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Author: Vice Media
Publisher: Simon and Schuster
ISBN: 1439126844
Category : Biography & Autobiography
Languages : en
Pages : 306
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Book Description
documentary Heavy Metal in Baghdad featuring the members of Iraq’s only heavy metal band—Acrassicauda—and their daily struggle to survive and rock on even as their country fell into a bloody insurgency. Acrassicauda (Latin for a deadly black scorpion) is Iraq’s only heavy metal band. Inspired by groups like Metallica, Slayer, and Slipknot, the band began writing and playing metal in 2001, performing a handful of shows before the war started in 2003. With increased security precautions throughout Iraq, it became difficult to practice or even get through a show without serious problems. When they began receiving death threats from insurgent groups and religious fundamentalists accused them of Satan-worship, they became a band on the run. As recently seen in the feature film documentary of the same name, Iraq disintegrated around them while Acrassicauda struggled to stay together and stay alive, always refusing to let their heavy metal dreams die. Their story echoes the unspoken hopes of an entire generation of young Iraqis, and it became a race-against-time humanitarian effort, irrevocably transforming everyone’s lives in the process. Going beyond the documentary to explore all the players’ unique perspectives, Heavy Metal in Baghdad features new information about one of the most dramatic and unique stories in modern music.
Author: Vice Media
Publisher: Simon and Schuster
ISBN: 1439126844
Category : Biography & Autobiography
Languages : en
Pages : 306
Get Book Here
Book Description
documentary Heavy Metal in Baghdad featuring the members of Iraq’s only heavy metal band—Acrassicauda—and their daily struggle to survive and rock on even as their country fell into a bloody insurgency. Acrassicauda (Latin for a deadly black scorpion) is Iraq’s only heavy metal band. Inspired by groups like Metallica, Slayer, and Slipknot, the band began writing and playing metal in 2001, performing a handful of shows before the war started in 2003. With increased security precautions throughout Iraq, it became difficult to practice or even get through a show without serious problems. When they began receiving death threats from insurgent groups and religious fundamentalists accused them of Satan-worship, they became a band on the run. As recently seen in the feature film documentary of the same name, Iraq disintegrated around them while Acrassicauda struggled to stay together and stay alive, always refusing to let their heavy metal dreams die. Their story echoes the unspoken hopes of an entire generation of young Iraqis, and it became a race-against-time humanitarian effort, irrevocably transforming everyone’s lives in the process. Going beyond the documentary to explore all the players’ unique perspectives, Heavy Metal in Baghdad features new information about one of the most dramatic and unique stories in modern music.
Author: Jason Conroy
Publisher: Potomac Books, Inc.
ISBN: 1574888560
Category : Biography & Autobiography
Languages : en
Pages : 312
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Book Description
A no-holds-barred account from the tip of the Army s spear
Author: Mark LeVine
Publisher: Univ of California Press
ISBN: 0520389395
Category : Family & Relationships
Languages : en
Pages : 227
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Book Description
This updated reissue of Mark LeVine’s acclaimed, revolutionary book on sub- and countercultural music in the Middle East brings this groundbreaking portrait of the region’s youth cultures to a new generation. Featuring a new preface by the author in conversation with the band The Kominas about the problematic connections between extreme music and Islam. An eighteen-year-old Moroccan who loves Black Sabbath. A twenty-two-year-old rapper from the Gaza Strip. A young Lebanese singer who quotes Bob Marley’s “Redemption Song.” Heavy metal, punk, hip-hop, and reggae are each the music of protest, and are considered immoral by many in the Muslim world. As the young people and subcultures featured in Mark LeVine’s Heavy Metal Islam so presciently predicted, this music turned out to be the soundtrack of countercultures, uprisings, and even revolutions from Morocco to Pakistan. In Heavy Metal Islam, originally published in 2008, Mark LeVine explores the influence of Western music on the Middle East and North Africa through interviews with musicians and fans, introducing us to young people struggling to reconcile their religion with a passion for music and a thirst for change. The result is a revealing tour de force of contemporary cultures across the Muslim majority world through the region’s evolving music scenes that only a musician, scholar, and activist with LeVine’s unique breadth of experience could narrate. A New York Times Editor’s Pick when it was first published, Heavy Metal Islam is a surprising, wildly entertaining foray into a historically authoritarian region where music reveals itself to be a true democratizing force—and a groundbreaking work of scholarship that pioneered new forms of research in the region.
Author: Roy Scranton
Publisher: Soho Press
ISBN: 1616957166
Category : Fiction
Languages : en
Pages : 353
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Book Description
"One of the best and most disturbing war novels in years." —The Wall Street Journal “War porn,” n. Videos, images, and narratives featuring graphic violence, often brought back from combat zones, viewed voyeuristically or for emotional gratification. Such media are often presented and circulated without context, though they may be used as evidence of war crimes. War porn is also, in Roy Scranton’s searing debut novel, a metaphor for the experience of war in the age of the War on Terror, the fracturing and fragmentation of perspective, time, and self that afflicts soldiers and civilians alike, the global networks and face-to-face moments that suture our fragmented lives together. In War Porn three lives fit inside one another like nesting dolls: a restless young woman at an end-of-summer barbecue in Utah; an American soldier in occupied Baghdad; and Qasim al-Zabadi, an Iraqi math professor, who faces the US invasion of his country with fear, denial, and perseverance. As War Porn cuts from America to Iraq and back again, as home and hell merge, we come to see America through the eyes of the occupied, even as we see Qasim become a prisoner of the occupation. Through the looking glass of War Porn, Scranton reveals the fragile humanity that connects Americans and Iraqis, torturers and the tortured, victors and their victims.
