome their audience into an expanding cultural marketplace. New genres like samba and repackaged older ones like choro served as the currency in this marketplace, minted in the capital in Rio de Janeiro and circulated nationally by the burgeoning recording and broadcasting industries. Bryan McCann chronicles the flourishing of Brazilian popular music between the 1920s and the 1950s. Through analysis of the competing projects of composers, producers, bureaucrats, and fans, he shows that Brazilians alternately envisioned popular music as the foundation for a unified national culture and used it as a tool to probe racial and regional divisions. McCann explores the links between the growth of the culture industry, rapid industrialization, and the rise and fall of Getúlio Vargas’s Estado Novo dictatorship. He argues that these processes opened a window of opportunity for the creation of enduring cultural patterns and demonstrates that the understandings of popular music cemented in the mid–twentieth century continue to structure Brazilian cultural life in the early twenty-first.
Publisher: Duke University Press
ISBN: 0822385635
Category : Music
Languages : en
Pages : 315
Book Description
“Hello, hello Brazil” was the standard greeting Brazilian radio announcers of the 1930s used to welcome their audience into an expanding cultural marketplace. New genres like samba and repackaged older ones like choro served as the currency in this marketplace, minted in the capital in Rio de Janeiro and circulated nationally by the burgeoning recording and broadcasting industries. Bryan McCann chronicles the flourishing of Brazilian popular music between the 1920s and the 1950s. Through analysis of the competing projects of composers, producers, bureaucrats, and fans, he shows that Brazilians alternately envisioned popular music as the foundation for a unified national culture and used it as a tool to probe racial and regional divisions. McCann explores the links between the growth of the culture industry, rapid industrialization, and the rise and fall of Getúlio Vargas’s Estado Novo dictatorship. He argues that these processes opened a window of opportunity for the creation of enduring cultural patterns and demonstrates that the understandings of popular music cemented in the mid–twentieth century continue to structure Brazilian cultural life in the early twenty-first.
Brazil
Author: Neill Lochery
Publisher: Basic Books
ISBN: 0465080707
Category : History
Languages : en
Pages : 378
Book Description
In 1939, Brazil seemed a world away from the chaos overtaking Europe. Yet despite its bucolic reputation as a distant land of palm trees and pristine beaches, Brazil’s natural resources and proximity to the United States made it strategically invaluable to both the Allies and the Axis alike. As acclaimed historian Neill Lochery reveals in The Fortunes of War, Brazil’s wily dictator Getúlio Dornelles Vargas keenly understood his country’s importance, and played both sides of the escalating global conflict off against each other, gaining trade concessions, weapons shipments, and immense political power in the process. Vargas ultimately sided with the Allies and sent troops to the European theater, but not before his dexterous geopolitical machinations had transformed Rio de Janeiro into one of South America’s most powerful cities and solidified Brazil’s place as a major regional superpower. A fast-paced tale of diplomatic intrigue, The Fortunes of War reveals how World War II transformed Brazil from a tropical backwater into a modern, global power.
Publisher: Basic Books
ISBN: 0465080707
Category : History
Languages : en
Pages : 378
Book Description
In 1939, Brazil seemed a world away from the chaos overtaking Europe. Yet despite its bucolic reputation as a distant land of palm trees and pristine beaches, Brazil’s natural resources and proximity to the United States made it strategically invaluable to both the Allies and the Axis alike. As acclaimed historian Neill Lochery reveals in The Fortunes of War, Brazil’s wily dictator Getúlio Dornelles Vargas keenly understood his country’s importance, and played both sides of the escalating global conflict off against each other, gaining trade concessions, weapons shipments, and immense political power in the process. Vargas ultimately sided with the Allies and sent troops to the European theater, but not before his dexterous geopolitical machinations had transformed Rio de Janeiro into one of South America’s most powerful cities and solidified Brazil’s place as a major regional superpower. A fast-paced tale of diplomatic intrigue, The Fortunes of War reveals how World War II transformed Brazil from a tropical backwater into a modern, global power.
