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Author: Caroline Hirasawa
Publisher:
ISBN: 9789004203358
Category : Art and religion
Languages : en
Pages : 0
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Book Description
During the eighteenth and nineteenth centuries priests from the Tateyama mountain area (Toyama Prefecture) brought paintings of the mountain, called Tateyama mandara, on campaigns throughout Japan that extolled its merits, drummed up warm-weather pilgrimage, and established venues for selling products and services. The images depict pilgrims, monks, animals, and supernatural beings occupying the mountain's landscape, thought to contain both hell and paradise. The local landscape was thus cast as a universalized portal to the other world and Tateyama preachers positioned themselves at its gateway as indispensable intermediaries to "salvation," a notion that encompassed a wide range of meanings, from enlightenment to temporary escape from hell. Drawing on methodologies from historical, art historical, and religious studies, this book untangles the complex premises and mechanisms operating in these pictorialisations of the mountain's mysteries and furthers our understanding of the rich complexity of pre-modern Japanese religion.
Author: Caroline Hirasawa
Publisher:
ISBN: 9789004203358
Category : Art and religion
Languages : en
Pages : 0
Get Book Here
Book Description
During the eighteenth and nineteenth centuries priests from the Tateyama mountain area (Toyama Prefecture) brought paintings of the mountain, called Tateyama mandara, on campaigns throughout Japan that extolled its merits, drummed up warm-weather pilgrimage, and established venues for selling products and services. The images depict pilgrims, monks, animals, and supernatural beings occupying the mountain's landscape, thought to contain both hell and paradise. The local landscape was thus cast as a universalized portal to the other world and Tateyama preachers positioned themselves at its gateway as indispensable intermediaries to "salvation," a notion that encompassed a wide range of meanings, from enlightenment to temporary escape from hell. Drawing on methodologies from historical, art historical, and religious studies, this book untangles the complex premises and mechanisms operating in these pictorialisations of the mountain's mysteries and furthers our understanding of the rich complexity of pre-modern Japanese religion.
Author: Cheeyun Lilian Kwon
Publisher: University of Hawaii Press
ISBN: 0824856058
Category : Art
Languages : en
Pages : 225
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Book Description
The Ten Kings hanging scrolls at Tokyo’s Seikadō Bunko Art Museum are among the most resplendent renderings of the Buddhist purgatory extant, but their origin and significance have yet to be fully explored. Cheeyun Kwon unfurls this exquisite set of scrolls within the existing Ten Kings painting tradition while investigating textual, scriptural, archaeological, and visual materials from East Asia to shed light on its possible provenance. She constructs a model scheme of the paintings’ evolution based on more than five hundred works and reveals channels of popularization, mass production, and agglomeration. The earliest images of the Ten Kings are found in the tenth-century sūtra The Scripture on the Ten Kings, known to be the work of the monk Zangchuan. By the mid-twelfth century, typological conventions associated with the Ten Kings were widely established, and paintings depicting them, primarily large-scale and stand-alone, became popular export commodities, spreading via land and sea routes to the Korean peninsula and the Japanese archipelago. An examination of materials in Korea suggests a unique development path for Ten Kings subject matter, and this—in conjunction with a close analysis of the Seikadō paintings—forms the core of Kwon’s book. Among the Korean works discussed is a woodblock edition of The Scripture on the Ten Kings from 1246. It is markedly different from its Chinese counterparts and provides strong evidence of the subject’s permutations during the Koryŏ period (918–1392), when Northern Song (960–1127) visual art and culture were avidly imported. In the Seikadō paintings, Northern Song figural, architectural, landscape, and decorative elements were acculturated to the Koryŏ milieu, situating them in the twelfth to early thirteenth centuries and among the oldest and most significant surviving examples of Koryŏ Buddhist painting. Efficacious Underworld fills major lacunae in Korean, East Asian, and Ten Kings painting traditions while illuminating Korea’s contribution to the evolution of a Buddhist theme on its trajectory across East Asia. With its rich set of color reproductions and detailed analysis of textual and visual materials, this volume will invite significant revision to previously held notions on Koryŏ painting.
Author: Chihiro Saka
Publisher: BRILL
ISBN: 9004517677
Category : History
Languages : en
Pages : 281
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Book Description
The first full-length study in English to explore Datsueba, the old woman of hell, and her transformation from terrifying ogre to beneficent guardian over a millennium of evolution within the Japanese religious imagination.