Author: Jonathan R. Pieslak
Publisher: Indiana University Press
ISBN: 0253353238
Category : Iraq War, 2003-
Languages : en
Pages : 241
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Book Description
'Sound Targets' explores the role of music in American military culture, focusing on the experiences of soldiers returning from active service in Iraq. Pieslak describes how American soldiers hear, share, use & produce music, both on & off duty.
Author: Darin Pepple
Publisher:
ISBN: 9780578865799
Category :
Languages : en
Pages :
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Book Description
During the height of the Global War on Terrorism, Lieutenant Eddie Fitzgerald is sent straight from school to Iraq as a casualty replacement. Immediately thrown into combat, he must quickly overcome his naivety and earn the trust of his unit in order to survive. However, if hunting Al Qaeda wasn't enough, he's quickly pulled into Arab tribal politics and Army officer rivalries that threaten to spoil any work that he accomplishes.
Author: Massimo Introvigne
Publisher: BRILL
ISBN: 9004244964
Category : Religion
Languages : en
Pages : 665
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Book Description
A 17th-century French haberdasher invented the Black Mass. An 18th-century English Cabinet Minister administered the Eucharist to a baboon. High-ranking Catholic authorities in the 19th century believed that Satan appeared in Masonic lodges in the shape of a crocodile and played the piano there. A well-known scientist from the 20th century established a cult of the Antichrist and exploded in a laboratory experiment. Three Italian girls in 2000 sacrificed a nun to the Devil. A Black Metal band honored Satan in Krakow, Poland, in 2004 by exhibiting on stage 120 decapitated sheep heads. Some of these stories, as absurd as they might sound, were real. Others, which might appear to be equally well reported, are false. But even false stories have generated real societal reactions. For the first time, Massimo Introvigne proposes a general social history of Satanism and anti-Satanism, from the French Court of Louis XIV to the Satanic scares of the late 20th century, satanic themes in Black Metal music, the Church of Satan, and beyond.
Author: Taylor & Francis Group
Publisher: Routledge
ISBN: 9780367662387
Category :
Languages : en
Pages : 214
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Book Description
The chapters collected in this volume shed light on the areas of interaction between film studies and heavy metal research, exploring how the audio-visual medium of film relates to, builds on and shapes metal culture. At one end of the spectrum, metal music serves as a form of ambient background in horror films that creates an intense and somewhat threatening atmosphere; at the other end, the high level of performativity attached to the metal spectacle is emphasized. Alongside these tendencies, the recent and ongoing wave of metal documentaries has taken off, relying on either satire or hagiography.
Author: Brian Flota
Publisher: Routledge
ISBN: 131702026X
Category : Social Science
Languages : en
Pages : 232
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Book Description
Seeking to extend discussions of 9/11 music beyond the acts typically associated with the September 11th attacks”U2, Toby Keith, The Dixie Chicks, Bruce Springsteen”this collection interrogates the politics of a variety of post-9/11 music scenes. Contributors add an aural dimension to what has been a visual conceptualization of this important moment in US history by articulating the role that lesser-known contemporary musicians have played”or have refused to play”in constructing a politics of protest in direct response to the trauma inflicted that day. Encouraging new conceptualizations of what constitutes 'political music,' The Politics of Post-9/11 Music covers topics as diverse as the rise of Internet music distribution, Christian punk rock, rap music in the Obama era, and nostalgia for 1960s political activism.
Author: Richard Poplak
Publisher: Catapult
ISBN: 1593762925
Category : Social Science
Languages : en
Pages : 369
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Book Description
What happens to our pop culture when it meets another culture head-on—especially one that, according to some, is completely at odds with our own? In The Sheikh’s Batmobile, pop culture commentator Richard Poplak sets out on an unusual two-year odyssey. His mission is to see what becomes of his and America’s obsessions—pop songs and sitcoms, Hollywood movies and shoot-'em-up video games, muscle cars and punk music—when they make their way into the Muslim world. Over the course of his journey, Poplak gets body-slammed by WWE fans in Afghanistan, hangs out with hip-hop artists in Palestine, headbangs to heavy metal in Cairo, discovers a world of extreme makeovers in Beirut, bowls with the chief of police in small-town Kazakhstan, and encounters a mysterious Texan who builds rocket-propelled Batmobiles for a clientele of sheikhs. With uproarious humor and keen cultural insight, Poplak asks some vital questions: How is American pop culture consumed and reinterpreted in the Islamic world? What does that say about how we are viewed by young Muslims? And can Homer Simpson bridge the divisions that are tearing our world apart?
