Heavens to Betsy! and Other Curios Sayings by Charles Earle Funk PDF Download
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Author: Charles Earle Funk
Publisher:
ISBN:
Category :
Languages : en
Pages : 224
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Book Description
Author: Charles Earle Funk
Publisher:
ISBN:
Category :
Languages : en
Pages : 224
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Book Description
Author: Charles Earle Funk
Publisher: Harper Paperbacks
ISBN:
Category : History
Languages : en
Pages : 228
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Book Description
Education library copy lacks p. 31-32.
Author: Charles E. Funk
Publisher: Harper Collins
ISBN: 0060513314
Category : Language Arts & Disciplines
Languages : en
Pages : 226
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Book Description
He's as mad as a hatter! Whether it's like a bump on a log or a bat out of hell, these expressions have been around forever, but we've never really known why ... until now! Finally Dr. Funk explains more than 400 droll, colorful, and sometimes pungent expressions of everyday speech. Derived from classical sources, historic events, famous literature, frontier humor, and the frailties of humankind, each of these sayings has an interesting story behind its origin. If you've ever wondered why when you're in a hurry you are told to hold your horses, wonder no more!
Author: Charles Earle Funk
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 224
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Book Description
Author: Charles Earle FUNK (the Elder.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 224
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Book Description
Author: Charles Earle Funk
Publisher: Turtleback Books
ISBN: 9781417756513
Category : Language Arts & Disciplines
Languages : en
Pages :
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Book Description
Whether it's like "a bump on a log" or "a bat out of hell, " these expressions have been around forever. Dr. Funk explains over 400 droll, colorful, and sometimes pungent expressions of everyday speech. Derived from classical sources, historic events, famous literature, frontier humor, and the frailties of humankind, each of these sayings have an interesting story behind their origin.
Author: Charles Earle Funk
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 214
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Book Description
Author: Charles Earle Funk
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 266
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Book Description
A Potpourri of curious words like butterscotch, sputnik, or pin money, with explanations of their origin and significance.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Rosalind E. Krauss
Publisher: MIT Press
ISBN: 9780262611053
Category : Design
Languages : en
Pages : 374
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Book Description
The Optical Unconscious is a pointed protest against the official story of modernism and against the critical tradition that attempted to define modern art according to certain sacred commandments and self-fulfilling truths. The account of modernism presented here challenges the vaunted principle of "vision itself." And it is a very different story than we have ever read, not only because its insurgent plot and characters rise from below the calm surface of the known and law-like field of modernist painting, but because the voice is unlike anything we have heard before. Just as the artists of the optical unconscious assaulted the idea of autonomy and visual mastery, Rosalind Krauss abandons the historian's voice of objective detachment and forges a new style of writing in this book: art history that insinuates diary and art theory, and that has the gait and tone of fiction. The Optical Unconscious will be deeply vexing to modernism's standard-bearers, and to readers who have accepted the foundational principles on which their aesthetic is based. Krauss also gives us the story that Alfred Barr, Meyer Shapiro, and Clement Greenberg repressed, the story of a small, disparate group of artists who defied modernism's most cherished self-descriptions, giving rise to an unruly, disruptive force that persistently haunted the field of modernism from the 1920s to the 1950s and continues to disrupt it today. In order to understand why modernism had to repress the optical unconscious, Krauss eavesdrops on Roger Fry in the salons of Bloomsbury, and spies on the toddler John Ruskin as he amuses himself with the patterns of a rug; we find her in the living room of Clement Greenberg as he complains about "smart Jewish girls with their typewriters" in the 1960s, and in colloquy with Michael Fried about Frank Stella's love of baseball. Along the way, there are also narrative encounters with Freud, Jacques Lacan, Georges Bataille, Roger Caillois, Gilles Deleuze, and Jean-François Lyotard. To embody this optical unconscious, Krauss turns to the pages of Max Ernst's collage novels, to Marcel Duchamp's hypnotic Rotoreliefs, to Eva Hesse's luminous sculptures, and to Cy Twombly's, Andy Warhol's, and Robert Morris's scandalous decoding of Jackson Pollock's drip pictures as "Anti-Form." These artists introduced a new set of values into the field of twentieth-century art, offering ready-made images of obsessional fantasy in place of modernism's intentionality and unexamined compulsions.
