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Author: Heiner Müller
Publisher:
ISBN: 9781555541521
Category :
Languages : en
Pages : 0
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Book Description
A volume of plays of the world-renowned author, Heiner Müller.
Author: Heiner Müller
Publisher:
ISBN: 9781555541521
Category :
Languages : en
Pages : 0
Get Book Here
Book Description
A volume of plays of the world-renowned author, Heiner Müller.
Author: Heiner Müller
Publisher: PAJ Playscripts (Paperback)
ISBN: 9780933826458
Category : Drama
Languages : en
Pages : 0
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Book Description
Hamletmachine is a . . . work of monumental scope.--Village Voice.
Author: Jonathan Kalb
Publisher: Hal Leonard Corporation
ISBN: 0879109653
Category : Performing Arts
Languages : en
Pages : 303
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Book Description
The revised and enlarged edition of the first comprehensive English-language study of the work of Heiner Muller, widely regarded as Bertolt Brecht's spiritual heir and as one of the most important German playwrights of the twentieth century. "Kalb's quest to try and penetrate some of the surfaces of what he calls this 'glacially infuriating writer' is engrossing, and he negotiates his own ambivalences and reservations about Muller as theatre-maker and man with both honesty and adroitness...As a piece of scholarship [this] is a breathtaking tour de force." -Mary Luckhurst, New Theatre Quarterly
Author: Edward Jones
Publisher: John Wiley & Sons
ISBN: 1118635159
Category : Literary Criticism
Languages : en
Pages : 384
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Book Description
Bringing together a broad range of case studies written bya team of international scholars, this Concise Companionestablishes how manuscripts and printed books met the needs oftwo different approaches to literacy in the early modernperiod. Features essays illustrating the particular ways a manuscriptand a printed book reflect the different emphases of an elite,private and an egalitarian, public culture, both of which accountfor the literary achievements of the Renaissance Includes wide-ranging essays, from printing the Gospels inArabic to a contemporary reconceptualization of Shakespeare'sTitus Andronicus Increases accessibility through a rubric organized aroundarchival and manuscript studies; the provenance of texts andthe authority of editions; and studies of genre, religion andliterary history Announces the recovery of archival documents, which insome instances are over four hundred years old Places translations of Milton's Latin, Greek, and Italianalongside the original texts to increase accessibility for a wideaudience of students and scholars Provides an invaluable platform for highlighting on-goingattention to the history of the book and its corollary subjects ofreading and writing practices in the 1500s and 1600s
Author: Pascale Aebischer
Publisher: Cambridge University Press
ISBN: 1108952186
Category : Literary Criticism
Languages : en
Pages : 164
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Book Description
This Element offers a first-person phenomenological history of watching productions of Shakespeare during the pandemic year of 2020. The first section of the Element explores how Shakespeare 'went viral' during the first lockdown of 2020 and considers how the archival recordings of Shakespeare productions made freely available by theatres across Europe and North America impacted on modes of spectatorship and viewing practices, with a particular focus on the effect of binge-watching Hamlet in lockdown. The Element's second section documents two made-for-digital productions of Shakespeare by Oxford-based Creation Theatre and Northern Irish Big Telly, two companies who became leaders in digital theatre during the pandemic. It investigates how their productions of The Tempest and Macbeth modelled new platform-specific ways of engaging with audiences and creating communities of viewing at a time when, in the UK, government policies were excluding most non-building-based theatre companies and freelancers from pandemic relief packages.
Author: Maria Del Sapio Garbero
Publisher: Routledge
ISBN: 1000531597
Category : Literary Criticism
Languages : en
Pages : 389
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Book Description
Rome was tantamount to its ruins, a dismembered body, to the eyes of those – Italians and foreigners – who visited the city in the years prior to or encompassing the lengthy span of the Renaissance. Drawing on the double movement of archaeological exploration and creative reconstruction entailed in the humanist endeavour to ‘resurrect’ the past, ‘ruins’ are seen as taking precedence over ‘myth’, in Shakespeare’s Rome. They are assigned the role of a heuristic model, and discovered in all their epistemic relevance in Shakespeare’s dramatic vision of history and his negotiation of modernity. This is the first book of its kind to address Shakespeare’s relationship with Rome’s authoritative myth, archaeologically, by taking as a point of departure a chronological reversal, namely the vision of the ‘eternal’ city as a ruinous scenario and hence the ways in which such a layered, ‘silent’, and aporetic scenario allows for an archaeo-anatomical approach to Shakespeare’s Roman works.
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 154
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Book Description
Author: Aneta Mancewicz
Publisher: Springer Nature
ISBN: 3030968065
Category : Performing Arts
Languages : en
Pages : 241
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Book Description
Post-war European adaptations of Hamlet are defined by ambiguities and inconsistencies. Such features are at odds with the traditional model of adaptation, which focuses on expanding and explaining the source. Inspired by Derrida’s deconstruction, this book introduces a new interpretative paradigm. Central to this paradigm is the idea that an act of adaptation consists in foregrounding gaps and incoherencies in the source; it is about questioning rather than clarifying. The book explores this paradigm through seven representative European adaptations of Hamlet produced between the 1960s and the 2010s: dramatic texts, live theatre productions, and a mixed reality performance. They systematically challenge the post-Romantic idea of Hamlet as a tragedy of great passions and heroic deeds. What does this say about Hamlet’s impact on post-war theatre and culture? The deconstructive analyses offered in this book show how adaptations of Hamlet capture crucial anxieties and concerns of post-war Europe, such as political disillusionment, postmodern scepticism, and feminist resistance, revealing exciting connections between European traditions.
Author: Michael Dobson
Publisher: Cambridge Scholars Publishing
ISBN: 1443878707
Category : Art
Languages : en
Pages : 195
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Book Description
Why have contemporary playwrights been obsessed by Shakespeare’s plays to such an extent that most of the canon has been rewritten by one rising dramatist or another over the last half century? Among other key figures, Edward Bond, Heiner Müller, Carmelo Bene, Arnold Wesker, Tom Stoppard, Howard Barker, Botho Strauss, Tim Crouch, Bernard Marie Koltès, and Normand Chaurette have all put their radical originality into the service of adapting four-century-old classics. The resulting works provide food for thought on issues such as Shakespearean role-playing, narrative and structural re-shuffling. Across the world, new writers have questioned the political implications and cultural stakes of repeating Shakespeare with and without a difference, finding inspiration in their own national experiences and in the different ordeals they have undergone. How have our contemporaries carried out their rewritings, and with what aims? Can we still play Hamlet, for instance, as Dieter Lesage asks in his book bearing this title, or do we have to “kill Shakespeare” as Normand Chaurette implies in a work where his own creative process is detailed? What do these rewritings really share with their sources? Are they meaningful only because of Shakespeare’s shadow haunting them? Where do we draw the lines between “interpretation,” “adaptation” and “rewriting”? The contributors to this collection of essays examine modern rewritings of Shakespeare from both theoretical and pragmatic standpoints. Key questions include: can a rewriting be meaningful without the reader’s or spectator’s already knowing Shakespeare? Do modern rewritings supplant Shakespeare’s texts or curate them? Does the survival of Shakespeare in the theatrical repertory actually depend on the continued dramatization of our difficult encounters with these potentially obsolete scripts represented by rewriting?
Author: Heiner Müller
Publisher: Fager and Faber
ISBN: 9780571175284
Category : German literature
Languages : en
Pages : 183
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Book Description
This book journeys through Muller's diverse structures over the last 40 years to present a selection of playtexts, poems, short prose and essays. A comprehensive introduction to Muller's work is provided by the translator, Marc von Henning.
