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Author: 芥川龍之介
Publisher: Eridanos Library
ISBN:
Category : Fiction
Languages : en
Pages : 176
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Book Description
These three stories are experimental works by one of the most important early-twentieth century Japanese authors. Ryunosuke Akutagawa (1892-1927) is best known for his stories derived from historical incidents or legends; for example, "Rashomon", the basis of the famous film.
Author: 芥川龍之介
Publisher: Eridanos Library
ISBN:
Category : Fiction
Languages : en
Pages : 176
Get Book Here
Book Description
These three stories are experimental works by one of the most important early-twentieth century Japanese authors. Ryunosuke Akutagawa (1892-1927) is best known for his stories derived from historical incidents or legends; for example, "Rashomon", the basis of the famous film.
Author: 芥川龍之介
Publisher: Eridanos Library
ISBN:
Category : Fiction
Languages : en
Pages : 176
Get Book Here
Book Description
These three stories are experimental works by one of the most important early-twentieth century Japanese authors. Ryunosuke Akutagawa (1892-1927) is best known for his stories derived from historical incidents or legends; for example, "Rashomon", the basis of the famous film.
Author: Ryunosuke Akutaguawa
Publisher:
ISBN: 9781569562543
Category :
Languages : en
Pages : 185
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Book Description
Author: Ryūnosuke Akutagawa
Publisher: Marsilio Pub
ISBN: 9780941419031
Category :
Languages : en
Pages : 145
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Book Description
Author: O. Classe
Publisher: Taylor & Francis
ISBN: 9781884964367
Category : Authors
Languages : en
Pages : 930
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Book Description
Author: Ryūnosuke Akutagawa
Publisher: Marsilio Publishers
ISBN:
Category : Fiction
Languages : en
Pages : 244
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Book Description
Eastern and Western, Ancient and Modern, Masculine and Feminine collapse in his extraordinarily innovative and lucid prose."--BOOK JACKET.
Author: 芥川龍之介
Publisher: Praeger
ISBN:
Category : Fiction
Languages : en
Pages : 200
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Book Description
There can be no doubt that [Akutagawa] had more individuality than any other writer of his time and has left in Japanese literature a mass of artistic work, often grotesque and curious, that, while it undoubtedly angers the proletarian experimenters who now hold the stage and fight with lusty pens and a highly developed class consciousness against all that he stood for, will continue to live as long as men go on treasuring the fancies their fellows from time to time set down with care on paper.--Glen W. Shaw
Author: Rebecca Riger Tsurumi
Publisher: Purdue University Press
ISBN: 1557536074
Category : Literary Criticism
Languages : en
Pages : 332
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Book Description
In her book, The Closed Hand: Images of the Japanese in Modern Peruvian Literature, Rebecca Riger Tsurumi captures the remarkable story behind the changing human landscape in Peru at the end of the nineteenth century when Japanese immigrants established what would become the second largest Japanese community in South America. She analyzes how non-Japanese Peruvian narrators unlock the unspoken attitudes and beliefs about the Japanese held by mainstream Peruvian society, as reflected in works written between 1966 and 2006. Tsurumi explores how these Peruvian literary giants, including Mario Vargas Llosa, Miguel Gutiérrez, Alfredo Bryce Echenique, Carmen Ollé, Pilar Dughi, and Mario Bellatin, invented Japanese characters whose cultural differences fascinated and confounded their creators. She compares the outsider views of these Peruvian narrators with the insider perceptions of two Japanese Peruvian poets, José Watanabe and Doris Moromisato, who tap personal experiences and memories to create images that define their identities. The book begins with a brief sociohistorical overview of Japan and Peru, describing the conditions in both nations that resulted in Japanese immigration to Peru and concluding in contemporary times. Tsurumi traces the evolution of the terms "Orient" and "Japanese/Oriental" and the depiction of Asians in Modernista poetry and in later works by Octavio Paz and Jorge Luis Borges. She analyzes the images of the Japanese portrayed in individual works of modern Peruvian narrative, comparing them with those created in Japanese Peruvian poetry. The book concludes with an appendix containing excerpts from Tsurumi's interviews and correspondence in Spanish with writers and poets in Lima and Mexico City.
Author: David Peace
Publisher: Vintage
ISBN: 052556411X
Category : Fiction
Languages : en
Pages : 338
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Book Description
In these twelve interconnected tales, David Peace—acclaimed author of the Red Riding Quartet, Occupied City, and Tokyo Year Zero—weaves fact and fiction as he takes up the brief but fiercely lived life of the early-twentieth-century Japanese writer Ryūnosuke Akutagawa. Unique and offbeat, Patient X delves into Akutagawa’s rich and complicated private life: his fears and battles with mental illness; his complex reaction to the Westernization of Japan; his exacting creative process; and his suicide, weaving these facets into a hauntingly evocative portrait. But Patient X is more than a paean to one remarkable writer: it is also an incandescent exploration of the act and obsession of writing itself, and of the role of the artist in times that darkly mirror our own.
Author: Travis Workman
Publisher: Univ of California Press
ISBN: 0520289595
Category : History
Languages : en
Pages : 321
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Book Description
A free ebook version of this title is available through Luminos, University of California Press’s open access publishing program for monographs. Visit www.luminosoa.org to learn more. Imperial Genus begins with the turn to world culture and ideas of the generally human in Japan’s cultural policy in Korea in 1919. How were concepts of the human’s genus-being operative in the discourses of the Japanese empire? How did they inform the imagination and representation of modernity in colonial Korea? Travis Workman delves into these questions through texts in philosophy, literature, and social science. Imperial Genus focuses on how notions of human generality mediated uncertainty between the transcendental and the empirical, the universal and the particular, and empire and colony. It shows how cosmopolitan cultural principles, the proletarian arts, and Pan-Asian imperial nationalism converged with practices of colonial governmentality. It is a genealogy of the various articulations of the human’s genus-being within modern humanist thinking in East Asia, as well as an exploration of the limits of the human as both concept and historical figure.