Becoming Brazilian
Author: Marshall C. Eakin
Publisher: Cambridge University Press
ISBN: 1107175763
Category : History
Languages : en
Pages : 347
Book Description
This book examines how Gilberto Freyre's notion of mestiçagem (race mixing) became the overwhelmingly dominant narrative of national identity in twentieth-century Brazil. It will be of interest to scholars and students interested in Brazil, Latin America, race, nationalism, national identity, and popular culture.
Publisher: Cambridge University Press
ISBN: 1107175763
Category : History
Languages : en
Pages : 347
Book Description
This book examines how Gilberto Freyre's notion of mestiçagem (race mixing) became the overwhelmingly dominant narrative of national identity in twentieth-century Brazil. It will be of interest to scholars and students interested in Brazil, Latin America, race, nationalism, national identity, and popular culture.
Marco's Travels: Hello, Brazil
Author: Jason Louis
Publisher:
ISBN: 9780990326731
Category :
Languages : en
Pages :
Book Description
A young boy travels to Brazil to visit his friend who takes him on an exciting journey throughout the country where he experiences Brazilian culture, attractions and hospitality.
Publisher:
ISBN: 9780990326731
Category :
Languages : en
Pages :
Book Description
A young boy travels to Brazil to visit his friend who takes him on an exciting journey throughout the country where he experiences Brazilian culture, attractions and hospitality.
Making Samba
Author: Marc A Hertzman
Publisher: Duke University Press
ISBN: 0822354306
Category : History
Languages : en
Pages : 389
Book Description
In November 1916, a young Afro-Brazilian musician named Donga registered sheet music for the song "Pelo telefone" ("On the Telephone") at the National Library in Rio de Janeiro. This apparently simple act—claiming ownership of a musical composition—set in motion a series of events that would shake Brazil's cultural landscape. Before the debut of "Pelo telephone," samba was a somewhat obscure term, but by the late 1920s, the wildly popular song had helped to make it synonymous with Brazilian national music. The success of "Pelo telephone" embroiled Donga in controversy. A group of musicians claimed that he had stolen their work, and a prominent journalist accused him of selling out his people in pursuit of profit and fame. Within this single episode are many of the concerns that animate Making Samba, including intellectual property claims, the Brazilian state, popular music, race, gender, national identity, and the history of Afro-Brazilians in Rio de Janeiro. By tracing the careers of Rio's pioneering black musicians from the late nineteenth century until the 1970s, Marc A. Hertzman revises the histories of samba and of Brazilian national culture.
Publisher: Duke University Press
ISBN: 0822354306
Category : History
Languages : en
Pages : 389
Book Description
In November 1916, a young Afro-Brazilian musician named Donga registered sheet music for the song "Pelo telefone" ("On the Telephone") at the National Library in Rio de Janeiro. This apparently simple act—claiming ownership of a musical composition—set in motion a series of events that would shake Brazil's cultural landscape. Before the debut of "Pelo telephone," samba was a somewhat obscure term, but by the late 1920s, the wildly popular song had helped to make it synonymous with Brazilian national music. The success of "Pelo telephone" embroiled Donga in controversy. A group of musicians claimed that he had stolen their work, and a prominent journalist accused him of selling out his people in pursuit of profit and fame. Within this single episode are many of the concerns that animate Making Samba, including intellectual property claims, the Brazilian state, popular music, race, gender, national identity, and the history of Afro-Brazilians in Rio de Janeiro. By tracing the careers of Rio's pioneering black musicians from the late nineteenth century until the 1970s, Marc A. Hertzman revises the histories of samba and of Brazilian national culture.
