Author: Helen Levitt
Publisher: W W Norton & Company Incorporated
ISBN: 9780393045499
Category : History
Languages : en
Pages : 141
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Book Description
A collection of sixty-seven photographs of the urban and semiurban areas of Mexico city taken in 1941
Author: Helen Levitt
Publisher: powerHouse Books
ISBN:
Category : Photography
Languages : en
Pages : 206
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Book Description
Capturing the diverse culture and street life of New York with pioneeringhotographs, from 1930s Harlem to black-and-white images from the 1980s and990s, a stunning collection pays homage to this acclaimed photographer.
Author:
Publisher:
ISBN: 9783868288766
Category :
Languages : de
Pages : 256
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Book Description
Author: Helen Levitt
Publisher: powerHouse Books
ISBN:
Category : Photography
Languages : en
Pages : 128
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Book Description
Featuring over 90 never-before-published photographs, this collection, as with 'Crosstown' before it, is an intimate record of streetlife in New York.
Author: Helen Levitt
Publisher: powerHouse Books
ISBN: 9781576878521
Category : Photography
Languages : en
Pages : 0
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Book Description
Helen Levitt's earliest pictures are a unique and irreplaceable look at street life in New York City from the mid-1930s to the end of the 1940s. There are children at play, lovers flirting, husbands and wives, young mothers with their babies, women gossiping, and lonely old men. A majority of these photographs have never been published. Other pictures included in this book are now world-famous, now part of the standard history of photography. Together they provide a record of New York not seen since Levitt's pioneering solo show at The Museum of Modern Art in 1943. Levitt's photographs are in some of the best photography collections in America, including: The Met, MoMA, The Smithsonian, Museum of Fine Arts Houston, and the Art Institute of Chicago.
Author: Helen Levitt
Publisher: Duke University Press
ISBN: 9780822307716
Category : Art
Languages : en
Pages : 118
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Book Description
Photobook chiefly containing over 100 photos of children's street drawings and messages, taken between 1938 and 1948. Each photograph was selected and arranged by the photographer.
Author: Helen Levitt
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 128
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Book Description
World-renowned for her iconic black and white street photographs, New York City's visual poet laureate Helen Levitt also possesses a little-known archive of colour work, which has been collected for the first time sin Slide Show. This book presents more than a hundred images, more than half of which have never been published or exhibited before. This impressive monograph is a worthy successor to her magnum opus, Crosstown, which included the largest collection of images to date. A truly definitive and marvellous collection of images from this master of the lens.
Author: Edward Grazda
Publisher: powerHouse Books
ISBN: 9781576878439
Category : Photography
Languages : en
Pages : 0
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Book Description
The black and white photos in Mean Streets, collected here in print for the first time, offer a look at the infamously hardscrabble NYC in the 70s and 80s captured with the deliberate and elegant eye that propelled Grazda to further success. In the late 1970s and early 80s, the institutions of power in New York had failed. A bankrupt city government had sold its power over to the banks, and the financiers' severe austerity programs gutted the city's support systems. Most of the city's traditional industries had already left, and those power brokers in charge of the new system retreated to their high rises and left the streets to the hustlers, preachers, and bums; the workers struggling to get by; and a new generation of artists who were squatting in the empty industrial buildings downtown and bearing witness to the urban decay and institutional abandonment all around them. For the tough and determined, the quick and the gifted, the prescient and the prolific, a cheap living could be scratched out in the mean streets. Renowned photographer Edward Grazda began his career in that version of NYC. The black and white photos in Mean Streets, collected here in print for the first time, offer a look at that desolate era captured with the deliberate and elegant eye that propelled Grazda to further success. It's a version of New York that has been all but scrubbed clean in the financially solvent years that have followed, but the character of the city has been indelibly marked by the scars of those years.
Author: Trent Parke
Publisher:
ISBN: 9781913288136
Category :
Languages : en
Pages : 132
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Book Description
Born in the Australian steel city of Newcastle, one of TRENT PARKE?S only early childhood memories is accompanying his mother to pick his dad up from work, travelling through a landscape dominated by ship yards, chimneys, and the BHP steelworks. 00Throughout his career PARKE has always been interested in the transformative powers of light, but it was the ephemeral changing colours of dawn and dusk, the multitude or different reds that made him curious about the colour crimson. He discovered the colour that is used in commercial products is harvested from the crushed and boiled bodies of the female scale insect, the Cochineal. A tiny minute insect who inhabits the pads of the prickly pear cactus and who are farmed for their crimson dye. A dye now used primarily in cosmetics and food colouring. 00Scarlet, magenta, orange, and crimson, are the coloured dyes produced by the Cochineal and also seem to feature spectacularly in the colours of creation, as seen in an Eagle Nebula during the birth of a new star and recorded by the Hubble space telescope. These colours of birth and blood Parke also remembers from the bath water, the umbilical cord and placenta, at the birth of his sons.
Author: Carrie Boretz
Publisher: powerHouse Books
ISBN: 9781576878422
Category : Photography
Languages : en
Pages : 0
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Book Description
The photographs inSTREETwere taken by Carrie Boretz in New York City from the mid-1970s through the 1990s. It is common knowledge that the city was on rocky ground for many of those years but these are not pictures filled with drama or strife. Instead Boretz was always more interested in the subtle and familiar moments of everyday life in the various neighborhoods where she lived, before much of the graffiti was scrubbed away and the city sanitized and reborn to what it has since become. For so many living in and visiting New York today, it is forgotten or altogether not known how different so many parts of the city were during that time. Many of these pictures show the reality of the streets then, where every day workers, the homeless, the affluent, and tourists all shared the common space, providing examples of how one of the greatest cities in the world was one often filled with contradictions. But there is also a timeless element to these images as children still play in the parks, streets, and schoolyards, commuters still face the elements daily as they wait, there are still regular demonstrations and parades, and the whole spectrum of the joys and pitfalls of humanity are still visible most anywhere a person looks. For Boretz nothing was scripted, it all played out right before her. As Patti Smith said, "You need no rationale, no schooling. It's love at first sight. You see something and you have to capture it. Instinctive, bang, you feel one with it." Indeed, Boretz doesn't have a philosophy about shooting other than trusting her instinct: she saw, she shot, she moved on, always looking for moments that made her heart beat faster. It was the continual rush of knowing that at any time she could come upon something real and beautiful. That is why and how she shot and why and how herSTREETis so special.