Author: Zuzana Malá
Publisher: Masarykova univerzita
ISBN: 8021091983
Category : Art
Languages : en
Pages : 174
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Book Description
Kniha uvažuje o japonských horách jako o místech náboženských úkonů. Autorka čtenáři nabízí pohled na historický i současný stav náboženských praktik, pričemž nezanedbává ekonomický aspekt jejich vývoje. První tři kapitoly, věnované historickému vývoji náboženských praktik v horské oblasti Tatejama, odhalují souvislost mezi horami a představami o posmrtném životě v Japonsku. Příklad poutnického místa Tatejama, populárního v období Edo, pomáhá představit si jakým způsobem fungovalo v tomto období poutnické místo a náboženský kult. Autorka přitom poukazuje na ekonomickou stránku provozu poutnického místa. Terénní výzkum a účast na náboženských praktikách v horských oblastech Tatejama a Dewa Sanzan umožnil autorce sledovat jejich současný stav. Získaný výzkumný materiál poodhaluje například úlohu konceptu kulturního dědictví v úsilí o udržování náboženských praktik v současnosti. Tato část poskytuje zajímavý pohled na to, jak se poskytovatelé náboženských praktik a jejich účastníci přizpůsobují novodobým podmínkám. Novodobým asketickým úkonům probíhajícím ve vodopádech je věnovaná poslední kapitola. Přesto, že jsou považované za marginální praktiky, komplexnost kvalit, se kterými jsou spojované, je příkladem kreativity v úsilí o jejich udržení.
Author: Noriko T. Reider
Publisher: University Press of Colorado
ISBN: 1646420551
Category : Social Science
Languages : en
Pages : 239
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Book Description
Mountain Witches is a comprehensive guide to the complex figure of yamauba—female yōkai often translated as mountain witches, who are commonly described as tall, enigmatic women with long hair, piercing eyes, and large mouths that open from ear to ear and who live in the mountains—and the evolution of their roles and significance in Japanese culture and society from the premodern era to the present. In recent years yamauba have attracted much attention among scholars of women’s literature as women unconstrained by conformative norms or social expectations, but this is the first book to demonstrate how these figures contribute to folklore, Japanese studies, cultural studies, and gender studies. Situating the yamauba within the construct of yōkai and archetypes, Noriko T. Reider investigates the yamauba attributes through the examination of narratives including folktales, literary works, legends, modern fiction, manga, and anime. She traces the lineage of a yamauba image from the seventh-century text Kojiki to the streets of Shibuya, Tokyo, and explores its emergence as well as its various, often conflicting, characteristics. Reider also examines the adaptation and re-creation of the prototype in diverse media such as modern fiction, film, manga, anime, and fashion in relation to the changing status of women in Japanese society. Offering a comprehensive overview of the development of the yamauba as a literary and mythic trope, Mountain Witches is a study of an archetype that endures in Japanese media and folklore. It will be valuable to students, scholars, and the general reader interested in folklore, Japanese literature, demonology, history, anthropology, cultural studies, gender studies, and the visual and performing arts.
Author: Halle O'Neal
Publisher: BRILL
ISBN: 1684175887
Category : History
Languages : en
Pages : 312
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Book Description
"In this study of the Japanese jeweled pagoda mandalas, Halle O’Neal reveals the entangled realms of sacred body, beauty, and salvation. Much of the previous scholarship on these paintings concentrates on formal analysis and iconographic study of their narrative vignettes. This has marginalized the intriguing interplay of text and image at their heart, precluding a holistic understanding of the mandalas and diluting their full import in Buddhist visual culture. Word Embodied offers an alternative methodology, developing interdisciplinary insights into the social, religious, and artistic implications of this provocative entwining of word and image.O’Neal unpacks the paintings’ revolutionary use of text as picture to show how this visual conflation mirrors important conceptual indivisibilities in medieval Japan. The textual pagoda projects the complex constellation of relics, reliquaries, scripture, and body in religious doctrine, practice, and art. Word Embodied also expands our thinking about the demands of viewing, recasting the audience as active producers of meaning and offering a novel perspective on disciplinary discussions of word and image that often presuppose an ontological divide between them. This examination of the jeweled pagoda mandalas, therefore, recovers crucial dynamics underlying Japanese Buddhist art, including invisibility, performative viewing, and the spectacular visualizations of embodiment."
Author: Satoko Shimazaki
Publisher: Columbia University Press
ISBN: 0231540523
Category : History
Languages : en
Pages : 389
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Book Description
Satoko Shimazaki revisits three centuries of kabuki theater, reframing it as a key player in the formation of an early modern urban identity in Edo Japan and exploring the process that resulted in its re-creation in Tokyo as a national theatrical tradition. Challenging the prevailing understanding of early modern kabuki as a subversive entertainment and a threat to shogunal authority, Shimazaki argues that kabuki instilled a sense of shared history in the inhabitants of Edo (present-day Tokyo) by invoking "worlds," or sekai, derived from earlier military tales, and overlaying them onto the present. She then analyzes the profound changes that took place in Edo kabuki toward the end of the early modern period, which witnessed the rise of a new type of character: the vengeful female ghost. Shimazaki's bold reinterpretation of the history of kabuki centers on the popular ghost play Tokaido Yotsuya kaidan (The Eastern Seaboard Highway Ghost Stories at Yotsuya, 1825) by Tsuruya Nanboku IV. Drawing not only on kabuki scripts but also on a wide range of other sources, from theatrical ephemera and popular fiction to medical and religious texts, she sheds light on the development of the ubiquitous trope of the vengeful female ghost and its illumination of new themes at a time when the samurai world was losing its relevance. She explores in detail the process by which nineteenth-century playwrights began dismantling the Edo tradition of "presenting the past" by abandoning their long-standing reliance on the sekai. She then reveals how, in the 1920s, a new generation of kabuki playwrights, critics, and scholars reinvented the form again, "textualizing" kabuki so that it could be pressed into service as a guarantor of national identity.