Brazil Today [2 volumes]
Author: John J. Crocitti
Publisher: Bloomsbury Publishing USA
ISBN: 0313346739
Category : Social Science
Languages : en
Pages : 816
Book Description
For students, business people, government officials, artists, and tourists—in short, anyone traveling to or wishing to know more about contemporary Brazil—this is an essential resource. The two-volume Brazil Today: An Encyclopedia of Life in the Republic is an introductory work intended for those in search of basic information about Brazilian institutions, businesses, social issues, and culture. At the same time, it is a work that reflects the nation's geographic, demographic, economic, and cultural diversity. The wide-reaching encyclopedia offers an entry for each Brazilian state with information about the land, climate, economy, and culture. It also offers extensive coverage of the country's political parties and leaders, its governmental and non-governmental organizations, and the environmental issues and social problems that shape Brazilian politics today. In addition, the work pays considerable attention to the economy and business through entries on industry, agriculture, commerce, banking, and economic policies. Finally, there are entries that illuminate various aspects of Brazil's culture, including the nation's social movements, religion, education, music, cuisine, and literature, as well as personalities from sports and entertainment.
Publisher: Bloomsbury Publishing USA
ISBN: 0313346739
Category : Social Science
Languages : en
Pages : 816
Book Description
For students, business people, government officials, artists, and tourists—in short, anyone traveling to or wishing to know more about contemporary Brazil—this is an essential resource. The two-volume Brazil Today: An Encyclopedia of Life in the Republic is an introductory work intended for those in search of basic information about Brazilian institutions, businesses, social issues, and culture. At the same time, it is a work that reflects the nation's geographic, demographic, economic, and cultural diversity. The wide-reaching encyclopedia offers an entry for each Brazilian state with information about the land, climate, economy, and culture. It also offers extensive coverage of the country's political parties and leaders, its governmental and non-governmental organizations, and the environmental issues and social problems that shape Brazilian politics today. In addition, the work pays considerable attention to the economy and business through entries on industry, agriculture, commerce, banking, and economic policies. Finally, there are entries that illuminate various aspects of Brazil's culture, including the nation's social movements, religion, education, music, cuisine, and literature, as well as personalities from sports and entertainment.
Made in Brazil
Author: Martha Tupinamba de Ulhoa
Publisher: Routledge
ISBN: 1135954852
Category : Music
Languages : en
Pages : 499
Book Description
Made in Brazil: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, sociology, and musicology of twentieth-century Brazilian popular music. The volume consists of essays by scholars of Brazilian music, and covers the major figures, styles, and social contexts of pop music in Brazil. Each essay provides adequate context so readers understand why the figure or genre under discussion is of lasting significance to Brazilian popular music. The book first presents a general description of the history and background of popular music in Brazil, followed by essays that are organized into thematic sections: Samba and Choro; History, Memory, and Representations; Scenes and Artists; and Music, Market and New Media.
Publisher: Routledge
ISBN: 1135954852
Category : Music
Languages : en
Pages : 499
Book Description
Made in Brazil: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, sociology, and musicology of twentieth-century Brazilian popular music. The volume consists of essays by scholars of Brazilian music, and covers the major figures, styles, and social contexts of pop music in Brazil. Each essay provides adequate context so readers understand why the figure or genre under discussion is of lasting significance to Brazilian popular music. The book first presents a general description of the history and background of popular music in Brazil, followed by essays that are organized into thematic sections: Samba and Choro; History, Memory, and Representations; Scenes and Artists; and Music, Market and New Media.
Drugs and Democracy in Rio de Janeiro
Author: Enrique Desmond Arias
Publisher: Univ of North Carolina Press
ISBN: 0807877379
Category : Political Science
Languages : en
Pages : 302
Book Description
Taking an ethnographic approach to understanding urban violence, Enrique Desmond Arias examines the ongoing problems of crime and police corruption that have led to widespread misery and human rights violations in many of Latin America's new democracies. Employing participant observation and interview research in three favelas (shantytowns) in Rio de Janeiro over a nine-year period, Arias closely considers the social interactions and criminal networks that are at the heart of the challenges to democratic governance in urban Brazil. Much of the violence is the result of highly organized, politically connected drug dealers feeding off of the global cocaine market. Rising crime prompts repressive police tactics, and corruption runs deep in state structures. The rich move to walled communities, and the poor are caught between the criminals and often corrupt officials. Arias argues that public policy change is not enough to stop the vicious cycle of crime and corruption. The challenge, he suggests, is to build new social networks committed to controlling violence locally. Arias also offers comparative insights that apply this analysis to other cities in Brazil and throughout Latin America.
