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Author: Miguel Ramalhete Gomes
Publisher: Rodopi
ISBN: 940121185X
Category : Drama
Languages : en
Pages : 303
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Book Description
Heiner Müller’s re-imaginings of William Shakespeare have puzzled and fascinated readers and spectators alike for the past forty-five years. For the first time, this study addresses all of Müller’s re-workings of Shakespeare, including dramatic adaptations, translations, poems, references in interviews and in his autobiography, as well as fragments of unfinished projects, not forgetting the strong Shakespearean echoes in Müller’s last play, Germania 3. An analysis of Müller’s diverse positions regarding different understandings of history and of its catastrophic violence suggests that Shakespeare is at the literary and theoretical core of Müller’s always complex and conflicted relation with philosophy of history and with the notions of heritage, fragmentation and difference.
Author: Miguel Ramalhete Gomes
Publisher: Rodopi
ISBN: 940121185X
Category : Drama
Languages : en
Pages : 303
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Book Description
Heiner Müller’s re-imaginings of William Shakespeare have puzzled and fascinated readers and spectators alike for the past forty-five years. For the first time, this study addresses all of Müller’s re-workings of Shakespeare, including dramatic adaptations, translations, poems, references in interviews and in his autobiography, as well as fragments of unfinished projects, not forgetting the strong Shakespearean echoes in Müller’s last play, Germania 3. An analysis of Müller’s diverse positions regarding different understandings of history and of its catastrophic violence suggests that Shakespeare is at the literary and theoretical core of Müller’s always complex and conflicted relation with philosophy of history and with the notions of heritage, fragmentation and difference.
Author: Heiner Müller
Publisher:
ISBN: 9781555541521
Category :
Languages : en
Pages : 0
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Book Description
A volume of plays of the world-renowned author, Heiner Müller.
Author: M. T. De Vries
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: David Barnett
Publisher: Routledge
ISBN: 1317274733
Category : Drama
Languages : en
Pages : 72
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Book Description
"I’m good Hamlet gi’me a cause for grief" At first glance, readers of The Hamletmachine (1979) could be forgiven for wondering whether it is actually a play at all: it opens with a montage of texts that are not ascribed to a character, there is no vestige of a plot, and the whole piece lasts a total of ten pages. Yet, Heiner Müller’s play regularly features in theatres’ repertoires and is frequently staged by university theatre departments. In four short chapters, David Barnett unpicks the complexities of The Hamletmachine’s writing and frames its author as an experimental, politically committed writer who confronts the shortcomings of his age. In considering the problems Müller poses for the play’s performance, he also discusses two exemplary productions in order to show how the work can engage very different audiences. This book examines why such a compact, radically open, and yet seemingly obscure play has proved so popular.
Author: Heiner Müller
Publisher: PAJ Playscripts (Paperback)
ISBN: 9780933826458
Category : Drama
Languages : en
Pages : 0
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Book Description
Hamletmachine is a . . . work of monumental scope.--Village Voice.
Author: Jonathan Kalb
Publisher: Hal Leonard Corporation
ISBN: 0879109653
Category : Performing Arts
Languages : en
Pages : 303
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Book Description
The revised and enlarged edition of the first comprehensive English-language study of the work of Heiner Muller, widely regarded as Bertolt Brecht's spiritual heir and as one of the most important German playwrights of the twentieth century. "Kalb's quest to try and penetrate some of the surfaces of what he calls this 'glacially infuriating writer' is engrossing, and he negotiates his own ambivalences and reservations about Muller as theatre-maker and man with both honesty and adroitness...As a piece of scholarship [this] is a breathtaking tour de force." -Mary Luckhurst, New Theatre Quarterly
Author: Daniel Fischlin
Publisher: Routledge
ISBN: 1134692021
Category : Literary Criticism
Languages : en
Pages : 327
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Book Description
Shakespeare's plays have been adapted or rewritten in various, often surprising, ways since the seventeenth century. This groundbreaking anthology brings together twelve theatrical adaptations of Shakespeares work from around the world and across the centuries. The plays include The Woman's Prize or the Tamer Tamed John Fletcher The History of King Lear Nahum Tate King Stephen: A Fragment of a Tragedy John Keats The Public (El P(blico) Federico Garcia Lorca The Resistible Rise of Arturo Ui Bertolt Brecht uMabatha Welcome Msomi Measure for Measure Charles Marowitz Hamletmachine Heiner Müller Lears Daughters The Womens Theatre Group & Elaine Feinstein Desdemona: A Play About a Handkerchief Paula Vogel This Islands Mine Philip Osment Harlem Duet Djanet Sears Each play is introduced by a concise, informative introduction with suggestions for further reading. The collection is prefaced by a detailed General Introduction, which offers an invaluable examination of issues related to
Author: C. Dente
Publisher: Springer
ISBN: 1137311347
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
What has been the role played by principles, patterns and situations of conflict in the construction of Shakespeare's myth, and in its European and then global spread? The fascinatingly complex picture that emerges from this collection provides new insight into Shakespeare's unique position in world literature and culture.
Author: Dennis Kennedy
Publisher: Cambridge University Press
ISBN: 9780521617086
Category : Literary Criticism
Languages : en
Pages : 338
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Book Description
This collection considers contemporary performance of Shakespeare's plays in non-English-speaking theatres.
Author: Wilhelm Hortmann
Publisher: Cambridge University Press
ISBN: 9780521343862
Category : Drama
Languages : en
Pages : 532
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Book Description
Shakespeare has been a central figure in German literature and theatre. This book tells the story of Shakespeare in the German-speaking theatre against the background of German culture and politics in the twentieth century. It follows the earlier volume by Simon Williams on the reception of Shakespeare during the previous 300 years (Shakespeare on the German Stage, 1586-1914). Hortmann concentrates on the two most important and fruitful periods: the years of the Weimar Republic (1919-1933) and the turbulent decades of the sixties and seventies, when the German theatre was revitalised by a stormy marriage of avant-garde art and revolutionary politics. A section by Maik Hamburger covers developments in the theatres of the German Democratic Republic. Hortmann focuses on the most representative and colourful directors and actors, describing and illustrating individual productions as examples of particular trends or movements.
