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Author: Heiner Müller
Publisher:
ISBN: 9781555541521
Category :
Languages : en
Pages : 0
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Book Description
A volume of plays of the world-renowned author, Heiner Müller.
Author: Heiner Müller
Publisher:
ISBN: 9781555541521
Category :
Languages : en
Pages : 0
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Book Description
A volume of plays of the world-renowned author, Heiner Müller.
Author: Miguel Ramalhete Gomes
Publisher: Rodopi
ISBN: 940121185X
Category : Drama
Languages : en
Pages : 303
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Book Description
Heiner Müller’s re-imaginings of William Shakespeare have puzzled and fascinated readers and spectators alike for the past forty-five years. For the first time, this study addresses all of Müller’s re-workings of Shakespeare, including dramatic adaptations, translations, poems, references in interviews and in his autobiography, as well as fragments of unfinished projects, not forgetting the strong Shakespearean echoes in Müller’s last play, Germania 3. An analysis of Müller’s diverse positions regarding different understandings of history and of its catastrophic violence suggests that Shakespeare is at the literary and theoretical core of Müller’s always complex and conflicted relation with philosophy of history and with the notions of heritage, fragmentation and difference.
Author: M. T. De Vries
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Heiner Müller
Publisher: PAJ Playscripts (Paperback)
ISBN: 9780933826458
Category : Drama
Languages : en
Pages : 0
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Book Description
Hamletmachine is a . . . work of monumental scope.--Village Voice.
Author: Jonathan Kalb
Publisher: Hal Leonard Corporation
ISBN: 0879109653
Category : Performing Arts
Languages : en
Pages : 303
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Book Description
The revised and enlarged edition of the first comprehensive English-language study of the work of Heiner Muller, widely regarded as Bertolt Brecht's spiritual heir and as one of the most important German playwrights of the twentieth century. "Kalb's quest to try and penetrate some of the surfaces of what he calls this 'glacially infuriating writer' is engrossing, and he negotiates his own ambivalences and reservations about Muller as theatre-maker and man with both honesty and adroitness...As a piece of scholarship [this] is a breathtaking tour de force." -Mary Luckhurst, New Theatre Quarterly
Author: Michael Dobson
Publisher: Cambridge Scholars Publishing
ISBN: 1443878707
Category : Art
Languages : en
Pages : 195
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Book Description
Why have contemporary playwrights been obsessed by Shakespeare’s plays to such an extent that most of the canon has been rewritten by one rising dramatist or another over the last half century? Among other key figures, Edward Bond, Heiner Müller, Carmelo Bene, Arnold Wesker, Tom Stoppard, Howard Barker, Botho Strauss, Tim Crouch, Bernard Marie Koltès, and Normand Chaurette have all put their radical originality into the service of adapting four-century-old classics. The resulting works provide food for thought on issues such as Shakespearean role-playing, narrative and structural re-shuffling. Across the world, new writers have questioned the political implications and cultural stakes of repeating Shakespeare with and without a difference, finding inspiration in their own national experiences and in the different ordeals they have undergone. How have our contemporaries carried out their rewritings, and with what aims? Can we still play Hamlet, for instance, as Dieter Lesage asks in his book bearing this title, or do we have to “kill Shakespeare” as Normand Chaurette implies in a work where his own creative process is detailed? What do these rewritings really share with their sources? Are they meaningful only because of Shakespeare’s shadow haunting them? Where do we draw the lines between “interpretation,” “adaptation” and “rewriting”? The contributors to this collection of essays examine modern rewritings of Shakespeare from both theoretical and pragmatic standpoints. Key questions include: can a rewriting be meaningful without the reader’s or spectator’s already knowing Shakespeare? Do modern rewritings supplant Shakespeare’s texts or curate them? Does the survival of Shakespeare in the theatrical repertory actually depend on the continued dramatization of our difficult encounters with these potentially obsolete scripts represented by rewriting?
Author: Aneta Mancewicz
Publisher: Springer Nature
ISBN: 3030968065
Category : Performing Arts
Languages : en
Pages : 241
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Book Description
Post-war European adaptations of Hamlet are defined by ambiguities and inconsistencies. Such features are at odds with the traditional model of adaptation, which focuses on expanding and explaining the source. Inspired by Derrida’s deconstruction, this book introduces a new interpretative paradigm. Central to this paradigm is the idea that an act of adaptation consists in foregrounding gaps and incoherencies in the source; it is about questioning rather than clarifying. The book explores this paradigm through seven representative European adaptations of Hamlet produced between the 1960s and the 2010s: dramatic texts, live theatre productions, and a mixed reality performance. They systematically challenge the post-Romantic idea of Hamlet as a tragedy of great passions and heroic deeds. What does this say about Hamlet’s impact on post-war theatre and culture? The deconstructive analyses offered in this book show how adaptations of Hamlet capture crucial anxieties and concerns of post-war Europe, such as political disillusionment, postmodern scepticism, and feminist resistance, revealing exciting connections between European traditions.
Author: J. Lawrence Guntner
Publisher: University of Delaware Press
ISBN: 9780874136043
Category : Drama
Languages : en
Pages : 308
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Book Description
"This collection consists of essays on literary theory and history from a Marxist perspective, interviews with directors and dramaturgs on theater practice on the East German stage before 1990, and interviews with women who were active in the East German theater and are even more active since reunification."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Diana E. Henderson
Publisher: Bloomsbury Publishing
ISBN: 1350110310
Category : Literary Criticism
Languages : en
Pages : 433
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Book Description
The Arden Research Handbook of Shakespeare and Adaptation explores the dynamics of adapted Shakespeare across a range of literary genres and new media forms. This comprehensive reference and research resource maps the field of Shakespeare adaptation studies, identifying theories of adaptation, their application in practice and the methodologies that underpin them. It investigates current research and points towards future lines of enquiry for students, researchers and creative practitioners of Shakespeare adaptation. The opening section on research methods and problems considers definitions and theories of Shakespeare adaptation and emphasises how Shakespeare is both adaptor and adapted.A central section develops these theoretical concerns through a series of case studies that move across a range of genres, media forms and cultures to ask not only how Shakespeare is variously transfigured, hybridised and valorised through adaptational play, but also how adaptations produce interpretive communities, and within these potentially new literacies, modes of engagement and sensory pleasures. The volume's third section provides the reader with uniquely detailed insights into creative adaptation, with writers and practice-based researchers reflecting on their close collaborations with Shakespeare's works as an aesthetic, ethical and political encounter. The Handbook further establishes the conceptual parameters of the field through detailed, practical resources that will aid the specialist and non-specialist reader alike, including a guide to research resources and an annotated bibliography.
Author: Pascale Aebischer
Publisher: Cambridge University Press
ISBN: 1108952186
Category : Literary Criticism
Languages : en
Pages : 164
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Book Description
This Element offers a first-person phenomenological history of watching productions of Shakespeare during the pandemic year of 2020. The first section of the Element explores how Shakespeare 'went viral' during the first lockdown of 2020 and considers how the archival recordings of Shakespeare productions made freely available by theatres across Europe and North America impacted on modes of spectatorship and viewing practices, with a particular focus on the effect of binge-watching Hamlet in lockdown. The Element's second section documents two made-for-digital productions of Shakespeare by Oxford-based Creation Theatre and Northern Irish Big Telly, two companies who became leaders in digital theatre during the pandemic. It investigates how their productions of The Tempest and Macbeth modelled new platform-specific ways of engaging with audiences and creating communities of viewing at a time when, in the UK, government policies were excluding most non-building-based theatre companies and freelancers from pandemic relief packages.