Author: Andrea Castiglioni
Publisher: Bloomsbury Publishing
ISBN: 135017940X
Category : Religion
Languages : en
Pages : 304
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Book Description
Defining Shugendo brings together leading international experts on Japanese mountain asceticism to discuss what has been an essential component of Japanese religions for more than a thousand years. Contributors explore how mountains have been abodes of deities, a resting place for the dead, sources of natural bounty and calamities, places of religious activities, and a vast repository of symbols. The book shows that many peoples have chosen them as sites for ascetic practices, claiming the potential to attain supernatural powers there. This book discusses the history of scholarship on Shugendo, the development process of mountain worship, and the religious and philosophical features of devotion at specific sacred mountains. Moreover, it reveals the rich material and visual culture associated with Shugendo, from statues and steles, to talismans and written oaths.
Author: Gideon Fujiwara
Publisher: Cornell University Press
ISBN: 1501753940
Category : History
Languages : en
Pages : 383
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Book Description
From Country to Nation tracks the emergence of the modern Japanese nation in the nineteenth century through the history of some of its local aspirants. It explores how kokugaku (Japan studies) scholars envisioned their place within Japan and the globe, while living in a castle town and domain far north of the political capital. Gideon Fujiwara follows the story of Hirao Rosen and fellow scholars in the northeastern domain of Tsugaru. On discovering a newly "opened" Japan facing the dominant Western powers and a defeated Qing China, Rosen and other Tsugaru intellectuals embraced kokugaku to secure a place for their local "country" within the broader nation and to reorient their native Tsugaru within the spiritual landscape of an Imperial Japan protected by the gods. Although Rosen and his fellows celebrated the rise of Imperial Japan, their resistance to the Western influence and modernity embraced by the Meiji state ultimately resulted in their own disorientation and estrangement. By analyzing their writings—treatises, travelogues, letters, poetry, liturgies, and diaries—alongside their artwork, Fujiwara reveals how this socially diverse group of scholars experienced the Meiji Restoration from the peripheries. Using compelling firsthand accounts, Fujiwara tells the story of the rise of modern Japan, from the perspective of local intellectuals who envisioned their local "country" within a nation that emerged as an empire of the modern world.
Author: Janine Anderson Sawada
Publisher: University of Hawaii Press
ISBN: 0824890434
Category : Religion
Languages : en
Pages : 294
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Book Description
Even a fleeting glimpse of Mount Fuji’s snow-capped peak emerging from the clouds in the distance evokes the reverence it has commanded in Japan from ancient times. Long considered sacred, during the medieval era the mountain evolved from a venue for solitary ascetics into a well-regulated pilgrimage site. With the onset of the Tokugawa period, the nature of devotion to Mount Fuji underwent a dramatic change. Working people from nearby Edo (now Tokyo) began climbing the mountain in increasing numbers and worshipping its deity on their own terms, leading to a widespread network of devotional associations known as Fujikō. In Faith in Mount Fuji Janine Sawada asserts that the rise of the Fuji movement epitomizes a broad transformation in popular religion that took place in early modern Japan. Drawing on existing practices and values, artisans and merchants generated new forms of religious life outside the confines of the sectarian establishment. Sawada highlights the importance of independent thinking in these grassroots phenomena, making a compelling case that the new Fuji devotees carved out enclaves for subtle opposition to the status quo within the restrictive parameters of the Tokugawa order. The founding members effectively reinterpreted materials such as pilgrimage maps, talismans, and prayer formulae, laying the groundwork for the articulation of a set of remarkable teachings by Jikigyō Miroku (1671–1733), an oil peddler who became one of the group’s leading ascetic practitioners. His writings fostered a vision of Mount Fuji as a compassionate parental deity who mandated a new world of economic justice and fairness in social and gender relations. The book concludes with a thought-provoking assessment of Jikigyō’s suicide on the mountain as an act of commitment to world salvation that drew on established ascetic practice even as it conveyed political dissent. Faith in Mount Fuji is a pioneering work that contains a wealth of in-depth analysis and original interpretation. It will open up new avenues of discussion among students of Japanese religions and intellectual history, and supply rich food for thought to readers interested in global perspectives on issues of religion and society, ritual culture, new religions, and asceticism.