Publisher: Univ of North Carolina Press
ISBN: 0807877379
Category : Political Science
Languages : en
Pages : 302
Book Description
Taking an ethnographic approach to understanding urban violence, Enrique Desmond Arias examines the ongoing problems of crime and police corruption that have led to widespread misery and human rights violations in many of Latin America's new democracies. Employing participant observation and interview research in three favelas (shantytowns) in Rio de Janeiro over a nine-year period, Arias closely considers the social interactions and criminal networks that are at the heart of the challenges to democratic governance in urban Brazil. Much of the violence is the result of highly organized, politically connected drug dealers feeding off of the global cocaine market. Rising crime prompts repressive police tactics, and corruption runs deep in state structures. The rich move to walled communities, and the poor are caught between the criminals and often corrupt officials. Arias argues that public policy change is not enough to stop the vicious cycle of crime and corruption. The challenge, he suggests, is to build new social networks committed to controlling violence locally. Arias also offers comparative insights that apply this analysis to other cities in Brazil and throughout Latin America.
African-Brazilian Culture and Regional Identity in Bahia, Brazil
Author: Scott Ickes
Publisher: University Press of Florida
ISBN: 0813048389
Category : History
Languages : en
Pages : 341
Book Description
Examines how in the middle of the twentieth century, Bahian elites began to recognize African-Bahian cultural practices as essential components of Bahian regional identity. Previously, public performances of traditionally African-Bahian practices such as capoeira, samba, and Candomblé during carnival and other popular religious festivals had been repressed in favor of more European traditions.
Publisher: University Press of Florida
ISBN: 0813048389
Category : History
Languages : en
Pages : 341
Book Description
Examines how in the middle of the twentieth century, Bahian elites began to recognize African-Bahian cultural practices as essential components of Bahian regional identity. Previously, public performances of traditionally African-Bahian practices such as capoeira, samba, and Candomblé during carnival and other popular religious festivals had been repressed in favor of more European traditions.
The Making of Brazil's Black Mecca
Author: Scott Ickes
Publisher: MSU Press
ISBN: 162895356X
Category : Social Science
Languages : en
Pages : 310
Book Description
One of the few interdisciplinary volumes on Bahia available, The Making of Brazil’s Black Mecca: Bahia Reconsidered contains contributions covering a wide chronological and topical range by scholars whose work has made important contributions to the field of Bahian studies over the last two decades. The authors interrogate and problematize the idea of Bahia as a Black Mecca, or a haven where Brazilians of African descent can embrace their cultural and spiritual African heritage without fear of discrimination. In the first section, leading historians create a century-long historical narrative of the emergence of these discourses, their limitations, and their inability to effect meaningful structural change. The chapters by social scientists in the second section present critical reflections and insights, some provocative, on deficiencies and problematic biases built into current research paradigms on blackness in Bahia. As a whole the text provides a series of insights into the ways that inequality has been structured in Bahia since the final days of slavery.
Publisher: MSU Press
ISBN: 162895356X
Category : Social Science
Languages : en
Pages : 310
Book Description
One of the few interdisciplinary volumes on Bahia available, The Making of Brazil’s Black Mecca: Bahia Reconsidered contains contributions covering a wide chronological and topical range by scholars whose work has made important contributions to the field of Bahian studies over the last two decades. The authors interrogate and problematize the idea of Bahia as a Black Mecca, or a haven where Brazilians of African descent can embrace their cultural and spiritual African heritage without fear of discrimination. In the first section, leading historians create a century-long historical narrative of the emergence of these discourses, their limitations, and their inability to effect meaningful structural change. The chapters by social scientists in the second section present critical reflections and insights, some provocative, on deficiencies and problematic biases built into current research paradigms on blackness in Bahia. As a whole the text provides a series of insights into the ways that inequality has been structured in Bahia since the final days of slavery.